Neil lives and works in Brighton. Since completing a degree and post graduate studies at Middlesex University and Central St. Martins, he has illustrated for a wide range of clients, including; The BBC, Publicis, Caspian Publishing, The Economist, LaSalle Bank, The Financial Times, The Sunday Times, The Guardian, Corbett, New Scientist, Medicus, OUP, The Radio Times, The Telegaph, The Royal Bank of Scotland, Verizon, Virgin Atlantic, Sony, The Washington Post, Bloomsbury, Time Out, Hodder, Design Week, Interbrand, BT, Conran Design.

Vietnamese artist Turine Tran’s imaginative children’s illustrations were inspired by some of the Victorian greats like Arthur Rackham, yet she’s established her own unique style which is charming, elegant and popular with clients who like her nostaligic, painterly approach.

Turine grew up in a house full of books that she could escape into as a child. She was taught to draw by her father. Ho Chi Minh City is a hot, busy and crowded place, but Turine prefers the countryside – particularly when the weather is dark and gloomy. In addition to her art, she does a lot of crafting, from beads to sewing and from knitting to cooking.

Turine studied design in Vietnam, before going to the School of Art, Design and Media in Singapore. She moved to Edinburgh to study for a Masters in Illustration, and later returned to Vietnam.

Images usually start off as rough pencil sketches in Turine’s notebooks as she tries to establish the forms and the composition. Detail and shading are added and then the pencil image is scanned in so that she can add colour in Photoshop. She has designed her own custom brushes within the application.

Turine’s style is intentionally nostalgic. She wants viewers to reminisce when they see her work – as though it’s just been discovered in a dusty old attic. Her Victorian-inspired illustrations are full of whimsical lines and forms, given life by paper textures. Meanwhile, she enjoys creating children’s characters that aren’t just cute and cuddly, but which are vulnerable and unpredictable, and don’t behave in ways that adult viewers expect them to.

Since graduating in 2009 from Central Saint Martins, with a first class degree in Graphic Design, Helen Friel has been working as a freelance Paper Engineer. Helen both hand cuts and uses technology to produce her pieces. Bridging the gap between two and three dimensions is central to her design practice as well as producing pieces that involve and evoke emotion in the audience. Many of her pieces are stage sets in miniature, creating worlds with layers of card and paper. They are often influenced by an off-beat sense of humour that captions the delicate cut-outs. Her work has been featured in books Papercraft and Papercraft 2. Working from her studio in South London, Helen has produced work for clients including: Vogue UK, Vanity Fair UK, Time, Tatler UK, Tatler Asia, Harrods Magazine, MOO and Men’s Health.

With over 20 years experience as an Illustrator, Jim has a wide range of styles & skills seen at http://www.jimstarr.com. Jim received his BFA from Carnegie Mellon University in 1982. Today, Jim primarily illustrates electronically, but also continues to work in traditional techniques. My goal in every assignment is to work closely with the designer/art director to come up with a conceptually strong and well designed illustration." Jim has worked for a wide range of clients needs including logos, icons, package design, editorial, corporate, portraits, event posters, and web graphics. Jim works in many different styles including graphic, scratch board, airbrush, woodcut, pastel, paintings, watercolor, pencil, and pen and ink. His work has been accepted into Print magazine, the Society of Illustrators Annual, and the Washington DC. Illustrators Club Annual Exhibit. Fresh,conceptually strong, well designed digital illustration, specializing in archictectural, comic, comic conceptual, comic humorous, conceptual, digital, multiple styles, pen and ink, realism, science, wacky, whimsical, logos , graphic , scratchboard, pastels, paintings, airbrush, speckled, textured, posters, icons, web, art, editorial, corporate, travel, books, children, education, entertainment, games, gaming, gameboards, comic, humorous, design, industrial, industry, manufacturing, labor, infographics, maps, lifestyle, architectural, impressionistic, line with color, line and color, montage, nature, animals, stipple, silhouette, sports, technology, computers, transportation, vacation, wildlife, historical, retro, traditional, wacky, whimsical, scratch board, digital, llustrator, photoshop, painter, collage, black and white, black & white, watercolor, vector, pencil, oil, acrylic, realistic, realism, photo realism, painterly, packaging, package, financial, money, investments, investing, characters, identity, government, political, cartoon, charts, diagrams, business, food, dining, landscapes, medical, magazine, arts, music, childrens books, display, point of purchase, pop, holidays, partys, identity

