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Noble, Steven

Steven Noble's acclaimed award winning illustrations embody a large volume of work in the scratchboard medium, from pen & ink precision detailed line art to intricately carved engravings and woodcut illustrations with over 20 years of experience. Stock Illustrations Go to: http://www.scratchboardstock.net/

Moreno, Gabriel

Illustrator, engraver and painter based in Madrid, graduated in Fine Art from the University of Sevilla in 1998. Since then he has worked in different design studios and advertising agencies in Andalusia. In 2004 he moved to Madrid and in 2007 began showing his portfolio. He was named among the top 20 new illustrators by Computer Arts magazine in 2007. Previous clients include: TBWA, Y&R, BBDO, Leo Burnet, Orion Books, Jim Beam, Snickers, Marlboro, Universal Music, Time Out, Rolling Stone magazine, The Sunday Times and Esquire.

Prades, Simon

Simon Prades, born in 1985 into a german/spanish family is living in Saarbrücken, Germany with his wife and son.Since finishing University with a diploma in Graphic Design, he has been working as a freelance illustrator for clients in Editorial, Publishing, Sports, Advertising and Film.

Simon works in analog techniques, such as ink, pencils or watercolor but also digitally, depending on the subject. His work is often a combination of detailed and complex drawings and narrative ideas. Depending on the subject his illustrations can also be rough, spontaneous and moody. He also creates slightly animated versions of his illustrations, which can be used in digital publishing and media.

Simon has worked for clients such as:The New York Times, The New Yorker, HarperCollins, Bloomberg, The Atlantic, Scientific American, Rolling Stone Magazine, Medium.com, The Guardian, New Statesman, VICE, The New Republic, Der Spiegel, Cicero Magazin, Esquire, Empire Magazine, Entertainment weekly, Nike, Ubisoft, BBDO, Ogilvy & Mather, Serviceplan and Y&R.

Archer, Andrew

Andrew Archer has been an illustrator since 2006 and has worked with an enviable list of the worlds most recognizable brands and publications. Inspired by surrealism, wood block prints, edo period art, ideograms and his time spent in Asia, his work is a self asserting mix of hallucinogenic color and rhythmic line. Best suited to briefs that allow him to indulge his imagination and unique color palette, clients who offer some creative freedom are gifted with extraordinary and distinctive visuals that always gain attention. Google image search ‘Everything Everything Gone to Heaven” for a perfect example of the power of Archer’s imagery to become an internet sensation, it is no wonder he is a popular choice with music and sports brands wanting to captivate their audience.
Clients include:
Nike, WIRED, Sony, ESPN, The Economist, FIA Formula E, MOJO, Red Bull, Playboy, Saatchi & Saatchi, BBC, Samsung, Bombay Sapphire, Random House, TBWA, BBDO, Q Magazine, Adidas, OUT, GQ Magazine, Washington Post, Spin, EMI Music, NY Observer, Fortune, New York Times, Audi EU, Vogue FR, Penguin Books, New Scientist, Elle, Men's Health magazine.

Mahoney, David

David Mahoney is a British freelance illustrator based in Edinburgh, Scotland. Since 2010 David has worked with a wide range of Fortune 500 companies and now works under the alias 'Headless Horse'.

His latest client list includes: The Guardian, 20th Century Fox, OPI, Kiehl’s, GQ, Fortune, Maxim, Easyjet, Tesco, Men’s Health, The Economist, NBA, MLB, Institutional Investor, Disney Pixar and Adobe.

David believes keeping tradition alive is important in an increasingly digital age. He specialises in the merging of traditional mediums and digital applications resulted in his signature style coined "tradigital". This method of creating his illustration allows his work to be animated, a style often used in digital editorial magazines.

In 2014, David opened his first solo exhibition at the Coningsby Gallery, London titled ‘Black + White’: a series of animated portraits of twenty leading individuals created in squid ink and watercolour.

In 2013, David was awarded the 99U Scholarship by the Samsung Accelerator and 99U for his illustrative work. David has had his work displayed in numerous publications and has spoken at events in both the USA and UK. David is a Community Professional for Adobe.

