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Stanley, Anne

Vibrant, friendly and fun, line and dye illustrations, maps, food, animals, characters, nature, icons, interior overviews for advertising, packaging, corporate, children's book publishing, esl, editoral, games, infographics and more....

Glass, Randy

Originally from Kansas City, Randy became the youngest illustrator Hallmark Cards had ever hired — while still a junior in high school. He attended Ringling School of Art and Art Center College of Design, supplementing his tuition by drawing five-minute portraits of people at both Disneyland and Walt Disney World ... a surprisingly valuable education in discipline and patience. Randy began freelancing as an illustrator in the mid-’80s, quickly establishing a strong reputation for highly detailed representational drawing and painting. Although adept at working in color, he gravitated toward and has always preferred a simple black and white palette. He is a master of the graphic technique known as “stipple” — the process of marking a surface with numerous small dots to create an image. It’s a style favored by print media, where paper quality can adversely affect the reproduction of an image, and by its very nature, it’s ideal for Web usage. Perhaps best known commercially as a portrait artist, Randy has an exceptional aptitude for capturing his subject’s character and essence with carefully nuanced precision. This, combined with his stippling expertise, made him a perfect match for the Wall Street Journal’s iconic portraits known as “hedcuts”; he’s created several hundred of them since 1998. Over the years, Randy has received recognition by The Society of Illustrators, American Illustration, Communication Arts, The Art Director’s Club, and Illustration West. Randy currently lives in Southern California. Black & White Illustration. Pen and Ink (line & Stipple), Watercolor, Pencil. Portraiture.

Morgan, Patrick

Patrick started his career as a freelance designer after gaining a Degree in Graphics and Illustration with Commendations for Print Making at Kingston University (London) in 1998. Patrick has done high profile work for global clients including: Transport of London, Cingular, Starbucks, Bacardi, Smirnoff, Coca-Cola and Waitrose, which has resulted in him having to work in Japan, Spain, Italy and the USA as well as London, and having his work appear in many more countries across USA, Europe and Asia. This work and exposure has resulted in Patrick's work being has been short-listed for and receiving commendations for a number of awards, including the Marketing Week Design Award for Corporate Design and Illustration, and the Design and Art Direction Award for Corporate Design and Illustration. (Most notably as a result of his work on the Selfridges Annual Report 2003.) He is also regularly featured in Creative review and the UK design press. On top of all of this Patrick has for the last 2 years been a university tutor, passing his skills onto the next generation of up and coming illustration graduates at the Istituto Marangoni – the prestigious Milan founded Fashion University. Patrick's most recent assignments find him as a spokesman for Hewlett Packard Arts Council and consultant for HP on the development of the HP 130 Large Format.

Noble, Steven

Steven Noble's acclaimed award winning illustrations embody a large volume of work in the scratchboard medium, from pen & ink precision detailed line art to intricately carved engravings and woodcut illustrations with over 20 years of experience. Stock Illustrations Go to: http://www.scratchboardstock.net/

Wilson, Joe

Leicester-born Joe Wilson studied at Leeds Metropolitan University, Graduating with a bachelor of arts degree in Graphic Arts and Design in 2007. After a lifetime of drawing and doodling Joe Wilson became serious about being an artist at an early age and has left himself 'no other option'. Joe Wilson took an interest in printmaking at university and studied this heavily in his final year, with a great deal of his work taking the form of screen prints and etchings. This forms the foundation of Joe Wilson's work today, although since finishing university and leaving the print facilities, other ways of creating similar effects have had to be employed. Joe Wilson's work consists of painstakingly detailed, hand-drawn illustrations, usually in fine-line pen or pencil, that are then scanned and edited on the mac. Joe Wilson takes his influence from an array of sources including old engravings, 70s Vinyl covers and surrealist art. Joe Wilson is particularly interested in ideas of evolution, space, and complex constructions. Joe Wilson's unique drawing style attracts a mixture of different clients from editorial to fashion, he has produced work for clients such as: The Guardian, Adidas, 21st Amendment, Mojo magazine, Prospect Magazine, RKCR/Y&R, The Yards, Peter Werth, The Big Chill Festival, and Topshop. With aspirations to establish himself firmly as an illustrator, he hopes to work on many more commercial projects whilst continuing to produce his personal 'thought experiments' for his own pleasure.

