Check it out! 2-D, 3-D collage, digital illustration, stock, NEW work and Gift Gallery!

Jim Tsinganos is a Sydney based Illustrator with over 20 years experience who has had 2 working stints in Amsterdam. He is the recipient of numerous awards, both locally and internationally and working primarily with watercolour and photoshop, he is interested in creating work with a strong conceptual basis that will resonate with the viewer. Clients include; nike, time australia, random house, anz bank, westpac bank, amnesty international, sydney opera company, commonwealth bank, houghton mifflin, qantas, konami gaming, sydney morning herald, la times, american express, yaffa publications, cadburies uk.

Illustration for corporate, advertising, licensing, publishing and editorial use. James Yang is represented by the David Goldman Agency.

Currently based in Marshall, Michigan, Matt Manley has been working as a freelance illustrator for over twenty years. His illustration is primarily figurative and symbolic with surrealist leanings, and past client work includes editorial, corporate, medical, book, and higher education. Though in the end his work is technically digital collage, the process integrates both traditional and digital media. Collage elements are original oil paintings and drawings, with occasional scanned found objects and photos added to the mix, all united in Photoshop.

Max was born in rural Germany in 1989 and started out illustrating extensive album artworks for punk and metal bands after doing his homework. After graduating from the Graphic Design department at Hochschule Darmstadt in 2017, he began working as a freelancer with renowned clients like The New Yorker, The New York Times, Adidas and Google. He still enjoys creating artwork for bands.

Influenced by the classic surrealists as well as retro science-fiction book covers, he likes to look below the surface of one-to-one visual translations, adding meaning and room for inference by wrapping his illustrations in the dense atmosphere of a surreal and melancholic parallel universe. His urge is to translate and decipher what can only be felt, not directly seen, and to amplify this visually, particularly in his personal work.

Max has worked with clients such as: The New Yorker , The New York Times , Google, GLOBE Brand, Future Islands, Bloomberg Businessweek, Folio Society, Atreyu, GQ Magazine, WirtschaftsWoche, DIE ZEIT, Adidas, Bandcamp, Medium, Cicero, The Economist, Variety, Wall Street Journal, The Hollywood Reporter, and The Shrine.

Awards: 2019: 3x3 AWARD SHOW Merit 2019: WORLD ILLUSTRATION AWARDS 2x Shortlist 2019: AMERICAN ILLUSTRATION 38 Winner 2019: SOCIETY OF ILLUSTRATORS “Illustrators 61” Exhibit & book 2018: JOSEPH BINDER AWARD Distinction 2018: GERMAN DESIGN AWARD Newcomer Nominee 2018: FOLIO SOCIETY BOOK COMPETITION Winner 2017: 3x3 STUDENT SHOW Gold 2016: JOSEPH BINDER AWARD Distinction 2016: ADC GERMANY Silver

Books: Lürzer’s 200 Best Illustrators 2018/2019 Freistil

BloodBros. is the studio of New Zealand-born illustrator and graphic artist Emile Holmewood, who currently lives in Tokyo.

Originally a graphic designer, he was once told by a studio creative director to remember he is a "graphic designer who illustrates, and not the other way around", Emile has since worked tirelessly to prove otherwise, bringing his artistic flair to everything he does.

Nevertheless, Emile’s unique style is underpinned by graphic design principles, and contradiction is central to his work: he constructs his illustrations in cold-hearted vectors, then warms them up with playful colours, a heavy dose of humour and sometimes; animation.

Emile's inspiration comes from a vast array of eclectic sources including LEGO, life in Japan, fish, baroque paintings, bubblegum and The Simpsons – to name but a few.

Some previous clients include:

The Sunday Times, Bank of America, Apple, IBM, The Verge, 99 percent invisible (podcast), La Quinta Hotels, IEEE, Radio New Zealand, Seamless, Exxon Mobil, Toshiba, Marketing Week and Bank West

Awards

2015 Best Awards Finalist 2013 Best Awards Silver, Bronze, Finalist, Finalist 2012 Best Awards Finalist 2011 Graphis Platinum 2009 Best Awards Finalist 2008 Best Awards Silver