At the present, the artist is currently exhibiting his work in LA and New York with the Hero Complex Gallery for his client 20th Century Fox, celebrating the latest American Horror Story and Disney Pixar’s Toy Story.

Berry Rhys, Alan

Alan Berry Rhys is a graphic artist and illustrator home based in Buenos Aires, Argentina. He has been a graphic design professor at Buenos Aires University for 8 years. As an artist, I have produced several solo shows at Buenos Aires (Argentina), Rosario (Argentina), San Francisco (CA, USA) and Santiago de Chile (Chile). In addition, Alan has participated in several combined shows, at Portland (Oregon, USA), Buenos Aires (Argentina), Tandil (Argentina) and Asunción (Paraguay). He has been invited to the last 3 editions of Puma Urban Art in Buenos Aires.
He's worked for a wide range of commercial and commissioned works for brands developing graphic universes and illustrations.
Vintage graphic advertising inspires his work. He loves the look of low-fi printing. It's errors and limitations that give his work a distinctive characteristic. Using screen-printing, risograph and painting, Alan has developed a style based on low quality printing methods of the early graphic advertising. He also has extended work on lettering and typography.
In the search of inspiration of a simpler life he explores craftsmanship lifestyles, such as fishermen, axmen, butchers, carpenters, etc. In addition, he also enjoys exploring popular street graphic.
Alan has worked for brands such as Jack Daniel's, Absolut Vodka, Nike, Puma, Sol Beer, Cinzano, Vans, Oreo, Good Year, Penguin, California Customs, Pilgrim London, BlackFin, Gravedad Zero.

Adams, Kathryn

Illustration stock collection from Kathryn Adams showing a mix of editorial, whimsical, humour and stylized linework.

Stewart-Croker, Jess

Recent illustration graduate Jess Stewart-Croker, is well on her way to carving out a path for herself. Primarily working with traditional media, such as watercolour, gouache and pen and ink, Jess creates painterly and colourful imagery. She has already grabbed a number of impressive assignments for several companies, including several private commissions. Jess can also quite frequently be found with sketchbook in hand making her way through a museum looking for inspiration in the historical references around her. Jess’s goal in her work has always been to capture the beauty and detail of an object in a traditional and intricate manner, and it’s immediately visible in her imagery from travel to product illustrations. What an impressive start to her career! View more of Jess’ work at Folioplanet and her own website.

Rathke, Kathryn

Looking at one of Kathryn Rathke’s line-based illustrations can be a bit like working out a puzzle – was it created using one fluid and continuous line, or many? According to the Seattle-based artist she owes her drawing skills to family connections. Her grandmother taught her to draw and supplied her with books by Arthur Rackham, Maurice Sendak, and William Steig, while her father was president of an advertising agency and used to bring home reams of paper for her to practice on.

She has lots of other creative interests too. She learned to make leather masks in Italy, enjoys German experimental theatre, and sometimes throws parties where her friends must act out vignettes found in a 1912 children’s book called Entertainments for All the Year.

Kathryn did an MFA in Set Design at the University of Wisconsin but was always drawing on the side, sometimes accepting commissions from newspapers and magazines. Eventually she flipped things around and made her illustration work a full-time profession and set design became her hobby.

Kathryn does everything digitally in Photoshop and Illustrator using a Cintiq screen by Wacom.

If she’s doing portraiture work, she draws her subject many times over from different angles. This way she learns about the most important features of their face and can draw it in a way that makes it instantly recognisable.

The line is core to Kathryn’s style and her work is very fluid. Expressive and calligraphic, there’s a unique sense of gesture in her illustrations. She also uses crosshatching to develop surfaces in her images, using layers of lines of varying thickness to build up a texture.

Clients:
Newsweek, NY Observer, Vanity Fair, Time Out, The Evening Standard, O Magazine, Brooks Sports, Penguin, Make Magazine, Smart Money, Rolling Stone and Welt am Sonntag are just some of Kathryn’s clients.

