Sudi McCollum grew up in a creative household with a crazy-ass artist mother and an advertising executive father (he won a Clio!).  She graduated from California College of the Arts with a degree in fine arts.  However, as soon as Sudi graduated, she embarked on a successful career in graphic design, which was much more to her liking.  It was the graphic quality of graphic design that so appealed to her and most all of her art has a noticeable graphic quality to it. Poster commissions by  her advertising clients prompted her to start an art publishing business for her own Japanese-woodblock style art prints.  From there she began working as an illustrator (specializing in packaging, publishing and promotional materials) then home accessory design (dinnerware, rugs, pillows, giftware).  Known for her woodcut style often incorporating decorative themes involving nature, animals, artisanal/organic foods. She likes designing it all!  She has 2 cats:  Beezie and Red Teddy Long Tail, but is also a doggie person.

After graduating with a degree in graphic design, Monika Roe worked as an art director and creative director for ad agencies in Los Angeles and Indianapolis. Now a full-time illustrator, some of Monika's clients include: Microsoft, Toyota, Mattel, Diet Coke, Pantene, Coty, Conde Nast Publications, Penguin Group, Doubleday, Random House, Harper Collins, Simon & Schuster, Time Inc., The Wall Street Journal, and Hallmark. Her work has been featured in STEP inside design magazine and Adweek. Monika's studio is located in the beautiful wine country of California's central coast, where she lives with her two pugs, Ladybug and Bumblebee. She likes Danish modern furniture, browsing estate sales and drinks way too much coffee.

The fourth girl in a family of 8 children, Colleen Madden made it through childhood pretending to be a space princess with a wookie sidekick and drawing in her cardboard box art studio. Colleen spent some time acting and training at The Second City in Chicago, then went on to graduate from a small liberal arts school in Massachusetts, with a contract major in illustration and English literature. She is currently residing in the Philadelphia area, with her writer-husband, and their 2 sons. She has illustrated for many different kinds of clients and is the recipient of an International Greeting Card Louie Award. When not illustrating, Colleen can be found long distance running, making her boys giggle, and eating lots and lots of sushi.

John is a member of The Society of Illustrators. He has received over 150 awards in the United States and Europe. Animals, food, technical, maps, medical.

Christopher Peterson's work is marked by great attention to detail, while maintaining an informal colorful and painterly feel. His creative approach is thorough and focused, sometimes reading an entire biography when starting a rock poster. Whenever possible, photographic reference must be his own. Drawing is always central to the work. Good figures and correct perspective are important while maintaining a spontaneous flair. These are the strengths that make Christopher one of the best freelance illustrators on the west coast.

Having been the president of the San Francisco Society of illustrators, he knows this business of illustration inside and out. He is a member of the Society of Illustrators, the US Air Force Art Program, ASIP, a leading organization in the fight for copyright protection and a royalties collection society for artists. He has taught illustration at both California College of Art and the Academy of Art College.

His rock posters have won major national recognition. He has created posters for Paul McCartney, Phish, The String Cheese Incident, Sting, Eric Clapton, Elvis Costello, John Hiatt, Taj Mahal and Gloria Estefan. There is a section on his work in the Art of Modern Rock (Chronicle books, 2004). His poster for John Lee Hooker won a Gold Medal in the San Fancisco Society of Illustrators, and won a place in the New York Society of Illustrators annual show and book- Illustrators 42 (Watson-Guptil, 1998). He has in fact created more than 80 posters for a variety of venues and bands. His original paintings hang in the halls of the Pentagon, as a part of the US Air Force Art program. His work has been published in the Los Angeles Society of illustrators annual book, and in Print magazine's regional design annual. In 1995, he won the bronze medal for advertising in the San Francisco society of illustrators show, in1996 he won gold, silver, and bronze medals in the San Francisco society of illustrators show.

In addition to Rock posters, Mr. Peterson does a wide variety of illustration, including storyboards, renderings, set design, murals and print.

Christopher Peterson was born in New York in 1957, and grew up in Westport, Connecticut. He received his education at the Art Institute of Boston, and then at Art Center College of Design in Pasadena, and began his career as an Illustrator in New York City in 1980. His current work may be seen at www.petersonland.com.

Ed Bray is an illustration graduate of the Rhode Island School of Design. After graduation, he began his illustration career in Minneapolis, Minnesota where he worked for a company on pen and ink and marker layouts. In addition to his commercial assignments, he focused on watercolor landscapes of the Midwest, which were exhibited at the Fuller Museum in Massachusetts. Examples of his illustrations appear in Drawing: Structure and Vision by Fritz Drury and Joanne Stryker © 2008.

