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Cohen, Jim

Jim creates science-fiction illustrations, space art and fantasy landscapes.

Rathke, Kathryn

Looking at one of Kathryn Rathke’s line-based illustrations can be a bit like working out a puzzle – was it created using one fluid and continuous line, or many? According to the Seattle-based artist she owes her drawing skills to family connections. Her grandmother taught her to draw and supplied her with books by Arthur Rackham, Maurice Sendak, and William Steig, while her father was president of an advertising agency and used to bring home reams of paper for her to practice on.

She has lots of other creative interests too. She learned to make leather masks in Italy, enjoys German experimental theatre, and sometimes throws parties where her friends must act out vignettes found in a 1912 children’s book called Entertainments for All the Year.

Kathryn did an MFA in Set Design at the University of Wisconsin but was always drawing on the side, sometimes accepting commissions from newspapers and magazines. Eventually she flipped things around and made her illustration work a full-time profession and set design became her hobby.

Kathryn does everything digitally in Photoshop and Illustrator using a Cintiq screen by Wacom.

If she’s doing portraiture work, she draws her subject many times over from different angles. This way she learns about the most important features of their face and can draw it in a way that makes it instantly recognisable.

The line is core to Kathryn’s style and her work is very fluid. Expressive and calligraphic, there’s a unique sense of gesture in her illustrations. She also uses crosshatching to develop surfaces in her images, using layers of lines of varying thickness to build up a texture.

Koelsch, Mike

Michael Koelsch (b: 1967) is an illustrator who acknowledges the beliefs of some of the great illustrators of the 50's and 60's, the giants like Coby Whitmore and Austin Briggs, who thought that keeping up with the times and evolving your style is as important as your sense of design and color and the fundamentals of drawing and painting. Mike resides in Huntington Beach, California with his wife, two girls and their Greater Swiss Mountain dog. Living by the beach and having a family he lives in perpetual motion between surfing, club soccer with the girls and actually getting some work done. Somewhere in there there is time for sleep. If you've gotten this far in Mike's bio, you must really want to get to know him. So don't hesitate. Give Shannon Associates a ring and ask for him specifically. He'd love to talk with you about your next project or whether the "evening glass off" session will be worth going out for.

Moreno, Gabriel

Illustrator, engraver and painter based in Madrid, graduated in Fine Art from the University of Sevilla in 1998. Since then he has worked in different design studios and advertising agencies in Andalusia. In 2004 he moved to Madrid and in 2007 began showing his portfolio. He was named among the top 20 new illustrators by Computer Arts magazine in 2007. Previous clients include: TBWA, Y&R, BBDO, Leo Burnet, Orion Books, Jim Beam, Snickers, Marlboro, Universal Music, Time Out, Rolling Stone magazine, The Sunday Times and Esquire.

Prades, Simon

Simon Prades, born in 1985 into a german/spanish family is living in Saarbrücken, Germany with his wife and son.Since finishing University with a diploma in Graphic Design, he has been working as a freelance illustrator for clients in Editorial, Publishing, Sports, Advertising and Film.

Simon works in analog techniques, such as ink, pencils or watercolor but also digitally, depending on the subject. His work is often a combination of detailed and complex drawings and narrative ideas. Depending on the subject his illustrations can also be rough, spontaneous and moody. He also creates slightly animated versions of his illustrations, which can be used in digital publishing and media.

Simon has worked for clients such as:The New York Times, The New Yorker, HarperCollins, Bloomberg, The Atlantic, Scientific American, Rolling Stone Magazine, Medium.com, The Guardian, New Statesman, VICE, The New Republic, Der Spiegel, Cicero Magazin, Esquire, Empire Magazine, Entertainment weekly, Nike, Ubisoft, BBDO, Ogilvy & Mather, Serviceplan and Y&R.

Wilson, Joe

Leicester-born Joe Wilson studied at Leeds Metropolitan University, Graduating with a bachelor of arts degree in Graphic Arts and Design in 2007. After a lifetime of drawing and doodling Joe Wilson became serious about being an artist at an early age and has left himself 'no other option'. Joe Wilson took an interest in printmaking at university and studied this heavily in his final year, with a great deal of his work taking the form of screen prints and etchings. This forms the foundation of Joe Wilson's work today, although since finishing university and leaving the print facilities, other ways of creating similar effects have had to be employed. Joe Wilson's work consists of painstakingly detailed, hand-drawn illustrations, usually in fine-line pen or pencil, that are then scanned and edited on the mac. Joe Wilson takes his influence from an array of sources including old engravings, 70s Vinyl covers and surrealist art. Joe Wilson is particularly interested in ideas of evolution, space, and complex constructions. Joe Wilson's unique drawing style attracts a mixture of different clients from editorial to fashion, he has produced work for clients such as: The Guardian, Adidas, 21st Amendment, Mojo magazine, Prospect Magazine, RKCR/Y&R, The Yards, Peter Werth, The Big Chill Festival, and Topshop. With aspirations to establish himself firmly as an illustrator, he hopes to work on many more commercial projects whilst continuing to produce his personal 'thought experiments' for his own pleasure.