Daniel Griffo was born on March 8th, 1973 in La Plata, Argentina, where he currently resides with his wife Elba, his baby boy Benjamin and his two pets Indiana and Jones. As a young child, he was always drawn towards creating and drawing images. At 10, he took his first steps into the world of illustration with the guidance of his drawing and painting instructor who taught him the basic foundations of the craft. In his teens, he became a self-taught comic illustrator and worked for both Argentinean and Italian publishers. Shortly afterwards, he worked for various studios creating licensed art, where he sharpened his skills and amassed a great deal of experience. As a freelance illustrator, Daniel has worked for many large companies including Image Comics, Warner, DC, and Disney. In his portfolio, you will find traditional and digital images, layout color, story boards, comic book art, inks, lettering, children and adult illustration, character development, and 3D models – Daniel is truly a jack-of-all-trades.

Tom's work is both classical and contemporary and juxtaposes symbolism, concepts and realistic form to tell a story. His work is a hybrid of illustration, design and photography. The distinctiveness of each is combined to create a contemporary visual solution. Clients range from major international corporations, agencies, design firms and publishers to smaller new businesses, boutique agencies and firms. Specialty areas include business, healthcare, technology, concepts, finance, editorial, etc.

Alex Williamson was born in England in 1973 and now lives and works as an illustrator and Graphic Artist in London. Alex Williamson has a BA Graphic Design (printmaking) from Leeds Metropolitan University and an MA in Communication Design from the RCA. Alex creates original artwork using cut-out, collage and print techniques, combining found ephemera, drawing and photography. His work is concerned with experimental graphic process, fiction and narrative. Alex works on a wide range of commercial commissions and projects in the publishing, corporate, editorial and advertising sectors as well as producing and exhibiting personal experimental work. He also lectures in Design for Interaction and Moving Image on the Graphic Design BA at the London College of Communication. Previous clients include: Vodafone, Science Museum, Lastminute.com, Penguin, MTV, Washington Post, Levis, Havana Club Rum, Tiger Beer, The Guardian, Time Out, Orion, GQ, Macmillan, NatWest, Sony, BBC Radio One, Random House, The Economist, ICM Models, Gartner, McKinsey, Fortune Magazine, The Independent, The Face, Sunday Times, Getty Images, Financial Times, Portobello Books, The New Yorker, Department For Transport and Citigroup. Alex Williamson also works in Moving Image - previous clients have included: MTV, BBC, Channel 4, E4, Chrysalis, October Films, Big Life, Parlophone, Polydor, Rough Trade, Nickelodeon.

Bernd Wagenfeld is a freelance illustrator with a huge variety of styles, but working mainly realistic and photorealistic. He has more than 15 years of experience and a broad skill set. His main clients include ad agencies and publishers.

Jackdaw is a graphic artist and commercial illustrator who originally trained at the Maidstone College of Art in the UK, graduating with a First Class Honours Degree in Graphic Communication. Originally working from a studio in the East end of London and then Oxford, he has created a body of work for a diverse range of clients globally, in both the advertising and editorial worlds. Creating vibrant images that interweave expressionistic painting and mixed media techniques with hand-drawn elements and photography, the energetic and captivating results are often complex, beautiful and edgy reflections of contemporary culture. Previous clients include: Vodafone, Asahi Beer, Saatchi Advertising USA, Philip Morris Inc, Pfizer Pharmaceutical Inc. USA, The Irish Times, The Guardian, Scholastic Publishing USA, Penguin Books, Carphone Warehouse, Cream, and the Welsh Assembly.

Having worked in the advertising, marketing, photography, and allied creative design industries since 1984, Barry Downard's business is based on providing creative visual solutions and concepts (photography, illustrator, artwork and design) to advertising & design agencies, and publishers. Trained as an interior designer, Barry designed houses, shop interiors, exhibition stands and fashion shows, played drums and worked as an art director before drifting into fashion and advertising photography. In 1993, Barry became inspired by the story-telling possibilities of digitally manipulating his photographs, and developed a style of photo-illustration. Barry's technique consists of taking lots of photographs (shot by himself, supplied by client, or stock images), throwing them into a photo-snaffling machine, stirring it up with a healthy dose of fun, and sticking it all together with computer glue.

