André Ceolin is a self-taught illustrator from Brazil He started his first attempt at sketching around the age of four when his father brought home some reams of paper from work. It was in that moment that he fell in love with painting and drawing. André initially got a degree in pharmacy at UNIMEP. Though he worked in this field for several years, his artistic passion was too strong to ignore. As a young father, he was surrounded by beautiful children’s books and was always drawn to the spontaneity of the imagery. He then decided to switch gears and studied at School of Visual Arts in NYC, Melies, and Escola Panamericana de Artes to develop a signature look and learned new illustration techniques. He illustrated his first book “Um Dia na Vida de Micaela” de Cauê by Steinberg Milano, published by Editora Roda & Cia in 2009. Ever since, he has illustrated over 20 books by great publishers in Brazil such as Roda & Cia, Saber e Ler, SM, Moderna, FTD, Editora do Brasil, Editora Abril. He loves working with books targeting juvenile readers from the very young age to middle-grade and young adult. When not illustrating, he creates toys and small sculptures for his son. He also enjoys bicycling, playing his guitar, and, singing.

Born in La Plata, Argentina, Maine Diaz, grew up drawing and painting. She was often seen drawing with her pencils or crayons in deep concentration. Cartoons captured her imagination early on and realized immediately that she wants to be an animator when she grows up. Her mother, a biochemist and grandfather were truly flabbergasted upon hearing her declaration. At the age of 16 she took a workshop and start animating, working in films like Patoruzito, El Arca (Patagonik, Argentina), Gizaku and Nocturna (Filmax, Spain). Simultaneously, she enrolled in Audiovisual Communication at Universidad DeLa Plata (UNLP). Soon after, she also started illustrating for children’s story books and educational books. In 2002 with Crimsomnia Studio, she was a finalist at Ford’s “Saldras mas” publicity contest, with “Habitos noctunos” short. In 2005 she won first prize for the character design category of Bizpills (Hi Impatc Learning Experiences), España.

Currently, Maine lives in a tiny green house where she spends time with her two cats, Chula and Lola. She loves tending her garden while Chula eats all the plants and Lola jumps and climbs the trees. Maine prefers to be barefoot while painting and singing in her studio. She is a pretty good cook and sweated several years near the oven and many pans. When not illustrating, she also enjoys swimming, writing, taking photos.

Jose Emroca Flores grew up in a humble family of four from Northern Nevada where he spent much of his youth actively outdoors skateboarding, playing baseball, and snowboarding. He has always been creative and imaginative on paper and outdoors. Building makeshift skate ramps from scrapwood was the norm in his childhood. He’d round up the kids from the cul-de-sac and they’d skate late into the evenings. He moved to California after high school to play baseball and pursue his art. Emroca later attended the Academy of Art in San Francisco where he learned to develop the ability to materialize his imagination while advancing his technique as a visual artist. On his downtime from school, he’d still skateboard and snowboard and started to surf in the sharky cold San Francisco waters. It was then when he stumbled upon his forever two loves of his life: his new found passion for the ocean and his beautiful wife. When he graduated from the Academy of Art, he immediately went to work as a visual development artist in the entertainment industry in Los Angeles. In the course of his work on films, games, animation, books, and advertising, his original oil paintings were shown in galleries across the U.S.

Fur, feathers and fins – they all come out perfectly when painted by British nature artist Andrew Hutchinson. Living on the North York Moors, Andrew is a part-time ranger with the Forestry Commission and monitors the activity of adders and certain bird species in his area to help conserve them, which makes him the perfect choice for any project built around a passion for wildlife.

Being out and about and experiencing nature is a crucial source of inspiration for Andrew, constantly informing his illustrations of the natural world. Andrew has an NDD in illustration from the Cleveland College of Art and Design. In addition to observing the cycles of Mother Nature, he enjoys looking at Jurassic fossils and Oriental antiques. Influences include Alan Hunt, Terence Lambert, Robert Bateman and Ray Harris-Ching.

APPROACH
Andrew paints with acrylic on board. Many of his pictures are inspired by the variety and complexity of forms, textures and colors offered by the natural world.

