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Matthew Cooper studied illustration at Harrow College of Higher Education and since graduating has worked as a freelance illustrator and graphic designer. Matthew's illustrations utilise a variety of techniques and media; from collage and found imagery to painting and drawing, from photography to computer based work. He is particularly interested in the use of typographic and strong graphic elements within his work. He finds his inspiration in the work of, amongst others, Herbert Matter, Cy Twombly, Robert Rauschenburg, Kurt Schwitters and the Constructivists; in the music of Will Oldham, John Fahey and Lightning Bolt; and in the piles of books, magazines, records, CDs and assorted junk, both ancient and modern, that threaten to over-run both his home and his Shoreditch studio space. As well as his illustration work, Matthew works as a freelance graphic designer, primarily for the independent music sector. Projects range from sleeve design, through to the design of adverts and promotional material. He has worked with such luminaries as Franz Ferdinand, Arctic Monkeys, Four Tet, The Kills and Bonnie 'Prince' Billy. Client list: Financial Times, Sunday Telegraph, British Airports Authority, British Telecom, Domino Recording Company, NatWest Bank, Hodder Headline, Penguin Books, Campaign, M&C Saatchi, London Transport, Oxford University Press, Deutsche Bank, New Scientist, Campaign Magazine, Which? Magazine, Universal Island Records, Shell, The Royal Shakespeare Company, Interbrand Newell & Sorrell, The RMC Group, Logica, GQ Magazine, BP, British Airways, McCann-Erickson, Lowe Lintas, The British Council, RCA Records, Harper Collins, Bloomsbury Press, English National Opera, Decca Records.

Currently based in Marshall, Michigan, Matt Manley has been working as a freelance illustrator for over twenty years. His illustration is primarily figurative and symbolic with surrealist leanings, and past client work includes editorial, corporate, medical, book, and higher education. Though in the end his work is technically digital collage, the process integrates both traditional and digital media. Collage elements are original oil paintings and drawings, with occasional scanned found objects and photos added to the mix, all united in Photoshop.

Peter Horvath, born of Hungarian descent into a lineage of photographers, began taking pictures at age 6. After spending his formative years inhaling darkroom fumes, he worked as a stills photographer until he discovered computers in 1995 when a friend gave him a Macintosh Plus. Shortly thereafter, he happened across the work of Dadaists John Heartfield and Hannah Hoch, whose work exposed him to the world of photo-montage. He has since produced digital collage works exploring narrative, abstraction, and the hypnagogic, and continues to push the boundaries of convention, displacing the familiar and nostalgic with unique, surreal touches. Peter’s ability to master bold compositions that convey complex concepts is what makes his work stand out. His impactful images make him a natural choice for the nuances of editorial work, and the call-to-action needs of advertising. His work is featured in the newly published book from Die Gestalten, "Illusive - Contemporary Illustration", as well as an upcoming book on collage.

Previous commercial clients include The Economist's Intelligent Life Magazine, AMEX, The Washington Post, The Smithsonian Magazine, Billboard Magazine, The Atlantic Monthly, Wired Magazine, Entertainment Weekly, The Wall Street Journal, Forbes Magazine, The Village Voice, Variety, Scientific American Mind Magazine, New York Times, The L.A. Times and L.A Weekly among others.

Peter has been awarded numerous grants from The Canada Council for the Arts for his new media work, and is the recipient of commissions from Rhizome.org at The New Museum, NYC (2005) and Turbulence.org New Radio and Performing Arts, Boston (2004). He has exhibited in museums and galleries across the globe including the Whitney Museum Of American Art‘s Artport (NYC), Museo Tamayo Arte Contemporaneo (Mexico City), the Musee national des beaux-arts du Quebec (Quebec City, Canada) and FILE Electronic Language International Festival (Sao Paulo, Brazil).

Ben Giles was born in UK in 1992, and currently works as a freelance artist in Norwich. Ben Giles earned a BA in Fine Art at Kingston University. His work is defined by his handmade collages, utilising antique and vintage materials to create often colourful and detailed artworks. The collage often spills into other mediums such as sculpture, paint and illustration.

His work is inspired from many different things such as colour, nature, juxtaposition, children’s encyclopaedias, repetition, metamorphosis. Artistically speaking influences range from Bosch’s complex and surreal character filled landscapes, to the metamorphosing patterns of MC Escher. Artists such as Picasso, Matisse, Rousseau and Miro have defined the balancing of colour and the juggling of shape and composition over the years.

Ben has focused on working with commercial commissions for several years, such as magazine editorials, fashion labels and advertising campaigns. He has also exhibited his work around the world, held creative workshops and partaken in art residencies. His goal is to continue to work with a large variety of clients to explore the further possibilities of his work, while also sharing and exhibiting his creations to as many people as possible.