McCollum, Sudi

Sudi McCollum grew up in a creative household with a crazy-ass artist mother and an advertising executive father (he won a Clio!).  She graduated from California College of the Arts with a degree in fine arts.  However, as soon as Sudi graduated, she embarked on a successful career in graphic design, which was much more to her liking.  It was the graphic quality of graphic design that so appealed to her and most all of her art has a noticeable graphic quality to it. Poster commissions by  her advertising clients prompted her to start an art publishing business for her own Japanese-woodblock style art prints.  From there she began working as an illustrator (specializing in packaging, publishing and promotional materials) then home accessory design (dinnerware, rugs, pillows, giftware).  Known for her woodcut style often incorporating decorative themes involving nature, animals, artisanal/organic foods. She likes designing it all!  She has 2 cats:  Beezie and Red Teddy Long Tail, but is also a doggie person.

Wilson, Ty

Contemporary, figurative and conceptual illustrator using pen/ink and mixed media to create unique people, places and things

Represented by Watson & Spierman Productions
ofc (212) 431-4480 cell (917) 930-6611

Hennessy, Tom

I work on scratchboard in B&W and color. I do packaging, animals, landscapes, people, food, you name it.

Sherman, Erwin

Erwin is a freelance illustrator based in Golden Colorado. Working with a combination of traditional scratchboard and digital media and a range of styles from detailed realism to vintage to conceptual. Clients include: Southwest Airlines, Pilgrims Pride, Houghton Mifflin Harcourt, Georgia Pacific, Burlington Northern RR, Colonial Williamsburg, Pier 1 Imports, Six Flags, Men's Journal, Runner's World, Wired, American Cowboy, Boy's Life, Seattle Metropolitan.

Bedrosian, Wesley

In addition to his work as an Illustrator, Wes has worked as a freelance Art Director for the New York Times Op-Ed Page and Book Review. He has also taught and lectured at The School of Visual Arts, Pratt, Parsons School of Design, and Montclair State University. Wesley Bedrosian’s work has appeared in numerous publications, including The New York Times, The Wall Street Journal, The Boston Globe, Scientific American, Vanity Fair, New York and The Hollywood Reporter.

Wilson, Joe

Leicester-born Joe Wilson studied at Leeds Metropolitan University, Graduating with a bachelor of arts degree in Graphic Arts and Design in 2007. After a lifetime of drawing and doodling Joe Wilson became serious about being an artist at an early age and has left himself 'no other option'. Joe Wilson took an interest in printmaking at university and studied this heavily in his final year, with a great deal of his work taking the form of screen prints and etchings. This forms the foundation of Joe Wilson's work today, although since finishing university and leaving the print facilities, other ways of creating similar effects have had to be employed. Joe Wilson's work consists of painstakingly detailed, hand-drawn illustrations, usually in fine-line pen or pencil, that are then scanned and edited on the mac. Joe Wilson takes his influence from an array of sources including old engravings, 70s Vinyl covers and surrealist art. Joe Wilson is particularly interested in ideas of evolution, space, and complex constructions. Joe Wilson's unique drawing style attracts a mixture of different clients from editorial to fashion, he has produced work for clients such as: The Guardian, Adidas, 21st Amendment, Mojo magazine, Prospect Magazine, RKCR/Y&R, The Yards, Peter Werth, The Big Chill Festival, and Topshop. With aspirations to establish himself firmly as an illustrator, he hopes to work on many more commercial projects whilst continuing to produce his personal 'thought experiments' for his own pleasure.

Ngai, Victo

Victo is a New York based illustrator from Hong Kong, graduated from Rhode Island School of Design majoring in illustration. Victo is not a boy nor a typo but a nick-name from "Victoria"- a leftover from the British colonization. Her work has received recognition from the New York Times, Communication Arts, American Illustration, Spectrum, SOI NY, SILA, 3X3, Applied Arts and CMYK mag, Digital Artist UK and many more. Apart from drawing, Victo's biggest passions are traveling and eating. She's hoping that one day she will save up enough to travel around the world and sample all kinds of cuisine.