STYLE
Painting an enhanced form of realism, Andrew aims to achieve an accurate, realistic representation but with a little added something that only a painting can give.

AWARDS
2018 – Royal Society of Miniature Painters, Sculptors and Engravers Awards – Honorable Mention

CLIENT LIST
Andrew has many clients, who include Yorkshire Tea, Land Rover, The Automobile Association, Reader’s Digest, Barclays, Dorling Kindersley, Bacardi, Sainsbury’s, New York Botanical Gardens and Time Warner.

Duncan Beedie’s cartoony style comes from his background in animation. Based in Bristol, aside from drawing copious quirky images, he collects clockwork robots, can identify pretty much any military aircraft and has a dog called Ivor who you might spot here and there in his work.

Butcher Billy is a Brazilian illustrator with a fresh approach, who loves to slice up ideas and imagery in popular culture and reassemble them in unique ways. Juxtaposing everything from Wonder Woman and the Watchmen to Morrissey and Breaking Bad, his work is ironic, humorous and very postmodern. His subtle questioning of pop culture using pop art as his medium is a juxtaposition in itself, yet in their own unique way all his images seem to make sense.

In addition to his illustration work, Billy is a creative director in a digital agency. He lived in the UK for a while, and has travelled widely. With seemingly endless influences at his disposal – including Banksy, Steve Ditko, Shigeru Miyamoto, Malcolm McLaren and Andy Warhol - Butcher Billy never runs out of moods and concepts to explore.

“I like to create freely and then realise bits of an artwork are influenced by the mood of a movie by Tim Burton, the brushstrokes of a piece by Salvador Dali, with a soundtrack from an early album by David Bowie,” he says.

The award-winning cartoonist and illustrator Henry Smith is based in Salt Lake City, Utah. He’s an artist who was captivated by cartoons at an early age and never grew out of them. Now, they’re his career and he’s made a name for himself designing unique characters that are full of humour.

“A great character can be designed if you pay attention to the silhouette. Is it something we've seen before? I like to use geometric shapes in fun ways to see if I can get more interesting characters, and making my characters as weird as possible, while still being cute and approachable,” he says.

There’s certainly a 90s vibe in his inspiration cabinet – Teenage Mutant Ninja Turtles, the Powerpuff Girls and SpongeBob SquarePants are to be found there, along with classic video games like Pokemon Blue and Super Smash Bros. With a graphic design background, he’s also influenced by mid-century modernism. Henry is a keen volleyball player, listens to Country, Rock and Rap, and enjoys the company of his wife and their two sassy dogs.

Born in France, Claire Rollet spent over 20 years in London and has recently relocated to Amsterdam in the Netherlands. London will always hold a very special place in her heart but for now she is loving cycling around discovering the Dutch capital. In her spare time she loves sewing; each garment she sees as a mathematical problem waiting to be solved.

Music accompanies Claire in her work and she has daytime and night-time playlists. Todd Terje, Kiki Gyan, Mashrou' Leila and Cosima are out when the sun’s up, and at night she listens to the likes of Hercules Love Affair, Gotye and Baloji.

Lee Hodges comes from deepest, darkest Kernowfornia – also known as Cornwall. The sea and coastline have always been a part of his life, and today he lives on the foothills of Dartmoor, in Devon. In addition to his vibrant, mixed media illustration work, Lee is a DJ and runs club arts nights in the Southwest of England. He loves to explore and experiment with a range of creative media, but drawing was his first love and that’s what drives him as an illustrator.

Chris Andrews is an Illustrator and Printmaker based in Bedfordshire, UK. His work combines striking compositions with strong use of colour and texture, resulting in digital images that have a vintage, nostalgic appeal. Chris is also known for his vintage-inspired British bird and animal screen prints which recall the graphics and fonts found in 1940’s educational books. He has exhibited and sold prints both in the UK and internationally. Clients include Ted Baker, Farrow and Ball, and the British Library.

