

Kann, Victoria

tsinganos, jim

Yang, James

Manley, Matt

Sunnydale Studio

Horvath, Peter
Previous commercial clients include The Economist's Intelligent Life Magazine, AMEX, The Washington Post, The Smithsonian Magazine, Billboard Magazine, The Atlantic Monthly, Wired Magazine, Entertainment Weekly, The Wall Street Journal, Forbes Magazine, The Village Voice, Variety, Scientific American Mind Magazine, New York Times, The L.A. Times and L.A Weekly among others.
Peter has been awarded numerous grants from The Canada Council for the Arts for his new media work, and is the recipient of commissions from Rhizome.org at The New Museum, NYC (2005) and Turbulence.org New Radio and Performing Arts, Boston (2004). He has exhibited in museums and galleries across the globe including the Whitney Museum Of American Art‘s Artport (NYC), Museo Tamayo Arte Contemporaneo (Mexico City), the Musee national des beaux-arts du Quebec (Quebec City, Canada) and FILE Electronic Language International Festival (Sao Paulo, Brazil).

BloodBros.
Originally a graphic designer, he was once told by a studio creative director to remember he is a "graphic designer who illustrates, and not the other way around", Emile has since worked tirelessly to prove otherwise, bringing his artistic flair to everything he does.
Nevertheless, Emile’s unique style is underpinned by graphic design principles, and contradiction is central to his work: he constructs his illustrations in cold-hearted vectors, then warms them up with playful colours, a heavy dose of humour and sometimes; animation.
Emile's inspiration comes from a vast array of eclectic sources including LEGO, life in Japan, fish, baroque paintings, bubblegum and The Simpsons – to name but a few.
Some previous clients include:
The Sunday Times, Bank of America, Apple, IBM, The Verge, 99 percent invisible (podcast), La Quinta Hotels, IEEE, Radio New Zealand, Seamless, Exxon Mobil, Toshiba, Marketing Week and Bank West
Awards
2015 Best Awards Finalist 2013 Best Awards Silver, Bronze, Finalist, Finalist 2012 Best Awards Finalist 2011 Graphis Platinum 2009 Best Awards Finalist 2008 Best Awards Silver