Dan Funderburgh is a Brooklyn-based illustrator, artist, and wallpaper designer whose creations are rooted in the world of decorative arts. Dan was born in Seattle and reared in the Midwest, receiving a BFA from the University of Kansas with a focus in illustration. After moving to New York in 2001, Dan established a partnership with the now Brooklyn-based wallpaper studio Flavorpaper, where his designs are hand-screen printed. The wallpapers have been featured at the International Contemporary Furniture Fair and at Pulse Miami, and are a part of the Cooper-Hewitt's permanent collection. Occasional collaborations with companies like Brooks, Furni, and Gravis have allowed the work to live on bicycle seats, furniture, and luggage. Dan's personal and gallery work includes letterpress and screen prints, sculptures and installations that play off of historical ornamentation. Revealing an acute appreciation for both the baroque and utilitarian, Dan's work often combines the language of ornament with objects that surround us. Clients include: Soho House, Brooks England, Gravis, Nixon, Target, Chivas Regal, The New York Times, The Paris Review, Condé Nast, Scion, Nike, Microsoft, HP, Burton, Penguin Group, Hodder, Grey, Ogilvy, Dwell, Surface, JDK, Hachette Book Group, TED Talks

Webb Creative provides concise, graphic illustrations using an aesthetic of flat shape and color to build engaging imagery, from conceptual interpretations, to info graphics.

Simon Prades, born in 1985 into a german/spanish family is living in Saarbrücken, Germany with his wife and son.Since finishing University with a diploma in Graphic Design, he has been working as a freelance illustrator for clients in Editorial, Publishing, Sports, Advertising and Film.

Simon works in analog techniques, such as ink, pencils or watercolor but also digitally, depending on the subject. His work is often a combination of detailed and complex drawings and narrative ideas. Depending on the subject his illustrations can also be rough, spontaneous and moody. He also creates slightly animated versions of his illustrations, which can be used in digital publishing and media.

Simon has worked for clients such as:The New York Times, The New Yorker, HarperCollins, Bloomberg, The Atlantic, Scientific American, Rolling Stone Magazine, Medium.com, The Guardian, New Statesman, VICE, The New Republic, Der Spiegel, Cicero Magazin, Esquire, Empire Magazine, Entertainment weekly, Nike, Ubisoft, BBDO, Ogilvy & Mather, Serviceplan and Y&R.

Craig phillips has been providing illustrations to the publishing and advertising industries in the United States, Australia and Europe for over a decade. He has created book jackets and interior art for Random House, Penguin, Scholastic, Simon & Schuster, Hachette Book Group, TOR Books, Wizards Of The Coast, Oxford University Press and many more. He has created tour posters for Red Hot Chili Peppers, Queens of the Stone Age and Foo Fighters and provided editorial work to many publications including Rolling Stone Magazine. His work has been included in art annuals such as Spectrum 13, 14, 15, 16, 17 and 18, Society Of Illustrators 53, Luerzers 200 Best Illustrators Worldwide, The Art Of Modern Rock, A Fistful Of Rock, Creative Quarterly 16 and 23. Work has also been exhibited at the Society of Illustrators 53 Book Illustration exhibition in New York, the 2nd Spectrum exhibition at the Museum of American Illustration, a group exhibition at the Erskine gallery in Sydney and a solo exhibition at the University of Arkansas in Florida.

After graduating with a degree in graphic design, Monika Roe worked as an art director and creative director for ad agencies in Los Angeles and Indianapolis. Now a full-time illustrator, some of Monika's clients include: Microsoft, Toyota, Mattel, Diet Coke, Pantene, Coty, Conde Nast Publications, Penguin Group, Doubleday, Random House, Harper Collins, Simon & Schuster, Time Inc., The Wall Street Journal, and Hallmark. Her work has been featured in STEP inside design magazine and Adweek. Monika's studio is located in the beautiful wine country of California's central coast, where she lives with her two pugs, Ladybug and Bumblebee. She likes Danish modern furniture, browsing estate sales and drinks way too much coffee.

Peter Scott's (a.k.a PatrickGeorge) skills of illustration and design are largely concept-driven, clean, punchy and witty. He enjoys working on his own children's books (A drove of bullocks, A filth of starlings, Little Miss Muffet and other rhymes, and Opposites published by PatrickGeorge), but his style works equally well in a corporate and media context. PatrickGeorge’s previous clients include Toyota, GQ, Royal Mail, Houses of Parliament, Kent tourism and The Times. He has also produced a book of names which is a playful typographical treatment of 100 boys and 100 girls names (What's in a name?)

