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Saunders, Zina

Zina Saunders lives and works in New York City. Her illustrations have appeared on Broadway theater posters for Blithe Spirit and IF/THEN, as well as on the pages of The Wall Street Journal , The Progressive, Smithsonian Magazine, New York Observer, Christian Science Monitor, Discover Magazine, Chronicle Books, and many more. Her animations appeared weekly for Mother Jones, The Real News, The FInal Edition and Abrams Books.

Rugh, Douglas

Douglas Rugh is a classically trained oil painter (and Copley Master) who works quickly and will provide digital images shot in-house as well as original art. Realistic oil paintings, Representational Landscapes, Imaginative, Sci-Fi and Fantasy, Animals, Cartoon or Character Development, Children, Children's Book, Editorial, Emotive, Historical, Illustration, Impressionist, Lifestyle, Medical, Nature, Painterly, People and Figures, Posters and Covers, Product Still Life, Realistic Paintings, Realistic Stylized, Sports,

Nitta, Kazu

Kazushige Nitta graduated from Dokkyo University with a B.A. in economics in 1987 before coming to the United States and enrolling at the School of Visual Arts in New York City. In the same year, he won two prestigious awards presented by The New York Society of Illustrators Scholarship Competition, and The Smithsonian Air & Space Museum. In 1992 he was honored with both the New York Society of Illustrators International Competition Advertising Award and Book Award. Within months after graduating SVA, Kazu landed his first of several children's book assignments at Simon & Schuster. A short time later he was called upon to illustrate Dr. Theodore Geisel's first posthumous book at Random House called "My Many Colored Days". Along with his work on numerous children's and text books, Kazu also focused on developing conceptual imagery for clients including:Amdahl, Bank of America, Consumer Reports, Coopers & Lybrand, Crain's N.Y., EMI, Kempner, Newsweek, Northwest Airlines, PC World, IBM, Swiss Bank,The Wall St. Journal, Parsons School of Design, and Columbus Symphony Orchestra.

Miguel Lima aka ZERO

ZERO is an alter ego created by Miguel Lima, an artist and illustrator born in Lisbon. He achieved a degree in Painting from the Faculty of Fine Arts of Lisbon after a 9 months Erasmus scholarship at the Academy of Fine Arts of Florence. Since then he has been developing his illustration art, as a multi disciplinary artist who embraces new challenges combining both hand-drawn and digital elements. He has participated in projects related with concept art, character design, animation and editorial illustration. Amongst other distinctions, in 2013 he received an honorable mention in ETIC Ilustra_Lisboa competition, and was a selected finalist in Serco Prize for Illustration 2014 by Association Of Illustrators.

Posti, Pietari

Based in Barcelona, Spain, Pietari Posti creates contemporary scenes with unique personalities for magazines, advertising, product, publishing, posters and newspapers. Pietari's work has been featured in the 3x3 Professional Illustration Annual, PRINT Magazine European Design Annual and American Illustration 27. - Previous clients include: The New York Times, New York Magazine, National Geographic Adventure, The Washington Post, The Los Angeles Times, The Guardian, Time Out, Nokia, American Airlines, British Airways, Runner´s World, Best Life, Wired, Dwell, Portobello Books, Business Week, Bloomberg Market and Paste Magazine.

Berke, Lauren Simkin

Lauren Simkin Berke is a Brooklyn based artist and illustrator whose work can be seen in galleries, on book covers, and in publications such as The New York Times, The Boston Globe, and the L.A. Times. With drawn lines that overlay swaths of color, Lauren's work explores instinctive color play combined with drawn images that study human gesture and how people document their lives in photographs. Lauren illustration work has been recognized by the Society of Illustrators, Communication Arts, Print Magazine, and American Illustration.

Helton, Linda

A Dallas, Texas native, Linda Helton has been a graphic designer and illustrator for over 30 years. She has designed and illustrated everything from newspaper and magazine articles to children's books to annual reports. Linda's work has been nationally recognized in Communication Arts magazine, American Illustration, PRINT magazine and The Society of Illustrators Show in New York. One of her illustrations was part of the Society of Illustrators 48th Traveling Exhibition in 2007.

Bradford, Tim

Living right next to a nature reserve in Nottingham, Tim Bradford also has the convenience of being just half a mile from the city centre. From alpine landscapes to geometry and animals, he’s inspired by nature and also loves drawing people of all sizes, shapes and nationalities.

Tim studied for a BA Hons in Illustration at Lincoln University and an MA in Illustration and Animation at Kingston University London.

Everything begins as a pencil sketch, which is then coloured up digitally using Photoshop and Illustrator. With his animation skills, many clients ask him to create work for both print and digital projects where motion is required. For a more physical feel to his work, Tim is increasingly introducing hand drawn elements as well.