Ed is skilled in presentation artwork, such as storyboards and comps, as well as finished illustrations and fine art. His work is featured in American Showcase #23 and the Directory of Illustration website www.behance.net/edBray & www.directoryofillustration.com/edbray.

Ed lives and works as a freelancer in Brockton, Massachusetts and is a member of the Arts League of Lowell. He was featured in a November edition of The Lowell Sun.

Ed is able to work quickly to meet tight deadlines and is available at any time for an assignment.

Clients include iRobot, Gary Sloan Studios Inc., J.Jill, The Fantastical, Riverside Co, Hood, Colonial Life, The Via Group LLC, Urban College of Boston, Supervalu, Wells Fargo Bank, Wilson Leather, BHF Printing, Midway YMCA, Blue Diamond Natural, Tri-District School, Fuller Art Museum, Twenty-First Century Software, Raymond Watson Funeral Home, Harvard Business School, Arthur's Paradise Diner, S&S Auto Repair, City of Holyoke MA, The Public Health Museum, Boston Brake and Tune-Up, Bread & Roses Heritage Committee

With over 16 years experience in the fields of illustration & design, Matt Dartford / Flip CG specialise in the creation of high quality, high resolution artwork for the advertising & entertainment industries. Previous clients include: Sony, Cadbury, American Express, MTV, Virgin, Tesco, Avon, UK Government, Royal Bank of Ireland, The BBC, Financial Times, Nestle, Ministry of Sound, Popular Science, Carlsberg, New Scientist, Esquire,George Wimpy Homes, Cream Recordings, IDG Publishing, Advantage Travel Agents, New State Music, Future Publishing and London Fog Soft Furnishings.

Patrick started his career as a freelance designer after gaining a Degree in Graphics and Illustration with Commendations for Print Making at Kingston University (London) in 1998. Patrick has done high profile work for global clients including: Transport of London, Cingular, Starbucks, Bacardi, Smirnoff, Coca-Cola and Waitrose, which has resulted in him having to work in Japan, Spain, Italy and the USA as well as London, and having his work appear in many more countries across USA, Europe and Asia. This work and exposure has resulted in Patrick's work being has been short-listed for and receiving commendations for a number of awards, including the Marketing Week Design Award for Corporate Design and Illustration, and the Design and Art Direction Award for Corporate Design and Illustration. (Most notably as a result of his work on the Selfridges Annual Report 2003.) He is also regularly featured in Creative review and the UK design press. On top of all of this Patrick has for the last 2 years been a university tutor, passing his skills onto the next generation of up and coming illustration graduates at the Istituto Marangoni – the prestigious Milan founded Fashion University. Patrick's most recent assignments find him as a spokesman for Hewlett Packard Arts Council and consultant for HP on the development of the HP 130 Large Format.

In Sylvia's years of experience as a freelance illustrator she has cultivated a style that clients call upon to convey a sense of beauty and place. When an art director is looking for painterly representation, her style is very effective. All projects start with pencil drawings and finish with an original watercolor painting.

Pepper Tharp | illustrator + Creative Director Hello, My work, aptly coined 'sophisticated fun' and 'nuevo french' is refined, elegant, informed with a touch of wit. Whether through the eyes of a sanguine shaggy dog or a willowy fashion-femme on a Mediterranean holiday I have a beguiling ability to capture life's minutia to tell stories that captivate. I am adept in understanding my client's goals and deliver work that ensures their brand is well-placed and memorable in the ever evolving and competitive global market. I have delivered many successful projects and campaigns for notable clients such as, American Express, Artful Living Magazine, Harper Collins, St. Martin’s Press, Ritz Carlton Weddings, Macy’s, Nestle, Sur la Table, Target, Vera Wang, William Sonoma,The Container Store and most recently 70 illustrations for Carson Kressley's new book (to be published this year). I have also discovered a fun niche in creating visuals for of social media and web design. With a true collaborative spirit, I love being part of a dream-team, but I'm equally comfortable acting as lead creative director or simply...working solo.I adhere closely to G.A.G. Handbook for pricing and ethical standards in my business acumen. With a drive to explore, I invite my clients to join me in every step of creative process so that they are fully informed and have input along the way. My work zone is a full capacity Mac Studio fueled by Nespresso and Adobe Creative Suites in a garden-view studio in my 1883 historic cottage in Linden Hills. Yet, in a moment's notice I can jump into your studio if in-house help is needed! I look forward to learning about your next project! Truly, Pepper Tharp www.peppertharp.com

