Jim creates science-fiction illustrations, space art and fantasy landscapes.

digital collage for editorial, corporate, advertising, animation, book cover, packaging, children's books

Sudi McCollum grew up in a creative household with a crazy-ass artist mother and an advertising executive father (he won a Clio!).  She graduated from California College of the Arts with a degree in fine arts.  However, as soon as Sudi graduated, she embarked on a successful career in graphic design, which was much more to her liking.  It was the graphic quality of graphic design that so appealed to her and most all of her art has a noticeable graphic quality to it. Poster commissions by  her advertising clients prompted her to start an art publishing business for her own Japanese-woodblock style art prints.  From there she began working as an illustrator (specializing in packaging, publishing and promotional materials) then home accessory design (dinnerware, rugs, pillows, giftware).  Known for her woodcut style often incorporating decorative themes involving nature, animals, artisanal/organic foods. She likes designing it all!  She has 2 cats:  Beezie and Red Teddy Long Tail, but is also a doggie person.

Check it out! 2-D, 3-D collage, digital illustration, stock, NEW work and Gift Gallery!

Since graduating in 2009 from Central Saint Martins, with a first class degree in Graphic Design, Helen Friel has been working as a freelance Paper Engineer. Helen both hand cuts and uses technology to produce her pieces. Bridging the gap between two and three dimensions is central to her design practice as well as producing pieces that involve and evoke emotion in the audience. Many of her pieces are stage sets in miniature, creating worlds with layers of card and paper. They are often influenced by an off-beat sense of humour that captions the delicate cut-outs. Her work has been featured in books Papercraft and Papercraft 2. Working from her studio in South London, Helen has produced work for clients including: Vogue UK, Vanity Fair UK, Time, Tatler UK, Tatler Asia, Harrods Magazine, MOO and Men’s Health.

Conceptual graphic illustrations by way of a bold, colorful, and fun approach.... Leo Acadia has created colorful graphic illustrations for a wide range of clients - such as The Wall Street Journal, New York Times, Boston Globe, Time, and Reader's Digest - as well as for book covers, advertising, and pharmaceutical clients. He has earned recognition from The Society of Illustrators, Communication Arts, American Illustration, 3x3 Illustration Annual, and The AltPick awards. More images can be seen at LeoAcadia.com - (link is above).

Matt uses a montage of found & self-generated graphic material to create assured, vibrant images for the Publishing, Design & Advertising industries. These images are selected from recent projects. They range from book jackets, magazine covers, newspaper features, instore signage, billboard posters, through to direct mail, annual reports & advertising campaigns. The work falls into several stylistic categories. Firstly a traditional collage & photo montage approach used predominantly for editorial work. With other images he’s employed a more graphic approach, using flat colour, vector shapes & simple lines to create a more contemporary feel. Previous clients include: Adobe, Nike, MTV, British Airways, Vanity Fair, Natwest, HSBC, BBC Worldwide, Toyota, Sainsbury’s, BP, Honda, Esquire, Penguin, Corvette, The Times, The Royal Mail, Norwich Union, FT, Computer Arts, which? The Radio Times, Business Week, GQ, Waterstones, IBM, Loaded, Harvard Business Review, RAC, Mojo, Shell, Nasdaq, LloydsTSB, Timeout, 5live, US news, The Guardian, Jeep Chrysler, Harrods, Directline, The Economist.

