Collages and commissioned illustrations

Mark Von Ulrich earned his BA in design and Illustration from Columbus college of art and design in Columbus, Ohio. He works in the editorial, advertising and publishing fields. Selected clients include Harvard Business, Electronic Business, Playboy and Barnes & Noble. Riley Illustration is his representative.

Illustration using collage and Photoshop.

Born in Vermont, Manhattan based for years -quirky wit and ironic edge inform the illustrations of Lisa Adams. A graduate of the Pratt Institute, Lisa has been making art since she could hold a pencil. This former Tribecan recently relocated to Mystic, CT and now lives on a sheep farm on the ocean. She has painted only 3 sheep so far but she does sail a lot. Using a mix of super-realism, collage, outsider art and hand-lettering, Lisa has garnered a reputation for her map illustrations showcasing her own world of nautical elements and charming unexpected icons. And, she still wears Prada around the farm.

Award winning mixed media collage for editorial, advertising, corporate and book covers.

Award-winning, color-intensive, collaged and textured illustration for Editorial, Book, Corporate and Advertising projects. Former art director turned freelancer, Cathy Gendron survived a near-fatal career in newspapers and the noxious fumes from her painting process to work from her studio in Ann Arbor, Michigan. Clients include: AARP, Anderson Consulting, Bloomberg Markets, Chrysler, Exxon, Ford, Forbes, General Motors, Golf Magazine, Harvard Business Review, IBM, Johns-Hopkins, Kensington Publishing, Llewellyn Worldwide, McGraw Hill, NCR, Newsday, Newsweek, New York Times, Peaceable Kingdom Press, Penguin Putnam, Saatchi & Saatchi, Seventeen, Sky and Telescope, Target, US News & World Reports, Utne Reader, Wall Street Journal, Washington Post,

Cartoonist and illustrator for publishing, advertising, and corporate markets with emphasis in children's publishing. Nancy has prior experience as a designer and art director, making her very respectful of schedules and deadlines and understanding of the intricacies of the production and printing processes.

Styles: Digital, watercolor, and collage. All drawings are originally created by hand, then colored either digitally, traditionally, or using a combination of digital / traditional.

Partial Client List: Scholastic, Houghton Mifflin Harcourt, Cambridge University Press, Free Spirit Publishing, Michael O’Mara Books, Mondo Publishing, Voyager Expanded Learning, Helbling, Crown Ironworks, Mallinckrodt, The Nielsen Company, and The Minnesota Historical Society.

Member of Society of Children’s Book Writers & Illustrators and the Children’s Literature Network.

blog: nancydrewit.wordpress.com facebook: www.facebook.com/nancymeyersillustration

Humorous, surealistic, Wacky, financial, computer, digital, conceptual, portrait, collage, absurd, music, machinery, mechanical , contraption, medical, fun, architecture, Imaginative illustration for corporate, advertising, licensing, publishing and editorial use. Bruno Mallart is represented by the David Goldman Agency.

conceptual, editorial and character design

Deco meets Disco. Charming and unusual illustration. A mix of modern and retro elements.

The collection of animals were done for Penguin Books Astrology series "Sydney Omarr" The ship drawings were created for the maritime industry. They were drawn on-location during Fleet Week in New york Harbor.

Fun, fresh illustrations of loopy kids, cuddly animals and wondrous places... created in acrylic paint and digital collage, with a retro twist and often featuring custom vintage hand lettering. Specialties are children's books and food illustration.

Conceptual, iconographic, metaphorical, textured, layered and colorful

Retro posters and new Collage work

Digital, freehand, collage, retro, paintily, funky, figurative, fashion.

I love making pictures. For me it is the best job in the world. I have over 12 years of experience since graduating with an MA from Central Saint Martins College of Art and Design London in 2002. My work has been featured in numerous publications including D&AD, Eye Magazine and numerous times in the prestigious Images Annual – The Best of British Illustration. I frequently exhibit my work – with my latest exhibition being “Images 36 – The Best of British Illustration” at the Bankside Gallery, London in Summer 2011.

My evolution in fast forward: Madagascar, Fargo, Tucson, Asheville, Manhattan... ultimately landed in Brooklyn. I work primarily on editorial and corporate / advertising illustration and animation / motion design. I am well versed in visual consulting and creative direction. One of my favorite aspects of visual communication is the conceptual process, be it selling a product or conveying the intricacies of a complex article.