Oscar Wilson started working in London in 1996. Specialising in image creation, illustration and hand crafted typography, Oscar Wilson produces work for a wide variety of clients, with commissions from the advertising world, fashion, publishing, film and TV. Previous clients include: Crisis, Fabric, Guinness, Honda, Levi's, MTV, Nike, NME, Orange, Penguin, Sky TV, Stüssy, Transport For London, The Observer, Time Out, Twentieth Century Fox, Virgin Atlantic, Visit London, Volkswagen. Agencies: AMV BBDO, Arnold Worldwide, M&C Saatchi, Mother, RKCR Y&R, Start Creative, WCRS, WWAV Rapp Collins. Oscar Wilson also works collaboratively with (brother) Ben Wilson on 3D and interior projects, under the ‘Wilson Brothers’ banner. Clients for the Wilson Brothers include: Brooks, Honda, Nike, Stüssy Japan.

In a studio based in Connecticut, this native New Yorker brings a sense of wit, style and design to her art. Educated at Parsons, trained on Madison Avenue and hired by American Express, Visa, Sprint, QVC, New York Times, Wall Street Journal, Target, Nordstroms, Mattel, Random House, Vanity Fair, Better Homes & Gardens, Seventeen and many more for her original illustration, Robin switched gears after September 11 to develop a signature licensed brand. Her design appears on home decor, bedding, paper and fashion products globally. Longing to return to her roots, Robin is now offering her distinctive style of design, art & lettering for advertising, publishing and editorial work while continuing to design her distinctive line of products.

Randi is an illustrator and designer who creates hand painted watercolor illustrations and lettering. She earned a BA in fine art and went on to a career in graphic design, art direction and giftware design. Randi was born and raised in Los Angeles where she still lives today. Her bright colors, bold graphics and funky geometrics are inspired by mid century modern design and her California lifestyle.

Alan Berry Rhys is a graphic artist and illustrator home based in Buenos Aires, Argentina. He has been a graphic design professor at Buenos Aires University for 8 years. As an artist, I have produced several solo shows at Buenos Aires (Argentina), Rosario (Argentina), San Francisco (CA, USA) and Santiago de Chile (Chile). In addition, Alan has participated in several combined shows, at Portland (Oregon, USA), Buenos Aires (Argentina), Tandil (Argentina) and Asunción (Paraguay). He has been invited to the last 3 editions of Puma Urban Art in Buenos Aires.
He's worked for a wide range of commercial and commissioned works for brands developing graphic universes and illustrations.
Vintage graphic advertising inspires his work. He loves the look of low-fi printing. It's errors and limitations that give his work a distinctive characteristic. Using screen-printing, risograph and painting, Alan has developed a style based on low quality printing methods of the early graphic advertising. He also has extended work on lettering and typography.
In the search of inspiration of a simpler life he explores craftsmanship lifestyles, such as fishermen, axmen, butchers, carpenters, etc. In addition, he also enjoys exploring popular street graphic.
Alan has worked for brands such as Jack Daniel's, Absolut Vodka, Nike, Puma, Sol Beer, Cinzano, Vans, Oreo, Good Year, Penguin, California Customs, Pilgrim London, BlackFin, Gravedad Zero.

Since its inception in 2006 by Si Scott, its original founder and Creative Director, Si Scott Studio Ltd. has established an internationally recognized reputation for providing unique creative concepts and imagery for a prestigious and ever-growing client list.
Si’s love of music inspires the flowing nature of his hand-drawn designs, beautifully and precisely executed. He resists limitations in his own work, constantly exploring new techniques. These explorations have led to his development as a paper-cut and tattoo artist, skills which complement his already established talents as a proficient draughtsman. Si’s multi-faceted approach has led him to work across a wide spectrum of projects, from advertising campaigns to branding, publishing to editorial, and interior design to album covers.
Outside of his creative practice Si exhibits his work frequently, offers both art direction and creative consultation to clients, and gives lectures on both his experience as an artist and his knowledge of the industry. His work has been regularly awarded and featured in numerous publications, including being listed in the Best 200 Design Moments Ever by Computer Arts Magazine, and honoured twice in Luerzer's Archive - The Best 200 Illustrators In The World.

Judy Reed Silver's style focuses on an eclectic collage of illustration, design, photography, vintage and modern. She has been inspired by nature, vintage fabrics and silk Japanese kimonos, how they can be applied to surface design from rugs, stationary, shoes, T-shirts, tableware, bags, product packaging, store displays, posters, wall décor and how art as design can apply to our everyday living environment.  Judy creates for such clients as Sherwin-Williams, Disney, U.S.P.S., Emory University, Publix and The Natural History Museum of Los Angeles. She has illustrated children's books and cookbooks for Chronicle Books and Simon & Schuster/Silver Burdett & Ginn. Her editorial clients range from Newsweek, Boston Globe, Bon Appetit, New England Journal of Medicine. She has exhibited in several one woman shows and national group shows of mono-types, giclee prints and illustrations, featured in Communication Arts Annual, The Society of Publication Designers Best Spot Illustrations & Brochures, Visions Magazine, How's Promotional Design Annual, Stir Magazine, and Taxi Design. She received her BFA from Art Center College of Design in Pasadena.