As a life-long illustrator and cartoonist, Malane Newman now mainly focuses on cartoon illustration, freelance cartooning, character design, and licensed character artwork. Contracted licensed character work includes Mattel’s Barbie – A Fashion Fairy Tale and The Toon Studio of Beverly Hills - Fairy Tale High. Her portfolio includes digital illustrations for packaging, advertising, new character development, board games and toys, and children’s books. Malane Newman has worked quite extensively with clients designing original cartoon characters and illustrating their new products. Malane Newman’s work also appears in a number of periodicals that include greeting cards, children’s books, magazines, newspapers and many others. She has also designed and developed an animated cartooned website for a line of children’s clothing and animated children’s story for use on an educational website. A real professional joy to work with! More of Malane’s illustrations can be found at http://www.malanenewman.com. Thanks for looking!

Carolyn currently lives in Toronto, Canada with her family. She is principal designer and creative director for her company ECOJOT. Carolyn also freelances through her agent Lilla Rogers Studios.
Carolyn has worked on a variety of projects including four fabric collections with P&B Textiles, 2 scrap booking collections for K&Co and Packaging for Swedish Organic Candy Company Ekorrens Ekologiska. As well as Holiday cards for Unicef, Gift cards for Target and toys & games for Land of Nod.
Carolyn's specialties are packaging, lettering, florals, animals and repeat designs. Carolyn paints with Gouache, uses ink and traditional digital media.
When not working Carolyn loves to travel, read, garden and practice yoga.

Portfolio of digital collage illustration

Funky Fashiony Illustration work just for you! Need something? drop me a line! You can see more at kyrakendall.com, or you can follow me on twitter: http://twitter.com/hellokyra

Christopher Peterson's work is marked by great attention to detail, while maintaining an informal colorful and painterly feel. His creative approach is thorough and focused, sometimes reading an entire biography when starting a rock poster. Whenever possible, photographic reference must be his own. Drawing is always central to the work. Good figures and correct perspective are important while maintaining a spontaneous flair. These are the strengths that make Christopher one of the best freelance illustrators on the west coast.

Having been the president of the San Francisco Society of illustrators, he knows this business of illustration inside and out. He is a member of the Society of Illustrators, the US Air Force Art Program, ASIP, a leading organization in the fight for copyright protection and a royalties collection society for artists. He has taught illustration at both California College of Art and the Academy of Art College.

His rock posters have won major national recognition. He has created posters for Paul McCartney, Phish, The String Cheese Incident, Sting, Eric Clapton, Elvis Costello, John Hiatt, Taj Mahal and Gloria Estefan. There is a section on his work in the Art of Modern Rock (Chronicle books, 2004). His poster for John Lee Hooker won a Gold Medal in the San Fancisco Society of Illustrators, and won a place in the New York Society of Illustrators annual show and book- Illustrators 42 (Watson-Guptil, 1998). He has in fact created more than 80 posters for a variety of venues and bands. His original paintings hang in the halls of the Pentagon, as a part of the US Air Force Art program. His work has been published in the Los Angeles Society of illustrators annual book, and in Print magazine's regional design annual. In 1995, he won the bronze medal for advertising in the San Francisco society of illustrators show, in1996 he won gold, silver, and bronze medals in the San Francisco society of illustrators show.

In addition to Rock posters, Mr. Peterson does a wide variety of illustration, including storyboards, renderings, set design, murals and print.

Christopher Peterson was born in New York in 1957, and grew up in Westport, Connecticut. He received his education at the Art Institute of Boston, and then at Art Center College of Design in Pasadena, and began his career as an Illustrator in New York City in 1980. His current work may be seen at www.petersonland.com.

Crowded urban scenes, architecture and maps – the things you see today in Mike Hall’s artwork go back to his creative beginnings. As a child he used to love drawing images full of people, and maps of imaginary towns and even entire countries. He says this might be because he grew up in the new town of Harlow in Essex – the modern, pre-planned, post-war setting gave him an interest in architecture, topography and mapping from an early age.

Of course, he liked comics and picture books too, and today he’s also inspired by William Hogarth, Gustave Doré and Wenceslaus Hollar, as well as MacDonald Gill, an artist who embellished his map illustrations with all kinds of colourful motifs. He loves everything Hispanic, which is why he recently relocated to Spain.

Mike spent two years studying graphic design before switching to an illustration course. He completed an Illustration degree at the University of Westminster.

Often Mike’s hand-drawn imagery is embellished using a computer. He combines print designs he’s drawn using pen on paper with digital elements to build up an image. The colouring is done digitally. Sometimes, he’ll also draw his map designs using vector graphics.

