Illustration stock collection from Kathryn Adams showing a mix of editorial, whimsical, humour and stylized linework.

Bill has always had a unique talent for visual story telling with his ability to focus on the idea behind even the simplest of illustrations. With this focus and skill, he has an uncanny ability to always be on target. The skill he brings to every job has led him to a long list of happy clients, some of which include: The Financial Times, The Economist, Phaidon Books, Moet Hennessy Mckinsey & Company and The Wall Street Journal.

Online illustration portfolio, unique fun style, editorial, children's books

William L. Brown creates bold, colorful drawings highly suitable for digital or print media. His distinctive digital/scratchboard works resemble woodblock prints with a contemporary edge. He excels in conceptual illustration for editorial, advertising, product, and publication markets.

Editorial, corporate and annual report illustrations.

Graphic Illustration for Corporate, Editorial, Advertising and Children's Books. Clients include: The Grammy Awards, Playboy Jazz Festival, Wall Street Journal Asia, The Washington Post, Expenience Life Magazine, M.A.D.D., Manpower Inc., OmniPod, Syngenta, Ketchum Canada Inc., World Wildlife Fund, Ontario Parks, Clarks Shoes UK, Up with Paper, Scholastic Books, Penguin Putnam, Skinner House Books, Cambridge University Press UK, Chirp Magazine, Two Peas in a Bucket,, and Kids' CBC. Digital files can be supplied as vector. KEYWORDS: Animals Green Eco Nature Wildlife Fun Whimsical Retro Digital Computer Illustrator Photoshop Fashion Design T Shirt Poster Retail Merchandise Environment Vintage Scrapbooking, food, beverage, drink, posters, packaging, travel, coffee, wine, business, financial, conceptual, suit, briefcase, retro, madmen, cool, Children Cute Kids

Margaret Riegel is an award-winning illustrator who works for many prominent national magazines, major metropolitan newspapers and Fortune 500 corporations. Since graduating from The Cooper Union School for the Advancement of Science and Art, Margaret has received many awards including ones from American Illustration, The Society of Publication Designers, and The Society of Illustrators of Los Angeles. She has been recognized by several top trade publications and her work was exhibited in the “Illustrators of the New York Times” show at the Society of Illustrators in New York City. Margaret continues to work on a wide range of commercial commissions including corporate, editorial, advertising and publishing. Margaret lives in Manhattan with her husband, two kids and her large picture collection. Some clients have included: The Boston Globe, Business Week, Mademoiselle, Newsweek, The New Yorker, The New York Times, Time Magazine, Travel & Leisure, The Washington Post, Coopers & Lybrand, Deloitte & Touche, Frankfurt Balkind, Merrill Lynch, Little Brown & Company, Oracle Communications, and Scholastic Books

Conceptual illustration used for editorial, childrens book, advertsing, book covers, design and corporate media. Laurie offers two different styles working in painterly and digital media. Her work has appeared in Communication Arts, Society of Illustrators, American Illustration, Society of Ilustrators LA, & Print. Clients include The New York Times, The US Post Office, AMEX,The Wall St Journal, Continental, AARP, Seventeen and more.

With over 20 years experience as an Illustrator, Jim has a wide range of styles & skills seen at http://www.jimstarr.com. Jim received his BFA from Carnegie Mellon University in 1982. Today, Jim primarily illustrates electronically, but also continues to work in traditional techniques. My goal in every assignment is to work closely with the designer/art director to come up with a conceptually strong and well designed illustration." Jim has worked for a wide range of clients needs including logos, icons, package design, editorial, corporate, portraits, event posters, and web graphics. Jim works in many different styles including graphic, scratch board, airbrush, woodcut, pastel, paintings, watercolor, pencil, and pen and ink. His work has been accepted into Print magazine, the Society of Illustrators Annual, and the Washington DC. Illustrators Club Annual Exhibit. Fresh,conceptually strong, well designed digital illustration, specializing in archictectural, comic, comic conceptual, comic humorous, conceptual, digital, multiple styles, pen and ink, realism, science, wacky, whimsical, logos , graphic , scratchboard, pastels, paintings, airbrush, speckled, textured, posters, icons, web, art, editorial, corporate, travel, books, children, education, entertainment, games, gaming, gameboards, comic, humorous, design, industrial, industry, manufacturing, labor, infographics, maps, lifestyle, architectural, impressionistic, line with color, line and color, montage, nature, animals, stipple, silhouette, sports, technology, computers, transportation, vacation, wildlife, historical, retro, traditional, wacky, whimsical, scratch board, digital, llustrator, photoshop, painter, collage, black and white, black & white, watercolor, vector, pencil, oil, acrylic, realistic, realism, photo realism, painterly, packaging, package, financial, money, investments, investing, characters, identity, government, political, cartoon, charts, diagrams, business, food, dining, landscapes, medical, magazine, arts, music, childrens books, display, point of purchase, pop, holidays, partys, identity