The Red Dress

The Red Dress is a London based Illustration duo, Olivia Chancellor and Ollie Bland. This husband and wife team met while studying Graphic Design and Illustration at Central St. Martins in 1996. The Red Dress' love for all types of Vintage posters (especially B-Movies) and Pulp Fiction illustration has inspired Olivia and Ollie to join creative forces. Drawing upon over 10 years experience in Fashion, T.V/Film, the Art world, Illustration and Design, The Red Dress produce striking, often dark but humorous images by painting Contemporary Culture in a Retro style. This usually includes bold hand drawn typography. Using Oils and Acrylics as well as computer based painting they can work from sourced photographic images or freestyle.

Kann, Victoria

Check it out! 2-D, 3-D collage, digital illustration, stock, NEW work and Gift Gallery!

tsinganos, jim

Jim Tsinganos is a Sydney based Illustrator with over 20 years experience who has had 2 working stints in Amsterdam. He is the recipient of numerous awards, both locally and internationally and working primarily with watercolour and photoshop, he is interested in creating work with a strong conceptual basis that will resonate with the viewer. Clients include; nike, time australia, random house, anz bank, westpac bank, amnesty international, sydney opera company, commonwealth bank, houghton mifflin, qantas, konami gaming, sydney morning herald, la times, american express, yaffa publications, cadburies uk.

Phillips, Craig

Craig phillips has been providing illustrations to the publishing and advertising industries in the United States, Australia and Europe for over a decade. He has created book jackets and interior art for Random House, Penguin, Scholastic, Simon & Schuster, Hachette Book Group, TOR Books, Wizards Of The Coast, Oxford University Press and many more. He has created tour posters for Red Hot Chili Peppers, Queens of the Stone Age and Foo Fighters and provided editorial work to many publications including Rolling Stone Magazine. His work has been included in art annuals such as Spectrum 13, 14, 15, 16, 17 and 18, Society Of Illustrators 53, Luerzers 200 Best Illustrators Worldwide, The Art Of Modern Rock, A Fistful Of Rock, Creative Quarterly 16 and 23. Work has also been exhibited at the Society of Illustrators 53 Book Illustration exhibition in New York, the 2nd Spectrum exhibition at the Museum of American Illustration, a group exhibition at the Erskine gallery in Sydney and a solo exhibition at the University of Arkansas in Florida.

Roe, Monika

After graduating with a degree in graphic design, Monika Roe worked as an art director and creative director for ad agencies in Los Angeles and Indianapolis. Now a full-time illustrator, some of Monika's clients include: Microsoft, Toyota, Mattel, Diet Coke, Pantene, Coty, Conde Nast Publications, Penguin Group, Doubleday, Random House, Harper Collins, Simon & Schuster, Time Inc., The Wall Street Journal, and Hallmark. Her work has been featured in STEP inside design magazine and Adweek. Monika's studio is located in the beautiful wine country of California's central coast, where she lives with her two pugs, Ladybug and Bumblebee. She likes Danish modern furniture, browsing estate sales and drinks way too much coffee.

Webb, Neil

Neil lives and works in Brighton. Since completing a degree and post graduate studies at Middlesex University and Central St. Martins, he has illustrated for a wide range of clients, including; The BBC, Publicis, Caspian Publishing, The Economist, LaSalle Bank, The Financial Times, The Sunday Times, The Guardian, Corbett, New Scientist, Medicus, OUP, The Radio Times, The Telegaph, The Royal Bank of Scotland, Verizon, Virgin Atlantic, Sony, The Washington Post, Bloomsbury, Time Out, Hodder, Design Week, Interbrand, BT, Conran Design.

Friel, Helen

Since graduating in 2009 from Central Saint Martins, with a first class degree in Graphic Design, Helen Friel has been working as a freelance Paper Engineer. Helen both hand cuts and uses technology to produce her pieces. Bridging the gap between two and three dimensions is central to her design practice as well as producing pieces that involve and evoke emotion in the audience. Many of her pieces are stage sets in miniature, creating worlds with layers of card and paper. They are often influenced by an off-beat sense of humour that captions the delicate cut-outs. Her work has been featured in books Papercraft and Papercraft 2. Working from her studio in South London, Helen has produced work for clients including: Vogue UK, Vanity Fair UK, Time, Tatler UK, Tatler Asia, Harrods Magazine, MOO and Men’s Health.