Crush is a truly integrated design agency providing creative solutions across all print, digital and moving media. We believe in a collaborative creative process and intelligent idea generation. We’re passionate about our work and famed for producing standout creative for clients all over the world. We don’t just want to simply make stuff look good, we want to make smart ideas look great.

Ben grew up in a small town in Yorkshire and though he now resides in Birmingham he still holds dear those formative years and his northern roots. Those that know Ben will no doubt tell you he can be a bit of a curmudgeon but that deep down there is a happy soul trying to get out and those that know his work will no doubt see the battle between happy and sad in the characters he draws and the situations they find themselves in. Ben's work is often very simple but always displays a strong emphasis on colour and a carefully considered composition. He takes much of his inspiration from the books he collects about illustrators and designers from the mid 20th century and those of new artists’ that give a nod to past styles and trends. He also fills his working days with music so as to let it seep into his soul and be transformed into something that can be seen.

London based Illustrator Rohan Eason works predominantly in pen and ink. He is best known for his stark black and white imagery, which plays heavily on the roles of composition and view point, and the balance between intricate detail and dark or light space. His work has become widely used in book illustration and more recently in advertising, where his uniquely hand crafted style stands apart from the more typically used digital art forms.

Although art has run very clearly through his family and his childhood, it was only after leaving university and a painting degree that he decided to pursue illustration as his preferred discipline. Rohan loved the work of Aubrey Beardsley and Arthur Rackham as a boy, and this devotion to and pursuit of the beautifully hand drawn line followed him into adulthood. His portfolio now bursts with the magical and fantastical scenes from dreams to nightmares, from real life to imagined creations, but all with the same single grounding fact, that of beauty and balance.

Nadia Taylor is a designer and printmaker based in London. Her colourful prints are filled with bold shapes and striking pattern. She loves screen-printing and the whole process informs her work – from the use of a limited colour palette to the incorporation of textures and dark outlines. Her work projects range from large-scale hand-painted murals, packaing, book covers, greeting cards, gift wrap, menus and farm signs with a list of clients including Ikea, Target, Mr Kipling, and Zizzi Restaurants.

Peter has a degree in world art history and anthropology, specializing in Japanese culture, and taught for three years at state schools in the mountains of rural Japan. His intricate hand-made work focuses on the human figure, and particularly the face. His work is tender, playful and at times surreal. A fascination with the interplay of figurative imagery and abstraction has excited a recent interest in combining stylized subject matter with surface pattern.

Isobel is a paper engineer and illustrator, living and working in the beautiful county of Dorset. Isobel graduated from the Arts University Bournemouth in 2012 with a degree in Textile design, where she specialised in creating illustrative patterns and print designs using a cut paper technique. Isobel continues to use this method to create detailed work and miniature sets, using layers of card and cut paper. Isobel has worked with a number of clients in fields such as advertising, editorial, branding, live illustration events and most recently film. Clients include The National Trust, Tesco, Lands' End, Harveys Furniture, Benson for Beds & Wilderness Festival. When not wielding a pair of scissors or a scalpel, some of her other pastimes include baking, prising scraps of stray paper from the jaws of her miniature schnauzer Otto, running along the Dorset coast, flowers and photographing colourful things.

Illustrator Daniel Sulzberg is based in Santa Barbara, California, and his work is infused with the easy-going creativity that his home state is famous for. It’s colourful and fun, welcoming and sometimes a little bit zany. Maybe that’s why the characters he draws so effortlessly seem to jump to life in his illustrations.

Growing up in a town called Danville, he was always Dan from Danville. After initially trying to emulate his older brother, who was a fine artist, Dan later discovered cartoons, comics and Nintendo games. Soon, he had invented Danvillage, a place for all his whimsical characters to inhabit. It’s become the moniker he works under as an illustrator.

Dan’s favourite artists include Dali, Murakami and Miyazaki, while Prince and Reggae music keep him juiced up on tunes. He also has a huge collection of 80s vinyl from his days as a DJ.

Based in beautiful Bristol, Chris Malbon, AKA Melb is an active member of the area’s thriving art and design scene, regularly giving talks at local colleges and universities. He classes himself as a creative all-rounder, comfortable designing and illustrating from the side of matchboxes to large murals, be it in pencil, pen, paint or pixel, he’s happy using them all.