Infomen is an information and graphic design firm jointly run by designers Aman Khanna and Carlos Coelho. Operating from their studios in New Delhi and London, Infomen has been providing a successful design service to a wide variety of international clients since January 2006. Their specialization and user centered approach to design enables them to take complex design problems and convert them to user-friendly and understandable creative solutions. Previous clients include The Times, The Daily Telegraph, BBC Olive Magazine, Red Bulletin, Time-Out Magazine, Which Magazine, Mens Health, El Mundo Newspaper, Greenpeace, Pearson Education, O Jogo, Esquire Magazine, and Maxim.

Andrew Baker is a successful practicing illustrator, with a strong reputation in editorial illustration and poster design. He won a Gold Award for Editorial illustrator from the Association of Illustrators in 2003, and his work has been featured in the Design, New Media and Editorial sections of the AOI Images Annual and in the D&AD annual. His work is seen in most serious newspapers and magazines, from The Guardian to New Scientist, and in on-line environments, shop windows and on posters and book covers. He is primarily concerned with using images for storytelling or conveying messages. Drawing, colour, a love for ephemera and an eye for retro design inform his work. Projects are started with drawing and completed using illustrator and Photoshop in a distinctive way. Much of his work is designed to be seen in sequential form, for example sequences of images for The Economist or the BBC web-site, but he remains passionate about the power of the single key image. Andrew Baker is a graduate of the Royal College of Art and teaches part-time on the illustration course at Middlesex University. He recently curated the SHED exhibition and contributed to Steady Gigs, The Charity Shop Compendium and Doodlearth. Recent clients include: BBH, The Guardian, The Times, Barclays Bank, The Economist, The Radio Times, Diageo, The Spinvox, Harvard Business Review, The Mail on Sunday magazine, Dorling Kindersley, Lloyds, Readers Digest books, The Telegraph, Esterson Associates, Kings College.

Matt uses a montage of found & self-generated graphic material to create assured, vibrant images for the Publishing, Design & Advertising industries. These images are selected from recent projects. They range from book jackets, magazine covers, newspaper features, instore signage, billboard posters, through to direct mail, annual reports & advertising campaigns. The work falls into several stylistic categories. Firstly a traditional collage & photo montage approach used predominantly for editorial work. With other images he’s employed a more graphic approach, using flat colour, vector shapes & simple lines to create a more contemporary feel. Previous clients include: Adobe, Nike, MTV, British Airways, Vanity Fair, Natwest, HSBC, BBC Worldwide, Toyota, Sainsbury’s, BP, Honda, Esquire, Penguin, Corvette, The Times, The Royal Mail, Norwich Union, FT, Computer Arts, which? The Radio Times, Business Week, GQ, Waterstones, IBM, Loaded, Harvard Business Review, RAC, Mojo, Shell, Nasdaq, LloydsTSB, Timeout, 5live, US news, The Guardian, Jeep Chrysler, Harrods, Directline, The Economist.

Alex Williamson was born in England in 1973 and now lives and works as an illustrator and Graphic Artist in London. Alex Williamson has a BA Graphic Design (printmaking) from Leeds Metropolitan University and an MA in Communication Design from the RCA. Alex creates original artwork using cut-out, collage and print techniques, combining found ephemera, drawing and photography. His work is concerned with experimental graphic process, fiction and narrative. Alex works on a wide range of commercial commissions and projects in the publishing, corporate, editorial and advertising sectors as well as producing and exhibiting personal experimental work. He also lectures in Design for Interaction and Moving Image on the Graphic Design BA at the London College of Communication. Previous clients include: Vodafone, Science Museum, Lastminute.com, Penguin, MTV, Washington Post, Levis, Havana Club Rum, Tiger Beer, The Guardian, Time Out, Orion, GQ, Macmillan, NatWest, Sony, BBC Radio One, Random House, The Economist, ICM Models, Gartner, McKinsey, Fortune Magazine, The Independent, The Face, Sunday Times, Getty Images, Financial Times, Portobello Books, The New Yorker, Department For Transport and Citigroup. Alex Williamson also works in Moving Image - previous clients have included: MTV, BBC, Channel 4, E4, Chrysalis, October Films, Big Life, Parlophone, Polydor, Rough Trade, Nickelodeon.