Alex Williamson was born in England in 1973 and now lives and works as an illustrator and Graphic Artist in London. Alex Williamson has a BA Graphic Design (printmaking) from Leeds Metropolitan University and an MA in Communication Design from the RCA. Alex creates original artwork using cut-out, collage and print techniques, combining found ephemera, drawing and photography. His work is concerned with experimental graphic process, fiction and narrative. Alex works on a wide range of commercial commissions and projects in the publishing, corporate, editorial and advertising sectors as well as producing and exhibiting personal experimental work. He also lectures in Design for Interaction and Moving Image on the Graphic Design BA at the London College of Communication. Previous clients include: Vodafone, Science Museum, Lastminute.com, Penguin, MTV, Washington Post, Levis, Havana Club Rum, Tiger Beer, The Guardian, Time Out, Orion, GQ, Macmillan, NatWest, Sony, BBC Radio One, Random House, The Economist, ICM Models, Gartner, McKinsey, Fortune Magazine, The Independent, The Face, Sunday Times, Getty Images, Financial Times, Portobello Books, The New Yorker, Department For Transport and Citigroup. Alex Williamson also works in Moving Image - previous clients have included: MTV, BBC, Channel 4, E4, Chrysalis, October Films, Big Life, Parlophone, Polydor, Rough Trade, Nickelodeon.

Steve Dininno has been a top illustrator for more than 30 years. He majored in illustration and graduated with honors from the School of Visual Arts in New York City. A regular contributor for more than a decade to the Wall Street Journal, his work has appeared in literally thousands of publications worldwide for clients that include: Coca Cola, EMI Music Publishing, Bayer Pharmaceuticals, T. Rowe Price, Jaguar, Blue Cross/Blue Shield, Simon & Schuster, Panasonic, Prudential, AT&T, Citibank, TIME Inc., Dupont, and IBM. Dininno is also an award-winning painter and printmaker who is represented by numerous galleries. His fine art has been included in countless national juried exhibitions and is in a multitude of private and corporate collections.

Born in 1977 to an Italian mother and English father James Taylors relationship with pencil and paper started at an early age. James Taylors work is eclectic, with a range of influences from Keiichi Tanaami to Tony Hart. “Eclectic” but always considered. From collage to pure drawing, James Taylors approach and thinking have won him varying clients in the United States and the United Kingdom.

Illustration for corporate, advertising, licensing, publishing and editorial use. Jim Dryden is represented by the David Goldman Agency.

Award-winning, color-intensive, collaged and textured illustration for Editorial, Book, Corporate and Advertising projects. Former art director turned freelancer, Cathy Gendron survived a near-fatal career in newspapers and the noxious fumes from her painting process to work from her studio in Ann Arbor, Michigan. Clients include: AARP, Anderson Consulting, Bloomberg Markets, Chrysler, Exxon, Ford, Forbes, General Motors, Golf Magazine, Harvard Business Review, IBM, Johns-Hopkins, Kensington Publishing, Llewellyn Worldwide, McGraw Hill, NCR, Newsday, Newsweek, New York Times, Peaceable Kingdom Press, Penguin Putnam, Saatchi & Saatchi, Seventeen, Sky and Telescope, Target, US News & World Reports, Utne Reader, Wall Street Journal, Washington Post,

Humorous, surealistic, Wacky, financial, computer, digital, conceptual, portrait, collage, absurd, music, machinery, mechanical , contraption, medical, fun, architecture, Imaginative illustration for corporate, advertising, licensing, publishing and editorial use. Bruno Mallart is represented by the David Goldman Agency.

MUSIC VIDEOS at richardborge.com 3D, digital, conceptual, corporate, editorial, music packaging Also doing animation/motion graphics

Currently based in Marshall, Michigan, Matt Manley has been working as a freelance illustrator for over twenty years. His illustration is primarily figurative and symbolic with surrealist leanings, and past client work includes editorial, corporate, medical, book, and higher education. Though in the end his work is technically digital collage, the process integrates both traditional and digital media. Collage elements are original oil paintings and drawings, with occasional scanned found objects and photos added to the mix, all united in Photoshop.

Judy Reed Silver's style focuses on an eclectic collage of illustration, design, photography, vintage and modern. She has been inspired by nature, vintage fabrics and silk Japanese kimonos, how they can be applied to surface design from rugs, stationary, shoes, T-shirts, tableware, bags, product packaging, store displays, posters, wall décor and how art as design can apply to our everyday living environment.  Judy creates for such clients as Sherwin-Williams, Disney, U.S.P.S., Emory University, Publix and The Natural History Museum of Los Angeles. She has illustrated children's books and cookbooks for Chronicle Books and Simon & Schuster/Silver Burdett & Ginn. Her editorial clients range from Newsweek, Boston Globe, Bon Appetit, New England Journal of Medicine. She has exhibited in several one woman shows and national group shows of mono-types, giclee prints and illustrations, featured in Communication Arts Annual, The Society of Publication Designers Best Spot Illustrations & Brochures, Visions Magazine, How's Promotional Design Annual, Stir Magazine, and Taxi Design. She received her BFA from Art Center College of Design in Pasadena.