Infomen

Infomen is an information and graphic design firm jointly run by designers Aman Khanna and Carlos Coelho. Operating from their studios in New Delhi and London, Infomen has been providing a successful design service to a wide variety of international clients since January 2006. Their specialization and user centered approach to design enables them to take complex design problems and convert them to user-friendly and understandable creative solutions. Previous clients include The Times, The Daily Telegraph, BBC Olive Magazine, Red Bulletin, Time-Out Magazine, Which Magazine, Mens Health, El Mundo Newspaper, Greenpeace, Pearson Education, O Jogo, Esquire Magazine, and Maxim.

Griffo, Daniel

Daniel Griffo was born on March 8th, 1973 in La Plata, Argentina, where he currently resides with his wife Elba, his baby boy Benjamin and his two pets Indiana and Jones. As a young child, he was always drawn towards creating and drawing images. At 10, he took his first steps into the world of illustration with the guidance of his drawing and painting instructor who taught him the basic foundations of the craft. In his teens, he became a self-taught comic illustrator and worked for both Argentinean and Italian publishers. Shortly afterwards, he worked for various studios creating licensed art, where he sharpened his skills and amassed a great deal of experience. As a freelance illustrator, Daniel has worked for many large companies including Image Comics, Warner, DC, and Disney. In his portfolio, you will find traditional and digital images, layout color, story boards, comic book art, inks, lettering, children and adult illustration, character development, and 3D models – Daniel is truly a jack-of-all-trades.

Baker, Andrew

Andrew Baker is a successful practicing illustrator, with a strong reputation in editorial illustration and poster design. He won a Gold Award for Editorial illustrator from the Association of Illustrators in 2003, and his work has been featured in the Design, New Media and Editorial sections of the AOI Images Annual and in the D&AD annual. His work is seen in most serious newspapers and magazines, from The Guardian to New Scientist, and in on-line environments, shop windows and on posters and book covers. He is primarily concerned with using images for storytelling or conveying messages. Drawing, colour, a love for ephemera and an eye for retro design inform his work. Projects are started with drawing and completed using illustrator and Photoshop in a distinctive way. Much of his work is designed to be seen in sequential form, for example sequences of images for The Economist or the BBC web-site, but he remains passionate about the power of the single key image. Andrew Baker is a graduate of the Royal College of Art and teaches part-time on the illustration course at Middlesex University. He recently curated the SHED exhibition and contributed to Steady Gigs, The Charity Shop Compendium and Doodlearth. Recent clients include: BBH, The Guardian, The Times, Barclays Bank, The Economist, The Radio Times, Diageo, The Spinvox, Harvard Business Review, The Mail on Sunday magazine, Dorling Kindersley, Lloyds, Readers Digest books, The Telegraph, Esterson Associates, Kings College.

Herring, Matthew

Matt uses a montage of found & self-generated graphic material to create assured, vibrant images for the Publishing, Design & Advertising industries. These images are selected from recent projects. They range from book jackets, magazine covers, newspaper features, instore signage, billboard posters, through to direct mail, annual reports & advertising campaigns. The work falls into several stylistic categories. Firstly a traditional collage & photo montage approach used predominantly for editorial work. With other images he’s employed a more graphic approach, using flat colour, vector shapes & simple lines to create a more contemporary feel. Previous clients include: Adobe, Nike, MTV, British Airways, Vanity Fair, Natwest, HSBC, BBC Worldwide, Toyota, Sainsbury’s, BP, Honda, Esquire, Penguin, Corvette, The Times, The Royal Mail, Norwich Union, FT, Computer Arts, which? The Radio Times, Business Week, GQ, Waterstones, IBM, Loaded, Harvard Business Review, RAC, Mojo, Shell, Nasdaq, LloydsTSB, Timeout, 5live, US news, The Guardian, Jeep Chrysler, Harrods, Directline, The Economist.

Williamson, Alex

Alex Williamson was born in England in 1973 and now lives and works as an illustrator and Graphic Artist in London. Alex Williamson has a BA Graphic Design (printmaking) from Leeds Metropolitan University and an MA in Communication Design from the RCA. Alex creates original artwork using cut-out, collage and print techniques, combining found ephemera, drawing and photography. His work is concerned with experimental graphic process, fiction and narrative. Alex works on a wide range of commercial commissions and projects in the publishing, corporate, editorial and advertising sectors as well as producing and exhibiting personal experimental work. He also lectures in Design for Interaction and Moving Image on the Graphic Design BA at the London College of Communication. Previous clients include: Vodafone, Science Museum, Lastminute.com, Penguin, MTV, Washington Post, Levis, Havana Club Rum, Tiger Beer, The Guardian, Time Out, Orion, GQ, Macmillan, NatWest, Sony, BBC Radio One, Random House, The Economist, ICM Models, Gartner, McKinsey, Fortune Magazine, The Independent, The Face, Sunday Times, Getty Images, Financial Times, Portobello Books, The New Yorker, Department For Transport and Citigroup. Alex Williamson also works in Moving Image - previous clients have included: MTV, BBC, Channel 4, E4, Chrysalis, October Films, Big Life, Parlophone, Polydor, Rough Trade, Nickelodeon.