Jonathan and Georgina Rosenbaum have been two of the premier food and beverage illustrators since the early 90s working with clients as diverse as Pepsi, Seagram’s, Nestle, Kraft, Gillette, Pfizer and Orville Redenbacher. During the days of conventional airbrush they worked as a team creating different aspects of an illustration. Making the transition to digital in the mid- 90s enabled the Rosenbaums to improve both consistency and timing over a product line. This made them a sort of super illustrator, perhaps a major movie deal is in the wings? Multiple piece projects are a specialty, such as a recent 600+ illustration packaging assignment for a national supermarket brand, 75 illustrations for a national pharmacy chain and 30 illustrations for a private label group. Subjects included fruit, vegetables, candy, chocolate, desserts, drinks, juice, water, splashes, and pours.This is in addition to a number of smaller, but no less important, projects for loyal clients who will only accept the Rosenbaum's style and quality, a Herculean effort and one that would not have been possible had they not been a team.

NYC based illustrator Steven Salerno creates stylized illustrations ranging from graphically simple and whimsical, to more realistic, richly textured imagery with some also having a retro feel. And all are anchored in traditional drawing skills reflective of his admiration for select artists and illustrators from past eras. Over his long independent graphics career Steven has created thousands of published illustrations for nearly 600 clients, for use in print & web advertising, editorial magazines and newspapers, product packaging, corporate publications, retail graphics, and publishing. To date Steven has also illustrated 28 popular picture books for children, with 5 of these titles as both author and illustrator. His most recent author/illustrator picture book title is "Tim's Goodbye," published by Farrar Straus Giroux/April 2018, a the gentle story of Margot and friends gathering to give their heartfelt impromptu goodbye to a beloved pet that has died. Also released in April 2018, "PRIDE The Story of Harvey Milk and the Rainbow Flag," (non-fiction) published by Random House -written by Rob Sanders & illustrated by Steven Salerno, the true story of gay-rights activist Harvey Milk as well as the very first Rainbow Flag created by designer Gilbert Baker. And in July 2018, "PASS GO And Collect $200 -The Real Story of How MONOPOLY was Invented," published by Christy Ottaviano Books/Henry Holt & Co -written by Tanya Lee Stone and illustrated by StevenSalerno, the true story of inventor Lizzie Magie and Charles Darrow and their independent roles in the creation of one of the most popular board games in American history. Steven also has two new picture books being released next year: "The Crayon Man", (non-fiction) published by Houghton Mifflin Harcourt -written by Natascha Biebow & illustrated by Steven Salerno, the true story of Edwin Binney, inventor of Crayola Crayons. And, "Wild Horse Annie -Friend of Mustangs," (non-fiction) published by Farrar Straus Giroux -written by Tracey Fern & illustrated by Steven Salerno, the true story of Velma Bronn, horse lover and activist who helped create Federal laws protecting wild horses on public land. Some of Steven's picture books have been translated into Chinese, German, Korean, Japanese, Arabic, and Spanish. His picture books have received industry starred reviews from Publishers Weekly, Kirkus Reviews, School Library Journal, Children's Literature, The New York Times Review of Books, and have been displayed by the Society of Illustrators (NYC) in their annual children's picture book art exhibition, The Original Art. Steven's illustrations have been recognized for excellence by Communication Arts, Print, Society for News Design, Society of Publication Designers, The Art Director's Club, Society of Illustrators, and the Junior Library Guild. Steven also has had a lifelong interest in the game of golf, and creates striking golf art images. His limited edition golf art prints are in private collections in The United States and Europe. Some of his golf art images can be seen in the golf portfolio section on his web site. Contact Steven via email about purchasing a signed golf art print. Originally from Vermont, he was an honors graduate of the Illustration Department at Parsons School of Design in New York City, where he studied art history, printmaking, animation, and illustration under top industry professionals including famed author/illustrator Maurice Sendak, of the ground breaking picture book "Where the Wild Things Are." Steven is primarily engaged with illustrating and writing picture books for kids, and also still creates illustrations for clients in advertising, magazines, newspapers, corporate publications, and product packaging.