Fast, Ingo

For over fifteen years, Ingo Fast has created conceptual and narrative, often landscape or cityscape-like illustrations for numerous magazines, newspapers, books, and brochures, for editorial, institutional, educational, corporate and advertising clients in the US as well as many other countries. He has illustrated greeting and holiday cards, posters, annual reports, children's textbooks, travel guides, T-Shirts, websites, maps & charts, bird's eye view diagrams, logos, and murals, in the context of a multitude of subject matters like children, people, family, lifestyle, and retirement; political and society-oriented themes; business, money, financial & investing-related topics; medical, health, and pharmaceutical subjects; technology, communication, media, and the internet; cars & automotive, travel, transportation, and insurance; and food, packaging, and products. His concepts are solution-oriented, and most often satirical, whimsical, and sometimes cartoon-like. His scenes are imaginative, humorous, and clever, and he uses pen & ink / line art combined with watercolor or gouache, or digital color, but also works with black & white line art. He has won recognition from American Illustration, the Societies of Illustrators in New York and in Los Angeles, the Society of Publication Designers, the Society of News Designers, and Graphis, and has exhibited his work in numerous group shows across the country.

Michael Halbert Scratchboard Illustration

Scratchboard and woodcut illustrations by Michael Halbert, plus tutorials on scratchboard and Photoshop.

Smith, Kelly

Kelly Smith is an Australian Illustrator, working predominantly in fashion and beauty.

With a Bachelor of Fine Art from the Tasmanian School of Art, Kelly majored in photography and graphic design, but reverted back to her love of drawing after graduating. She ran a blog and launched her career after being interviewed in Vogue about an exhibition she was mounting.

Kelly’s approach is mainly traditional, with 90 per cent of the work completed using a graphite pencil. She then scans the drawing in, adding colour and tweaking the image using Photoshop. Her compositions vary – usually it’s a case of highlighting one focal area that’s full of beauty, but in other cases she builds up a scene to surround it.

Her images are intricate, finely detailed pencil illustrations, incorporating pops of digital colour. They are soft and feminine in tone and content.

Roe, Monika

After graduating with a degree in graphic design, Monika Roe worked as an art director and creative director for ad agencies in Los Angeles and Indianapolis. Now a full-time illustrator, some of Monika's clients include: Microsoft, Toyota, Mattel, Diet Coke, Pantene, Coty, Conde Nast Publications, Penguin Group, Doubleday, Random House, Harper Collins, Simon & Schuster, Time Inc., The Wall Street Journal, and Hallmark. Her work has been featured in STEP inside design magazine and Adweek. Monika's studio is located in the beautiful wine country of California's central coast, where she lives with her two pugs, Ladybug and Bumblebee. She likes Danish modern furniture, browsing estate sales and drinks way too much coffee.

Starr, Jim

With over 20 years experience as an Illustrator, Jim has a wide range of styles & skills seen at http://www.jimstarr.com. Jim received his BFA from Carnegie Mellon University in 1982. Today, Jim primarily illustrates electronically, but also continues to work in traditional techniques. My goal in every assignment is to work closely with the designer/art director to come up with a conceptually strong and well designed illustration." Jim has worked for a wide range of clients needs including logos, icons, package design, editorial, corporate, portraits, event posters, and web graphics. Jim works in many different styles including graphic, scratch board, airbrush, woodcut, pastel, paintings, watercolor, pencil, and pen and ink. His work has been accepted into Print magazine, the Society of Illustrators Annual, and the Washington DC. Illustrators Club Annual Exhibit. Fresh,conceptually strong, well designed digital illustration, specializing in archictectural, comic, comic conceptual, comic humorous, conceptual, digital, multiple styles, pen and ink, realism, science, wacky, whimsical, logos , graphic , scratchboard, pastels, paintings, airbrush, speckled, textured, posters, icons, web, art, editorial, corporate, travel, books, children, education, entertainment, games, gaming, gameboards, comic, humorous, design, industrial, industry, manufacturing, labor, infographics, maps, lifestyle, architectural, impressionistic, line with color, line and color, montage, nature, animals, stipple, silhouette, sports, technology, computers, transportation, vacation, wildlife, historical, retro, traditional, wacky, whimsical, scratch board, digital, llustrator, photoshop, painter, collage, black and white, black & white, watercolor, vector, pencil, oil, acrylic, realistic, realism, photo realism, painterly, packaging, package, financial, money, investments, investing, characters, identity, government, political, cartoon, charts, diagrams, business, food, dining, landscapes, medical, magazine, arts, music, childrens books, display, point of purchase, pop, holidays, partys, identity

LaBaff, Tom

Watercolor and/or Gouache, B/W Line and/or Pen & Ink, Characters, People, Figures, Fantasy, Animation, Book Covers, Animals, Nature, Humorous

Favreau Studio

Best-selling author, award-winning illustrator, and creative entrepreneur! My studio is located in Alaska, where I live with my Scotsmen, daughters, and Giant Malamute.