Newman, Malane

As a life-long illustrator and cartoonist, Malane Newman now mainly focuses on cartoon illustration, freelance cartooning, character design, and licensed character artwork. Contracted licensed character work includes Mattel’s Barbie – A Fashion Fairy Tale and The Toon Studio of Beverly Hills - Fairy Tale High. Her portfolio includes digital illustrations for packaging, advertising, new character development, board games and toys, and children’s books. Malane Newman has worked quite extensively with clients designing original cartoon characters and illustrating their new products. Malane Newman’s work also appears in a number of periodicals that include greeting cards, children’s books, magazines, newspapers and many others. She has also designed and developed an animated cartooned website for a line of children’s clothing and animated children’s story for use on an educational website. A real professional joy to work with! More of Malane’s illustrations can be found at http://www.malanenewman.com. Thanks for looking!

Hall, Mike

Crowded urban scenes, architecture and maps – the things you see today in Mike Hall’s artwork go back to his creative beginnings. As a child he used to love drawing images full of people, and maps of imaginary towns and even entire countries. He says this might be because he grew up in the new town of Harlow in Essex – the modern, pre-planned, post-war setting gave him an interest in architecture, topography and mapping from an early age.

Of course, he liked comics and picture books too, and today he’s also inspired by William Hogarth, Gustave Doré and Wenceslaus Hollar, as well as MacDonald Gill, an artist who embellished his map illustrations with all kinds of colourful motifs. He loves everything Hispanic, which is why he recently relocated to Spain.

Mike spent two years studying graphic design before switching to an illustration course. He completed an Illustration degree at the University of Westminster.

Often Mike’s hand-drawn imagery is embellished using a computer. He combines print designs he’s drawn using pen on paper with digital elements to build up an image. The colouring is done digitally. Sometimes, he’ll also draw his map designs using vector graphics.

Architecture usually plays a large role in Mike’s work – either as the primary focus of the illustration, or as something in the background that gives it structure. He’s very interested in topographical views, geography and conveying a sense of place. Nonetheless, his characters come through just as strongly with crowded, colourful people scenes giving you plenty to look at.

Taylor, James

Born in 1977 to an Italian mother and English father James Taylors relationship with pencil and paper started at an early age. James Taylors work is eclectic, with a range of influences from Keiichi Tanaami to Tony Hart. “Eclectic” but always considered. From collage to pure drawing, James Taylors approach and thinking have won him varying clients in the United States and the United Kingdom.

Yang, James

Illustration for corporate, advertising, licensing, publishing and editorial use. James Yang is represented by the David Goldman Agency.

Hanson, Sarah

Sarah's work is combination of traditional handmade and digital collage. Inspired by her travels and an avid collector of random ephemera, she finds and stores interesting bits of old paper, maps, photographs and various objects, which have all become strong elements in her work. For every new project she has a unique sift through the random piles, sketchbooks and pads that have accumulated around her studio selecting suitable elements as she goes. Previous clients include GQ, The Times, British Airways, Penguin, BBC Worldwide Ltd, Publicis, More Magazine, Waitrose, Caspian Publishing, Radio Times, Age Concern, Harper Collins, Renault, Delicious Magazine and The AOI.

Dryden, Jim

Illustration for corporate, advertising, licensing, publishing and editorial use. Jim Dryden is represented by the David Goldman Agency.

Morgan, Patrick

Patrick started his career as a freelance designer after gaining a Degree in Graphics and Illustration with Commendations for Print Making at Kingston University (London) in 1998. Patrick has done high profile work for global clients including: Transport of London, Cingular, Starbucks, Bacardi, Smirnoff, Coca-Cola and Waitrose, which has resulted in him having to work in Japan, Spain, Italy and the USA as well as London, and having his work appear in many more countries across USA, Europe and Asia. This work and exposure has resulted in Patrick's work being has been short-listed for and receiving commendations for a number of awards, including the Marketing Week Design Award for Corporate Design and Illustration, and the Design and Art Direction Award for Corporate Design and Illustration. (Most notably as a result of his work on the Selfridges Annual Report 2003.) He is also regularly featured in Creative review and the UK design press. On top of all of this Patrick has for the last 2 years been a university tutor, passing his skills onto the next generation of up and coming illustration graduates at the Istituto Marangoni – the prestigious Milan founded Fashion University. Patrick's most recent assignments find him as a spokesman for Hewlett Packard Arts Council and consultant for HP on the development of the HP 130 Large Format.