Anastasia Vasilakis is a multi diciplined artist who combines elements of photography with incredible drawing skill to create powerful conceptual illustrations.

Among the numerous prestigious awards Anastasia has been honored with are : The Society of Illustrators, Communication Arts and The Society of Publication Designers.

She has also been honored as a guest lecturer at The International Center of Photography, The New School and School of Visual Arts in New York, as well as The International School of Paris.

Her credentials don't end with the world of print however. She's also active as a graphic designer for Film and Television and has worked with such well known production designers as Laurence Bennett and Linda Burton.

A few of her clients inlude: The NY Times, The Wall Street Journal, LA Times, Time Magazine, Computerworld, CIO Magazine, Rolling Stone, Money Magazine, Showtime, HBO, ESPN, Sundance, SONY Records, Atlantic Records, Levi Strauss and Merck.

Anastasia's fine art paintings are collected internationally. Large scale commissions have been created for venues in Berlin, and City Winery's in Chicago, Nashville and New York City.

Sam Falconer’s illustrations combining vibrant characters and intricate environments have been commissioned by clients ranging from leading national newspapers to renowned science magazines and universities.

Initially working purely by hand, Sam discovered a passion for digital collage in 2010 which later developed into his own unique brand of rich and detailed imagery. This method allows him to develop and turnover complex pieces with diverse character sets in timeframes that suit each client’s needs.

As a big science and technology fan, Sam has developed a strong presence in the field with clients including Nature, Nautilus, New Scientist, The Royal Society of Chemistry, Scientific American and Wired magazine. in 2015 Sam was commissioned by the acclaimed MIT Museum to rework their map designs for the general public.

Other clients include: British Airways, British GQ, Capital, Computer Arts, Deustch Inc, Emirates, The Guardian, The Independent, Intelligent Life, John Hopkins University, M & C Saatchi, Nokia, Reader's Digest, Scholastic, The Spectator, The Telegraph, The Times, The Washington Post.

In 2014 Sam was featured in IdN magazine’s New Faces of Inspiration issue as one of ten leading illustrators in the editorial field. His work was also exhibited in Taoyan city, Taiwan as part of Dpi magazine’s Space Odyssey exhibition.

Sam has a BA in Illustration and Animation from Kingston University and graduated in 2011.

Conceptual/whimsical line drawings, sometimes with collage elements. For editorial, book publishing, corporate, and advertising. Also icons, wearables (Swatch) and animation for web and TV

Cliff Nielsen studied traditional and digital illustration and graduated as valedictorian from Art Center College of Design in 1994. His illustrations have been recognized for their excellence by the Society of Illustrators, Print, and Spectrum. Feature articles focusing on his work appear in design publications and fanzine magazines alike. Cliff has been an international speaker on digital art and has served as a judge for the Society of Illustrators and a variety of professional illustration award programs. His clients include every major publisher, countless advertising agencies, magazines, and studios. He lives and dreams in Los Angeles, California.

Growing up in West London near Richmond and the Thames, Victoria Scott was always drawing and making things as a child, and knew from an early age that she wanted to be an illustrator.

Her influences come from the early 20th century, such as Art Deco and Art Nouveau, but she also enjoys a bit of 60s psychedelia.

Vicky went to the Wimbledon School of Art and Design for foundation, and then went to the University of Brighton to gain a BA in Illustration.

All of Vicky’s illustrations are created as handmade paper collages. By its very nature, Vicky’s work is highly figurative, and you’d describe it as quirky, colourful, bold, graphic and a little retro. She likes to bring a narrative element into her work as much as possible.