Muenchrath, Darcy

Whimsical, satirical, odd, pen and ink, collage, conceptual, line, character,

Lunden, Einar

Einar Lunden is an experienced illustrator and cartoonist who works both for children and the general market. He does all types of illustrations, cartoons, comics, character designs, concepts, logo designs for books, magazines, online, and more. He has been extensively published in books, magazines, newspapers, online, corporate, etc. Works well on deadline. Please visit his website for sample work.

Arrasmith, Patrick

Scratchboard Illustration Black and White also Color book, editorial, advertising

Quon, Mike

Symbols, icons for design and marketing Mike Quon, prolific and eclectic illustrator who first popularized the brushstroke style, works in pen and ink and digitally to create vibrant and evocative images for print, editorial, advertising, brand identity, packaging and promotion. Appreciates the power of art, communication through art, art directors, art buyers and anyone else who loves art.

Pica, Steve

Steve Pica's cartoons are light and whimsical. He shows a wonderful sense of humor in his illustrations.

Rogers, Jeff

Jeff Rogers is a multidisciplinary designer and illustrator specializing in custom lettering of all shapes and sizes. Stocking his Brooklyn studio with paint brushes, pens, markers, and a couple of humongous computers, he creates unique and joyful work for a wide range of smart clients.

Beaudoin, Rayne

People, Characters, Business, Love, Conceptual, Black & White, Graphic, Cartoon, Fashion, Political, Charcature, Children, Children's Books, Comic, Comic Conceptual, Painterly, Pen and Ink, Storyboards, Wacky, Whimsical, Line and Wash, Food, Comic Humorous.

Hall, Mike

Crowded urban scenes, architecture and maps – the things you see today in Mike Hall’s artwork go back to his creative beginnings. As a child he used to love drawing images full of people, and maps of imaginary towns and even entire countries. He says this might be because he grew up in the new town of Harlow in Essex – the modern, pre-planned, post-war setting gave him an interest in architecture, topography and mapping from an early age.

Of course, he liked comics and picture books too, and today he’s also inspired by William Hogarth, Gustave Doré and Wenceslaus Hollar, as well as MacDonald Gill, an artist who embellished his map illustrations with all kinds of colourful motifs. He loves everything Hispanic, which is why he recently relocated to Spain.

Mike spent two years studying graphic design before switching to an illustration course. He completed an Illustration degree at the University of Westminster.

Often Mike’s hand-drawn imagery is embellished using a computer. He combines print designs he’s drawn using pen on paper with digital elements to build up an image. The colouring is done digitally. Sometimes, he’ll also draw his map designs using vector graphics.

Architecture usually plays a large role in Mike’s work – either as the primary focus of the illustration, or as something in the background that gives it structure. He’s very interested in topographical views, geography and conveying a sense of place. Nonetheless, his characters come through just as strongly with crowded, colourful people scenes giving you plenty to look at.

Taylor, James

Born in 1977 to an Italian mother and English father James Taylors relationship with pencil and paper started at an early age. James Taylors work is eclectic, with a range of influences from Keiichi Tanaami to Tony Hart. “Eclectic” but always considered. From collage to pure drawing, James Taylors approach and thinking have won him varying clients in the United States and the United Kingdom.

Beylinson, Yana

Yana Beylinson is a New York City-based artist, illustrator and designer. Widely known for her organic, natural and completely unique style, Yana has worked with a variety of clients in fashion, book and magazine publishing, textile design, and corporate world. Some notables include Crabtree & Evelyn, Chronicle Books, Food & Wine Magazine, C Wonder, and many others. Yana's work covers botanical drawings, food illustration, pattern design and conceptual work. Yana strongly believes in the power of great design. She is well known for her signature, streamlined creative style and brings elegance and a sophisticated eye to all of her work. Her solid foundation in fine art and typography shines through each project.