Ward, Mark

Mark Ward is an artist based in London. His work is derived from his obsession with Americana. Raised on a diet of Saturday morning cartoons, BMX, skateboarding, and drawing, Mark has kept true to his roots soaking up every last candy wrapper and morphing them into his surreal and comical visions. Growing up in the South London suburbs in the late 80’s, Mark was reading every possible American skateboard magazine he could get his hands on. He realized his grey London environment didn’t reflect the sunny California he was being sold in the magazines. Rolling through puddles in South London just doesn’t match up to cruising along Long Beach. Mark’s work mixes the everyday mundane with surreal elements of the 80’s American bubble, encouraging the viewer to see things differently, and peel back the gloss on the pop imagery that he worshipped in his childhood. A graduate of Central St Martins, Mark has been recognized by the Art Directors Club and received a Young Gun Award for his outstanding illustration work. He has exhibited internationally throughout Europe and America, in both solo and group shows. His work was also included in the Pop Art Design show at the Barbican. Alongside his personal work, Mark creates bold imagery for a wide range of commercial opportunities including fashion, magazine covers, editorial and large scale installations. Projects include signature work for Stussy, Burton Snowboards, Nike and Columbia Records. Clients include: Adidas, Anomaly, Atlantic Records, Burton Snowboards, Cadburys, Columbia Records, Converse, Etnies, The Guardian, HarperCollins, Jordan Air, Medicom Toys, Microsoft, MTV, Nike, Puma, Pepsi, Red Bull, The Shortlist, Sony, Stussy, Studio Output, UsTwo

Tharp, Pepper

Pepper Tharp | illustrator + Creative Director Hello, My work, aptly coined 'sophisticated fun' and 'nuevo french' is refined, elegant, informed with a touch of wit. Whether through the eyes of a sanguine shaggy dog or a willowy fashion-femme on a Mediterranean holiday I have a beguiling ability to capture life's minutia to tell stories that captivate. I am adept in understanding my client's goals and deliver work that ensures their brand is well-placed and memorable in the ever evolving and competitive global market. I have delivered many successful projects and campaigns for notable clients such as, American Express, Artful Living Magazine, Harper Collins, St. Martin’s Press, Ritz Carlton Weddings, Macy’s, Nestle, Sur la Table, Target, Vera Wang, William Sonoma,The Container Store and most recently 70 illustrations for Carson Kressley's new book (to be published this year). I have also discovered a fun niche in creating visuals for of social media and web design. With a true collaborative spirit, I love being part of a dream-team, but I'm equally comfortable acting as lead creative director or simply...working solo.I adhere closely to G.A.G. Handbook for pricing and ethical standards in my business acumen. With a drive to explore, I invite my clients to join me in every step of creative process so that they are fully informed and have input along the way. My work zone is a full capacity Mac Studio fueled by Nespresso and Adobe Creative Suites in a garden-view studio in my 1883 historic cottage in Linden Hills. Yet, in a moment's notice I can jump into your studio if in-house help is needed! I look forward to learning about your next project! Truly, Pepper Tharp www.peppertharp.com

Carey, James

James Carey studied at the London College of Printing, graduating in 2002 with a degree in Graphic Media Design. James Carey's image making combines traditional draughtsmanship with a modern, graphic approach. James works first by hand, and then digitally finesses the separate layers of found imagery, sketched portraiture, and photographic elements, to build intricate narratives and instant visions. James Carey is commissioned for advertising, editorial and fashion work by numerous UK based and international clients including Adidas, Sony, VH1, The NME, GQ, Esquire magazine as well as The Independent, The Times and Intersection Magazine, and leading book imprints. When not undertaking commissioned illustration and graphic work, James paints canvases for exhibition in Los Angeles, Paris and Tokyo.

Mahoney, David

David Mahoney is a British freelance illustrator based in Edinburgh, Scotland. Since 2010 David has worked with a wide range of Fortune 500 companies and now works under the alias 'Headless Horse'.

His latest client list includes: The Guardian, 20th Century Fox, OPI, Kiehl’s, GQ, Fortune, Maxim, Easyjet, Tesco, Men’s Health, The Economist, NBA, MLB, Institutional Investor, Disney Pixar and Adobe.

David believes keeping tradition alive is important in an increasingly digital age. He specialises in the merging of traditional mediums and digital applications resulted in his signature style coined "tradigital". This method of creating his illustration allows his work to be animated, a style often used in digital editorial magazines.

In 2014, David opened his first solo exhibition at the Coningsby Gallery, London titled ‘Black + White’: a series of animated portraits of twenty leading individuals created in squid ink and watercolour.

In 2013, David was awarded the 99U Scholarship by the Samsung Accelerator and 99U for his illustrative work. David has had his work displayed in numerous publications and has spoken at events in both the USA and UK. David is a Community Professional for Adobe.

At the present, the artist is currently exhibiting his work in LA and New York with the Hero Complex Gallery for his client 20th Century Fox, celebrating the latest American Horror Story and Disney Pixar’s Toy Story.