Alejandro Okif lives in Buenos Aires with his creative family, his wife Monica (illustrator), son Sebastian (musician) and daughter, Simona (illustrator and tattoo artist). As a young boy, his father who worked in advertising introduced him to the arts. As a result, he was totally hooked and started drawing immediately. When he was at Facultad de Humanidades y Artes de Rosario, he was drawn to Egon Schiele, Rembrandt, Goya, and Lautrec. As he started working in publishing, he discovered the talented work of some amazing illustrators such as Andre Francois, Quentin Blake, Ronald Searle, and Tomi Ungerer. Alejandro works with different mediums, from acrylics, watercolors, inks, and Photoshop. When not illustrating, he enjoys watching movies, going to concerts, and playing bass guitar with his son Sebastian(though he claims that he is not a good musician).

Paul’s award-winning work has been featured in multiple publications and campaigns over a 25-year career.

The images begin life with confident pencil drawings. These are then combined with handmade textures, painting, and printmaking to complete, vibrant digital imagery which allows for the works to be commissioned from and to anywhere in the world. His works often use metaphors to convey the brief in as simple and effective a way as possible.

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Steven Noble's acclaimed award winning illustrations embody a large volume of work in the scratchboard medium, from pen & ink precision detailed line art to intricately carved engravings and woodcut illustrations with over 20 years of experience. Stock Illustrations Go to: http://www.scratchboardstock.net/

Originally from Kansas City, Randy became the youngest illustrator Hallmark Cards had ever hired — while still a junior in high school. He attended Ringling School of Art and Art Center College of Design, supplementing his tuition by drawing five-minute portraits of people at both Disneyland and Walt Disney World ... a surprisingly valuable education in discipline and patience. Randy began freelancing as an illustrator in the mid-’80s, quickly establishing a strong reputation for highly detailed representational drawing and painting. Although adept at working in color, he gravitated toward and has always preferred a simple black and white palette. He is a master of the graphic technique known as “stipple” — the process of marking a surface with numerous small dots to create an image. It’s a style favored by print media, where paper quality can adversely affect the reproduction of an image, and by its very nature, it’s ideal for Web usage. Perhaps best known commercially as a portrait artist, Randy has an exceptional aptitude for capturing his subject’s character and essence with carefully nuanced precision. This, combined with his stippling expertise, made him a perfect match for the Wall Street Journal’s iconic portraits known as “hedcuts”; he’s created several hundred of them since 1998. Over the years, Randy has received recognition by The Society of Illustrators, American Illustration, Communication Arts, The Art Director’s Club, and Illustration West. Randy currently lives in Southern California. Black & White Illustration. Pen and Ink (line & Stipple), Watercolor, Pencil. Portraiture.

Myles's illustrations have been used for advertising campaigns, food packaging, editorial, digital media, billboards and murals. He is very adaptable, and produces different types of work from simple info-graphics to highly accurate technical and full color realism. Every commission is delivered on time and to budget.

Giovannina (Jo-van-NEE-nah). Award winning illustrations. Dynamic, vivid, fluid, conceptual, whimsical, stylized, figurative, painterly, watercolor pastels and ink line illustrations for editorial, advertising, publishers, web, children book, nature, fashion, food, health, lifestyle, etc. Illustrations available digitally. Stock illustrations available. Contact directly at art@giovannina.com or contact American Artists Reps in NY at aareps.com - Gold and Merit Award Winner Porfolios.com

Kevin Sprouls introduced the hallmark portrait style to the Wall Street Journal in 1979. Between 1979 and 1987, Kevin worked on staff for the paper, creating illustrations and training artists in the style. At the time of his departure from the daily activity of putting out the paper, he was Assistant Art Director in charge of the in-house artists, which numbered 4-5 staff artists, and 2-3 part-timers.

He has been quite active in the freelance illustration sphere since then, contributing to advertising, publishing, editorial and corporate projects. His style is notable for its high level of detail and traditional, engraving like effect.

Sprouls’ work has been featured in the Smithsonian magazine, a web exhibit of the National Portrait Gallery, and a major exhibit celebrating Columbus Day which was mounted in Grand Central Terminal, New York in 2005. He is currently the principal portrait artist for Worth Magazine. He was the portraitist for the popular Infiniti “Drivers” ad campaign, appearing weekly in the Wall Street Journal for the 2+ years.

Recent work has appeared in Fortune, Forbes, Runner’s World, GQ, Sportrs Illustrated, Time (International Edition), Euroman, and Esquire magazines. Recent book projects include the Encyclopedia of Guilty Pleasures and The Art of Demotivation. His pen is housed in the Newseum in Washington, D.C. Kevin Sprouls is married with 2 children, and lives in Coastal North Carolina.