Client List Microsoft Volkswagen Radio Times Top Sante magazine Dobbies Garden Centre Paperchase The Elephant Parade Bayer Regents College Queen Mary's University

Gail Armstrong has been creating paper sculptures for over 20 years and her enthusiasm for the medium hasn’t waned one snip. She still wants every image she creates to be better than the last, and this approach has led to plenty of awards, including a Cannes Gold Lion for her Kleenex campaign. She finds inspiration in contemporary art and, not surprisingly, the huge Paperchase outlet on Tottenham Court Road in London.

Gail did her foundation course at Sheffield Polytechnic before gaining both a BA and Post Graduate Diploma in Graphic Design and Illustration at Glasgow School of Art.

Though finally rendered in pieces of paper that have been carefully cut and glued together, each image Gail creates begins as a series of drawings. As she explores the composition and various concepts, she focuses on creating something that has both style and substance to it. The result is usually a photograph of her artwork, which viewers love to see more than once, poring over the textures, colours and patterns in the final construction.

Awards

Shortlisted in AOI Illustration Award 2014 - Research and Knowledge category for “Life Cycle of a Butterfly”

Asiago International Award for Philatelic Art 2012 - winner for “Land” stamp in set of 3 for United Nations conference on sustainable development in Rio

Cannes Gold Lion 2010 – Billboards Cannes Bronze Lion 2010 – Illustration Cannes Bronze Lion 2010 - Press The Big Won 2010 – 1st in Press Campaigns Creative Circle Awards 2011 Silver in Illustration (Craft Print) Creative Circle Awards 2011 Bronze in Magazine Campaign (Press) Creative Match Flair Award for Illustration 2011 Daler Rowney Award for Outstanding Paper Sculpture 1997

Client List Kleenex United Nations stamp Nestle Sogo, Hong Kong Wells Fargo Bank Macy's IRS Guersey stamps MidFirst Bank Illinois Lottery Dole SouthWest Airlines CITGO Which? Minivelle PALL Microsoft Virgin Travel Anchor Rotary

Nazario is an Italian freelance Illustrator, Graphic Designer and dad. His world is romantic, ironic, dreamy, with good background music. Something like… “a dive in the past with gore-tex lifesaver”. He takes inspiration from old books, illustrations for kids, sky, snow, rain and rainbows, his little princess Bianca, his wife, his cats, music, old-school skateboards, traditional tattoos, 80′s memories, 50′s sci-fi movies, typography and so much more that happens day by day in his life…

Whimsical, decorative, and painterly illustration and design style. Clients include Target, American Greetings, Hallmark, Unicef, Crate and Barrel, Land of Nod, Fruit of the Loom, Baby Gap, Simon and Schuster, Scholastic, Oxford University Press to name a few. I have sold and licensed artwork to the children's publishing and gift markets as well as for stationery, advertising, editorial, packaging and home products.

Amy Wasserman is a nationally-published collage illustrator. Her work has appeared on book jackets, magazine covers and other publications since 1985. Her portfolio also includes altered photos and improvisational quilts.

With 27 years experience as a designer, photographer and illustrator, David Julian creates Fresh,conceptually strong, well designed digital illustration using Photoshop to produce his own mix of imaginative photo-realism. His work incorporates painterly texture, iconic elements and dramatic realistic dimensional lighting. Prompt client communicatons, flexibility and efficiency are assured. Topics in his work include technology, psychology and mystery book covers, movie and event posters, education & schools, health care, science, medicine, industrial, investing, history, fashion, children, editorial, architectural, computers, corporate, environmental, pharmaceutical advertising, entertainment and music, environmental, travel, politics, portraits, and social culture. CLIENTS INCLUDE: HBO, Discovery Channel, Cisco, IBM, CBS, Sony Entertainment, Microsoft, LA, CHI & NY Times, Oracle, TimeWarner, George Lucas, Penguin, Harvard Press, Pearson, ZiffDavis, and countless periodicals CDs and books. Awards in PRINT, One Show, Creativity and SND annuals.