Van Den Hoek, Judith

Judith van den Hoek absolutely loves watching documentaries about Karl Lagerfeld, Valentino and Isabel Marant. They’re a great source of inspiration for this fashion illustrator who uses simple yet expressive line work to capture each garment or collection she draws.

Based in Gouda, in the Netherlands, Judith is also inspired by magazines, blogs and books. She does editorial commissions as well as working for fashion labels, and private collectors. Beyond her passion for drawing, she loves the outdoors and cycling, and says that if she weren’t an illustrator she’d probably like to work in a zoo.

Judith studied at the Grafisch Lyceum in Rotterdam, and then chose to specialise in fashion illustration. So she took a one-year course on this subject in Amsterdam before becoming a fulltime illustrator.

Photoshop is core to Judith’s approach and she uses it for every image she creates. Sometimes she’ll do some sketching by hand at the beginning of a project, but she feels that Photoshop really unleashes her ability to give the illustrations a fresh and clean look.

Minimalism and simplicity are what make Judith van den Hoek’s fashion illustrations stand out. One or two simple yet perfectly drawn lines help her to convey beauty, sensuality and creativity in a very direct way. From there she adds just the right amount of colour and detail to make the image feel fresh and exciting, bringing to it a personal touch.

Dykes, John S

John S. Dykes lives and works in the Boston area. John works in acrylic, pen and ink, mixed media, and digital. His clients range from editorial and corporate illustration to children's books as well as self-generated projects. He has earned recognition from the Society of Illustrators, the Society of Illustrators of Los Angeles, including gold and silver medals, Communication Arts, American Illustration, Print, 3x3 Annual, How Magazine, the AltPick Awards, and Step by Step Graphics.

Voltz, Ralph

Realism, Maps, People, Fantasy, Book Covers, Infographics

Disley, Phil

Working in both the UK & America for over twenty years for editorial clients such as The Financial Times, The Spectator, The Guardian and GQ magazine, and for publishers Oxford University Press & Harper Collins. Phil Disley is represented by the David Goldman Agency.

Mallart, Bruno

Humorous, surealistic, Wacky, financial, computer, digital, conceptual, portrait, collage, absurd, music, machinery, mechanical , contraption, medical, fun, architecture, Imaginative illustration for corporate, advertising, licensing, publishing and editorial use. Bruno Mallart is represented by the David Goldman Agency.

Manley, Matt

Currently based in Marshall, Michigan, Matt Manley has been working as a freelance illustrator for over twenty years. His illustration is primarily figurative and symbolic with surrealist leanings, and past client work includes editorial, corporate, medical, book, and higher education. Though in the end his work is technically digital collage, the process integrates both traditional and digital media. Collage elements are original oil paintings and drawings, with occasional scanned found objects and photos added to the mix, all united in Photoshop.

Vasilakis, Anastasia

Anastasia Vasilakis is a multi diciplined artist who combines elements of photography with incredible drawing skill to create powerful conceptual illustrations.

Among the numerous prestigious awards Anastasia has been honored with are : The Society of Illustrators, Communication Arts and The Society of Publication Designers.

She has also been honored as a guest lecturer at The International Center of Photography, The New School and School of Visual Arts in New York, as well as The International School of Paris.

Her credentials don't end with the world of print however. She's also active as a graphic designer for Film and Television and has worked with such well known production designers as Laurence Bennett and Linda Burton.

A few of her clients inlude: The NY Times, The Wall Street Journal, LA Times, Time Magazine, Computerworld, CIO Magazine, Rolling Stone, Money Magazine, Showtime, HBO, ESPN, Sundance, SONY Records, Atlantic Records, Levi Strauss and Merck.

Anastasia's fine art paintings are collected internationally. Large scale commissions have been created for venues in Berlin, and City Winery's in Chicago, Nashville and New York City.

Falconer, Sam

Sam Falconer’s illustrations combining vibrant characters and intricate environments have been commissioned by clients ranging from leading national newspapers to renowned science magazines and universities.

Initially working purely by hand, Sam discovered a passion for digital collage in 2010 which later developed into his own unique brand of rich and detailed imagery. This method allows him to develop and turnover complex pieces with diverse character sets in timeframes that suit each client’s needs.

As a big science and technology fan, Sam has developed a strong presence in the field with clients including Nature, Nautilus, New Scientist, The Royal Society of Chemistry, Scientific American and Wired magazine. in 2015 Sam was commissioned by the acclaimed MIT Museum to rework their map designs for the general public.

Other clients include: British Airways, British GQ, Capital, Computer Arts, Deustch Inc, Emirates, The Guardian, The Independent, Intelligent Life, John Hopkins University, M & C Saatchi, Nokia, Reader's Digest, Scholastic, The Spectator, The Telegraph, The Times, The Washington Post.