He translates complex ideas and abstract themes into clear and powerful images. Aad creates illustrations that at first glance seem very simple. His distinctive style is characterized by the use of flat areas of color and the complete absence of lines. On closer look the mildly alienating images often contain multiple intellectual or emotional layers. This approach leads to works that are both timeless and contemporary.

Award winning illustrator Michael Glenwood brings a fresh graphic vision to illustration, merging drawing skills and conceptual ingenuity with an interest in classic printmaking techniques to create a bold visual style.

For several years I lead a double life. During the day I worked for a Design/Illustration studio producing work in a wide variety of styles for many different clients. Whilst in my spare time I was exploring more creative preoccupations though self-directed projects, often just enjoying a bit of creative freedom away from the pressures of the commercial world and being told what to do all the time.

Bringing together my love of drawing and geeking out on the computer, these quite often ended up as screen prints. Screen print is a process I’ve grown to love because of the restraints it imposes, I loved trying to create a sense of depth with just three or four layers. Often mistakes would be surprisingly pleasing.

After a while of incubation this work began attracting commercial clients (as I hoped it would) and eventually I made the leap to doing it full time.

My work naturally veers towards that blurry border point between science and nature. Recently I’ve become aware of how much I’m influenced by the countryside in which I live, and my tendency to fictionalise it through drawing.

My ambitions with my work are to keep making it better and continue to evolve as an artist. Presently my output mutated into a two pronged beast; I make these airbrushed sci-fi landscapes and then more hand drawn limited palette pieces – my aim is to carry on joining the dots in between these two styles somehow unifying them more.

My evolution in fast forward: Madagascar, Fargo, Tucson, Asheville, Manhattan... ultimately landed in Brooklyn. I work primarily on editorial and corporate / advertising illustration and animation / motion design. I am well versed in visual consulting and creative direction. One of my favorite aspects of visual communication is the conceptual process, be it selling a product or conveying the intricacies of a complex article.

A selected CLIENT LIST includes: WhiteOps, McKinsey, Siegel+Gale, Olympus, AVID, Sony Music, Vampire Weekend videos, MTV, IFC, Meat Beat Manifesto, Fast Company, Time, Newsweek, Wall St Journal, NY Times, Washington Post, Forbes, Bloomberg, Inc, Epson, AT&T, HP, AMEX, Deutcshe Bank, Verizon, Reebok, IBM, and Coca-Cola.

This Holiday season, I worked with The School of Visual Arts to design a poster for the “ART IS!” subway series. It’s been so fun to see these all around the city.

In late 2018, I had a great time animating Steve Brodner’s drawings for The Alec Baldwin Show. Tight deadlines and a great team of people!

Awards (partial): Communication Arts, Print, The Society of Illustrators (NY + LA), American Illustration, 3×3 annual, and numerous Telly Awards.

Renowned in the field of commercial art, Peter Bollinger is an award winning illustrator whose clients include Grey Advertising, Sony Entertainment, DreamWorks, Sega, Wizards of the Coast, Nintendo, Mars, Harper Collins, Scholastic and many other publishing, advertising, and entertainment organizations. Holding degrees in industrial and environmental design, Peter's expertise covers diverse fields, from the design of computer terminals and street furniture, to monorails and automobiles. He has won major design and illustration awards in the United States, Australia, Italy and Japan. He undertakes architectural and concept design for numerous clients locally and abroad such as Disney Imagineering, Discovery Communications, and numerous Japanese theme parks. Peter works in two separate styles, traditional airbrush and digital illustration, although the two have become more and more similar with each passing technical innovation. Once a die-hard New Yorker, Peter now lives in the relative tranquility of Silverado, CA with his wife, Cybele their son, Zak, and daughter Galatea.

Sam Falconer’s illustrations combining vibrant characters and intricate environments have been commissioned by clients ranging from leading national newspapers to renowned science magazines and universities.

Initially working purely by hand, Sam discovered a passion for digital collage in 2010 which later developed into his own unique brand of rich and detailed imagery. This method allows him to develop and turnover complex pieces with diverse character sets in timeframes that suit each client’s needs.