Photo-illustration for advertising, corporate, editorial, and publishing use. clients include ESPN The Magazine, Sports Illustrated, NFL Properties, MLB Properties, McGraw-Hill, TV Guide, Coors Brewing Co., Ford Racing, Yellow Freight, Centillium Communications, Qwest Communications, Hanley-Wood, The New York Times, Campbell-Ewald Publishing, Times 4 Media, Ingram Micro Wall Street Journal.

traditional and digital 3-D paper sculpture illustration for editorial, advertising, display and children's books

Problem solving at its best using a combination of illustration,photography,painting and drawing.Composited digitally,and e-mailed to you....he's really fast, weeklys love him

Sarah Howell works mainly with figurative and fashion imagery. Collaborating with photographers, she initiates a work with a collage base, and then scans drawings and paintings with various mixed media techniques to create a textured artwork. This sees photographic collage smattered with graffiti and energized by vivid illustration, creating a dark, often edgy but always beautiful and bright result. Sarah is originally from Sydney, where she studied a Bachelor of Fine Arts in painting. To date, Sarah has had her work featured in many magazines including the Face, Grafik, Tank, Oyster and Gloss, Flaunt, Digit, Computer Arts, Observer Magazine, Maxim, 125 and Dedicate and Illustrated Ape. She has worked closely with record companies such as EMI, Polydor and Universal/ Island and GSL creating album covers and flyers and has also worked closely with the bands art directing and creating stage designs and merchandise. Commissions also include Penguin Books and Orange, Siemens phones, Nike, Bodyshop, Diet Coke, Vodaphone VH1 and MTV and the Grammy Awards, Luella Bartley, PPQ, Topshop and London Fashion Week. She has also created campaigns for Nokia, Martini, Jameson, Procter and Gamble to name a few.

Born in Montreal, Pierre Fortin now creates multiple award winning conceptional art from his home studio in Ontario, Canada. Heavily influenced by The Vienna School of Fantastic Realism, Art Deco, pop-culture and film noir, Pierre's sometimes whimsical work is immersed in a world of mystique and psychology, incorporating elements of visionary, fantasy and sci-fi. He's constantly seeking to refine his message delivery with experiments in visual concepts of both traditional and digital means. The results are self evident in illustrations that combine imagination and intrigue with visual power. Pierre's career spans more than 20 years, and includes designing and creating for a wide range of internationally known corporations, magazines and publishers, as well as award winning work in the video game and theme park industries. His work has been featured in American Illustration, Catipult and Communication Arts, as well as being seen in Time, Forbes, Sports Illustrated, The Atlantic Monthly, and Business Week. He has also created a mural for Universal Studios and won awards for his designs for the Beijing Cube Water Park and the new Dollywood Mystery Mine.

Highly stylized and humorous illustrations; specializing in graphic design, character design and development.

Melissa McGill creates collage, mixed media illustrations for the editorial, medical, publishing, corporate and music industries. Please visit her website for more images and information. Client List includes: The Sierra Club, McGraw Hill, Elle, Polystar Music, San Francisco Chronicle, Readers Digest, AT&T, Rodale Press, Time Inc., Cricket and More. Winner of the 3x3 Pro Show Merit Award.

Award winning collage illustration for editorial, children's books, corporate, entertainment and much more. Clients include Comedy Central, Kinkos, Pepsi, Chicago Tribune, American Airlines, Southwest Airlines and many more. 15 plus years of experience, fast turn around time and no reps to deal with makes June Michel very convenient and easy to deal with.

Award-winning illustrator : humorous, whimsical, high-speed fun for Editorial, Advertising, Weekly/Monthly Magazines, CD's, Children's Books, Book Covers, Animation.