Most of Tim’s imagery is quirky, fun and character based, and his work often incorporates custom typography along with some movement. Life, energy, charm and wit are what he strives for when he creates an illustration, and he likes to find visual solutions that are easy on the eye and keep you looking.

Client List Fanta HSBC Oxford University Press Cambridge University Nescafe Nivea Ogilvy & Mathers JWT Lufthansa

Maguma

MaGUMa is the pseudonym for Spanish artist Marcos Guardiola Martín, who is based in Madrid and works for a growing number of publications and international brands.

Inspired by artists like Moebius and Milano Manara, as well as old adult comics like Metal Hurlant and El Vivora, MaGUMa has developed a style that’s bright, tactile and a little surreal.

MaGUMa studied at the School of Architecture in Madrid, but also took the opportunity to learn abroad in Mexico and Portugal during his education.

Although he works digitally, using a Wacom Cintiq graphics tablet and digital painting software, MaGUMa’s work has an increasingly handmade feel.

MaGUMa’s style will remind you of classic mid-20th century illustration work done in pastel or gouache, and sometimes it looks like a silkscreen print saturated with ink. He strives to give the work a tactile quality, inviting the viewer to try and touch it to feel the texture. Strong concepts and colours are also prevalent in his pictures.

Client List El País Courrier International El Malpensante Yorokobu Amanuta Tara Books

Richardson, Jack

Jack Richardson is an English illustrator in New York, with a clean and fresh comic book style that often features a touch of the unusual.

Originally from the South East of England, Jack is now based in Brooklyn where he does what he loves most – drawing.

Some of Jack’s main influences include the classic comic artists Alex Toth, Jean Giraud (Mœbius) and Hergé, as well as the painter Daniel Heidkamp and the photographer Robert Adams.

Jack took a foundation course at Hastings College in the UK, but beyond that his skills are self-taught. “My father is a professional illustrator, so as well as learning from him I got to see what is required beyond good ideas and draughtsmanship,” says Jack.

With his strong, expressive lines and flat colours, Jack’s style is rooted in the world of hero comics. He strives to bring a narrative to each individual image, and there is often an added layer of meaning, a hint of humour or something slightly unusual in his work.

Client List Vogue La Mer cosmetics Cosmic Strip (the band)

Graziano, Nazario

Nazario is an Italian freelance Illustrator, Graphic Designer and dad. His world is romantic, ironic, dreamy, with good background music. Something like… “a dive in the past with gore-tex lifesaver”. He takes inspiration from old books, illustrations for kids, sky, snow, rain and rainbows, his little princess Bianca, his wife, his cats, music, old-school skateboards, traditional tattoos, 80′s memories, 50′s sci-fi movies, typography and so much more that happens day by day in his life…

Kazdailyte, Egle

Professionally trained as an architect it is no surprise that Egle has since moved on to the colourful world illustration….in fact we can attest to that, as when we met, she was a wave of complimentary hues! Over the last ten years she has created illustrations and visual language for multiple companies from well established names like The Guardian to successful startups such as Lyst. Over the years she has developed a wide range of styles and techniques. Having travelled extensively; Singapore, Shanghai, Mumbai, New York, London and Copenhagen has allowed her to develop both a deep understanding of visual styles and a wide cultural language when working with international clients all over the world. She translates ideas into shapes and colours.

Diaz, Maine

Born in La Plata, Argentina, Maine Diaz, grew up drawing and painting. She was often seen drawing with her pencils or crayons in deep concentration. Cartoons captured her imagination early on and realized immediately that she wants to be an animator when she grows up. Her mother, a biochemist and grandfather were truly flabbergasted upon hearing her declaration. At the age of 16 she took a workshop and start animating, working in films like Patoruzito, El Arca (Patagonik, Argentina), Gizaku and Nocturna (Filmax, Spain). Simultaneously, she enrolled in Audiovisual Communication at Universidad DeLa Plata (UNLP). Soon after, she also started illustrating for children’s story books and educational books. In 2002 with Crimsomnia Studio, she was a finalist at Ford’s “Saldras mas” publicity contest, with “Habitos noctunos” short. In 2005 she won first prize for the character design category of Bizpills (Hi Impatc Learning Experiences), España.

Currently, Maine lives in a tiny green house where she spends time with her two cats, Chula and Lola. She loves tending her garden while Chula eats all the plants and Lola jumps and climbs the trees. Maine prefers to be barefoot while painting and singing in her studio. She is a pretty good cook and sweated several years near the oven and many pans. When not illustrating, she also enjoys swimming, writing, taking photos.

Holmes, Stuart

Londoner Stuart Holmes is now based in Australia’s creative enclave of Melbourne. Trained as a graphic designer, he felt that illustration allowed him much more freedom, and he developed a flat vector style that has remained popular for well over a decade.

Stuart is addicted to vinyl and wherever he goes seeks out a record crate to dig through. He’s also a huge fan of Southampton FC, and led the team out as a mascot back when he was seven years old.