A selected CLIENT LIST includes: WhiteOps, McKinsey, Siegel+Gale, Olympus, AVID, Sony Music, Vampire Weekend videos, MTV, IFC, Meat Beat Manifesto, Fast Company, Time, Newsweek, Wall St Journal, NY Times, Washington Post, Forbes, Bloomberg, Inc, Epson, AT&T, HP, AMEX, Deutcshe Bank, Verizon, Reebok, IBM, and Coca-Cola.

This Holiday season, I worked with The School of Visual Arts to design a poster for the “ART IS!” subway series. It’s been so fun to see these all around the city.

In late 2018, I had a great time animating Steve Brodner’s drawings for The Alec Baldwin Show. Tight deadlines and a great team of people!

Awards (partial): Communication Arts, Print, The Society of Illustrators (NY + LA), American Illustration, 3×3 annual, and numerous Telly Awards.

Currently based in Marshall, Michigan, Matt Manley has been working as a freelance illustrator for over twenty years. His illustration is primarily figurative and symbolic with surrealist leanings, and past client work includes editorial, corporate, medical, book, and higher education. Though in the end his work is technically digital collage, the process integrates both traditional and digital media. Collage elements are original oil paintings and drawings, with occasional scanned found objects and photos added to the mix, all united in Photoshop.

Judy Reed Silver's style focuses on an eclectic collage of illustration, design, photography, vintage and modern. She has been inspired by nature, vintage fabrics and silk Japanese kimonos, how they can be applied to surface design from rugs, stationary, shoes, T-shirts, tableware, bags, product packaging, store displays, posters, wall décor and how art as design can apply to our everyday living environment.  Judy creates for such clients as Sherwin-Williams, Disney, U.S.P.S., Emory University, Publix and The Natural History Museum of Los Angeles. She has illustrated children's books and cookbooks for Chronicle Books and Simon & Schuster/Silver Burdett & Ginn. Her editorial clients range from Newsweek, Boston Globe, Bon Appetit, New England Journal of Medicine. She has exhibited in several one woman shows and national group shows of mono-types, giclee prints and illustrations, featured in Communication Arts Annual, The Society of Publication Designers Best Spot Illustrations & Brochures, Visions Magazine, How's Promotional Design Annual, Stir Magazine, and Taxi Design. She received her BFA from Art Center College of Design in Pasadena.

Famous people in a cut-out style, caricatures, collages, photomontages, illustrations concept....

Martin Haake is an internationally known illustrator and artist. After some years living in London, Martin moved back to Berlin where he lives with his wife and his two sons who both want to grow up to be pirates!(the old fashioned kind of course). He has been working as a freelance illustrator for about 14 years for clients all over the world: Barnes & Noble, The Royal Society of Arts, Penguin Books, The Boston Globe, Travel & Leisure, Elle and the Shangri-la Hotel, Hongkong to name a few. Martin Haake's work has been selected for many illustration and design annuals. He is a big fan of American Folk art and is collecting telephone doodles.

Roy creates dynamic digital images out of his NYC studio that meld a love of color with concept for clients such as Saatchi & Saatchi, TIME, Inc, Grey Advertising, HBO, New York Times, CHASE, GigaPan, Springer-Verlag, TIAA-CREF, The New Yorker, IBM, Smithsonian, NYU, Procter & Gamble, AT&T, McGraw-Hill, MSNBC among others. His art has appeared in American Illustration, Communication Arts and HOW magazine. Keywords: architecture, business, charts, conceptual, corporate, design, digital_3D, editorial, infographics, maps, photo collage, publishing, realism, science, stylized realism, technology, text, trade

Anastasia Vasilakis is a multi diciplined artist who combines elements of photography with incredible drawing skill to create powerful conceptual illustrations.

Among the numerous prestigious awards Anastasia has been honored with are : The Society of Illustrators, Communication Arts and The Society of Publication Designers.

She has also been honored as a guest lecturer at The International Center of Photography, The New School and School of Visual Arts in New York, as well as The International School of Paris.

Her credentials don't end with the world of print however. She's also active as a graphic designer for Film and Television and has worked with such well known production designers as Laurence Bennett and Linda Burton.

A few of her clients inlude: The NY Times, The Wall Street Journal, LA Times, Time Magazine, Computerworld, CIO Magazine, Rolling Stone, Money Magazine, Showtime, HBO, ESPN, Sundance, SONY Records, Atlantic Records, Levi Strauss and Merck.