Architecture usually plays a large role in Mike’s work – either as the primary focus of the illustration, or as something in the background that gives it structure. He’s very interested in topographical views, geography and conveying a sense of place. Nonetheless, his characters come through just as strongly with crowded, colourful people scenes giving you plenty to look at.

Born in 1977 to an Italian mother and English father James Taylors relationship with pencil and paper started at an early age. James Taylors work is eclectic, with a range of influences from Keiichi Tanaami to Tony Hart. “Eclectic” but always considered. From collage to pure drawing, James Taylors approach and thinking have won him varying clients in the United States and the United Kingdom.

Sarah's work is combination of traditional handmade and digital collage. Inspired by her travels and an avid collector of random ephemera, she finds and stores interesting bits of old paper, maps, photographs and various objects, which have all become strong elements in her work. For every new project she has a unique sift through the random piles, sketchbooks and pads that have accumulated around her studio selecting suitable elements as she goes. Previous clients include GQ, The Times, British Airways, Penguin, BBC Worldwide Ltd, Publicis, More Magazine, Waitrose, Caspian Publishing, Radio Times, Age Concern, Harper Collins, Renault, Delicious Magazine and The AOI.

At Durning 3D, we create high-resolution computer generated image solutions primarily for print advertising. One-of-a-kind images that are photorealistic or abstract, where the only limits are those of your imagination. Images that are comparable to photography and are typically more cost effective than photography.

Illustration for corporate, advertising, licensing, publishing and editorial use. Jim Dryden is represented by the David Goldman Agency.

Digital Collage and Photo Manipulation

Minick uses bold pen-like lines, thoughtful composition and a saturated palette. Sam has sixteen years of experience as a freelance illustrator and eight years as a graphic journalist. He has created work for Volkswagen, Kelloggs, Field & Stream, Smithsonian Magazine, Ringling Museum and Adobe. His tenure in the newsroom makes him a reliable resource for dynamic, accurate and integral visuals on tight deadlines.

Linda Carruth creates strikingly realistic digital illustration, technical drawings, and conceptual photo collage, with the utmost attention paid to detail, for the industrial and business communities.

Jon Berkeley graduated in Fine Art from the National College of Art and Design, Dublin in 1983. Since then he has lived and worked as a freelance illustrator in Dublin, London, Sydney, and Hong Kong. Jon has worked extensively with many top advertising agencies such as Bozell, Saatchi and Saatchi, McCann Erickson, Campbell Grey, DDB Needham, BBDO, and all those other Beeby Deebies. Previous clients include: Time Magazine, The Economist, The New Statesman, The Irish Times, The Sunday Times, The Sunday Tribune, Backbone, Time Out, The Washington Post, Radio Times, The Sydney Morning Herald, The LA Times, Wirtschaftswoche, El Tiempo, Asiaweek, CFO Asia, Credit Lyonnais, American Express, Coca Cola, Digital, Heinz, Carlsberg, Aer Lingus, Guinness, RTE, Penguin Books, Scholastic Books, and just about anyone else you can think of. Jon has won awards from the Society of Newspaper Design in the US, The 4As in Hong Kong, as well as the ICAD and the IGI in Ireland. He is the author of The Wednesday Tales, a series of children’s novels. He lives near Barcelona with his wife and five children.

Patrick started his career as a freelance designer after gaining a Degree in Graphics and Illustration with Commendations for Print Making at Kingston University (London) in 1998. Patrick has done high profile work for global clients including: Transport of London, Cingular, Starbucks, Bacardi, Smirnoff, Coca-Cola and Waitrose, which has resulted in him having to work in Japan, Spain, Italy and the USA as well as London, and having his work appear in many more countries across USA, Europe and Asia. This work and exposure has resulted in Patrick's work being has been short-listed for and receiving commendations for a number of awards, including the Marketing Week Design Award for Corporate Design and Illustration, and the Design and Art Direction Award for Corporate Design and Illustration. (Most notably as a result of his work on the Selfridges Annual Report 2003.) He is also regularly featured in Creative review and the UK design press. On top of all of this Patrick has for the last 2 years been a university tutor, passing his skills onto the next generation of up and coming illustration graduates at the Istituto Marangoni – the prestigious Milan founded Fashion University. Patrick's most recent assignments find him as a spokesman for Hewlett Packard Arts Council and consultant for HP on the development of the HP 130 Large Format.