A wide variety of his clients include, Google, Apple, Hoegaarden, Rubicon, New York Times Magazine, Vice Magazine, Wall Street Journal, GQ, Elle, Stanford Design School, Bloomberg Businessweek, Galison Harpers Magazine and Jarrold’s Spring/Summer window displays.

digital collage for editorial, corporate, advertising, animation, book cover, packaging, children's books

Matt uses a montage of found & self-generated graphic material to create assured, vibrant images for the Publishing, Design & Advertising industries. These images are selected from recent projects. They range from book jackets, magazine covers, newspaper features, instore signage, billboard posters, through to direct mail, annual reports & advertising campaigns. The work falls into several stylistic categories. Firstly a traditional collage & photo montage approach used predominantly for editorial work. With other images he’s employed a more graphic approach, using flat colour, vector shapes & simple lines to create a more contemporary feel. Previous clients include: Adobe, Nike, MTV, British Airways, Vanity Fair, Natwest, HSBC, BBC Worldwide, Toyota, Sainsbury’s, BP, Honda, Esquire, Penguin, Corvette, The Times, The Royal Mail, Norwich Union, FT, Computer Arts, which? The Radio Times, Business Week, GQ, Waterstones, IBM, Loaded, Harvard Business Review, RAC, Mojo, Shell, Nasdaq, LloydsTSB, Timeout, 5live, US news, The Guardian, Jeep Chrysler, Harrods, Directline, The Economist.

Alex Williamson was born in England in 1973 and now lives and works as an illustrator and Graphic Artist in London. Alex Williamson has a BA Graphic Design (printmaking) from Leeds Metropolitan University and an MA in Communication Design from the RCA. Alex creates original artwork using cut-out, collage and print techniques, combining found ephemera, drawing and photography. His work is concerned with experimental graphic process, fiction and narrative. Alex works on a wide range of commercial commissions and projects in the publishing, corporate, editorial and advertising sectors as well as producing and exhibiting personal experimental work. He also lectures in Design for Interaction and Moving Image on the Graphic Design BA at the London College of Communication. Previous clients include: Vodafone, Science Museum, Lastminute.com, Penguin, MTV, Washington Post, Levis, Havana Club Rum, Tiger Beer, The Guardian, Time Out, Orion, GQ, Macmillan, NatWest, Sony, BBC Radio One, Random House, The Economist, ICM Models, Gartner, McKinsey, Fortune Magazine, The Independent, The Face, Sunday Times, Getty Images, Financial Times, Portobello Books, The New Yorker, Department For Transport and Citigroup. Alex Williamson also works in Moving Image - previous clients have included: MTV, BBC, Channel 4, E4, Chrysalis, October Films, Big Life, Parlophone, Polydor, Rough Trade, Nickelodeon.

Sarah's work is combination of traditional handmade and digital collage. Inspired by her travels and an avid collector of random ephemera, she finds and stores interesting bits of old paper, maps, photographs and various objects, which have all become strong elements in her work. For every new project she has a unique sift through the random piles, sketchbooks and pads that have accumulated around her studio selecting suitable elements as she goes. Previous clients include GQ, The Times, British Airways, Penguin, BBC Worldwide Ltd, Publicis, More Magazine, Waitrose, Caspian Publishing, Radio Times, Age Concern, Harper Collins, Renault, Delicious Magazine and The AOI.

Illustration for corporate, advertising, licensing, publishing and editorial use. Jim Dryden is represented by the David Goldman Agency.

Humorous, surealistic, Wacky, financial, computer, digital, conceptual, portrait, collage, absurd, music, machinery, mechanical , contraption, medical, fun, architecture, Imaginative illustration for corporate, advertising, licensing, publishing and editorial use. Bruno Mallart is represented by the David Goldman Agency.

My evolution in fast forward: Madagascar, Fargo, Tucson, Asheville, Manhattan... ultimately landed in Brooklyn. I work primarily on editorial and corporate / advertising illustration and animation / motion design. I am well versed in visual consulting and creative direction. One of my favorite aspects of visual communication is the conceptual process, be it selling a product or conveying the intricacies of a complex article.

A selected CLIENT LIST includes: WhiteOps, McKinsey, Siegel+Gale, Olympus, AVID, Sony Music, Vampire Weekend videos, MTV, IFC, Meat Beat Manifesto, Fast Company, Time, Newsweek, Wall St Journal, NY Times, Washington Post, Forbes, Bloomberg, Inc, Epson, AT&T, HP, AMEX, Deutcshe Bank, Verizon, Reebok, IBM, and Coca-Cola.