In 2014 Sam was featured in IdN magazine’s New Faces of Inspiration issue as one of ten leading illustrators in the editorial field. His work was also exhibited in Taoyan city, Taiwan as part of Dpi magazine’s Space Odyssey exhibition.

Sam has a BA in Illustration and Animation from Kingston University and graduated in 2011.

Rosenbaum, Jonathan & Georgina

Jonathan and Georgina Rosenbaum have been two of the premier food and beverage illustrators since the early 90s working with clients as diverse as Pepsi, Seagram’s, Nestle, Kraft, Gillette, Pfizer and Orville Redenbacher. During the days of conventional airbrush they worked as a team creating different aspects of an illustration. Making the transition to digital in the mid- 90s enabled the Rosenbaums to improve both consistency and timing over a product line. This made them a sort of super illustrator, perhaps a major movie deal is in the wings? Multiple piece projects are a specialty, such as a recent 600+ illustration packaging assignment for a national supermarket brand, 75 illustrations for a national pharmacy chain and 30 illustrations for a private label group. Subjects included fruit, vegetables, candy, chocolate, desserts, drinks, juice, water, splashes, and pours.This is in addition to a number of smaller, but no less important, projects for loyal clients who will only accept the Rosenbaum's style and quality, a Herculean effort and one that would not have been possible had they not been a team.

Zuckerman, Craig

My graphic and illustrative expertise extends from medical, anatomical, figurative,and mechanism of action to iconic art with concepts including finance, business and global economics. I welcome assignments from all industries, and will skillfully execute your great ideas and my original concepts in 2D, 3D, or line work.

Burston, Oliver

Oliver's outstanding brand of high resolution visual imagery, coupled with his reputation for making experienced and finely judged inputs to briefs continues to attract leading clients seeking distinctive solutions from all over the world. Oliver enjoys working at the cutting edge of digital technology, employing the latest advances in 2d and 3d visualisation. Oliver has also worked extensively in the film and animation industry, directing videos for MTV, contemporary dance and television. Previous clients include: Penguin Books, Camel, Lowe, Saatchi and Saatchi, Egmont books, BBC Focus, BP, GQ magazine, Collins, Money Observer, The Times, Sony, Campaign, V&A, Ford, BBDO, Egmont Books, Wolf Olins, Sky At Night, The Royal Institute,Gyro Worldwide, The Banker, The Economist, Investors Chronicle, The Sunday Mail, Men's Health, Men's Fitness, Faber books, Findlay Publications, Sainsburys, Seimens, Quercus Books, JWT, Magazine, Dorlin Kindersley, Trident Communications, IPC media, Baber Smith, Caspian Publishing, The Independent, Bates USA, Condenast, Random House, Rainmaker, FT, Orion Books, McCann, BT.

Strain, Peter

Peter Strain is an AOI (Association of Illustrators) Critics' Choice Award-winning illustrator based in Belfast.
He specializes in creating carefully composed, hand-rendered illustration and typography and always tries to experiment with texture and mark-making techniques to keep his work evolving.
His work is hugely influenced by film and music and aims to tackle social, political and cultural issues with a highly distinctive hand lettering style, bold imagery and humour.
Clients & Projects include: Land of Giants, Empire, Esquire, Queens Film Theatre, The Ulster Hall, Unilever, Work Style Magazine, Jameson and The University of Ulster.

Garland, Paul

Paul’s award-winning work has been featured in multiple publications and campaigns over a 25-year career.

The images begin life with confident pencil drawings. These are then combined with handmade textures, painting, and printmaking to complete, vibrant digital imagery which allows for the works to be commissioned from and to anywhere in the world. His works often use metaphors to convey the brief in as simple and effective a way as possible.

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Gu, Sunny

Based in sunny Los Angeles, Sunny Gu is an artist who’s curious about culture. She loves to look for beauty in everything around her and then recreate it in her art. It certainly shows through in her work, which is full of colour, glamour, fashion and ornamentation.

Sunny was born in China but emigrated to the US when she was 13. She’s loved drawing for as long as she can remember. Her nickname is ‘Bee’ because she’s obsessed with flowers and if you look inside her wardrobe you’ll be overwhelmed by the colourful floral prints and patterns inside. She has plenty of accessories to go with the garments - again, they form important elements in her illustration work.

Her overall aim is to preserve the beauty she sees around her.

Sunny studied illustration at the Otis College of Art and Design in LA, and received a Bachelor of Fine Arts degree.

Each illustration begins with a series of rough sketches, which Sunny uses to develop the composition. Once she’s decided on the composition, she works on the details and then starts painting. Her favourite medium is watercolour – she loves their vibrant and unpredictable nature. Occasionally, she uses graphite or acrylic paints for some of the textures. Sunny will use a computer to create surface designs and textile patterns.