Incredibly experienced and versatile, Chris is able to adapt his style and creative process to fit the demands of the job in hand, this ability makes Chris a winner for any campaign large or small. The end result is always of the highest quality both artistically and commercially. He is constantly figuring out innovative new concepts and ideas to push his art.

A hardworking and prolific contributor, Chris has created work for an array of clients and agencies over the past 15 years. He has worked on campaigns for Coca-Cola, Sony, London 2012, Unilever, Carhartt, Nestle, Nike and MTV and has plenty more impressive credits under his belt, so he is no stranger to the pressure that comes from working on high-profile campaigns.

His career has taken him on a journey through some renowned studios including Attik, Zip Design, Version, Sun House and McFaul Studio.

Client List: Nike, Lucas Films, Coke Olympics 2012, Bristol City College, BBC, Discovery Channel, Hero Complex Gallery, Gallery1988, Aardman, Mondays MoCo, Lounger Productions, Clutter Magazine, Digicel, Computer Arts Magazine, AnyForty, EA Games, Hugo Boss x Martin Kaymer, Henrik Stenson, Nesspresso, David Guetta, Orange / EE, Clearasil, Design Council, Shortlist Magazine, Vintage TV, Mauger Modern, Luma, KIA, DJ Magazine, The Economic Review

Neil Edwards lives and works in Wrexham, North Wales. He specializes in Comic Book art, Character Design and Storyboarding.

After graduating with a BA Hons in Graphic Design at Carlisle College of Art and Design, he went on to produce his first commercial work for Marvel in 1996. From there he worked for graphic design agencies before becoming freelance and a marvel exclusive artist.

Since then he has worked on various books including SUPERMAN, FANTASTIC FOUR, DR WHO, SPIDER-MAN, AVENGERS, BATMAN, JUSTICE LEAGUE, GREEN LANTERN, TORCHWOOD and HERCULES. His SPIDER-MAN SEASON ONE graphic novel was also a New York Times best seller.

Neil has illustrated for DC comics, Valiant Comics, Marvel Comics, Titan Comics, Dynamite Comics, Lucasfilm, BBC, 2000ad, Disney, Shortlist Magazine, Wrexham Council and Hackney Council.

Berlin based Art Director and Designer working within branding, illustration, editorial design, packaging design and contemporary art. Dividing his time between personal projects and working with a variety of international clients like Sony Music, Penguin Classics, Swatch, The Guardian, Brew Dog, Jura Whisky, The Economist, Columbia Records, JP Morgan & Chase, Skoda, Jägermeister and many more.

Florian performs his own recognizable style, while also being able to adapt to his customers’ preferences. Growing up in the skate & punk scene of the 90s, he later attended art college in Düsseldorf while constantly touring the world with a variety of bands. After winning several Design awards like ADC, German Design Awards, Illustrative Nominee and Red Dot Award he became an official member of Germany’s Art Directors Club.

Juan was originally from Buenos Aires. As a young boy, he was always drawn to creating images. His first “job” was to color his newborn brother’s head in bright felt pens. He spent most of his childhood years living in the countryside and cultivating his passion for painting. After studying graphic design, he lectured at the university and worked as an in-house illustrator for different studios with clients ranging from Warner, Disney, Conspiracy and Scholastic. In 2003, Juan and his wife, Patricia decided to travel the Americas and ended up living in different countries. In 2006, they finally crossed the pond and decided to stay in Barcelona, where he started a career as a freelance illustrator.

Below are some of his most recent projects, Halloween display for Hershey’s, The Boy Who Cried Wolf by Nancy Loewen (Picture Window Books), Aprende el abecedario con adivinanza by Ramón Besora Oliva & Olga Xirinacs (Beascoa), An Interesting Pea Story by Evgenia Kolida (Modern Times), Cuentos Japoneses by Anna Gasol & Teresa Blanch Gasol (Edebe).