Golson, Howell

For over 12 years Howell Golson has been creating illustration for packaging, logos, books, and printed collateral for the entertainment, advertising, publishing, and consumer industries. Black and White, Pen and Ink, Scratchboard, Colored Scratchboard, Logos, Icons. Specializing in Packaging, Food Illustration, Portrait Illustration, Vector Artwork, Icons, Identity, Portraits, Publishing, and Poster Ilustration

Michael Halbert Scratchboard Illustration

Scratchboard and woodcut illustrations by Michael Halbert, plus tutorials on scratchboard and Photoshop.

Ken Jacobsen Illustration

Check out my classic pen and ink illustration, specializing in nature and the environment. I have over 20 years experience as a fulltime illustrator and I'm fun to work with!

LaBaff, Tom

Watercolor and/or Gouache, B/W Line and/or Pen & Ink, Characters, People, Figures, Fantasy, Animation, Book Covers, Animals, Nature, Humorous

Winn Lederer, Ilene

Images that stay with you long after you've read the text...

Hess, Lydia

Stylized montage illustration — carved scratchboard imagery collaged with monoprints and other added color. This creates a contemporary graphic image, full of spirit and energy. Clients include, Harper One Publishing, Llewelynn Publishing, Harry's Foods, Duncan Baird Publishers, Nike, Columbia Sportswear, various editorial publications and design firms for packaging & Logo identity creations. (503)234-4757.

Lord, Anna

The fanciful, the creepy, the lovely, the sleepy. In black and white or color, with paper and pen or ones and zeroes.

Kyprianou,Peter

pen and ink, satire, portraits, childrens books, newspapers, conceptual, political, line and wash, people, animals, scenes

Hennessy, Tom

I work on scratchboard in B&W and color. I do packaging, animals, landscapes, people, food, you name it.

Xavier, Roger

Scratchboard line drawings with an emphasis on design, pattern and style. Specializing in advertising, corporate and packaging usage.

Keith Witmer Illustrations

LINE ART ILLUSTRATION with a broad range of applications, specializing in Pen & Ink and Scratchboard.

Arrasmith, Patrick

Scratchboard Illustration Black and White also Color book, editorial, advertising

Tinkelman, Murray

Call for information.

Forney, Ellen

Hip punchy bold brush-and-ink linework with smooth digital color; Editorial, Advertising, Adult Books, Humor

Gilles-Marie Baur Illustrateur

water color and pen

Robert Arnow

Expressive, cutting-edge, freelance illustration and graphic design.

Bertman, Louisa

Originally a professional modern dancer in NYC, Louisa Bertman’s career catapulted to design, animation, and illustration. Since graduating from Parsons School of Design her splotchy pen and ink signature style has been well received. From Mikhail Gorbachev (front page Wall Street Journal) to hotel maid service (Penthouse Magazine), to dorm room door doodles (TV's The Gilmore Girls), her illustrations appear in diverse media worldwide. She painted The Car Talk Guys for NPR's 2009 Calendar, Michelle Obama for BUST Magazine, Michael Jackson for Dallas Morning News, and Ringo Starr for Live Nation. She illustrated DJ's for The Village Voice, and composers for GQ Magazine. She's created animations for AT&T, Nynex and IBM. Her advertising work includes Walz Tetrick's Kansas Teen Thinking Campaign, Wells Fargo's African American Entrepreneur Calendar, and The LA Gay and Lesbian Positive Images Campaign. Bertman's private collectors include celebrities such as Dr. Cornel West and Jules Feiffer. Several of her oversized Rock and Art portraits have been signed by high rollers such as Fergie, Ringo Starr, Cyndi Lauper, Chris Isaak, Ziggy Marley, Huey Lewis, Chicago, Keane, Anna Nalick, and Hilary Duff. Client's include AT&T, Bank of America, Ben-Gurion University, Bitch, Boston Children's Hospital, Boston Children's Museum, BUST, Colorado BIZ, Dallas Morning News, Fidelity, FOX Online, Gilmore Girls, Girlistic, GQ, Grafuck, High Times, HOW Design, Hyphen, IBM, Jazziz, Kansas, LA Gay & Lesbian Center, LA City Beat, LA Journal, Live Nation, Louisville Magazine, Metro Sports, NPR, Nynex, NY Times, Ottawa Life, Penthouse, Playgirl, Provincetown Arts, Rennaisant, Seattle Weekly, Simon & Schuster, Star Trek, TV Guide, Village Voice, Wall Street Journal, Walz Tetrick, Weekly Dig, Wells Fargo, Women of Spirit, YRB.

Muenchrath, Darcy

Whimsical, satirical, odd, pen and ink, collage, conceptual, line, character,