When she’s painting, Sunny says she’s bathed in happiness and she puts that across in bright colour and rich detail. The focus on beauty and feeling is clear in her work and she wants to bring joy to whoever looks at it.

Steininger, Otto

Conceptual/whimsical line drawings, sometimes with collage elements. For editorial, book publishing, corporate, and advertising. Also icons, wearables (Swatch) and animation for web and TV

Sunnydale Studio

Sunnydale Studio is an illustration studio that incorporates MylesTalbot.com. We produce illustrations from simple line drawings to highly detailed photo-realism to more textured, natural media style illustrations. Here at Sunnydale Studio we have a vast amount of experience and knowledge and are used to dealing with briefs from all over the world, from small design studios up to multi national organisations. Every brief is treated with professionalism and expertise and is delivered on time and to budget.

Jacey

Jacey has delved into music design, animation, social documentary photography, websites for new media companies which led full circle to his first love, combining photograph and illustration with digital technology.

Nielsen, Cliff

Cliff Nielsen studied traditional and digital illustration and graduated as valedictorian from Art Center College of Design in 1994. His illustrations have been recognized for their excellence by the Society of Illustrators, Print, and Spectrum. Feature articles focusing on his work appear in design publications and fanzine magazines alike. Cliff has been an international speaker on digital art and has served as a judge for the Society of Illustrators and a variety of professional illustration award programs. His clients include every major publisher, countless advertising agencies, magazines, and studios. He lives and dreams in Los Angeles, California.

Jovellanos, Arielle

It’s impossible not to love the comic book style of Arielle Jovellanos. Fresh and light in tone, it’s set to take the graphic novel aesthetic into all sorts of new areas and Arielle is clearly an artist with a passion for visual storytelling.

Her big breakthrough came with her 2015 high school romance School Spirit – 60 pages of high quality artwork. The publication received an Eisner nomination, which is the pinnacle in the world of comics. Today the artist is working with a range of top names in publishing, and looking for new people to collaborate with bringing stories to life.

A Filipina-American, Arielle grew up watching Disney movies and drawing her own variations on Sailor Moon in the margins of her schoolbooks. Today, she loves musical theatre, collects playbills, and her biggest influences are the manga artist Rumiko Takahashi, the book Howl’s Moving Castle, and Studio Ghibli’s movie Kiki’s Delivery Service.

Arielle graduated from Parsons The New School for Design with a dual degree in Illustration and Fiction writing in 2014.

Most of Arielle’s work is entirely digital – she sketches, draws the lines and colours her images on her Cintiq tablet. Pinks, blues and purples form her main palette.

Everything is a character’ is a piece of advice that guides Arielle’s comic art style. It means she focuses on creating tiny narratives within each image, using body language, facial expression, clothing and background detail. This builds personality in her work and makes people viewing it wonder what will happen next.

Client List Audible Little Brown & Company Oni Press Smithsonian Asian Pacific American Center IDW Publishing B**** Media National Inventors Hall of Fame

Turnbull, Tracy

After graduating, Tracy Turnbull worked in fashion design for several years and along the way began accepting illustration commissions for fashion books. Later editorial clients came knocking and it turned into a full-time thing. She combines her career in fashion illustration with teaching the subject at Northumbria University. At her home in Newcastle she has a husband, and a dog called Dave. She’s scared of fish, used to be a goth and has performed at Glastonbury.

Tracy graduated from Newcastle Polytechnic (now Northumbria University) with a BA Hons in Fashion Design.

Initial drawings are done either on paper, or on screen using her Wacom Cintiq. Tracy then colours her work digitally using Photoshop.

Just as fashion is always evolving and changing, Tracy likes to keep her work fresh and contemporary. Her style changes a lot, influenced by what’s current in illustration as well as what’s on the catwalk. When she gets bored with one style, she experiments and adapts. Lately, she’s been working in pencil and mixing it with strong colour.

She likes to draw strong characters with unusual features, and her training in fashion design certainly comes in handy when she renders garments. She understands clothing construction, proportions, and how draped fabrics look, which comes across in her work.

Client List Nylon Magazine Benefit Cosmetics Pro Hair and Beauty Magazine L'Oreal Professional Perseus Books MGA Entertainment Readers Digest US Sportsgirl Australia Portas Agency Tigi Bedhead Quarto Books D'Addario Quarto Publishing Barbour

Malan, David

Like all kids, David found he loved to draw at a young age. He stuck with it through his whole life and has developed a frank, accurate approach to portraying the emotions of the subject. His influences have long included many classical artists of the 19th century and Golden Age illustrators. David studied Illustration at Brigham Young University and worked for over a decade as a Disney artist while refining his illustrative style. He can handle a range from light and stylized to realistic and accurate and has worked with clients from editorial, publishing, advertising, video game design, even coin design for the U.S. Mint. David lives with his artistic wife and four muse children in Salt Lake City, Utah.
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