Anastasia's fine art paintings are collected internationally. Large scale commissions have been created for venues in Berlin, and City Winery's in Chicago, Nashville and New York City.

collage using melted photography, screen prints, oil, acrylic, graphite and xerox

Collage with digital special effects. Specialties: conceptual, book jackets, editorial and collateral. Clients include: The Boston Globe, Crown Publishing, Doubleday, Fast Company magazine, Fontina Valle d'Aosta, HarperCollins, Hartle Media, Alfred A. Knopf, Little Brown, The New Republic magazine, Pantheon Books, Parmigiano Reggiano, Random House, Smog Design, St. Martin's Press, Time Magazine, Viking Penguin, W. W. Norton, The Wall St. Journal, The Washington Post.

Papercut collage

The artwork is mixed media with conventional originals. Each piece uses realism with an eye for distortion and an unusual combination of images. Clients include Starbucks, Merillat Corporation, Sleeping Bear Press, University of Michigan, PLOS Medicine,Sports Illustrated, the Ann Arbor Summer Festival

Conceptual illustration combining photos, photo textures and graphic forms. Online portfolio and stock search with over 1800 stock images. Digital. Contemporary. Fresh and fun.

dynamic, emotive collage illustration

Retro-syle digital collage with a modern twist. Marci Roth has illustrated numerous book jackets and full-page illustrations for such clients as Random House, Holiday House, The Washington Post, and Better Homes and Gardens.

Digital, collage, retro, alternative, caricature, whimsical, books, logos, design, texture, antique, old. Clients include: TBWA Chiat Day, Rosenbach Museum and Library, Comedy Central, American Museum of Natural History, Time Out NY.

Illustration for Editorial, Advertising and Design

Cutting edge illustration and photography for print and design.

Tad Majewski is a freelance illustrator and visual artist. Born in Poland, he graduated from Nicolaus Copernicus University in Torun, Poland with a masters degree in fine art in the field of graphic art and art education. After graduating, he taught at his University for 3 years until he moved to Canada. Here he established himself as a well known illustrator represented by the leading North American agency 3 in a Box. He developed an international reputation for superior client service over the past seventeen years. He established strong relationships with clients in advertising, design, editorial, corporate and book publishing markets in North America and around the world. For assignments please call 905-584-7665.

Surrealistic digital illustration

Lauren Simkin Berke is a Brooklyn based artist and illustrator whose work can be seen in galleries, on book covers, and in publications such as The New York Times, The Boston Globe, and the L.A. Times. With drawn lines that overlay swaths of color, Lauren's work explores instinctive color play combined with drawn images that study human gesture and how people document their lives in photographs. Lauren illustration work has been recognized by the Society of Illustrators, Communication Arts, Print Magazine, and American Illustration.

Conceptual illustration for editorial, advertising and design. Hand-drawn images, custom typography, icons and logo design. Line and color style output digitally. Creative, professional, fast, efficient and always on deadline. Clients have included: Adobe Magazine, Ad Age, The Atlantic Monthly, Bloomberg Financial, Chicago Tribune, Elle Magazine, J Walter Thompson, Macworld, New York Times, Novell Computer, Sony Music and many more. My work has been recognized by: Addy awards, Print's Regional Design Annual, Society of Illustrators of Los Angeles, Society of Illustrators of San Francisco and the Simon Rockower Award.

A new group of illustrators with differing styles, figurative, caricature, digital, cartoons, realistic, calligraphy, fashion, childrens', design, collage

Vintage, Modern, Found and Contemporary Image Collage. Photo Based. Background Texture Illustration.

kara-anne fraser is a freelance illustrator who specializes in editorial, product and book illustration. her style can be described as whimsical and bold.

David Graves has a B.F.A. in illustration from the University of San Francisco and is a long time member of the N.Y. Society of Illustrators as well as the Graphic Artists Guild of N.Y. He also has over twenty years of professional experience as an Illustrator, Art Director, and Graphic Designer. He is extremely versatile, flexible and conscientious about his work and his relationships with his clients. Over the years he has earned a reputation for delivering consistently high quality work under tight deadlines.

Cliff Nielsen studied traditional and digital illustration and graduated as valedictorian from Art Center College of Design in 1994. His illustrations have been recognized for their excellence by the Society of Illustrators, Print, and Spectrum. Feature articles focusing on his work appear in design publications and fanzine magazines alike. Cliff has been an international speaker on digital art and has served as a judge for the Society of Illustrators and a variety of professional illustration award programs. His clients include every major publisher, countless advertising agencies, magazines, and studios. He lives and dreams in Los Angeles, California.