With Filipino and European roots, and with freckles from head to toe, Jennifer Maravillas feels as if she’s on a detective-like quest to understand as many different perspectives as possible. Her roots as an artist, meanwhile, go back to her training in ballet as a child. She sees her art as a kind of ballet performed on paper using a marker.

She rarely restricts herself to just a marker, though. Watercolour, spray paint and various other media are used in her illustrations. As a side project, she has made a map of Brooklyn out of garbage, and in future plans to try and map as much of the world as she can. On top of painting, her passions are anthropology and sociology.

Jennifer did an undergraduate degree is in Graphic Design at the University of Louisville and a graduate degree is in Mass Communication at Virginia Commonwealth University.

The techniques Jennifer uses are constantly changing, and her style often comes as a result of the medium she’s exploring at a given time. By and large she’s a mixed media artist, always trying new materials and combinations of them – typically they include watercolour markers, ink, spray paint, pencil, cut out paper, block printing, and Photoshop. Sometimes she allows a composition to evolve without knowing what the end result might be like, other times she has a clear idea in her head of what she wants.

Jennifer is fascinated by the digital process. She scans in every doodle and texture she draws or paints, keeping them for reference or for use as layers in new pieces.

Jennifer uses vibrant colour combinations as she builds up maps, cityscapes and scenery from hundreds of smaller handmade elements. Some of her influences include Werner Herzog, Mary Blair, Guy Debord, and Buckminster Fuller.

Laura Ralli is an italian artist, a sculptor, a storyboard artist, a character designer, an illustrator of books for children and young. She combines traditional and digital techniques.

Tracie Ching is an illustrator and graphic designer living and working in Washington, DC. A self-taught digital artist, Tracie specializes in portraiture featuring complex, graphic line work with a limited palette - a tendency-turned-style after years of working in the medium of silkscreen prints.

While commissioned for a wide range of projects including commercial athletic apparel, editorial illustration, and gallery work, Tracie Ching is best known for her alternative movie posters.

Previous clients include 20th Century Fox, Adidas, AMC, CBS, Fortune Magazine, Google, GQ, Marvel, MGM, Redbull, The Guardian, The London Times, TIME, Sony Pictures

Illustrations for packaging, editorial, books and book covers, fashion, greeting cards. Illustrating complex emotional issues, womens issues, relationships and food in a stylized, simplistic, elegant manner with great attention to composition, color and line quality. Clients: Allergan USA, CF Napa (Tapeña Wines), What to Expect When You’re Expecting Foundation, Duncan Baird Publishers (London), Boston Market, Olive Garden, Marshall Field’s, Target, Visa Gold, American Airlines, Northwest Airlines, US Government, Hershey’s, Mall of America, The Washington Post, Faber&Faber, Hazelden, Pillsbury, AT&T, GlaxoSmithKline, EuroRSCG, Beringer Wines, Gerber Baby Products, FCB, BBDO, 3M, American Express, and many others. KEYWORDS: Women, emotions, healthcare, decorative, stylized, conceptual, packaging, line, line with color

When Martha Napier took the leap and became a full-time freelance illustrator in 2013, the world of fashion design lost a wonderful creator, but the world of illustration gained an excellent artist. Martha’s vivid watercolours and loose, almost naïve style, have given a lighthearted lift to all kinds of interesting projects in fashion, advertising, editorial and more. She also does live painting for clients, and was named a top illustrator to watch on Instragram by InStyle magazine.

Martha was born in the Midwest, grew up in Germany, and today splits her time between Chicago and New York. She loves fashion – that much is clear – and her most admired designers include Miuccia Prada, Marni, and Phoebe Philo. Henri de Toulouse-Lautrec, Henri Matisse and Cy Twombly are three artists that inspire her.

Beyond art and fashion, she’s had a fascinating life. She’s travelled to the North Pole, and to the Galapagos Islands. “The only place I’ve seen a cactus, a flamingo and a penguin in the same location,” she says.

Martha has a BA in Studio Art from Wake Forest University, and was a Presidential Scholar at the same college in Fine Art. She discovered her love of fashion illustration at the Parsons School of Design, where she studied for a post grad degree in Fashion Design.

Watercolours are Martha’s main media, but she also uses markers, pencils and acrylics. She scans the work into Photoshop and uses the application to clean it up and colour correct it before delivering it to her clients.