Beedie, Duncan

Duncan Beedie’s cartoony style comes from his background in animation. Based in Bristol, aside from drawing copious quirky images, he collects clockwork robots, can identify pretty much any military aircraft and has a dog called Ivor who you might spot here and there in his work.

Billy, Butcher

Butcher Billy is a Brazilian illustrator with a fresh approach, who loves to slice up ideas and imagery in popular culture and reassemble them in unique ways. Juxtaposing everything from Wonder Woman and the Watchmen to Morrissey and Breaking Bad, his work is ironic, humorous and very postmodern. His subtle questioning of pop culture using pop art as his medium is a juxtaposition in itself, yet in their own unique way all his images seem to make sense.

In addition to his illustration work, Billy is a creative director in a digital agency. He lived in the UK for a while, and has travelled widely. With seemingly endless influences at his disposal – including Banksy, Steve Ditko, Shigeru Miyamoto, Malcolm McLaren and Andy Warhol - Butcher Billy never runs out of moods and concepts to explore.

“I like to create freely and then realise bits of an artwork are influenced by the mood of a movie by Tim Burton, the brushstrokes of a piece by Salvador Dali, with a soundtrack from an early album by David Bowie,” he says.

Smith, Henry

The award-winning cartoonist and illustrator Henry Smith is based in Salt Lake City, Utah. He’s an artist who was captivated by cartoons at an early age and never grew out of them. Now, they’re his career and he’s made a name for himself designing unique characters that are full of humour.

“A great character can be designed if you pay attention to the silhouette. Is it something we've seen before? I like to use geometric shapes in fun ways to see if I can get more interesting characters, and making my characters as weird as possible, while still being cute and approachable,” he says.

There’s certainly a 90s vibe in his inspiration cabinet – Teenage Mutant Ninja Turtles, the Powerpuff Girls and SpongeBob SquarePants are to be found there, along with classic video games like Pokemon Blue and Super Smash Bros. With a graphic design background, he’s also influenced by mid-century modernism. Henry is a keen volleyball player, listens to Country, Rock and Rap, and enjoys the company of his wife and their two sassy dogs.

Viltovskaia, Elena

Based in Toronto, illustrator Elena Viltovskaia brings a light, expressive and elegant touch to the world of fashion illustration. Working by hand, her flowing line work, textures and patterns are made using techniques she’s developed herself, which lend a unique and personal feel to her clients’ projects. Backed up by many years of experience, Elena works with some of the biggest names in fashion.

Alongside her illustration career, Elena is a designer and an art director. She’s easy to work with and her priority is always to achieve the right look and feel for the project she’s working on, ensuring clients are happy and that the imagery is effective. Originally from Belarus, Elena studied design in her home country for three years, then emigrated to Canada where she received a degree in Communication Design from the prestigious Ontario College of Art and Design.

APPROACH
Elena loves working with water-based media such as ink, watercolors and acrylics. She has honed her craft over many years, developing a special technique to produce gorgeous paint spray patterns alongside her effortless drawing style. Photoshop is also part of her process, and she delivers work digitally.

STYLES
For spontaneous, colorful and elegant fashion and beauty illustration – where the hand of the artist is evident in every brushstroke – Elena is the artist to turn to.

CLIENT LIST
Elena has worked for clients including Mari Claire, Vogue, Elle, Walt Disney Corporation, Garnier and The Walrus.

Rollet, Claire

Born in France, Claire Rollet spent over 20 years in London and has recently relocated to Amsterdam in the Netherlands. London will always hold a very special place in her heart but for now she is loving cycling around discovering the Dutch capital. In her spare time she loves sewing; each garment she sees as a mathematical problem waiting to be solved.

Music accompanies Claire in her work and she has daytime and night-time playlists. Todd Terje, Kiki Gyan, Mashrou' Leila and Cosima are out when the sun’s up, and at night she listens to the likes of Hercules Love Affair, Gotye and Baloji.

Hodges, Lee

Lee Hodges comes from deepest, darkest Kernowfornia – also known as Cornwall. The sea and coastline have always been a part of his life, and today he lives on the foothills of Dartmoor, in Devon. In addition to his vibrant, mixed media illustration work, Lee is a DJ and runs club arts nights in the Southwest of England. He loves to explore and experiment with a range of creative media, but drawing was his first love and that’s what drives him as an illustrator.

Crush

Crush is a truly integrated design agency providing creative solutions across all print, digital and moving media. We believe in a collaborative creative process and intelligent idea generation. We’re passionate about our work and famed for producing standout creative for clients all over the world. We don’t just want to simply make stuff look good, we want to make smart ideas look great.