Minick, Samuel A.

Minick uses bold pen-like lines, thoughtful composition and a saturated palette. Sam has sixteen years of experience as a freelance illustrator and eight years as a graphic journalist. He has created work for Volkswagen, Kelloggs, Field & Stream, Smithsonian Magazine, Ringling Museum and Adobe. His tenure in the newsroom makes him a reliable resource for dynamic, accurate and integral visuals on tight deadlines.

Lord, Anna

The fanciful, the creepy, the lovely, the sleepy. In black and white or color, with paper and pen or ones and zeroes.

Bray, Ed

Ed Bray is an illustration graduate of the Rhode Island School of Design. After graduation, he began his illustration career in Minneapolis, Minnesota where he worked for a company on pen and ink and marker layouts. In addition to his commercial assignments, he focused on watercolor landscapes of the Midwest, which were exhibited at the Fuller Museum in Massachusetts. Examples of his illustrations appear in Drawing: Structure and Vision by Fritz Drury and Joanne Stryker © 2008.

Ed is skilled in presentation artwork, such as storyboards and comps, as well as finished illustrations and fine art. His work is featured in American Showcase #23 and the Directory of Illustration website www.behance.net/edBray & www.directoryofillustration.com/edbray.

Ed lives and works as a freelancer in Brockton, Massachusetts and is a member of the Arts League of Lowell. He was featured in a November edition of The Lowell Sun.

Ed is able to work quickly to meet tight deadlines and is available at any time for an assignment.

Clients include iRobot, Gary Sloan Studios Inc., J.Jill, The Fantastical, Riverside Co, Hood, Colonial Life, The Via Group LLC, Urban College of Boston, Supervalu, Wells Fargo Bank, Wilson Leather, BHF Printing, Midway YMCA, Blue Diamond Natural, Tri-District School, Fuller Art Museum, Twenty-First Century Software, Raymond Watson Funeral Home, Harvard Business School, Arthur's Paradise Diner, S&S Auto Repair, City of Holyoke MA, The Public Health Museum, Boston Brake and Tune-Up, Bread & Roses Heritage Committee

Morgan, Patrick

Patrick started his career as a freelance designer after gaining a Degree in Graphics and Illustration with Commendations for Print Making at Kingston University (London) in 1998. Patrick has done high profile work for global clients including: Transport of London, Cingular, Starbucks, Bacardi, Smirnoff, Coca-Cola and Waitrose, which has resulted in him having to work in Japan, Spain, Italy and the USA as well as London, and having his work appear in many more countries across USA, Europe and Asia. This work and exposure has resulted in Patrick's work being has been short-listed for and receiving commendations for a number of awards, including the Marketing Week Design Award for Corporate Design and Illustration, and the Design and Art Direction Award for Corporate Design and Illustration. (Most notably as a result of his work on the Selfridges Annual Report 2003.) He is also regularly featured in Creative review and the UK design press. On top of all of this Patrick has for the last 2 years been a university tutor, passing his skills onto the next generation of up and coming illustration graduates at the Istituto Marangoni – the prestigious Milan founded Fashion University. Patrick's most recent assignments find him as a spokesman for Hewlett Packard Arts Council and consultant for HP on the development of the HP 130 Large Format.

Maravillas, Jennifer

With Filipino and European roots, and with freckles from head to toe, Jennifer Maravillas feels as if she’s on a detective-like quest to understand as many different perspectives as possible. Her roots as an artist, meanwhile, go back to her training in ballet as a child. She sees her art as a kind of ballet performed on paper using a marker.

She rarely restricts herself to just a marker, though. Watercolour, spray paint and various other media are used in her illustrations. As a side project, she has made a map of Brooklyn out of garbage, and in future plans to try and map as much of the world as she can. On top of painting, her passions are anthropology and sociology.

Jennifer did an undergraduate degree is in Graphic Design at the University of Louisville and a graduate degree is in Mass Communication at Virginia Commonwealth University.