This Holiday season, I worked with The School of Visual Arts to design a poster for the “ART IS!” subway series. It’s been so fun to see these all around the city.

In late 2018, I had a great time animating Steve Brodner’s drawings for The Alec Baldwin Show. Tight deadlines and a great team of people!

Awards (partial): Communication Arts, Print, The Society of Illustrators (NY + LA), American Illustration, 3×3 annual, and numerous Telly Awards.

Anastasia Vasilakis is a multi diciplined artist who combines elements of photography with incredible drawing skill to create powerful conceptual illustrations.

Among the numerous prestigious awards Anastasia has been honored with are : The Society of Illustrators, Communication Arts and The Society of Publication Designers.

She has also been honored as a guest lecturer at The International Center of Photography, The New School and School of Visual Arts in New York, as well as The International School of Paris.

Her credentials don't end with the world of print however. She's also active as a graphic designer for Film and Television and has worked with such well known production designers as Laurence Bennett and Linda Burton.

A few of her clients inlude: The NY Times, The Wall Street Journal, LA Times, Time Magazine, Computerworld, CIO Magazine, Rolling Stone, Money Magazine, Showtime, HBO, ESPN, Sundance, SONY Records, Atlantic Records, Levi Strauss and Merck.

Anastasia's fine art paintings are collected internationally. Large scale commissions have been created for venues in Berlin, and City Winery's in Chicago, Nashville and New York City.

Sam Falconer’s illustrations combining vibrant characters and intricate environments have been commissioned by clients ranging from leading national newspapers to renowned science magazines and universities.

Initially working purely by hand, Sam discovered a passion for digital collage in 2010 which later developed into his own unique brand of rich and detailed imagery. This method allows him to develop and turnover complex pieces with diverse character sets in timeframes that suit each client’s needs.

As a big science and technology fan, Sam has developed a strong presence in the field with clients including Nature, Nautilus, New Scientist, The Royal Society of Chemistry, Scientific American and Wired magazine. in 2015 Sam was commissioned by the acclaimed MIT Museum to rework their map designs for the general public.

Other clients include: British Airways, British GQ, Capital, Computer Arts, Deustch Inc, Emirates, The Guardian, The Independent, Intelligent Life, John Hopkins University, M & C Saatchi, Nokia, Reader's Digest, Scholastic, The Spectator, The Telegraph, The Times, The Washington Post.

In 2014 Sam was featured in IdN magazine’s New Faces of Inspiration issue as one of ten leading illustrators in the editorial field. His work was also exhibited in Taoyan city, Taiwan as part of Dpi magazine’s Space Odyssey exhibition.

Sam has a BA in Illustration and Animation from Kingston University and graduated in 2011.

Cliff Nielsen studied traditional and digital illustration and graduated as valedictorian from Art Center College of Design in 1994. His illustrations have been recognized for their excellence by the Society of Illustrators, Print, and Spectrum. Feature articles focusing on his work appear in design publications and fanzine magazines alike. Cliff has been an international speaker on digital art and has served as a judge for the Society of Illustrators and a variety of professional illustration award programs. His clients include every major publisher, countless advertising agencies, magazines, and studios. He lives and dreams in Los Angeles, California.

Born in Madrid and currently based in London, Edu Fuentes has been working as a freelance illustrator since 2003, combining a wide range of commercial projects with personal work and exhibitions.

With a combination of bold colours and geometry, his artwork orbits between the symbolic and the mechanical, playing with depth of field and multilayered objects. He is inspired by science, cinema and pop culture, and makes a sisyphean attempt to learn Japanese every once in a while.

His work has been featured in the books Understanding Illustration, Ghosts of Gone Birds and Three By Three Illustration Directory.

Previous clients include: Wired UK, Mayor of London, BMW, Zurich, More Than, Monocle, Times Higher Education, GT Nexus, Kaplan, WPP, Financial Management, Bulletin, STEP Journal, FM World, WeAreBold, Oxford University Press.

Doug’s drawings focus on architecture and detail featuring colourful, highly detailed compositions of surreal and fantastical architecture. His architectural drawing has been published and exhibited internationally including at The Royal Academy, The Slade and Roca Gallery’s. His illustration work has been commissioned by publications such as The New York Times, Wired and Empire Magazine. Alongside editorial work Doug has worked for companies such as Netflix on concept design for films, often directly with the film makers themselves, helping bring their architectural visions to life.

Doug completed his bachelor’s and Masters degrees in Architecture at UCL where his project ‘The San Francisco Columbarium’ won him the SOM Fellowship, Bartlett and Donaldson Medals. Doug now teaches part time running architecture and landscape design studios at the Bartlett School of Architecture, UCL.