
Butcher, Bill

Cocotos, Tom

Wilson, Joe

George, Patrick

Webb, Neil

Metz, Justin

Williamson, Alex

Yang, James

Goudappel, Aad

Chivers, Sam
Bringing together my love of drawing and geeking out on the computer, these quite often ended up as screen prints. Screen print is a process I’ve grown to love because of the restraints it imposes, I loved trying to create a sense of depth with just three or four layers. Often mistakes would be surprisingly pleasing.
After a while of incubation this work began attracting commercial clients (as I hoped it would) and eventually I made the leap to doing it full time.
My work naturally veers towards that blurry border point between science and nature. Recently I’ve become aware of how much I’m influenced by the countryside in which I live, and my tendency to fictionalise it through drawing.
My ambitions with my work are to keep making it better and continue to evolve as an artist. Presently my output mutated into a two pronged beast; I make these airbrushed sci-fi landscapes and then more hand drawn limited palette pieces – my aim is to carry on joining the dots in between these two styles somehow unifying them more.

Dykes, John S

Gendron, Cathy

Disley, Phil

Cutler, Dave

Bollinger, Peter

Garland, Paul
The images begin life with confident pencil drawings. These are then combined with handmade textures, painting, and printmaking to complete, vibrant digital imagery which allows for the works to be commissioned from and to anywhere in the world. His works often use metaphors to convey the brief in as simple and effective a way as possible.
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Steininger, Otto

Sprouls, Kevin
He has been quite active in the freelance illustration sphere since then, contributing to advertising, publishing, editorial and corporate projects. His style is notable for its high level of detail and traditional, engraving like effect.
Sprouls’ work has been featured in the Smithsonian magazine, a web exhibit of the National Portrait Gallery, and a major exhibit celebrating Columbus Day which was mounted in Grand Central Terminal, New York in 2005. He is currently the principal portrait artist for Worth Magazine. He was the portraitist for the popular Infiniti “Drivers” ad campaign, appearing weekly in the Wall Street Journal for the 2+ years.
Recent work has appeared in Fortune, Forbes, Runner’s World, GQ, Sportrs Illustrated, Time (International Edition), Euroman, and Esquire magazines. Recent book projects include the Encyclopedia of Guilty Pleasures and The Art of Demotivation. His pen is housed in the Newseum in Washington, D.C. Kevin Sprouls is married with 2 children, and lives in Coastal North Carolina.

Brown, William L.

Zellmer, Tina

Wells, Leigh

Baviera, Rocco
Riegel, Margaret
Luczak, Laurie
Starr, Jim
Tom White / 9 Surf Studios
Roberts, Scott
Downard, Barry
Pica, Steve
Beaudoin, Rayne
Slabbers, Ronald
From serious business to serious fun.
Feel free to contact me with any questions or to discuss your project.
For USA, Canada and outside Europe you can also contact my US representative:
Sharon Kurlansky at www.laughing-stock.com - Telephone: 508-460-6058 - sharon@laughing-stock.com
I live and work in Amsterdam, the Netherlands.
Haynes, Jim
Aspinall, Neal
Shaffer, Chad J.
Bendell, Norm
McGowan, Shane
Scott, Roy
Sloan, Michael
Johnson, Lonni Sue
Seidlitz, Serge
Infographics® Technical Design
Westbrook, Eric
Price, Paul
Paul then spent 4 years at MacUser magazine, where he received awards for his Art Direction including Best Designed Business magazine in the Total Publishing Awards. Throughout this time he became well known for his design-led illustration working both for MacUser and other clients.
Paul has spent the last 16 years working as a freelance Creative Director and Illustrator (general art bod…). He has used his compositional skills and dynamic range of styles to work with clients on widely differing projects, from CDs, posters, book covers, brochures, packaging, branding, fine art as well as magazines and the inevitable family projects such as designs for weddings and funerals!
Paul has been featured in various design and art magazines. His work has also appeared in illustration books and he has given talks on his style, techniques and inspiration. Paul has worked with a number of stock libraries and released 5 stock art discs of his illustrations for Getty, which have been best sellers for many years, He has been on numerous judging panels, including, Digital Art Awards for The Association of Photographers and Amnesty International. His illustration work has also appeared in various exhibitions.
Clients include Agfa, Apple, BAE Systems, Barclays, BBC, BT, BP, Coke Cola, Computer Arts, Citroen, EMI Music, EON, Ford, Getty, General Electric, Glaxo, Guardian Newspaper, Hewlett Packard, Logica, Jaguar, Orange(EE), New Scientist, Peugeot, Shell, Vodafone, Virgin and Westfield.