Giles, Ben
His work is inspired from many different things such as colour, nature, juxtaposition, children’s encyclopaedias, repetition, metamorphosis. Artistically speaking influences range from Bosch’s complex and surreal character filled landscapes, to the metamorphosing patterns of MC Escher. Artists such as Picasso, Matisse, Rousseau and Miro have defined the balancing of colour and the juggling of shape and composition over the years.
Ben has focused on working with commercial commissions for several years, such as magazine editorials, fashion labels and advertising campaigns. He has also exhibited his work around the world, held creative workshops and partaken in art residencies. His goal is to continue to work with a large variety of clients to explore the further possibilities of his work, while also sharing and exhibiting his creations to as many people as possible.
A wide variety of his clients include, Google, Apple, Hoegaarden, Rubicon, New York Times Magazine, Vice Magazine, Wall Street Journal, GQ, Elle, Stanford Design School, Bloomberg Businessweek, Galison Harpers Magazine and Jarrold’s Spring/Summer window displays.
Moreno, Gabriel
Prades, Simon
Simon works in analog techniques, such as ink, pencils or watercolor but also digitally, depending on the subject. His work is often a combination of detailed and complex drawings and narrative ideas. Depending on the subject his illustrations can also be rough, spontaneous and moody. He also creates slightly animated versions of his illustrations, which can be used in digital publishing and media.
Simon has worked for clients such as:The New York Times, The New Yorker, HarperCollins, Bloomberg, The Atlantic, Scientific American, Rolling Stone Magazine, Medium.com, The Guardian, New Statesman, VICE, The New Republic, Der Spiegel, Cicero Magazin, Esquire, Empire Magazine, Entertainment weekly, Nike, Ubisoft, BBDO, Ogilvy & Mather, Serviceplan and Y&R.
Wilson, Joe
The Red Dress
Phillips, Craig
Roe, Monika
Webb, Neil
Infomen
Baker, Andrew
Herring, Matthew
Williamson, Alex
Hanson, Sarah
Dryden, Jim
Morgan, Patrick
Carey, James
Glenwood, Michael
Mahoney, David
His latest client list includes: The Guardian, 20th Century Fox, OPI, Kiehl’s, GQ, Fortune, Maxim, Easyjet, Tesco, Men’s Health, The Economist, NBA, MLB, Institutional Investor, Disney Pixar and Adobe.
David believes keeping tradition alive is important in an increasingly digital age. He specialises in the merging of traditional mediums and digital applications resulted in his signature style coined "tradigital". This method of creating his illustration allows his work to be animated, a style often used in digital editorial magazines.
In 2014, David opened his first solo exhibition at the Coningsby Gallery, London titled ‘Black + White’: a series of animated portraits of twenty leading individuals created in squid ink and watercolour.
In 2013, David was awarded the 99U Scholarship by the Samsung Accelerator and 99U for his illustrative work. David has had his work displayed in numerous publications and has spoken at events in both the USA and UK. David is a Community Professional for Adobe.
At the present, the artist is currently exhibiting his work in LA and New York with the Hero Complex Gallery for his client 20th Century Fox, celebrating the latest American Horror Story and Disney Pixar’s Toy Story.
Mallart, Bruno
Vasilakis, Anastasia
Among the numerous prestigious awards Anastasia has been honored with are : The Society of Illustrators, Communication Arts and The Society of Publication Designers.
She has also been honored as a guest lecturer at The International Center of Photography, The New School and School of Visual Arts in New York, as well as The International School of Paris.
Her credentials don't end with the world of print however. She's also active as a graphic designer for Film and Television and has worked with such well known production designers as Laurence Bennett and Linda Burton.
A few of her clients inlude: The NY Times, The Wall Street Journal, LA Times, Time Magazine, Computerworld, CIO Magazine, Rolling Stone, Money Magazine, Showtime, HBO, ESPN, Sundance, SONY Records, Atlantic Records, Levi Strauss and Merck.
Anastasia's fine art paintings are collected internationally. Large scale commissions have been created for venues in Berlin, and City Winery's in Chicago, Nashville and New York City.
Falconer, Sam
Initially working purely by hand, Sam discovered a passion for digital collage in 2010 which later developed into his own unique brand of rich and detailed imagery. This method allows him to develop and turnover complex pieces with diverse character sets in timeframes that suit each client’s needs.
As a big science and technology fan, Sam has developed a strong presence in the field with clients including Nature, Nautilus, New Scientist, The Royal Society of Chemistry, Scientific American and Wired magazine. in 2015 Sam was commissioned by the acclaimed MIT Museum to rework their map designs for the general public.
Other clients include: British Airways, British GQ, Capital, Computer Arts, Deustch Inc, Emirates, The Guardian, The Independent, Intelligent Life, John Hopkins University, M & C Saatchi, Nokia, Reader's Digest, Scholastic, The Spectator, The Telegraph, The Times, The Washington Post.
In 2014 Sam was featured in IdN magazine’s New Faces of Inspiration issue as one of ten leading illustrators in the editorial field. His work was also exhibited in Taoyan city, Taiwan as part of Dpi magazine’s Space Odyssey exhibition.
Sam has a BA in Illustration and Animation from Kingston University and graduated in 2011.
Rosenbaum, Jonathan & Georgina
Marden, Phil
Zuckerman, Craig
Burston, Oliver
Strain, Peter
Jacey
Nielsen, Cliff
Brickley, Corey
Corey Brickley was born in the U.S. In 1987 and now lives and works as an illustrator and designer in Philadelphia.
Corey Brickley is a graduate of the University of the Arts' Illustration program in Philadelphia, PA. Corey creates concept-driven illustrations for editorial, publishing, music and advertising. He is a digital artist who uses a healthy mix of 3D, texture, and Wacom-based painting. His work is concerned with surreal and graphic juxtapositions.
Corey primarily works in editorial and specializes in motion graphics and animation. Corey is a winner of the American Illustration 35th annual competition for his motion illustration work with The Huffington Post.
Previous clients include: The New Yorker, The New York Times, The Huffington Post, Pacific Standard Magazine, Vice Magazine, Penn Gazette, Texas Monthly, Magnet Magazine, Grid Magazine.
Dream clients: Mother Jones, Popular Mechanics, GQ, Rolling Stone, Penguin, Little Brown, Tor, Converse, Vans, MTV, SmuttyNose Brewing Co
Fuentes, Edu
With a combination of bold colours and geometry, his artwork orbits between the symbolic and the mechanical, playing with depth of field and multilayered objects. He is inspired by science, cinema and pop culture, and makes a sisyphean attempt to learn Japanese every once in a while.
His work has been featured in the books Understanding Illustration, Ghosts of Gone Birds and Three By Three Illustration Directory.
Previous clients include: Wired UK, Mayor of London, BMW, Zurich, More Than, Monocle, Times Higher Education, GT Nexus, Kaplan, WPP, Financial Management, Bulletin, STEP Journal, FM World, WeAreBold, Oxford University Press.
Wolski, Marcin
In his illustrations, Marcin tries to capture specific mood using simple shapes, colour and light to distill the essence of the story that he tries to tell in each illustration. His inspirations come from retro games and Polish socialist-era posters as well as modern illustration.
Koelsch, Michael
He has worked with every major publishing house, countless advertising agencies, and a large number of design agencies and magazines. Best known for his retro style and horror film posters, Michael Koelsch continues to evolve and adjust his styles for each client.
Fulvimari, Jeffrey
In 1998 Jeffrey was invited to exhibit his work at the Parco Gallery in Tokyo, which in turn launched his Japanese career. He has published two monographs in Japan: It’s OK and Everything’s Gonna Be Alright (1998) and Jeffrey Fulvimari’s Greatest Hits (2003), an eclectic collection of drawings, photos, songs and poems. He has since exhibited extensively with solo shows of his paintings and drawings throughout Japan and Asia.
Beginning in 1999, Jeffrey has produced a broad range of licensed goods in Japan and has also launched popular product lines in the US, the UK, France, Italy, Mexico and other territories. These products – covering the gamut of apparel, stationery, handbags, leather goods, bath products, household items and footwear – are sold in quality outlets including Barnes and Noble, Kohl’s, Mark’s and Spencer, Top Shop and others.
Miller, Doug John
Doug completed his bachelor’s and Masters degrees in Architecture at UCL where his project ‘The San Francisco Columbarium’ won him the SOM Fellowship, Bartlett and Donaldson Medals. Doug now teaches part time running architecture and landscape design studios at the Bartlett School of Architecture, UCL.
LaCoste, Gary
Julian, David
Rathke, Kathryn
Clients:
Newsweek, NY Observer, Vanity Fair, Time Out, The Evening Standard, O Magazine, Brooks Sports, Penguin, Make Magazine, Smart Money, Rolling Stone and Welt am Sonntag are just some of Kathryn’s clients.