Growing up in West London near Richmond and the Thames, Victoria Scott was always drawing and making things as a child, and knew from an early age that she wanted to be an illustrator.

Her influences come from the early 20th century, such as Art Deco and Art Nouveau, but she also enjoys a bit of 60s psychedelia.

Vicky went to the Wimbledon School of Art and Design for foundation, and then went to the University of Brighton to gain a BA in Illustration.

All of Vicky’s illustrations are created as handmade paper collages. By its very nature, Vicky’s work is highly figurative, and you’d describe it as quirky, colourful, bold, graphic and a little retro. She likes to bring a narrative element into her work as much as possible.

Client List Microsoft Volkswagen Radio Times Top Sante magazine Dobbies Garden Centre Paperchase The Elephant Parade Bayer Regents College Queen Mary's University

Gail Armstrong has been creating paper sculptures for over 20 years and her enthusiasm for the medium hasn’t waned one snip. She still wants every image she creates to be better than the last, and this approach has led to plenty of awards, including a Cannes Gold Lion for her Kleenex campaign. She finds inspiration in contemporary art and, not surprisingly, the huge Paperchase outlet on Tottenham Court Road in London.

Gail did her foundation course at Sheffield Polytechnic before gaining both a BA and Post Graduate Diploma in Graphic Design and Illustration at Glasgow School of Art.

Though finally rendered in pieces of paper that have been carefully cut and glued together, each image Gail creates begins as a series of drawings. As she explores the composition and various concepts, she focuses on creating something that has both style and substance to it. The result is usually a photograph of her artwork, which viewers love to see more than once, poring over the textures, colours and patterns in the final construction.

Awards
Shortlisted in AOI Illustration Award 2014 - Research and Knowledge category for “Life Cycle of a Butterfly”

Asiago International Award for Philatelic Art 2012 - winner for “Land” stamp in set of 3 for United Nations conference on sustainable development in Rio

Cannes Gold Lion 2010 – Billboards Cannes Bronze Lion 2010 – Illustration Cannes Bronze Lion 2010 - Press The Big Won 2010 – 1st in Press Campaigns Creative Circle Awards 2011 Silver in Illustration (Craft Print) Creative Circle Awards 2011 Bronze in Magazine Campaign (Press) Creative Match Flair Award for Illustration 2011 Daler Rowney Award for Outstanding Paper Sculpture 1997

Client List
SunSense, Kleenex, United Nations, Charles Darwin University, Nestlé, Sogo Hong, Kong, Sandoz, Macy's, MidFirst Bank, California Lottery, Delta TechOps, Safeguard Handwash and Jack-In-A-Box.

Nazario is an Italian freelance Illustrator, Graphic Designer and dad. His world is romantic, ironic, dreamy, with good background music. Something like… “a dive in the past with gore-tex lifesaver”. He takes inspiration from old books, illustrations for kids, sky, snow, rain and rainbows, his little princess Bianca, his wife, his cats, music, old-school skateboards, traditional tattoos, 80′s memories, 50′s sci-fi movies, typography and so much more that happens day by day in his life…

Sarah Arnett’s beautiful work is renowned for its colourful nature-inspired prints. Sarah’s love of gardening and botanical gardens is key to her work. Studying and interpreting flowers, foliage, land & skyscapes are the starting point of any project. Throughout her work you will find recurring tree motifs to delicate abstract patterns inspired by butterflies and tropical plants, a real visual treat. Sarah’s illustrations develop from the hand-drawn and are then digitally illustrated. Not only a fabulous illustrator and print designer, she also runs her own clothing label and makes beautiful dresses and printed textiles. What excites her the most, is colour, “It’s my real passion”.

Born in Madrid and currently based in London, Edu Fuentes has been working as a freelance illustrator since 2003, combining a wide range of commercial projects with personal work and exhibitions.

With a combination of bold colours and geometry, his artwork orbits between the symbolic and the mechanical, playing with depth of field and multilayered objects. He is inspired by science, cinema and pop culture, and makes a sisyphean attempt to learn Japanese every once in a while.

His work has been featured in the books Understanding Illustration, Ghosts of Gone Birds and Three By Three Illustration Directory.

Previous clients include: Wired UK, Mayor of London, BMW, Zurich, More Than, Monocle, Times Higher Education, GT Nexus, Kaplan, WPP, Financial Management, Bulletin, STEP Journal, FM World, WeAreBold, Oxford University Press.