The techniques Jennifer uses are constantly changing, and her style often comes as a result of the medium she’s exploring at a given time. By and large she’s a mixed media artist, always trying new materials and combinations of them – typically they include watercolour markers, ink, spray paint, pencil, cut out paper, block printing, and Photoshop. Sometimes she allows a composition to evolve without knowing what the end result might be like, other times she has a clear idea in her head of what she wants.

Jennifer is fascinated by the digital process. She scans in every doodle and texture she draws or paints, keeping them for reference or for use as layers in new pieces.

Jennifer uses vibrant colour combinations as she builds up maps, cityscapes and scenery from hundreds of smaller handmade elements. Some of her influences include Werner Herzog, Mary Blair, Guy Debord, and Buckminster Fuller.

Bendell, Norm

Norm Bendell's witty style has been featured in some of the most successful campaigns in the history of advertising. He's won numerous awards for clients in both print and animation as well as for best selling books. Whether it's a large ad campaign, a book or a small spot illustration, Bendell's background in art direction and design helps give him great insight for helping client's to successfully reach their goals. And he takes pride in making it a pleasant experience.

Winn Lederer, Ilene

Images that stay with you long after you've read the text...

Mjolsness, Jane

Illustrations for packaging, editorial, books and book covers, fashion, greeting cards. Illustrating complex emotional issues, womens issues, relationships and food in a stylized, simplistic, elegant manner with great attention to composition, color and line quality. Clients: Allergan USA, CF Napa (Tapeña Wines), What to Expect When You’re Expecting Foundation, Duncan Baird Publishers (London), Boston Market, Olive Garden, Marshall Field’s, Target, Visa Gold, American Airlines, Northwest Airlines, US Government, Hershey’s, Mall of America, The Washington Post, Faber&Faber, Hazelden, Pillsbury, AT&T, GlaxoSmithKline, EuroRSCG, Beringer Wines, Gerber Baby Products, FCB, BBDO, 3M, American Express, and many others. KEYWORDS: Women, emotions, healthcare, decorative, stylized, conceptual, packaging, line, line with color

Napier, Martha

When Martha Napier took the leap and became a full-time freelance illustrator in 2013, the world of fashion design lost a wonderful creator, but the world of illustration gained an excellent artist. Martha’s vivid watercolours and loose, almost naïve style, have given a lighthearted lift to all kinds of interesting projects in fashion, advertising, editorial and more. She also does live painting for clients, and was named a top illustrator to watch on Instragram by InStyle magazine.

Martha was born in the Midwest, grew up in Germany, and today splits her time between Chicago and New York. She loves fashion – that much is clear – and her most admired designers include Miuccia Prada, Marni, and Phoebe Philo. Henri de Toulouse-Lautrec, Henri Matisse and Cy Twombly are three artists that inspire her.

Beyond art and fashion, she’s had a fascinating life. She’s travelled to the North Pole, and to the Galapagos Islands. “The only place I’ve seen a cactus, a flamingo and a penguin in the same location,” she says.

Martha has a BA in Studio Art from Wake Forest University, and was a Presidential Scholar at the same college in Fine Art. She discovered her love of fashion illustration at the Parsons School of Design, where she studied for a post grad degree in Fashion Design.

Watercolours are Martha’s main media, but she also uses markers, pencils and acrylics. She scans the work into Photoshop and uses the application to clean it up and colour correct it before delivering it to her clients.

Martha is very much a gestural painter, with a very fine skill in getting paints to flow from her brush and soak beautifully into the paper, and to mix with one another. Seen up close, it’s a gorgeous effect. Her work is vibrant and vivid as you can see, and full of joy and whimsy.

Sloan, Michael

Michael Sloan creates illustrations for editorial, corporate, advertising, institutional, and publishing clients. His work has been awarded three silver medals from The Society of Illustrators in NYC. His illustrations first appeared in The New York Times Op-Ed page, and have been published in the New York Times Letters column over 100 times. He has shown his work in both solo and group exhibits in the USA and Hong Kong, and has lectured about his artwork at institutions such as The University of Connecticut, The Rhode Island School of Design, Hong Kong University, The Fashion Institute of Technology, and The Yale-China Association.