Javens, Ben

Ben grew up in a small town in Yorkshire and though he now resides in Birmingham he still holds dear those formative years and his northern roots. Those that know Ben will no doubt tell you he can be a bit of a curmudgeon but that deep down there is a happy soul trying to get out and those that know his work will no doubt see the battle between happy and sad in the characters he draws and the situations they find themselves in. Ben's work is often very simple but always displays a strong emphasis on colour and a carefully considered composition. He takes much of his inspiration from the books he collects about illustrators and designers from the mid 20th century and those of new artists’ that give a nod to past styles and trends. He also fills his working days with music so as to let it seep into his soul and be transformed into something that can be seen.

Eason, Rohan

London based Illustrator Rohan Eason works predominantly in pen and ink. He is best known for his stark black and white imagery, which plays heavily on the roles of composition and view point, and the balance between intricate detail and dark or light space. His work has become widely used in book illustration and more recently in advertising, where his uniquely hand crafted style stands apart from the more typically used digital art forms.

Although art has run very clearly through his family and his childhood, it was only after leaving university and a painting degree that he decided to pursue illustration as his preferred discipline. Rohan loved the work of Aubrey Beardsley and Arthur Rackham as a boy, and this devotion to and pursuit of the beautifully hand drawn line followed him into adulthood. His portfolio now bursts with the magical and fantastical scenes from dreams to nightmares, from real life to imagined creations, but all with the same single grounding fact, that of beauty and balance.

Taylor, Nadia

Nadia Taylor is a designer and printmaker based in London. Her colourful prints are filled with bold shapes and striking pattern. She loves screen-printing and the whole process informs her work – from the use of a limited colour palette to the incorporation of textures and dark outlines. Her work projects range from large-scale hand-painted murals, packaing, book covers, greeting cards, gift wrap, menus and farm signs with a list of clients including Ikea, Target, Mr Kipling, and Zizzi Restaurants.

Barber, Isobel

Isobel is a paper engineer and illustrator, living and working in the beautiful county of Dorset. Isobel graduated from the Arts University Bournemouth in 2012 with a degree in Textile design, where she specialised in creating illustrative patterns and print designs using a cut paper technique. Isobel continues to use this method to create detailed work and miniature sets, using layers of card and cut paper. Isobel has worked with a number of clients in fields such as advertising, editorial, branding, live illustration events and most recently film. Clients include The National Trust, Tesco, Lands' End, Harveys Furniture, Benson for Beds & Wilderness Festival. When not wielding a pair of scissors or a scalpel, some of her other pastimes include baking, prising scraps of stray paper from the jaws of her miniature schnauzer Otto, running along the Dorset coast, flowers and photographing colourful things.

Sulzberg, Daniel

Illustrator Daniel Sulzberg is based in Santa Barbara, California, and his work is infused with the easy-going creativity that his home state is famous for. It’s colourful and fun, welcoming and sometimes a little bit zany. Maybe that’s why the characters he draws so effortlessly seem to jump to life in his illustrations.

Growing up in a town called Danville, he was always Dan from Danville. After initially trying to emulate his older brother, who was a fine artist, Dan later discovered cartoons, comics and Nintendo games. Soon, he had invented Danvillage, a place for all his whimsical characters to inhabit. It’s become the moniker he works under as an illustrator.

Dan’s favourite artists include Dali, Murakami and Miyazaki, while Prince and Reggae music keep him juiced up on tunes. He also has a huge collection of 80s vinyl from his days as a DJ.

Kerr, Sam

Sam Kerr approaches his work with an equal amount of thought placed on the drawing style and concept. “For me, the two are inseparable and as important as each other. To get the best out of an idea, you have to match it to the right medium.”

Although most ventures into different ways of working have come about through a basic need for variety, some were born out of necessity. In 2011, Sam Kerr spent six months bedridden as a result of back problems, so in order to keep up his drawing, learnt to work entirely on his iPhone.

As of December 2011, Sam Kerr returned to his studio with a new back and continues to work on his collaborative projects with illustration collective Lie-ins and Tigers, and new joint venture Interrobang with friend Russell Weekes.

His clients include… Channel 4, Coca-Cola, Waitrose, Phones 4U, Gillette, Paul Smith, Planet Of The Grapes, Marwood ties, TIME Magazine, GQ, FHM, Red Bulletin, Popshot, LE GUN, The Guardian, and The Independent.

Brickley, Corey

Corey has been announced Merit Winner of the 3x3 Professional Show, reproduced in the 3x3 Illustration Annual No.13.

Corey Brickley was born in the U.S. In 1987 and now lives and works as an illustrator and designer in Philadelphia.

Corey Brickley is a graduate of the University of the Arts' Illustration program in Philadelphia, PA. Corey creates concept-driven illustrations for editorial, publishing, music and advertising. He is a digital artist who uses a healthy mix of 3D, texture, and Wacom-based painting. His work is concerned with surreal and graphic juxtapositions.

Corey primarily works in editorial and specializes in motion graphics and animation. Corey is a winner of the American Illustration 35th annual competition for his motion illustration work with The Huffington Post.