Barbara Bongini was born in Milan. She knew at an early age that she will be an artist. She went to an artistic high school and later enrolled in the Illustration program at the IED (European Institute of Design). After graduation, she pursued a career in children’s publishing, illustrating several series for different age groups for the largest Italian publishing houses. Barbara has considerable experience in the advertising field as well, designing packaging materials, leaflets, brochures, posters, characters and background for cartoon series. Barbara is also an author of several series of moveable children’s game-books and an album on modern art for children. When not illustrating, Barbara loves spending time with her 2 kids, watching cartoons. She also enjoys going to bookstores and building her own library of illustrated books. Her clients include: La Coccinella, Mondadori, Giunti, Raffaello Editrice, Il Capitello, Piccoli, Signorelli, Istituto Geografico De Agostini, Nicola Milano Editore, La Spiga Languages, Edizioni Piemme,EL editrice, Mondadori, Emme edizioni, Einaudi, Usborne, Ladybird, Penguin Group, Scholastic, Story Time magazine, Highlights High Five magazine, Parmalat. Below are some of her recent projects, How to Grow a Monster: Gardening by Kiki Thorpe (Kane Press), The Lost and Found Weekend: Sewing by Kiki Thorpe (Kane Pr), Milano. Il gioco dell'arte by Sabrina Carollo (Mandragora), Beauty and the Very Beastly Beast & Cinderella and her Very Bossy Sisters by Mark Sperring (Scholastic), My U.S.A. Road Trip Personalized Storybook by Jennifer Dewing (I See Me), Il meraviglioso mago da Oz di L. Frank Baum by Silvia Roncaglia (Emme Edizioni), Miti del mistero. Miti greci per i piccoli by Sarah Rossi (Emme Edizioni), Usborne's Magic Painting Book series (Usborne), Fairy Ponies series by Zanna Davidson (Usborne), Al lupo, al lupo! by Stefano Bordiglioni (Emme Edizioni), Classicini series (EL), L'Incredibile Signorina Frisby by Tiziana Merani & I tre porcellini si mettono a dieta by Marica Bersan (Einaudi Ragazzi), Cleopatra, regina del deserto by Sabina Colloredo & Pablo Picasso, artista rivoluzionario by Sarah Rossi (EL).

Experienced and versatile, Mark Oliver has a bold, graphical style that is as impactful as it is engaging. His line work, color and compositional skills are second to none, and his background in advertising means he knows exactly how to meet an art director’s brief with innovative new approaches.

Even when he worked at Alliance International, Mark took the opportunity to illustrate his own ads. With over 20 years under his belt as a freelance illustrator, today he creates imagery for some of the biggest brands and top names in publishing. Now based in Worthing on the South Coast, he’s inspired by Raymond Loewy, Hergé and Eduardo Paolozzi. Mark has a degree in Graphic Design from Middlesex University.

APPROACH
Mark has used a wide range of media during his career, from physical painting and collage through to Illustrator and Photoshop. Most projects these days are tackled digitally, but he loves to draw and paint as well if it suits the commission.

STYLES
Mark works in a variety of styles that he adapts to suit the requirements of a job. His favorite at the moment involves an isometric perspective, geometric shapes and a distressed finish with a retro palette.

CLIENT LIST
Mark’s impressive client list includes Macmillan, Visa, Toyota, Volkswagen, The Times, Punch, Faber & Faber, Penguin Books, Macmillan, Bloomsbury, OUP and British Gas.

Loud, lively, frenetic and expressive, Ben Tallon’s artwork captures the many moods of modern life thanks to his instinctive drawing style and ample splashes of ink, brush marks and scribbles. His ability to organize chaotic creativity and turn it into a captivating image is exactly what his clients want.

Growing up in Keighley, West Yorkshire, Ben loved Leeds United, wrestling and video games as a child. They still give him inspiration today, and sometimes feature in his work, alongside pop icons and TV stars. Now located in London, Ben is passionate about creativity and is the author of Champagne and Wax Crayons, as well as the host of the podcast Arrest All Mimics. He has a BTEC in Graphic Design from Keighley College, and a BA in Illustration from the University of Central Lancashire.

