Previous commercial clients include The Economist's Intelligent Life Magazine, AMEX, The Washington Post, The Smithsonian Magazine, Billboard Magazine, The Atlantic Monthly, Wired Magazine, Entertainment Weekly, The Wall Street Journal, Forbes Magazine, The Village Voice, Variety, Scientific American Mind Magazine, New York Times, The L.A. Times and L.A Weekly among others.
Peter has been awarded numerous grants from The Canada Council for the Arts for his new media work, and is the recipient of commissions from Rhizome.org at The New Museum, NYC (2005) and Turbulence.org New Radio and Performing Arts, Boston (2004). He has exhibited in museums and galleries across the globe including the Whitney Museum Of American Art‘s Artport (NYC), Museo Tamayo Arte Contemporaneo (Mexico City), the Musee national des beaux-arts du Quebec (Quebec City, Canada) and FILE Electronic Language International Festival (Sao Paulo, Brazil).
His work is inspired from many different things such as colour, nature, juxtaposition, children’s encyclopaedias, repetition, metamorphosis. Artistically speaking influences range from Bosch’s complex and surreal character filled landscapes, to the metamorphosing patterns of MC Escher. Artists such as Picasso, Matisse, Rousseau and Miro have defined the balancing of colour and the juggling of shape and composition over the years.
Ben has focused on working with commercial commissions for several years, such as magazine editorials, fashion labels and advertising campaigns. He has also exhibited his work around the world, held creative workshops and partaken in art residencies. His goal is to continue to work with a large variety of clients to explore the further possibilities of his work, while also sharing and exhibiting his creations to as many people as possible.
A wide variety of his clients include, Google, Apple, Hoegaarden, Rubicon, New York Times Magazine, Vice Magazine, Wall Street Journal, GQ, Elle, Stanford Design School, Bloomberg Businessweek, Galison Harpers Magazine and Jarrold’s Spring/Summer window displays.
A selected CLIENT LIST includes: WhiteOps, McKinsey, Siegel+Gale, Olympus, AVID, Sony Music, Vampire Weekend videos, MTV, IFC, Meat Beat Manifesto, Fast Company, Time, Newsweek, Wall St Journal, NY Times, Washington Post, Forbes, Bloomberg, Inc, Epson, AT&T, HP, AMEX, Deutcshe Bank, Verizon, Reebok, IBM, and Coca-Cola.
This Holiday season, I worked with The School of Visual Arts to design a poster for the “ART IS!” subway series. It’s been so fun to see these all around the city.
In late 2018, I had a great time animating Steve Brodner’s drawings for The Alec Baldwin Show. Tight deadlines and a great team of people!
Awards (partial): Communication Arts, Print, The Society of Illustrators (NY + LA), American Illustration, 3×3 annual, and numerous Telly Awards.
Among the numerous prestigious awards Anastasia has been honored with are : The Society of Illustrators, Communication Arts and The Society of Publication Designers.
She has also been honored as a guest lecturer at The International Center of Photography, The New School and School of Visual Arts in New York, as well as The International School of Paris.
Her credentials don't end with the world of print however. She's also active as a graphic designer for Film and Television and has worked with such well known production designers as Laurence Bennett and Linda Burton.
A few of her clients inlude: The NY Times, The Wall Street Journal, LA Times, Time Magazine, Computerworld, CIO Magazine, Rolling Stone, Money Magazine, Showtime, HBO, ESPN, Sundance, SONY Records, Atlantic Records, Levi Strauss and Merck.
Anastasia's fine art paintings are collected internationally. Large scale commissions have been created for venues in Berlin, and City Winery's in Chicago, Nashville and New York City.
Initially working purely by hand, Sam discovered a passion for digital collage in 2010 which later developed into his own unique brand of rich and detailed imagery. This method allows him to develop and turnover complex pieces with diverse character sets in timeframes that suit each client’s needs.
As a big science and technology fan, Sam has developed a strong presence in the field with clients including Nature, Nautilus, New Scientist, The Royal Society of Chemistry, Scientific American and Wired magazine. in 2015 Sam was commissioned by the acclaimed MIT Museum to rework their map designs for the general public.
Other clients include: British Airways, British GQ, Capital, Computer Arts, Deustch Inc, Emirates, The Guardian, The Independent, Intelligent Life, John Hopkins University, M & C Saatchi, Nokia, Reader's Digest, Scholastic, The Spectator, The Telegraph, The Times, The Washington Post.
In 2014 Sam was featured in IdN magazine’s New Faces of Inspiration issue as one of ten leading illustrators in the editorial field. His work was also exhibited in Taoyan city, Taiwan as part of Dpi magazine’s Space Odyssey exhibition.
Sam has a BA in Illustration and Animation from Kingston University and graduated in 2011.
With a combination of bold colours and geometry, his artwork orbits between the symbolic and the mechanical, playing with depth of field and multilayered objects. He is inspired by science, cinema and pop culture, and makes a sisyphean attempt to learn Japanese every once in a while.
His work has been featured in the books Understanding Illustration, Ghosts of Gone Birds and Three By Three Illustration Directory.
Previous clients include: Wired UK, Mayor of London, BMW, Zurich, More Than, Monocle, Times Higher Education, GT Nexus, Kaplan, WPP, Financial Management, Bulletin, STEP Journal, FM World, WeAreBold, Oxford University Press.
Miller, Doug John
Doug completed his bachelor’s and Masters degrees in Architecture at UCL where his project ‘The San Francisco Columbarium’ won him the SOM Fellowship, Bartlett and Donaldson Medals. Doug now teaches part time running architecture and landscape design studios at the Bartlett School of Architecture, UCL.