Previous clients include: The New Yorker, The New York Times, The Huffington Post, Pacific Standard Magazine, Vice Magazine, Penn Gazette, Texas Monthly, Magnet Magazine, Grid Magazine.

Dream clients: Mother Jones, Popular Mechanics, GQ, Rolling Stone, Penguin, Little Brown, Tor, Converse, Vans, MTV, SmuttyNose Brewing Co

Malbon, Chris

Based in beautiful Bristol, Chris Malbon, AKA Melb is an active member of the area’s thriving art and design scene, regularly giving talks at local colleges and universities. He classes himself as a creative all-rounder, comfortable designing and illustrating from the side of matchboxes to large murals, be it in pencil, pen, paint or pixel, he’s happy using them all.

Incredibly experienced and versatile, Chris is able to adapt his style and creative process to fit the demands of the job in hand, this ability makes Chris a winner for any campaign large or small. The end result is always of the highest quality both artistically and commercially. He is constantly figuring out innovative new concepts and ideas to push his art.

A hardworking and prolific contributor, Chris has created work for an array of clients and agencies over the past 15 years. He has worked on campaigns for Coca-Cola, Sony, London 2012, Unilever, Carhartt, Nestle, Nike and MTV and has plenty more impressive credits under his belt, so he is no stranger to the pressure that comes from working on high-profile campaigns.

His career has taken him on a journey through some renowned studios including Attik, Zip Design, Version, Sun House and McFaul Studio.

Client List: Nike, Lucas Films, Coke Olympics 2012, Bristol City College, BBC, Discovery Channel, Hero Complex Gallery, Gallery1988, Aardman, Mondays MoCo, Lounger Productions, Clutter Magazine, Digicel, Computer Arts Magazine, AnyForty, EA Games, Hugo Boss x Martin Kaymer, Henrik Stenson, Nesspresso, David Guetta, Orange / EE, Clearasil, Design Council, Shortlist Magazine, Vintage TV, Mauger Modern, Luma, KIA, DJ Magazine, The Economic Review

Fuentes, Edu

Born in Madrid and currently based in London, Edu Fuentes has been working as a freelance illustrator since 2003, combining a wide range of commercial projects with personal work and exhibitions.

With a combination of bold colours and geometry, his artwork orbits between the symbolic and the mechanical, playing with depth of field and multilayered objects. He is inspired by science, cinema and pop culture, and makes a sisyphean attempt to learn Japanese every once in a while.

His work has been featured in the books Understanding Illustration, Ghosts of Gone Birds and Three By Three Illustration Directory.

Previous clients include: Wired UK, Mayor of London, BMW, Zurich, More Than, Monocle, Times Higher Education, GT Nexus, Kaplan, WPP, Financial Management, Bulletin, STEP Journal, FM World, WeAreBold, Oxford University Press.

Schommer, Florian

Berlin based Art Director and Designer working within branding, illustration, editorial design, packaging design and contemporary art. Dividing his time between personal projects and working with a variety of international clients like Sony Music, Penguin Classics, Swatch, The Guardian, Brew Dog, Jura Whisky, The Economist, Columbia Records, JP Morgan & Chase, Skoda, Jägermeister and many more.

Florian performs his own recognizable style, while also being able to adapt to his customers’ preferences. Growing up in the skate & punk scene of the 90s, he later attended art college in Düsseldorf while constantly touring the world with a variety of bands. After winning several Design awards like ADC, German Design Awards, Illustrative Nominee and Red Dot Award he became an official member of Germany’s Art Directors Club.

Horvath, Peter

Peter Horvath, born of Hungarian descent into a lineage of photographers, began taking pictures at age 6. After spending his formative years inhaling darkroom fumes, he worked as a stills photographer until he discovered computers in 1995 when a friend gave him a Macintosh Plus. Shortly thereafter, he happened across the work of Dadaists John Heartfield and Hannah Hoch, whose work exposed him to the world of photo-montage. He has since produced digital collage works exploring narrative, abstraction, and the hypnagogic, and continues to push the boundaries of convention, displacing the familiar and nostalgic with unique, surreal touches. Peter’s ability to master bold compositions that convey complex concepts is what makes his work stand out. His impactful images make him a natural choice for the nuances of editorial work, and the call-to-action needs of advertising. His work is featured in the newly published book from Die Gestalten, "Illusive - Contemporary Illustration", as well as an upcoming book on collage.

Previous commercial clients include The Economist's Intelligent Life Magazine, AMEX, The Washington Post, The Smithsonian Magazine, Billboard Magazine, The Atlantic Monthly, Wired Magazine, Entertainment Weekly, The Wall Street Journal, Forbes Magazine, The Village Voice, Variety, Scientific American Mind Magazine, New York Times, The L.A. Times and L.A Weekly among others.