Born in Lithuania, Ella Tjader is married to a Swede and has lived in Sweden, Scotland and England before ending up in Zurich, Switzerland. Her childhood was spent drawing and painting princesses in puffy dresses, and some of her school friends still have the pictures she gave them all those years ago.

She loves rain, walking in the woods, and reading moody Scandinavian crime novels, which she somehow finds life affirming. She’s also influenced by vintage Scandinavian illustration. Her perfect evening would include cups of tea and a film. She hates rollercoasters.

Ella studied at the Vilnius School of Economics, but later did a graphic design course via the online college Sessions.edu. That’s how she discovered Adobe Illustrator, and armed with a Wacom tablet she began building up her portfolio while studying the world of illustration, and all the magazines, fashion firms and brands she might be able to work for.

Feminine, elegant, modern, detailed, intricate, loose and light, Ella’s style is usually based around line work, though sometimes she’ll use brushes in Photoshop to drop in some vibrant colours. There are lots of organic and intertwining elements in her work to draw the viewer in. She also creates surface designs - seamless patterns and prints.

Client List
Vogue Japan
Henkel
Victoria’s Secret
Target
BBH London
Blue Dog London
Ogilvy Advertising
NYLON Japan

Caroline Church is a scraperboard artist, and the perfect illustrator to approach if you’re after something with a vintage engraved look to it. Based in Twickenham, she grew up in Uganda, where she had pet chameleons and was encouraged to make greetings cards by her mother.

Caroline received a BA in Illustration at the Chelsea School of Art. She then learned wood engraving as a guest student at Royal Academy Schools.

Caroline’s style is reminiscent of 19th century engraving, so it tends to lend itself well to projects that aim to convey traditional and time-honoured values. Not surprisingly, her main influences include the engravers Thomas Bewick and Gustav Dore.

Client List Domino's DDB Helsinki Atlantic Books Virgin McCann Erickson, Dublin Waitrose Envision Marks and Spencer DDFG, Vienna Crispin Porter + Bogusky, Colorado

Zoe More O’Ferrall’s studio is situated in Notting Hill. It’s a prime position for an illustrator who loves markets. She’s right next to Golborne Road Antiques Market and minutes away from Portobello Road with its famous stalls selling old papers, postcards, vintage clothing, furniture, prints and more.

Further inspiration comes from a love of film and photography, like the colourful and imaginative work of Autumn de Wilde, Tim Walker, Wes Anderson and Juergen Teller. BBC Radio 4 is played constantly in her studio as she creates imagery for fashion and food brands, retailers, advertising agencies, publishers and more.

Zoe’s training began at Wimbledon School of Art, and she went on to do a BA at the London College of Communication as well as a postgraduate course at Central Saint Martins.

Zoe usually works in pen and ink – she has a broad collection of pens to choose from - and loves to draw by hand. She only uses a computer to plan compositions and to touch up the handmade images. Now and again she’ll experiment with collage and screen printing too.

Client List Absolut Vodka Amazon BBC Billboard Magazine British Vogue Cartier Charlotte Tilbury Costa Esprit Esquire ES Magazine The Guardian Harrods The Hollywood Reporter The Ivy Jo Malone J Crew JWT The Mayor of London Mr Porter More Than Mumford and Sons National Geographic New York Magazine Ogilvy Propercorn The Red Cross Renault Stella Artois Tesco Topshop The Times UGG Australia VCCP The Wall Street Journal The Washington Post YSL

It’s a love of drawing that drives Adam Larkum, and it’s something he practices every day, constantly coming up with quirky new characters and putting them in hair-raising situations. And if you chat with Adam for a while he has a few real life hair-raising situations to recount. While he was a teenager, his family lived in Alexandria, Virginia for a while where Adam became the projectionist in the town’s cinema. When the bulb blew during the scariest part of Friday The 13th the crowd poured out of the cinema like a lynch mob…

This didn’t deter Adam from studying animation once he got back to the UK, and as a student he won a competition to create a short film for MOMI and Channel 4. Once his career producing animated commercials was under way, he became an illustrator as well. He’s now created over 30 children’s books, and illustrates for magazines and packaging.

Adam studied illustration and animation, and received a BA followed by an MA from the Edinburgh College of Art.

Adam believes every commission should start with a pencil in one hand and an eraser in the other, and is never afraid to erase whole areas of a drawing if they aren’t right. He loves working in ink on paper and then shifting into Photoshop to bring the piece together. If his work were a film, he says, it would be an Ealing Comedy – fun, fast and eccentric.