Tom's work is both classical and contemporary and juxtaposes symbolism, concepts and realistic form to tell a story. His work is a hybrid of illustration, design and photography. The distinctiveness of each is combined to create a contemporary visual solution. Clients range from major international corporations, agencies, design firms and publishers to smaller new businesses, boutique agencies and firms. Specialty areas include business, healthcare, technology, concepts, finance, editorial, etc.

Scott Roberts has been making pictures his whole life and has worked as a freelance illustrator for over 25 years. His bold, graphic illustrations communicate concepts with economical use of imagery and a lack of visual clutter. Awards include The Illustrators Club of Washington, Print's Regional Design Annual, Art Directors Club of Metropolitan Washington, Society of Publication Designers, Society of Illustrators of Los Angeles and Society of Illustrators in New York. Clients include: U.S. News & World Report, New York Times, Wall Street Journal, American Express, Hewlett Packard, IBM, CitiFinancial, Entrepreneur, Southwest Airlines, US Airways, Harvard Business Review, Verizon, Smart Money, Barron's, Forbes, Consumer Report, Washington Post, Johns Hopkins Medicine. Scott lives and works in Bel Air, Maryland.

Having worked in the advertising, marketing, photography, and allied creative design industries since 1984, Barry Downard's business is based on providing creative visual solutions and concepts (photography, illustrator, artwork and design) to advertising & design agencies, and publishers. Trained as an interior designer, Barry designed houses, shop interiors, exhibition stands and fashion shows, played drums and worked as an art director before drifting into fashion and advertising photography. In 1993, Barry became inspired by the story-telling possibilities of digitally manipulating his photographs, and developed a style of photo-illustration. Barry's technique consists of taking lots of photographs (shot by himself, supplied by client, or stock images), throwing them into a photo-snaffling machine, stirring it up with a healthy dose of fun, and sticking it all together with computer glue.

Steve Pica's cartoons are light and whimsical. He shows a wonderful sense of humor in his illustrations.

People, Characters, Business, Love, Conceptual, Black & White, Graphic, Cartoon, Fashion, Political, Charcature, Children, Children's Books, Comic, Comic Conceptual, Painterly, Pen and Ink, Storyboards, Wacky, Whimsical, Line and Wash, Food, Comic Humorous.

Visually clever, humorous and conceptual illustration, including infographics.

From serious business to serious fun.

Feel free to contact me with any questions or to discuss your project.

For USA, Canada and outside Europe you can also contact my US representative:
Sharon Kurlansky at www.laughing-stock.com - Telephone: 508-460-6058 - sharon@laughing-stock.com
I live and work in Amsterdam, the Netherlands.

If you need a fun, stylized, but still navigable map, Jim Haynes is the guy to go to. His maps are humorous and creative but they give a reliable overview of a city, state or region. His cartoonier work is bound to make you smile.

Neal Aspinall does illustration, logos, vintage luggage stickers, travel posters, typography, and is a big plus in the coneptual department.
Neal does retro, type, logos, posters, icons, illustration, vintage luggage stickers, poster stamps & classic fruit crate labels. He also does a lot of sports & corporate conceptual images. Clients include Nordstrom, Hire.com, Infoworld, Macy's, Harley Davidson, Dell, & Southwest Airlines. His work has appeared in CA, Society of Illustrators, PRINT, & GRAPHIS. Contact him today to get an estimate on a custom job, stock image, logo design, or purchase a print. neal@nealaspinall.com
He works in Adobe Illustrator and images are emailed in a matter of seconds, & quality is maintained at any size.
He was recently inducted into the Art Institute of Colorado's Hall of Fame.