Peter has been awarded numerous grants from The Canada Council for the Arts for his new media work, and is the recipient of commissions from Rhizome.org at The New Museum, NYC (2005) and Turbulence.org New Radio and Performing Arts, Boston (2004). He has exhibited in museums and galleries across the globe including the Whitney Museum Of American Art‘s Artport (NYC), Museo Tamayo Arte Contemporaneo (Mexico City), the Musee national des beaux-arts du Quebec (Quebec City, Canada) and FILE Electronic Language International Festival (Sao Paulo, Brazil).

Loeffler, Max

Max was born in rural Germany in 1989 and started out illustrating extensive album artworks for punk and metal bands after doing his homework. After graduating from the Graphic Design department at Hochschule Darmstadt in 2017, he began working as a freelancer with renowned clients like The New Yorker, The New York Times, Adidas and Google. He still enjoys creating artwork for bands.

Influenced by the classic surrealists as well as retro science-fiction book covers, he likes to look below the surface of one-to-one visual translations, adding meaning and room for inference by wrapping his illustrations in the dense atmosphere of a surreal and melancholic parallel universe. His urge is to translate and decipher what can only be felt, not directly seen, and to amplify this visually, particularly in his personal work.

Max has worked with clients such as: The New Yorker , The New York Times , Google, GLOBE Brand, Future Islands, Bloomberg Businessweek, Folio Society, Atreyu, GQ Magazine, WirtschaftsWoche, DIE ZEIT, Adidas, Bandcamp, Medium, Cicero, The Economist, Variety, Wall Street Journal, The Hollywood Reporter, and The Shrine.

Awards: 2019: 3x3 AWARD SHOW Merit 2019: WORLD ILLUSTRATION AWARDS 2x Shortlist 2019: AMERICAN ILLUSTRATION 38 Winner 2019: SOCIETY OF ILLUSTRATORS “Illustrators 61” Exhibit & book 2018: JOSEPH BINDER AWARD Distinction 2018: GERMAN DESIGN AWARD Newcomer Nominee 2018: FOLIO SOCIETY BOOK COMPETITION Winner 2017: 3x3 STUDENT SHOW Gold 2016: JOSEPH BINDER AWARD Distinction 2016: ADC GERMANY Silver

Books: Lürzer’s 200 Best Illustrators 2018/2019 Freistil

Wolski, Marcin

Marcin Wolski is an illustrator and graphic designer with several years of experience in advertising, and editorial illustration. He began his artistic journey with traditional media, slowly moving to digital art. He lives and works in Sopot, Poland.

In his illustrations, Marcin tries to capture specific mood using simple shapes, colour and light to distill the essence of the story that he tries to tell in each illustration. His inspirations come from retro games and Polish socialist-era posters as well as modern illustration.

BloodBros.

BloodBros. is the studio of New Zealand-born illustrator and graphic artist Emile Holmewood, who currently lives in Tokyo.

Originally a graphic designer, he was once told by a studio creative director to remember he is a "graphic designer who illustrates, and not the other way around", Emile has since worked tirelessly to prove otherwise, bringing his artistic flair to everything he does.

Nevertheless, Emile’s unique style is underpinned by graphic design principles, and contradiction is central to his work: he constructs his illustrations in cold-hearted vectors, then warms them up with playful colours, a heavy dose of humour and sometimes; animation.

Emile's inspiration comes from a vast array of eclectic sources including LEGO, life in Japan, fish, baroque paintings, bubblegum and The Simpsons – to name but a few.

Some previous clients include:

The Sunday Times, Bank of America, Apple, IBM, The Verge, 99 percent invisible (podcast), La Quinta Hotels, IEEE, Radio New Zealand, Seamless, Exxon Mobil, Toshiba, Marketing Week and Bank West

Awards

2015 Best Awards Finalist 2013 Best Awards Silver, Bronze, Finalist, Finalist 2012 Best Awards Finalist 2011 Graphis Platinum 2009 Best Awards Finalist 2008 Best Awards Silver

Oliver, Mark

Experienced and versatile, Mark Oliver has a bold, graphical style that is as impactful as it is engaging. His line work, color and compositional skills are second to none, and his background in advertising means he knows exactly how to meet an art director’s brief with innovative new approaches.

Even when he worked at Alliance International, Mark took the opportunity to illustrate his own ads. With over 20 years under his belt as a freelance illustrator, today he creates imagery for some of the biggest brands and top names in publishing. Now based in Worthing on the South Coast, he’s inspired by Raymond Loewy, Hergé and Eduardo Paolozzi. Mark has a degree in Graphic Design from Middlesex University.

APPROACH
Mark has used a wide range of media during his career, from physical painting and collage through to Illustrator and Photoshop. Most projects these days are tackled digitally, but he loves to draw and paint as well if it suits the commission.

STYLES
Mark works in a variety of styles that he adapts to suit the requirements of a job. His favorite at the moment involves an isometric perspective, geometric shapes and a distressed finish with a retro palette.