Client List Taylor’s Port BBC Island Bakery Green King Faber and Faber Puffin Books Usborne Channel 4 Cambridge University press Oxford University press Egmont Publishing Ziggurat Brands The V&A Museum Ask magazine Ink Robin

Being able to create a world for somebody using just lines and colours – that’s what fascinates Amber Day, an LA-based illustrator who’s done stunning work for a range of fashion, beauty and lifestyle brands. “There’s no better feeling to me than being able to tell a story through an image,” she says.

Travel and taste are two of her biggest passions. “I’ve literally eaten my way through Europe, Africa, and Asia, and I love paddle boarding on The Great Lakes,” she explains.

Alongside the travelling and eating, she’s always drawing - fashion, food and beauty. Her visit to Morocco inspired her to draw Moroccan rugs for weeks, and the Red Panda at Nashville Zoo led to an obsession with the species. So far, her favourite city is Prague and she returns there two or three times a year. At home, her best friend and work partner is Kale, a rescue poodle with three legs.

Amber studied for a degree in Visual Communications from the Fashion Institute of Design & Merchandising in Los Angeles.

Amber’s bold line work has a natural, sketched feel to it, while the addition of watercolour gives her illustrations an organic look and her restrained use of colour sets the mood. A few years ago, she made the decision to draw products how they’d look when laid out flat and it’s proven extremely popular with clients in fashion and beauty.

When she’s creating culinary sketches, she gives them a personal perspective and includes the nuances of real life rather than aiming for perfection. “I want the viewer to feel like they are experiencing the food as if they are there. The napkin might be placed a little off, French fries might be brown from being cooked too long, and the burger could be half-eaten,” she says.

Client List Rodale Fabletics Eater LA WeAr Magazine Salted John Ruvin Supply Raw Juicery Unique USA Nordstrom Conde Nast Heinz Epicurious Maybelline InStyle Hawaiian Airlines Apartment Therapy AARP Jamie Magazine Under Armour Wine Enthusiast Red Bull

Gail Armstrong has been creating paper sculptures for over 20 years and her enthusiasm for the medium hasn’t waned one snip. She still wants every image she creates to be better than the last, and this approach has led to plenty of awards, including a Cannes Gold Lion for her Kleenex campaign. She finds inspiration in contemporary art and, not surprisingly, the huge Paperchase outlet on Tottenham Court Road in London.

Gail did her foundation course at Sheffield Polytechnic before gaining both a BA and Post Graduate Diploma in Graphic Design and Illustration at Glasgow School of Art.

Though finally rendered in pieces of paper that have been carefully cut and glued together, each image Gail creates begins as a series of drawings. As she explores the composition and various concepts, she focuses on creating something that has both style and substance to it. The result is usually a photograph of her artwork, which viewers love to see more than once, poring over the textures, colours and patterns in the final construction.

Awards

Shortlisted in AOI Illustration Award 2014 - Research and Knowledge category for “Life Cycle of a Butterfly”

Asiago International Award for Philatelic Art 2012 - winner for “Land” stamp in set of 3 for United Nations conference on sustainable development in Rio

Cannes Gold Lion 2010 – Billboards Cannes Bronze Lion 2010 – Illustration Cannes Bronze Lion 2010 - Press The Big Won 2010 – 1st in Press Campaigns Creative Circle Awards 2011 Silver in Illustration (Craft Print) Creative Circle Awards 2011 Bronze in Magazine Campaign (Press) Creative Match Flair Award for Illustration 2011 Daler Rowney Award for Outstanding Paper Sculpture 1997

Client List Kleenex United Nations stamp Nestle Sogo, Hong Kong Wells Fargo Bank Macy's IRS Guersey stamps MidFirst Bank Illinois Lottery Dole SouthWest Airlines CITGO Which? Minivelle PALL Microsoft Virgin Travel Anchor Rotary

Traditional handmade collage, painted textures, pencil drawings, outlines, as well as digital techniques. Beautiful, powerful images with multiple layers to ‘read’, that harmoniously blend dreamy textures and ideas with stark and graphic elements.

Stylized, calligraphic vector or brush & ink line art with vibrant watercolor tones for elegant, contemporary images on logos, icons, spots and concept illustrations seen on advertising, book jackets, magazines, product packaging and across the web.

See also http://sandyhaightfineart.com.