As a big science and technology fan, Sam has developed a strong presence in the field with clients including Nature, Nautilus, New Scientist, The Royal Society of Chemistry, Scientific American and Wired magazine. in 2015 Sam was commissioned by the acclaimed MIT Museum to rework their map designs for the general public.

Other clients include: British Airways, British GQ, Capital, Computer Arts, Deustch Inc, Emirates, The Guardian, The Independent, Intelligent Life, John Hopkins University, M & C Saatchi, Nokia, Reader's Digest, Scholastic, The Spectator, The Telegraph, The Times, The Washington Post.

In 2014 Sam was featured in IdN magazine’s New Faces of Inspiration issue as one of ten leading illustrators in the editorial field. His work was also exhibited in Taoyan city, Taiwan as part of Dpi magazine’s Space Odyssey exhibition.

Sam has a BA in Illustration and Animation from Kingston University and graduated in 2011.

NYC based illustrator Steven Salerno creates stylized illustrations ranging from graphically simple and whimsical, to more realistic and richly textured imagery with some also having a retro feel. All are anchored in traditional drawing skills reflective of his admiration for select artists and illustrators from past eras.

Over his long independent graphics career Steven has created thousands of published illustrations for nearly 600 clients, for use in print & web advertising, editorial magazines and newspapers, product packaging, corporate publications, retail graphics, and publishing.

To date Steven has also illustrated 36 popular picture books for children, with 5 of these titles as both author and illustrator. His most recent author/illustrator picture book title is "Tim's Goodbye," published by Farrar Straus Giroux 2018, the gentle story of Margot and friends gathering to give their heartfelt impromptu goodbye to a beloved pet that has died.

UPDATE: Steven has illustrated the upcoming wonderful nonfiction picture book, "On the Corner of Chocolate Avenue -How Milton Hershey Brought Milk Chocolate To America" -written by Tziporah Cohen & illustrated by Steven Salerno, to be released by Clarion Books/Harper Collins in December 2022. It’s the life story of American Milton Hershey, the poor kid from Pennsylvania who built his company, HERSHEY’S, into one of the largest manufacturers of chocolate in the world. "On the Corner of Chocolate Avenue" is a Junior Library Guild GOLD STANDARD Selection for 2022.

Some of Steven's picture books have been translated into Chinese, German, Korean, Japanese, Arabic, and Spanish. His picture books have received industry starred reviews from Publishers Weekly, Kirkus Reviews, School Library Journal, Children's Literature, The New York Times Review of Books, and have been displayed by the Society of Illustrators (NYC) in their annual children's picture book art exhibition, The Original Art. Steven's illustrations have been recognized for excellence by Communication Arts, Print, Society for News Design, Society of Publication Designers, The Art Director's Club, Society of Illustrators, and the Junior Library Guild.

Originally from Vermont, Steven was an honors graduate of the Illustration Department at Parsons School of Design in New York City, where he studied art history, printmaking, animation, and illustration under top industry professionals including famed author/illustrator Maurice Sendak, of the ground breaking picture book "Where the Wild Things Are." Steven is primarily engaged with illustrating and writing picture books for kids, but also still creates illustrations for clients in advertising, magazines, newspapers, corporate publications, and product packaging.

Visit Steven’s illustration blog

Tobias Hall was born in 1988 and is a freelance illustrator, letterer, designer and mural artist working out of London, UK. Having initially started out life as a conceptual illustrator, Tobias started working with typography and lettering soon after graduating in 2010 and hasn’t looked back since. His versatility has meant he’s been lucky enough to work on an eclectic mix of projects for a growing list of international clients. When he's not writing in the third-person, Tobias likes to draw stuff inspired by the music that he listens to or things that he reads. Clients include: Toyota, KFC, Netflix, Vodafone, Holiday Inn, Lululemon, Zizzi, Pilot, Net Magazine

Phil Marden's humorous, conceptual illustrations have been published in dozens of publications including The New York Times, Newsweek and Fortune over the last 30 years. His work has also been animated for TV, commercials, educational films and the feature film, "The Stepford Wives."