CLIENT LIST
Mark’s impressive client list includes Macmillan, Visa, Toyota, Volkswagen, The Times, Punch, Faber & Faber, Penguin Books, Macmillan, Bloomsbury, OUP and British Gas.

Tallon, Ben

Loud, lively, frenetic and expressive, Ben Tallon’s artwork captures the many moods of modern life thanks to his instinctive drawing style and ample splashes of ink, brush marks and scribbles. His ability to organize chaotic creativity and turn it into a captivating image is exactly what his clients want.

Growing up in Keighley, West Yorkshire, Ben loved Leeds United, wrestling and video games as a child. They still give him inspiration today, and sometimes feature in his work, alongside pop icons and TV stars. Now located in London, Ben is passionate about creativity and is the author of Champagne and Wax Crayons, as well as the host of the podcast Arrest All Mimics. He has a BTEC in Graphic Design from Keighley College, and a BA in Illustration from the University of Central Lancashire.

APPROACH
Pens, inks, brushes, found materials and textures, acrylics, spray paint, pastels, wax and colored pencils – Ben is very much a mixed media creative. He’ll use worn out old brushes that have a little more depth and character than new ones, and favors the unexpected or happy accident. Photoshop is used to layer everything together and finalize the composition.

STYLE
Ben’s style is loose and organic, full of marks and gaps because he likes to engage viewers by leaving something to the imagination.

AWARDS
2015 – Dot London Small Business Awards – Creative Agency of the Year

CLIENT LIST
Ben has been commissioned by clients including The Guardian, EasyJet, Adidas, World Wrestling Entertainment, Comic Relief, Channel 4, The Wall Street Journal, UNICEF and more.

Tallon Type

Often, custom lettering is just what a project needs to make it completely unique while at the same time hitting the perfect note with its intended audience. And when a project like that comes along, Ben Tallon’s bespoke hand lettering service Tallon Type should come at the top of your list. Here’s an artist who can tailor the text not just to the campaign but to each individual communication with in it at a level of detail that script typefaces just can’t match.

From tight handwritten styles through to headlines in broad brushstrokes, Ben will fine-tune the lettering to the job at hand. He’s spent years evolving a range of character styles, working closely with art directors to gain a comprehensive understanding of kerning, weight, messaging hierarchies, composition and overlays to make custom lettering as effective as possible.

APPROACH
When Ben receives a brief he often collaborates closely with his client in choosing the media and execution that will give the project maximum impact. Inks, paints, spray paint, pencils, pens and found materials – the selection depends on the surface, idea, photography and time constraints.

STYLES
Ben creates hand lettering in a variety of styles, and will find a look to perfectly suit the mood and tone of the brief. For one project pen work in a clear hand will convey the right level of subtlety, while others need enormous, bright spray-painted caps. Ben can deliver either, and anything in between.

CLIENT LIST
Tallon Type clients include The Premier League, World Wrestling Entertainment, Arsenal Football Club, The Guardian, Bloomsbury, Women’s Health, Dr Martens and Comic Relief.

Venables, Bob

Bob Venables is the go-to illustrator for any project that requires illustrations executed in a classic style. Matisse, Hogarth, Wyeth, Rackham, Lowbrow… whatever look you’re after, Bob will deliver. He’s a pastiche illustrator par excellence.

Bob has worked on many high profile advertising campaigns, including the Profit Hunter ads for Artemis, which have run for over a decade. His versatility, eye for detail, and ability to evoke the past while conveying contemporary themes to contemporary audiences are what keep clients coming back again and again. Originally from Birmingham, Bob worked in London and established himself on the advertising scene before moving to the Isle of Wight, where life is a little more relaxed. He studied Graphic Design at Central Saint Martins gaining a BA, and did archaeological illustration for a year before becoming a freelancer.

APPROACH
Bob works in a whole range of media, depending on what’s required by the commission. On the traditional side he uses oil, acrylic, alkyd, watercolor, and pen and ink, but he’s also happy working digitally on his Wacom Cintiq.

STYLES
Primarily a pastiche illustrator, Bob is adept at recreating just about any look – from 1930s propaganda-style posters to old maps, and from neoclassical still lifes to jolly 19th century book illustrations.

CLIENT LIST
Bob works for a range of top-flight clients including Guinness, British Airways, Artemis Asset Management, the BBC, Adidas, Sony, Heinz, Tesco, Waitrose, John Smiths, FIFA, VW, BMW and the Folio Society.

Patra, Jyotirmayee

Jyotirmayee Patra – also known as JP – is India’s leading artist for custom lettering, playfully embellished with beautifully rendered flowers, intriguing animals, graphic shapes and lively textures.