APPROACH
Pens, inks, brushes, found materials and textures, acrylics, spray paint, pastels, wax and colored pencils – Ben is very much a mixed media creative. He’ll use worn out old brushes that have a little more depth and character than new ones, and favors the unexpected or happy accident. Photoshop is used to layer everything together and finalize the composition.

STYLE
Ben’s style is loose and organic, full of marks and gaps because he likes to engage viewers by leaving something to the imagination.

AWARDS
2015 – Dot London Small Business Awards – Creative Agency of the Year

CLIENT LIST
Ben has been commissioned by clients including The Guardian, EasyJet, Adidas, World Wrestling Entertainment, Comic Relief, Channel 4, The Wall Street Journal, UNICEF and more.

Often, custom lettering is just what a project needs to make it completely unique while at the same time hitting the perfect note with its intended audience. And when a project like that comes along, Ben Tallon’s bespoke hand lettering service Tallon Type should come at the top of your list. Here’s an artist who can tailor the text not just to the campaign but to each individual communication with in it at a level of detail that script typefaces just can’t match.

From tight handwritten styles through to headlines in broad brushstrokes, Ben will fine-tune the lettering to the job at hand. He’s spent years evolving a range of character styles, working closely with art directors to gain a comprehensive understanding of kerning, weight, messaging hierarchies, composition and overlays to make custom lettering as effective as possible.

APPROACH
When Ben receives a brief he often collaborates closely with his client in choosing the media and execution that will give the project maximum impact. Inks, paints, spray paint, pencils, pens and found materials – the selection depends on the surface, idea, photography and time constraints.

STYLES
Ben creates hand lettering in a variety of styles, and will find a look to perfectly suit the mood and tone of the brief. For one project pen work in a clear hand will convey the right level of subtlety, while others need enormous, bright spray-painted caps. Ben can deliver either, and anything in between.

CLIENT LIST
Tallon Type clients include The Premier League, World Wrestling Entertainment, Arsenal Football Club, The Guardian, Bloomsbury, Women’s Health, Dr Martens and Comic Relief.

Bob Venables is the go-to illustrator for any project that requires illustrations executed in a classic style. Matisse, Hogarth, Wyeth, Rackham, Lowbrow… whatever look you’re after, Bob will deliver. He’s a pastiche illustrator par excellence.

Bob has worked on many high profile advertising campaigns, including the Profit Hunter ads for Artemis, which have run for over a decade. His versatility, eye for detail, and ability to evoke the past while conveying contemporary themes to contemporary audiences are what keep clients coming back again and again. Originally from Birmingham, Bob worked in London and established himself on the advertising scene before moving to the Isle of Wight, where life is a little more relaxed. He studied Graphic Design at Central Saint Martins gaining a BA, and did archaeological illustration for a year before becoming a freelancer.

APPROACH
Bob works in a whole range of media, depending on what’s required by the commission. On the traditional side he uses oil, acrylic, alkyd, watercolor, and pen and ink, but he’s also happy working digitally on his Wacom Cintiq.

STYLES
Primarily a pastiche illustrator, Bob is adept at recreating just about any look – from 1930s propaganda-style posters to old maps, and from neoclassical still lifes to jolly 19th century book illustrations.

CLIENT LIST
Bob works for a range of top-flight clients including Guinness, British Airways, Artemis Asset Management, the BBC, Adidas, Sony, Heinz, Tesco, Waitrose, John Smiths, FIFA, VW, BMW and the Folio Society.

Jyotirmayee Patra – also known as JP – is India’s leading artist for custom lettering, playfully embellished with beautifully rendered flowers, intriguing animals, graphic shapes and lively textures.

Based in Rourkela, JP’s passion for calligraphy has led to a career in illustrative lettering, using her talent to imbue her clients’ projects with tone and atmosphere. Botanical drawings and organic patterns are two of her main inspirations, alongside the abstract artist Jessi Raulet. She studied at India’s National Institute of Design in Ahmedabad, learned professional calligraphy from Harvest Crittenden, and has taught copperplate calligraphy workshops. JP is a hoarder of unique stationery and pens, loves fairy lights and is a yoga practitioner with an interest in cosmic energy, astral projection and conscious manifestation. “Joining IllustrationWeb was one of my manifestation goals not so long ago, so I believe I have decent manifestation skills!” she says.