Martha is very much a gestural painter, with a very fine skill in getting paints to flow from her brush and soak beautifully into the paper, and to mix with one another. Seen up close, it’s a gorgeous effect. Her work is vibrant and vivid as you can see, and full of joy and whimsy.

Creative photo manipulation and photo illustration, images also available as stock.

Scratchboard Illustration

CUBE are a studio of CGI artists and designers who create stunning digital imagery and animations for the advertising, broadcast, design and online media sectors.

With over 25 years experience, each of our team are specialists in their own area and apply the same passion and skills to each project.

Utilizing the latest 3D software and digital techniques, we work on projects large and small, from single still illustrations to fully animated TV commercials. We pride ourselves on being able to bring any visual idea to life, nothing is impossible with CGI.

Specializing in characters, realistic 3D, automotive and packaging work, we help clients realise their visual dreams with planning and efficiency. Our robust studio technical pipeline and adaptable team ensures all projects are given the attention they require without delay.

For more than 20 years, he has united his design experience and artistic skills to produce creative visual solutions for a host of international clients. Jun's retro illustration style with muted color palettes and simpler-is-better approaches that transports viewers back to the thirties and forties. Jun's retro style work has received multiple honors from such industry leaders as Communication Arts Annual (4 awards), the Society of Illustrators of L.A. (3 awards) and Graphis Poster Annual 2010 gold award.

Whimsical style ideal for kids and grown ups. Portraits. caricature and Graphic Illustration from naive to sophisticated to retro for Editorial, Advertising , Children's Books. Clients include: Toyota, Up with Paper, EK Success, Virgin Mobile, Condé Nast Traveler, Modern Bride, Philadelphia Home, Maxon Furniture, Scholastic Books, ChickaDee, Purell, Lubraderm, Bell XpressVu, British Petroleum and the Grammy Awards. Work delivered Digitally by email, ftp or on disk. KEYWORDS: Portraits, Teenage Children Lifestyle Magazine Cute Kids Animals Nature Wildlife Funny Humorous Girls Boys Adult Whimsical Retro Modern Contemporary Newspaper Digital Computer Illustrator Photoshop Fashion Design T Shirt Poster Retail Calendar Merchandise Environment Green Vintage Financial Conceptual Concepts Symbolism Scrapbooking

Shane McGowan works in the editorial, advertising and publishing fields. Selected clients include Ford, Vodafone, New York Times, Wall St Journal, Time, Plan Germany, Vogue, Penguin, MacMillan, BBC, Royal Mail, The Guardian, The Sunday Times and Deutsche Bank. His work has been recognised by 3x3, Luerzer's Archive, Images, European Illustration and Illustrators Australia where he has won many Gold and Silver awards.

The OTHER kind of visual communication.

Roy Scott illustration is a hybrid of digital, photo Illustration and traditional media. He creates compelling conceptual illustrations for editorial, annual reports, corporate, advertising, medical, portraits, financial, environmental and publishing clients around the world. His award winning work communicates innovative visual solutions with bold color, rich textures and intricate compositions. Roy's work is a perfect fit for art buyers looking to add originality to the mix.

Editorial, book, poster, and advertising illustration with distinctive, exquisite line work. I work digitally but my art feels hand made. Vibrant color is a trademark, and concept is key.

Mark Ward is an artist based in London. His work is derived from his obsession with Americana. Raised on a diet of Saturday morning cartoons, BMX, skateboarding, and drawing, Mark has kept true to his roots soaking up every last candy wrapper and morphing them into his surreal and comical visions. Growing up in the South London suburbs in the late 80’s, Mark was reading every possible American skateboard magazine he could get his hands on. He realized his grey London environment didn’t reflect the sunny California he was being sold in the magazines. Rolling through puddles in South London just doesn’t match up to cruising along Long Beach. Mark’s work mixes the everyday mundane with surreal elements of the 80’s American bubble, encouraging the viewer to see things differently, and peel back the gloss on the pop imagery that he worshipped in his childhood. A graduate of Central St Martins, Mark has been recognized by the Art Directors Club and received a Young Gun Award for his outstanding illustration work. He has exhibited internationally throughout Europe and America, in both solo and group shows. His work was also included in the Pop Art Design show at the Barbican. Alongside his personal work, Mark creates bold imagery for a wide range of commercial opportunities including fashion, magazine covers, editorial and large scale installations. Projects include signature work for Stussy, Burton Snowboards, Nike and Columbia Records. Clients include: Adidas, Anomaly, Atlantic Records, Burton Snowboards, Cadburys, Columbia Records, Converse, Etnies, The Guardian, HarperCollins, Jordan Air, Medicom Toys, Microsoft, MTV, Nike, Puma, Pepsi, Red Bull, The Shortlist, Sony, Stussy, Studio Output, UsTwo

