Horvath, Peter
Peter Horvath, born of Hungarian descent into a lineage of photographers, began taking pictures at age 6. After spending his formative years inhaling darkroom fumes, he worked as a stills photographer until he discovered computers in 1995 when a friend gave him a Macintosh Plus. Shortly thereafter, he happened across the work of Dadaists John Heartfield and Hannah Hoch, whose work exposed him to the world of photo-montage. He has since produced digital collage works exploring narrative, abstraction, and the hypnagogic, and continues to push the boundaries of convention, displacing the familiar and nostalgic with unique, surreal touches. Peter’s ability to master bold compositions that convey complex concepts is what makes his work stand out. His impactful images make him a natural choice for the nuances of editorial work, and the call-to-action needs of advertising. His work is featured in the newly published book from Die Gestalten, "Illusive - Contemporary Illustration", as well as an upcoming book on collage.
Previous commercial clients include The Economist's Intelligent Life Magazine, AMEX, The Washington Post, The Smithsonian Magazine, Billboard Magazine, The Atlantic Monthly, Wired Magazine, Entertainment Weekly, The Wall Street Journal, Forbes Magazine, The Village Voice, Variety, Scientific American Mind Magazine, New York Times, The L.A. Times and L.A Weekly among others.
Peter has been awarded numerous grants from The Canada Council for the Arts for his new media work, and is the recipient of commissions from Rhizome.org at The New Museum, NYC (2005) and Turbulence.org New Radio and Performing Arts, Boston (2004). He has exhibited in museums and galleries across the globe including the Whitney Museum Of American Art‘s Artport (NYC), Museo Tamayo Arte Contemporaneo (Mexico City), the Musee national des beaux-arts du Quebec (Quebec City, Canada) and FILE Electronic Language International Festival (Sao Paulo, Brazil).
Previous commercial clients include The Economist's Intelligent Life Magazine, AMEX, The Washington Post, The Smithsonian Magazine, Billboard Magazine, The Atlantic Monthly, Wired Magazine, Entertainment Weekly, The Wall Street Journal, Forbes Magazine, The Village Voice, Variety, Scientific American Mind Magazine, New York Times, The L.A. Times and L.A Weekly among others.
Peter has been awarded numerous grants from The Canada Council for the Arts for his new media work, and is the recipient of commissions from Rhizome.org at The New Museum, NYC (2005) and Turbulence.org New Radio and Performing Arts, Boston (2004). He has exhibited in museums and galleries across the globe including the Whitney Museum Of American Art‘s Artport (NYC), Museo Tamayo Arte Contemporaneo (Mexico City), the Musee national des beaux-arts du Quebec (Quebec City, Canada) and FILE Electronic Language International Festival (Sao Paulo, Brazil).
Miller, Doug John
Doug’s drawings focus on architecture and detail featuring colourful, highly detailed compositions of surreal and fantastical architecture. His architectural drawing has been published and exhibited internationally including at The Royal Academy, The Slade and Roca Gallery’s. His illustration work has been commissioned by publications such as The New York Times, Wired and Empire Magazine. Alongside editorial work Doug has worked for companies such as Netflix on concept design for films, often directly with the film makers themselves, helping bring their architectural visions to life.
Doug completed his bachelor’s and Masters degrees in Architecture at UCL where his project ‘The San Francisco Columbarium’ won him the SOM Fellowship, Bartlett and Donaldson Medals. Doug now teaches part time running architecture and landscape design studios at the Bartlett School of Architecture, UCL.
Doug completed his bachelor’s and Masters degrees in Architecture at UCL where his project ‘The San Francisco Columbarium’ won him the SOM Fellowship, Bartlett and Donaldson Medals. Doug now teaches part time running architecture and landscape design studios at the Bartlett School of Architecture, UCL.
Giles, Ben
Ben Giles was born in UK in 1992, and currently works as a freelance artist in Norwich. Ben Giles earned a BA in Fine Art at Kingston University. His work is defined by his handmade collages, utilising antique and vintage materials to create often colourful and detailed artworks. The collage often spills into other mediums such as sculpture, paint and illustration.
His work is inspired from many different things such as colour, nature, juxtaposition, children’s encyclopaedias, repetition, metamorphosis. Artistically speaking influences range from Bosch’s complex and surreal character filled landscapes, to the metamorphosing patterns of MC Escher. Artists such as Picasso, Matisse, Rousseau and Miro have defined the balancing of colour and the juggling of shape and composition over the years.
Ben has focused on working with commercial commissions for several years, such as magazine editorials, fashion labels and advertising campaigns. He has also exhibited his work around the world, held creative workshops and partaken in art residencies. His goal is to continue to work with a large variety of clients to explore the further possibilities of his work, while also sharing and exhibiting his creations to as many people as possible.
A wide variety of his clients include, Google, Apple, Hoegaarden, Rubicon, New York Times Magazine, Vice Magazine, Wall Street Journal, GQ, Elle, Stanford Design School, Bloomberg Businessweek, Galison Harpers Magazine and Jarrold’s Spring/Summer window displays.
His work is inspired from many different things such as colour, nature, juxtaposition, children’s encyclopaedias, repetition, metamorphosis. Artistically speaking influences range from Bosch’s complex and surreal character filled landscapes, to the metamorphosing patterns of MC Escher. Artists such as Picasso, Matisse, Rousseau and Miro have defined the balancing of colour and the juggling of shape and composition over the years.
Ben has focused on working with commercial commissions for several years, such as magazine editorials, fashion labels and advertising campaigns. He has also exhibited his work around the world, held creative workshops and partaken in art residencies. His goal is to continue to work with a large variety of clients to explore the further possibilities of his work, while also sharing and exhibiting his creations to as many people as possible.
A wide variety of his clients include, Google, Apple, Hoegaarden, Rubicon, New York Times Magazine, Vice Magazine, Wall Street Journal, GQ, Elle, Stanford Design School, Bloomberg Businessweek, Galison Harpers Magazine and Jarrold’s Spring/Summer window displays.
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