Oliver's outstanding brand of high resolution visual imagery, coupled with his reputation for making experienced and finely judged inputs to briefs continues to attract leading clients seeking distinctive solutions from all over the world. Oliver enjoys working at the cutting edge of digital technology, employing the latest advances in 2d and 3d visualisation. Oliver has also worked extensively in the film and animation industry, directing videos for MTV, contemporary dance and television. Previous clients include: Penguin Books, Camel, Lowe, Saatchi and Saatchi, Egmont books, BBC Focus, BP, GQ magazine, Collins, Money Observer, The Times, Sony, Campaign, V&A, Ford, BBDO, Egmont Books, Wolf Olins, Sky At Night, The Royal Institute,Gyro Worldwide, The Banker, The Economist, Investors Chronicle, The Sunday Mail, Men's Health, Men's Fitness, Faber books, Findlay Publications, Sainsburys, Seimens, Quercus Books, JWT, Magazine, Dorlin Kindersley, Trident Communications, IPC media, Baber Smith, Caspian Publishing, The Independent, Bates USA, Condenast, Random House, Rainmaker, FT, Orion Books, McCann, BT.

Peter Strain is an AOI (Association of Illustrators) Critics' Choice Award-winning illustrator based in Belfast.
He specializes in creating carefully composed, hand-rendered illustration and typography and always tries to experiment with texture and mark-making techniques to keep his work evolving.
His work is hugely influenced by film and music and aims to tackle social, political and cultural issues with a highly distinctive hand lettering style, bold imagery and humour.
Clients & Projects include: Land of Giants, Empire, Esquire, Queens Film Theatre, The Ulster Hall, Unilever, Work Style Magazine, Jameson and The University of Ulster.

Based in Barcelona, Spain, Pietari Posti creates contemporary scenes with unique personalities for magazines, advertising, product, publishing, posters and newspapers. Pietari's work has been featured in the 3x3 Professional Illustration Annual, PRINT Magazine European Design Annual and American Illustration 27. - Previous clients include: The New York Times, New York Magazine, National Geographic Adventure, The Washington Post, The Los Angeles Times, The Guardian, Time Out, Nokia, American Airlines, British Airways, Runner´s World, Best Life, Wired, Dwell, Portobello Books, Business Week, Bloomberg Market and Paste Magazine.

Peter Crowther graduated in 1987 from the London College of Printing with a First Class Honors in Graphic Design. Then went onto the Royal College of Art in 1987-1989 graduating with an MA(DES RCA) in Graphic Design. He then worked for six months in one of the first truly multimedia design companies, Decode Design. During this time he beta tested the first version of Photoshop and went onto leave and set up as a freelance illustrator/animator. The journey from working with photomontage, through to photo-retouching and later with realistic 3D has led to many interesting and varied jobs and has been incredibly rewarding. From stamps for the Royal mail up to 96 sheet posters for P&O and the odd title sequence. Today we continue to use the cutting edge 3D software often speaking directly with the chief programmers to request and test new features. As the technology evolves we strive to create the highest level of work with an eye for the details. Peter Crowther lives in London with his wife Suzanna and two children, Roberta and Jack.

Jacey has delved into music design, animation, social documentary photography, websites for new media companies which led full circle to his first love, combining photograph and illustration with digital technology.

Born in Madrid and currently based in London, Edu Fuentes has been working as a freelance illustrator since 2003, combining a wide range of commercial projects with personal work and exhibitions.

With a combination of bold colours and geometry, his artwork orbits between the symbolic and the mechanical, playing with depth of field and multilayered objects. He is inspired by science, cinema and pop culture, and makes a sisyphean attempt to learn Japanese every once in a while.

His work has been featured in the books Understanding Illustration, Ghosts of Gone Birds and Three By Three Illustration Directory.

Previous clients include: Wired UK, Mayor of London, BMW, Zurich, More Than, Monocle, Times Higher Education, GT Nexus, Kaplan, WPP, Financial Management, Bulletin, STEP Journal, FM World, WeAreBold, Oxford University Press.

Marcin Wolski is an illustrator and graphic designer with several years of experience in advertising, and editorial illustration. He began his artistic journey with traditional media, slowly moving to digital art. He lives and works in Sopot, Poland.

In his illustrations, Marcin tries to capture specific mood using simple shapes, colour and light to distill the essence of the story that he tries to tell in each illustration. His inspirations come from retro games and Polish socialist-era posters as well as modern illustration.