Infographics®: SPECIALISTS IN TECHNICAL DESIGN, PUBLISHING, ILLUSTRATION and ANIMATION Infographics® - specializes in communicating product, technical and instructional information through visual tools specifically designed for the end-user. We address technical communications challenges for a wide range of clients including AquaGlass, Bosch, diy Network, GE Healthcare, Hon, Husqvarna, InSinkErator, Jacuzzi, Lowe's, Oxo, Rubbermaid, Sanford, and Viking Range Corporation. For more than 15 years, infographics® has specialized in producing easy-to-use instructions. Infographics simplifies complex and abstract information in collateral and training materials with graphics, illustrations, and animations. Infograhics Specialties: Technical illustration, information graphics, infographics, instruction, illustration, animation, technical communications, motion graphics, data visualization, concept visualization, sequencing

“I see life in colour,” declares fashion illustrator Veronica Collignon, and looking at her portfolio full of light, colourful imagery, it’s hard to argue. But she takes her obsession with colour even further in her everyday life. For instance, she has a collection of nail polish bottles that she’s never used. “I always end up buying them because I am drawn by the colours! I even remember names and numbers by a form of colour-coding in my mind,” she says.

That quirky sense of fun carries over into her artwork, but it’s underlined by great talent, professionalism and a fantastic technique. Growing up in Mexico, from a young age she was inspired by drawing and creativity, and her favourite illustrators include David Downton, Garance Doré and Izak Zenou. She worked alongside the latter for two years.

She later moved from her home city of Guadalajara to Paris, and then to Madrid, to study. Eventually, she ended up in New York where she now has a range of clients in fashion, retail, advertising, cosmetics and more.

New York’s cosmopolitan mix is the perfect thing to inspire her. She loves to people watch, and enjoys exploring other cultures, with Moroccan and Japanese at the top of her list at the moment.

Veronica studied on the Fashion Studies programme at the Istituto Europeo di Design in Madrid, and later gained certificates in Fashion and Fine Art from Parsons The New School.

Projects begin with Veronica learning about her client and the audience they want to reach. Research is key, before she plays with different looks and ideas, and then settles on the best composition. After the sketching comes her favourite part – adding the colour.

Whimsical, colourful and fun are words commonly used to describe Veronica’s style. Her work has the feel of classic fashion illustration about it, with striking graphical forms, a gestural style, and lovely brushwork and inking.

Mark Von Ulrich earned his BA in design and Illustration from Columbus college of art and design in Columbus, Ohio. He works in the editorial, advertising and publishing fields. Selected clients include Harvard Business, Electronic Business, Playboy and Barnes & Noble. Riley Illustration is his representative.

Pepper Tharp | illustrator + Creative Director Hello, My work, aptly coined 'sophisticated fun' and 'nuevo french' is refined, elegant, informed with a touch of wit. Whether through the eyes of a sanguine shaggy dog or a willowy fashion-femme on a Mediterranean holiday I have a beguiling ability to capture life's minutia to tell stories that captivate. I am adept in understanding my client's goals and deliver work that ensures their brand is well-placed and memorable in the ever evolving and competitive global market. I have delivered many successful projects and campaigns for notable clients such as, American Express, Artful Living Magazine, Harper Collins, St. Martin’s Press, Ritz Carlton Weddings, Macy’s, Nestle, Sur la Table, Target, Vera Wang, William Sonoma,The Container Store and most recently 70 illustrations for Carson Kressley's new book (to be published this year). I have also discovered a fun niche in creating visuals for of social media and web design. With a true collaborative spirit, I love being part of a dream-team, but I'm equally comfortable acting as lead creative director or simply...working solo.I adhere closely to G.A.G. Handbook for pricing and ethical standards in my business acumen. With a drive to explore, I invite my clients to join me in every step of creative process so that they are fully informed and have input along the way. My work zone is a full capacity Mac Studio fueled by Nespresso and Adobe Creative Suites in a garden-view studio in my 1883 historic cottage in Linden Hills. Yet, in a moment's notice I can jump into your studio if in-house help is needed! I look forward to learning about your next project! Truly, Pepper Tharp www.peppertharp.com