Based in Rourkela, JP’s passion for calligraphy has led to a career in illustrative lettering, using her talent to imbue her clients’ projects with tone and atmosphere. Botanical drawings and organic patterns are two of her main inspirations, alongside the abstract artist Jessi Raulet. She studied at India’s National Institute of Design in Ahmedabad, learned professional calligraphy from Harvest Crittenden, and has taught copperplate calligraphy workshops. JP is a hoarder of unique stationery and pens, loves fairy lights and is a yoga practitioner with an interest in cosmic energy, astral projection and conscious manifestation. “Joining IllustrationWeb was one of my manifestation goals not so long ago, so I believe I have decent manifestation skills!” she says.

APPROACH
Everything begins with an inspiring quote, copy relating to the brief, or a central image. After refining her focal point, JP surrounds it with detailed flowers, characters and foliage, playing with the composition until it’s perfectly balanced.

STYLES
JP’s type and illustrations are infused with nature, with bold main forms softened by whimsical detail. While her earlier type-based work is black and white and emphasizes her rendering skills, her latest images pop with color.

AWARDS
Winner – INDIAFRICA: A Shared Future Poster Awards – 2012

CLIENT LIST
JP’s client list includes Snapchat, Makemytrip, DesignUp, Asian Paints, St+Art India, Levi's, Snap-on Incorporated, Design Stack, Bakheda, IxIDEAS Consulting, AGoodFeeling and Hornet Inc.

Wue, Decue

Decue Wu has clients in editorial, fashion and publishing who all love her illustration work for its bold style, bright colors, optimistic vibe and the intriguing way she combines patterns and textures. She gives every project a classic illustration feel, with the hand of the artist always present.
Based in Boston, Decue is originally from China and works for clients all round the world. Fashion is one of her biggest inspirations and her favorite designers include Yves St Laurent, Helmut Lang, Hussein Chalayan, Alexander McQueen and Rei Kawakubo. “To me, their designs are fine art and bring fashion to a whole new level in the history of art,” she says. She has an MFA in Illustration Practice from the Maryland Institute College of Art, and previously studied Digital Media Art at Zhejiang University in China.

APPROACH
Most of Decue’s work is done using Photoshop and Illustrator, but she also combines hand-made textures, screenprinting and collage work to give her illustrations something extra.

STYLES
Decue’s fashion images often feature long, thin figures in a freehand style and vibrant colors. Her lifestyle illustrations usually have a more restrained palette, geometric shapes and patterns, and interesting brush and paper textures. She also creates graphic art and infographics, going for a cleaner look, using simple vector shapes and geometric forms.

AWARDS
2014 Hiii Illustration Merit 2014 Taipei Art Competition Winner

CLIENT LIST
Some of Decue’s clients include Vogue, Airbnb, Esquire, MIT, Modern Weekly China, Obscura Magazine, The Bump, Draw A Dot and Hopes and Fears.

Sheehan, Lisa

Lisa Sheehan lives and works as an illustrator in Bedfordshire. During her BA Illustration at Kingston University (many moons ago) she decided she wanted to become a 3D artist/model maker. Back then that meant literally making the model shooting it and all the faff that went with it, which as a young graduate seemed all a bit too much so Lisa fell into the world of graphic design becoming an Art Director for the Financial Times and spent the next 15 years commissioning CGI artists. The drive to create never left and the desire to produce her own work became so strong that she decided to create the illustrations herself. By working night and day, to grasp the technology of the CGI wizardry, her dreams of ‘model making’ were now back on track albeit within the digital world.

Lisa is a 2D/3D ‘image maker’ producing imaginative CGI illustrations that are often typographical with a pop of colour. Lisa loves to create fun pieces with detailed delicate forms as well as mixing 2D and 3D to create illustrations for advertising and editorial work. The idea that you can, with CGI technology, create almost anything your creative mind can conjure up continues to inspire Lisa every day.

Lisa works part time for the Financial Times as an art director and in-house illustrator, she has extensive magazine cover art-direction experience, having art directed several Financial Times magazines. Lisa is also a published Children’s book illustrator/Author, with an MA in Children’s book illustration from Cambridge school of art.

Previous clients include: Business Life Magazine from British Airways, Tesco, Women’s Health UK, Cosmopolitan UK, Fabulous Magazine (The Sun on Sunday), The New Statesman, The Financial Times, FT Weekend, Accounting Monthly Magazine, The Banker Magazine, Investors Chronicle, FDI Magazine, Money Management, Nikkei.

Shortlisted for the AOI World Illustration Awards 2018.

Koelsch, Michael

Michael Koelsch is an illustrator, designer and digital artist who acknowledges the beliefs of some of the great illustrators of retro era 50's and 60's - the giants like Coby Whitmore and Austin Briggs, who thought that keeping up with the times and evolving your style is as important as your sense of design and color... along with the fundamentals of drawing and painting.

He has worked with every major publishing house, countless advertising agencies, and a large number of design agencies and magazines. Best known for his retro style and horror film posters, Michael Koelsch continues to evolve and adjust his styles for each client.
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