Jeffrey Fulvimari began his illustration career in 1993, and soon he was working on prestigious jobs, including commissions for Barney’s New York and regular contributions to Interview magazine. Over the years, he has gone on to work in nearly all aspects of printed media, including advertising, sales promotion and editorial layouts. His illustrations have also been animated and broadcast on Nickelodeon, MTV and VH-1, The Food Network and numerous television commercials in Japan. Jeffrey is most recently known to a wide audience for his collaboration with Madonna, illustrating her wildly successful 13 volume set of children’s books entitled The English Roses.

In 1998 Jeffrey was invited to exhibit his work at the Parco Gallery in Tokyo, which in turn launched his Japanese career. He has published two monographs in Japan: It’s OK and Everything’s Gonna Be Alright (1998) and Jeffrey Fulvimari’s Greatest Hits (2003), an eclectic collection of drawings, photos, songs and poems. He has since exhibited extensively with solo shows of his paintings and drawings throughout Japan and Asia.

Beginning in 1999, Jeffrey has produced a broad range of licensed goods in Japan and has also launched popular product lines in the US, the UK, France, Italy, Mexico and other territories. These products – covering the gamut of apparel, stationery, handbags, leather goods, bath products, household items and footwear – are sold in quality outlets including Barnes and Noble, Kohl’s, Mark’s and Spencer, Top Shop and others.

Illustration stock collection from Kathryn Adams showing a mix of editorial, whimsical, humour and stylized linework.

Ben Perini [creative artist] realistic illustration - 3D art, graphics, and typography. Digital image specialist for editorial, publishing, design, and advertising.
Clients include St. Martin's Press, Penguin Random House, Grand Central Publishing, Audible, HarperCollins, Simon & Schuster, Llewellyn Worldwide, Warner Books, Kensington Publishing, Dorechester Publishing, Books on Tape, Thorndike Press/Gale, BBC Audiobooks America, McCann Erickson, Young & Rubicam SF, Price McNabb, Foote, Cone, Belding. SF, Wall Street Journal, Cosmopolitan Magazine, Smithsonian Magazine, AAA Living, The Washington Monthly, Bicycling Magazine, Cahner’s Publishing. Ben’s work has been recognized by Communication Arts, The Society of Illustrators, and Print.
Have You Bought Your Art . . . Today?

Digital illustration and Animation services. Markets include Advertising, Editorial, Childrens Publishing and Design. KEY WORDS: YOUTH, CHARACTERS, STYLIZED, FLASH, PHOTOSHOP, AFTER EFFECTS, 3D, MAYA, ANIMATION, SHORT FILMS, ANIMALS, PEOPLE, BUSINESS, CONCEPTUAL, LIFE STYLE, FASHION, MAGNETICSTUDIO.COM, WHMSICAL, CARTOON

Digital.

Award-winning artist specializing in creative, humorous, and snazzy computer illustration is ready to fulfill your graphical needs. No timeframe is too short! In fact, I'm already done! Give me a call and see!

Yuko Kondo is an illustrator, art director and animator based in London, UK. Yuko Kondo graduated from the Royal College of Art with an MA(hons) in Communication Art and Design. For his vibrant and intelligent work, Yuko Kondo is in demand with major brands and creatives world wide. Yuko has built up an impressive client base as listed below. Yuko Kondo’s aim is to entertain the viewer through his work, making bold use of colour, pattern and a distinct repertoire of surreal and often darkly humorous characters. His first book ‘Too Fat Can’t Fly’ was published though Pocko/Gingko. Yuko Kondo participated in many exhibitions across Europe, USA and Japan, with his first solo show taking place in London in 2009. Yuko Kondo’s latest project is ‘Y to R’, an art direction / design / branding unit he set up with experienced art director Ryuhei Nakadai who learned his trade at Hakuhodo (Japan’s biggest advertising agency). Previous clients include: Microsoft Windows 7, Playstation Portable, Playstation, PS3 (Little Big Planet), Nike, Coca Cola, LEE Jeans, Converse, Levis, Virgin Mobile USA, Orange, Doritos, Covent Garden, European Union, NYC GO, Don't Panic, Eurostar, TGV, Rail Europe, International Feel Recordings, Glasgow Underground Recording, Virgin Records, Merrydown, Uniqlo, Vans, Puma, Paul Smith, Random House, John Brown Publishing, Red Bulletin, Dazed and Confused, Time Out, Observer, Wallpaper*, Art Review, Complex Magazine & Milk Magazine.