Intelligent illustration and flash animation for editorial, corporate, advertising and design firms. Keyword search over 1000 stock illustrations available online, direct from artist. Recent clients include: Computer Associates, eQuest, Fujitsu, Hewlett Packard, IBM, Ingram Micro, Ladies' Home Journal, Microsoft, Novell, Oracle, Scholastic, SHRM, Sprint, U.S. News and World Report and many more...

Norm Bendell's witty style has been featured in some of the most successful campaigns in the history of advertising. He's won numerous awards for clients in both print and animation as well as for best selling books. Whether it's a large ad campaign, a book or a small spot illustration, Bendell's background in art direction and design helps give him great insight for helping client's to successfully reach their goals. And he takes pride in making it a pleasant experience.

Traditional handmade collage, painted textures, pencil drawings, outlines, as well as digital techniques. Beautiful, powerful images with multiple layers to ‘read’, that harmoniously blend dreamy textures and ideas with stark and graphic elements.

Shane McGowan works in the editorial, advertising and publishing fields. Selected clients include Ford, Vodafone, New York Times, Wall St Journal, Time, Plan Germany, Vogue, Penguin, MacMillan, BBC, Royal Mail, The Guardian, The Sunday Times and Deutsche Bank. His work has been recognised by 3x3, Luerzer's Archive, Images, European Illustration and Illustrators Australia where he has won many Gold and Silver awards.

Roy Scott illustration is a hybrid of digital, photo Illustration and traditional media. He creates compelling conceptual illustrations for editorial, annual reports, corporate, advertising, medical, portraits, financial, environmental and publishing clients around the world. His award winning work communicates innovative visual solutions with bold color, rich textures and intricate compositions. Roy's work is a perfect fit for art buyers looking to add originality to the mix.

Michael Sloan creates illustrations for editorial, corporate, advertising, institutional, and publishing clients. His work has been awarded three silver medals from The Society of Illustrators in NYC. His illustrations first appeared in The New York Times Op-Ed page, and have been published in the New York Times Letters column over 100 times. He has shown his work in both solo and group exhibits in the USA and Hong Kong, and has lectured about his artwork at institutions such as The University of Connecticut, The Rhode Island School of Design, Hong Kong University, The Fashion Institute of Technology, and The Yale-China Association.

If you're looking for an conceptual watercolor to energize your message, please visit my web site to see more possibilities for business, healthcare, aviation, music and more. Illustrations have appeared in the New Yorker, the New York Times, The Atlantic, Wall Street Journal, Businessweek, Boston Globe, and for MoMA, IBM, Scholastic, Coca-Cola, Herman Miller, Takashimaya, Harper-Collins, Brown Publishing Network, McGraw-Hill, Time-Life Books, Squibb, Compaq, Dell and many more. Work has been recognized by The Society of Illustrators, Graphis, Communication Arts, and more.

Serge Seidlitz, an English/German hybrid born in Kenya, grew up traveling between the U.K. and Asia, and a steady diet of MTV and Mad Magazine fueled his desire to become an illustrator. He combines elements from popular culture with diverse influences to create work that forms an iconic and graphic language, and explores original ideas through maps, infographics, character design, and other media. Following his studies in graphic design at Camberwell College of Arts, he worked as an in-house designer at Cartoon Network before leaving to focus on illustration. Seidlitz has an ever-evolving list of clients, including The New York Times, The Guardian, NME Magazine, MTV, VH1, Lush Cosmetics, British Airways, Sony Playstation, Vodafone, Orange, Coca-Cola, and Honda. He won an AOI Gold Award in 2006 and his first solo show was mounted in London in 2011.