APPROACH
Everything begins with an inspiring quote, copy relating to the brief, or a central image. After refining her focal point, JP surrounds it with detailed flowers, characters and foliage, playing with the composition until it’s perfectly balanced.

STYLES
JP’s type and illustrations are infused with nature, with bold main forms softened by whimsical detail. While her earlier type-based work is black and white and emphasizes her rendering skills, her latest images pop with color.

AWARDS
Winner – INDIAFRICA: A Shared Future Poster Awards – 2012

CLIENT LIST
JP’s client list includes Snapchat, Makemytrip, DesignUp, Asian Paints, St+Art India, Levi's, Snap-on Incorporated, Design Stack, Bakheda, IxIDEAS Consulting, AGoodFeeling and Hornet Inc.

Decue Wu has clients in editorial, fashion and publishing who all love her illustration work for its bold style, bright colors, optimistic vibe and the intriguing way she combines patterns and textures. She gives every project a classic illustration feel, with the hand of the artist always present.
Based in Boston, Decue is originally from China and works for clients all round the world. Fashion is one of her biggest inspirations and her favorite designers include Yves St Laurent, Helmut Lang, Hussein Chalayan, Alexander McQueen and Rei Kawakubo. “To me, their designs are fine art and bring fashion to a whole new level in the history of art,” she says. She has an MFA in Illustration Practice from the Maryland Institute College of Art, and previously studied Digital Media Art at Zhejiang University in China.

APPROACH
Most of Decue’s work is done using Photoshop and Illustrator, but she also combines hand-made textures, screenprinting and collage work to give her illustrations something extra.

STYLES
Decue’s fashion images often feature long, thin figures in a freehand style and vibrant colors. Her lifestyle illustrations usually have a more restrained palette, geometric shapes and patterns, and interesting brush and paper textures. She also creates graphic art and infographics, going for a cleaner look, using simple vector shapes and geometric forms.

AWARDS
2014 Hiii Illustration Merit 2014 Taipei Art Competition Winner

CLIENT LIST
Some of Decue’s clients include Vogue, Airbnb, Esquire, MIT, Modern Weekly China, Obscura Magazine, The Bump, Draw A Dot and Hopes and Fears.

Lisa Sheehan lives and works as an illustrator in Bedfordshire. During her BA Illustration at Kingston University (many moons ago) she decided she wanted to become a 3D artist/model maker. Back then that meant literally making the model shooting it and all the faff that went with it, which as a young graduate seemed all a bit too much so Lisa fell into the world of graphic design becoming an Art Director for the Financial Times and spent the next 15 years commissioning CGI artists. The drive to create never left and the desire to produce her own work became so strong that she decided to create the illustrations herself. By working night and day, to grasp the technology of the CGI wizardry, her dreams of ‘model making’ were now back on track albeit within the digital world.

Lisa is a 2D/3D ‘image maker’ producing imaginative CGI illustrations that are often typographical with a pop of colour. Lisa loves to create fun pieces with detailed delicate forms as well as mixing 2D and 3D to create illustrations for advertising and editorial work. The idea that you can, with CGI technology, create almost anything your creative mind can conjure up continues to inspire Lisa every day.

Lisa works part time for the Financial Times as an art director and in-house illustrator, she has extensive magazine cover art-direction experience, having art directed several Financial Times magazines. Lisa is also a published Children’s book illustrator/Author, with an MA in Children’s book illustration from Cambridge school of art.

Previous clients include: Business Life Magazine from British Airways, Tesco, Women’s Health UK, Cosmopolitan UK, Fabulous Magazine (The Sun on Sunday), The New Statesman, The Financial Times, FT Weekend, Accounting Monthly Magazine, The Banker Magazine, Investors Chronicle, FDI Magazine, Money Management, Nikkei.

Shortlisted for the AOI World Illustration Awards 2018.