Gary started his illustration career in 1998 working primarily with licensed characters for the toy and game industry. Clients included Hasbro, Nickelodeon, and Lego. About six years ago his focus shifted to include children's publishing where he promotes his own illustration style. Gary has enjoyed illustrating over 25 titles (and counting...)

Editorial, commercial, and fashion oriented illustration with a modern attitude.

With 27 years experience as a designer, photographer and illustrator, David Julian creates Fresh,conceptually strong, well designed digital illustration using Photoshop to produce his own mix of imaginative photo-realism. His work incorporates painterly texture, iconic elements and dramatic realistic dimensional lighting. Prompt client communicatons, flexibility and efficiency are assured. Topics in his work include technology, psychology and mystery book covers, movie and event posters, education & schools, health care, science, medicine, industrial, investing, history, fashion, children, editorial, architectural, computers, corporate, environmental, pharmaceutical advertising, entertainment and music, environmental, travel, politics, portraits, and social culture. CLIENTS INCLUDE: HBO, Discovery Channel, Cisco, IBM, CBS, Sony Entertainment, Microsoft, LA, CHI & NY Times, Oracle, TimeWarner, George Lucas, Penguin, Harvard Press, Pearson, ZiffDavis, and countless periodicals CDs and books. Awards in PRINT, One Show, Creativity and SND annuals.

Specializing in technology related illustration. Past clients: Apple, Adobe, Sun, Oracle, Cisco, Motorola, Intel and others.

Sergio was born in Buenos Aires, Argentina, where he currently lives with his wife Viviana and two daughters, April and Emma. As a young child, he was obsessed with a TV series about superheroes. Sergio was so into it that he even dressed up in his superhero costume to explore his neighborhood, jumped over rooftops, and went home to write and draw about his superhero adventures. He has never stopped drawing. In 1989, he graduated from La Escuela Nacional de Bellas Artes Prilidiano Pueyrredon with a degree in fine arts. Initially, he worked as an industrial designer, scenographer, and an art director for an advertising/TV firm while simultaneously developing his own short stories. When his first daughter was born in 2000, he started writing and illustrating for children. In his free time, Sergio enjoys designing and manufacturing wooden and paper toys.

Mary Ann Martinez Illustration Porfolio. Consists of drawings and digital art.

Arthur's stylish digital illustrations have been published worldwide for a wide variety of companies. Visit his site to see what he's been up to.

Looking at one of Kathryn Rathke’s line-based illustrations can be a bit like working out a puzzle – was it created using one fluid and continuous line, or many? According to the Seattle-based artist she owes her drawing skills to family connections. Her grandmother taught her to draw and supplied her with books by Arthur Rackham, Maurice Sendak, and William Steig, while her father was president of an advertising agency and used to bring home reams of paper for her to practice on.

She has lots of other creative interests too. She learned to make leather masks in Italy, enjoys German experimental theatre, and sometimes throws parties where her friends must act out vignettes found in a 1912 children’s book called Entertainments for All the Year.

Kathryn did an MFA in Set Design at the University of Wisconsin but was always drawing on the side, sometimes accepting commissions from newspapers and magazines. Eventually she flipped things around and made her illustration work a full-time profession and set design became her hobby.

Kathryn does everything digitally in Photoshop and Illustrator using a Cintiq screen by Wacom.

If she’s doing portraiture work, she draws her subject many times over from different angles. This way she learns about the most important features of their face and can draw it in a way that makes it instantly recognisable.

The line is core to Kathryn’s style and her work is very fluid. Expressive and calligraphic, there’s a unique sense of gesture in her illustrations. She also uses crosshatching to develop surfaces in her images, using layers of lines of varying thickness to build up a texture.

Clients:
Newsweek, NY Observer, Vanity Fair, Time Out, The Evening Standard, O Magazine, Brooks Sports, Penguin, Make Magazine, Smart Money, Rolling Stone and Welt am Sonntag are just some of Kathryn’s clients.

Conceptual/stylized illustrations, information graphics, maps, diagrams, charts, and instructional illustrations.