Kyle T. Webster Illustration

Editorial, book, poster, and advertising illustration with distinctive, exquisite line work. I work digitally but my art feels hand made. Vibrant color is a trademark, and concept is key.

Collignon, Veronica

“I see life in colour,” declares fashion illustrator Veronica Collignon, and looking at her portfolio full of light, colourful imagery, it’s hard to argue. But she takes her obsession with colour even further in her everyday life. For instance, she has a collection of nail polish bottles that she’s never used. “I always end up buying them because I am drawn by the colours! I even remember names and numbers by a form of colour-coding in my mind,” she says.

That quirky sense of fun carries over into her artwork, but it’s underlined by great talent, professionalism and a fantastic technique. Growing up in Mexico, from a young age she was inspired by drawing and creativity, and her favourite illustrators include David Downton, Garance Doré and Izak Zenou. She worked alongside the latter for two years.

She later moved from her home city of Guadalajara to Paris, and then to Madrid, to study. Eventually, she ended up in New York where she now has a range of clients in fashion, retail, advertising, cosmetics and more.

New York’s cosmopolitan mix is the perfect thing to inspire her. She loves to people watch, and enjoys exploring other cultures, with Moroccan and Japanese at the top of her list at the moment.

Veronica studied on the Fashion Studies programme at the Istituto Europeo di Design in Madrid, and later gained certificates in Fashion and Fine Art from Parsons The New School.

Projects begin with Veronica learning about her client and the audience they want to reach. Research is key, before she plays with different looks and ideas, and then settles on the best composition. After the sketching comes her favourite part – adding the colour.

Whimsical, colourful and fun are words commonly used to describe Veronica’s style. Her work has the feel of classic fashion illustration about it, with striking graphical forms, a gestural style, and lovely brushwork and inking.

Bevenour, Jay

Illustrator and cartoonist. Works in a variety of media. Watercolor, pen and ink, digital. Specializes in editorial portraiture. (Celebrities, Political, Sports, Humor, etc.)

Partial Client List: Sports Illustrated, Fortune, Salon.com, TV Guide, Newsweek, Vibe, Entertainment Weekly Online, Scholastic, Rolling Stone (Germany), Golf Magazine, Modern Maturity, Philadelphia, Forbes, Golf World, Barron's, The Los Angeles Times Magazine, The Weekly Standard, The Sporting News, Utne Reader, Country Music Magazine, The Wall Street Journal, New York Press, Nashville Scene, The Stranger (Seattle), Philadelphia Weekly, Village Voice Media

Tharp, Pepper

Pepper Tharp | illustrator + Creative Director Hello, My work, aptly coined 'sophisticated fun' and 'nuevo french' is refined, elegant, informed with a touch of wit. Whether through the eyes of a sanguine shaggy dog or a willowy fashion-femme on a Mediterranean holiday I have a beguiling ability to capture life's minutia to tell stories that captivate. I am adept in understanding my client's goals and deliver work that ensures their brand is well-placed and memorable in the ever evolving and competitive global market. I have delivered many successful projects and campaigns for notable clients such as, American Express, Artful Living Magazine, Harper Collins, St. Martin’s Press, Ritz Carlton Weddings, Macy’s, Nestle, Sur la Table, Target, Vera Wang, William Sonoma,The Container Store and most recently 70 illustrations for Carson Kressley's new book (to be published this year). I have also discovered a fun niche in creating visuals for of social media and web design. With a true collaborative spirit, I love being part of a dream-team, but I'm equally comfortable acting as lead creative director or simply...working solo.I adhere closely to G.A.G. Handbook for pricing and ethical standards in my business acumen. With a drive to explore, I invite my clients to join me in every step of creative process so that they are fully informed and have input along the way. My work zone is a full capacity Mac Studio fueled by Nespresso and Adobe Creative Suites in a garden-view studio in my 1883 historic cottage in Linden Hills. Yet, in a moment's notice I can jump into your studio if in-house help is needed! I look forward to learning about your next project! Truly, Pepper Tharp www.peppertharp.com
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