Margaret Riegel is an award-winning illustrator who works for many prominent national magazines, major metropolitan newspapers and Fortune 500 corporations. Since graduating from The Cooper Union School for the Advancement of Science and Art, Margaret has received many awards including ones from American Illustration, The Society of Publication Designers, and The Society of Illustrators of Los Angeles. She has been recognized by several top trade publications and her work was exhibited in the “Illustrators of the New York Times” show at the Society of Illustrators in New York City. Margaret continues to work on a wide range of commercial commissions including corporate, editorial, advertising and publishing. Margaret lives in Manhattan with her husband, two kids and her large picture collection. Some clients have included: The Boston Globe, Business Week, Mademoiselle, Newsweek, The New Yorker, The New York Times, Time Magazine, Travel & Leisure, The Washington Post, Coopers & Lybrand, Deloitte & Touche, Frankfurt Balkind, Merrill Lynch, Little Brown & Company, Oracle Communications, and Scholastic Books

Regularly featured in the Washington Post, the Chicago Tribune, Utne Magazine and numerous other regional and national publications. He's established a reputation for being easy to work with, highly conceptual and prompt. Call day or night since he routinely works late and has pulled off more than a few deadline miracles.

Matthew Cooper studied illustration at Harrow College of Higher Education and since graduating has worked as a freelance illustrator and graphic designer. Matthew's illustrations utilise a variety of techniques and media; from collage and found imagery to painting and drawing, from photography to computer based work. He is particularly interested in the use of typographic and strong graphic elements within his work. He finds his inspiration in the work of, amongst others, Herbert Matter, Cy Twombly, Robert Rauschenburg, Kurt Schwitters and the Constructivists; in the music of Will Oldham, John Fahey and Lightning Bolt; and in the piles of books, magazines, records, CDs and assorted junk, both ancient and modern, that threaten to over-run both his home and his Shoreditch studio space. As well as his illustration work, Matthew works as a freelance graphic designer, primarily for the independent music sector. Projects range from sleeve design, through to the design of adverts and promotional material. He has worked with such luminaries as Franz Ferdinand, Arctic Monkeys, Four Tet, The Kills and Bonnie 'Prince' Billy. Client list: Financial Times, Sunday Telegraph, British Airports Authority, British Telecom, Domino Recording Company, NatWest Bank, Hodder Headline, Penguin Books, Campaign, M&C Saatchi, London Transport, Oxford University Press, Deutsche Bank, New Scientist, Campaign Magazine, Which? Magazine, Universal Island Records, Shell, The Royal Shakespeare Company, Interbrand Newell & Sorrell, The RMC Group, Logica, GQ Magazine, BP, British Airways, McCann-Erickson, Lowe Lintas, The British Council, RCA Records, Harper Collins, Bloomsbury Press, English National Opera, Decca Records.

Conceptual collage illustration for editorial use.

KELLI BICKMAN is a peace activist and multi-media artist currently residing near Woodstock, NY (the most famous small town in America). In Gaelic her name translates as "Spiritual Warrior". She respects and honors all traditions and explores the world of spiritual traditions as the primary focus in her art. She has been described as part of the 'Neo-Goddess' art movement as well as an 'Interfaith Painter'. Generally, though, she would say she just makes what the Universe directs through her hands acting as a channel for conscious creation. Her art has been seen in many publications, shown in many galleries and is held in private collections worldwide.

Bickman is the founder and director of Youth Mural Arts, a grassroots community engaged public art program. Bickman’s work brings her together with youth groups to create large scale public art projects that inspire action and forward thinking in otherwise at-risk populations. The program has won many grants and awards with partners including the A to Z Impact fund, the Global Sisters Fund, Healthy Kids, ArtsWestchester, the Peekskill Rotary, Art in Public Places in Jacksonville, FL, the Hudson Valley Center for Contemporary Art and many more.

She is also the CEO of 11:11 Style – Fine Art into Fashion – a collection of wearable Kelli Bickman art in cotton knit made for the yogic and athletic lifestyle. www.1111style.com.

Kelli believes deeply in the statement “thoughts create reality.” This reminds her to be mindful, to live in the light, and to embrace the joy of creation. . Anything else you may want to know about her you can find in her art.

Mixed media digital collage.