Infographics®: SPECIALISTS IN TECHNICAL DESIGN, PUBLISHING, ILLUSTRATION and ANIMATION Infographics® - specializes in communicating product, technical and instructional information through visual tools specifically designed for the end-user. We address technical communications challenges for a wide range of clients including AquaGlass, Bosch, diy Network, GE Healthcare, Hon, Husqvarna, InSinkErator, Jacuzzi, Lowe's, Oxo, Rubbermaid, Sanford, and Viking Range Corporation. For more than 15 years, infographics® has specialized in producing easy-to-use instructions. Infographics simplifies complex and abstract information in collateral and training materials with graphics, illustrations, and animations. Infograhics Specialties: Technical illustration, information graphics, infographics, instruction, illustration, animation, technical communications, motion graphics, data visualization, concept visualization, sequencing

Eric's paintings are known for strong light and shadow, as well as for rich color and strong draftsmanship. The illustrative work is conceptual, textural and often surreal. Eric also does beautiful people and animal portraits.

Paul commenced his art career as a graffiti artist in Liverpool (including legal commissions), but soon found new ways to commercially express his love for art, type and design. Educated in both Liverpool and Buckinghamshire, he gained a degree in Graphic Design and Advertising.

Paul then spent 4 years at MacUser magazine, where he received awards for his Art Direction including Best Designed Business magazine in the Total Publishing Awards. Throughout this time he became well known for his design-led illustration working both for MacUser and other clients.

Paul has spent the last 16 years working as a freelance Creative Director and Illustrator (general art bod…). He has used his compositional skills and dynamic range of styles to work with clients on widely differing projects, from CDs, posters, book covers, brochures, packaging, branding, fine art as well as magazines and the inevitable family projects such as designs for weddings and funerals!

Paul has been featured in various design and art magazines. His work has also appeared in illustration books and he has given talks on his style, techniques and inspiration. Paul has worked with a number of stock libraries and released 5 stock art discs of his illustrations for Getty, which have been best sellers for many years, He has been on numerous judging panels, including, Digital Art Awards for The Association of Photographers and Amnesty International. His illustration work has also appeared in various exhibitions.

Clients include Agfa, Apple, BAE Systems, Barclays, BBC, BT, BP, Coke Cola, Computer Arts, Citroen, EMI Music, EON, Ford, Getty, General Electric, Glaxo, Guardian Newspaper, Hewlett Packard, Logica, Jaguar, Orange(EE), New Scientist, Peugeot, Shell, Vodafone, Virgin and Westfield.

Clients Include: Advertising Age, The Atlantic, Billboard, Exhibitor, LA Times, Money, New York Times, Variety, Wall Street Journal, Washington Post, and many more.

John S. Dykes lives and works in the Boston area. John works in acrylic, pen and ink, mixed media, and digital. His clients range from editorial and corporate illustration to children's books as well as self-generated projects. He has earned recognition from the Society of Illustrators, the Society of Illustrators of Los Angeles, including gold and silver medals, Communication Arts, American Illustration, Print, 3x3 Annual, How Magazine, the AltPick Awards, and Step by Step Graphics.

Award-winning, color-intensive, collaged and textured illustration for Editorial, Book, Corporate and Advertising projects. Former art director turned freelancer, Cathy Gendron survived a near-fatal career in newspapers and the noxious fumes from her painting process to work from her studio in Ann Arbor, Michigan. Clients include: AARP, Anderson Consulting, Bloomberg Markets, Chrysler, Exxon, Ford, Forbes, General Motors, Golf Magazine, Harvard Business Review, IBM, Johns-Hopkins, Kensington Publishing, Llewellyn Worldwide, McGraw Hill, NCR, Newsday, Newsweek, New York Times, Peaceable Kingdom Press, Penguin Putnam, Saatchi & Saatchi, Seventeen, Sky and Telescope, Target, US News & World Reports, Utne Reader, Wall Street Journal, Washington Post,

Award winning illustrator, Ken Orvidas, creates conceptual images for annual reports, collateral, books, magazines, web and new media for clients in publishing, advertising, design, editioral and music. See an online portfolio and searchable database of stock illustrations.

Working in both the UK & America for over twenty years for editorial clients such as The Financial Times, The Spectator, The Guardian and GQ magazine, and for publishers Oxford University Press & Harper Collins. Phil Disley is represented by the David Goldman Agency.