Ben Perini [creative artist] realistic illustration - 3D art, graphics, and typography. Digital image specialist for editorial, publishing, design, and advertising.
Clients include St. Martin's Press, Penguin Random House, Grand Central Publishing, Audible, HarperCollins, Simon & Schuster, Llewellyn Worldwide, Warner Books, Kensington Publishing, Dorechester Publishing, Books on Tape, Thorndike Press/Gale, BBC Audiobooks America, McCann Erickson, Young & Rubicam SF, Price McNabb, Foote, Cone, Belding. SF, Wall Street Journal, Cosmopolitan Magazine, Smithsonian Magazine, AAA Living, The Washington Monthly, Bicycling Magazine, Cahner’s Publishing. Ben’s work has been recognized by Communication Arts, The Society of Illustrators, and Print.
Have You Bought Your Art . . . Today?

Sergio was born in Buenos Aires, Argentina, where he currently lives with his wife Viviana and two daughters, April and Emma. As a young child, he was obsessed with a TV series about superheroes. Sergio was so into it that he even dressed up in his superhero costume to explore his neighborhood, jumped over rooftops, and went home to write and draw about his superhero adventures. He has never stopped drawing. In 1989, he graduated from La Escuela Nacional de Bellas Artes Prilidiano Pueyrredon with a degree in fine arts. Initially, he worked as an industrial designer, scenographer, and an art director for an advertising/TV firm while simultaneously developing his own short stories. When his first daughter was born in 2000, he started writing and illustrating for children. In his free time, Sergio enjoys designing and manufacturing wooden and paper toys.

Looking at one of Kathryn Rathke’s line-based illustrations can be a bit like working out a puzzle – was it created using one fluid and continuous line, or many? According to the Seattle-based artist she owes her drawing skills to family connections. Her grandmother taught her to draw and supplied her with books by Arthur Rackham, Maurice Sendak, and William Steig, while her father was president of an advertising agency and used to bring home reams of paper for her to practice on.

She has lots of other creative interests too. She learned to make leather masks in Italy, enjoys German experimental theatre, and sometimes throws parties where her friends must act out vignettes found in a 1912 children’s book called Entertainments for All the Year.

Kathryn did an MFA in Set Design at the University of Wisconsin but was always drawing on the side, sometimes accepting commissions from newspapers and magazines. Eventually she flipped things around and made her illustration work a full-time profession and set design became her hobby.

Kathryn does everything digitally in Photoshop and Illustrator using a Cintiq screen by Wacom.

If she’s doing portraiture work, she draws her subject many times over from different angles. This way she learns about the most important features of their face and can draw it in a way that makes it instantly recognisable.

The line is core to Kathryn’s style and her work is very fluid. Expressive and calligraphic, there’s a unique sense of gesture in her illustrations. She also uses crosshatching to develop surfaces in her images, using layers of lines of varying thickness to build up a texture.

Contemporary, figurative and conceptual illustrator using pen/ink and mixed media to create unique people, places and things

Represented by Watson & Spierman Productions
ofc (212) 431-4480 cell (917) 930-6611

Erwin is a freelance illustrator based in Golden Colorado. Working with a combination of traditional scratchboard and digital media and a range of styles from detailed realism to vintage to conceptual. Clients include: Southwest Airlines, Pilgrims Pride, Houghton Mifflin Harcourt, Georgia Pacific, Burlington Northern RR, Colonial Williamsburg, Pier 1 Imports, Six Flags, Men's Journal, Runner's World, Wired, American Cowboy, Boy's Life, Seattle Metropolitan.

In 1964 Kathryn (Kathy) Hughes sat next to me (Joe Heiner) in our sixth grade classroom at Ensign Elementary school in Salt Lake City, Utah. While quietly sitting at her desk, Kathy was struck by a ruler hurled at me (I ducked) by our teacher, Mr. Anderson. We became close friends. After the eighth grade, my family moved to Montreal, P.Q. Canada. It was a long time till I saw Kathy again. Kathy's family stayed in Salt Lake City where Kathy later attended East High School. Kathy married, moved to San Francisco and had one son, Michael. After returning to Salt Lake City, Kathy graduated Cum Laude from University of Utah with a BS degree in Social Sciences. She taught nursery school for two years, became a single parent and a secretary for Architects and Planners in Salt Lake City. I attended Beaconsfield High School near Montreal, studied art and photography at Brigham Young University, and Art Center College of Design, married and had two children. I assisted commercial photographers Ed Goldstien and Carl Furuta. I also assisted David Willardson, illustrator, shooting detailed 4X5 photo reference for his airbrush illustrations. Willardson taught me airbrush techniques and helped develop an airbrush / photographic illustration style. My first portfolio of ten photo / illustrations quickly generated assignments from movie studios, advertising agencies, magazines and recording companies. With the help of the same great reps who represented Willardson, assignments came from across the country. This afforded a move back to Utah. Work went well from Utah and I became a single parent. Fifteen years after sitting by Kathy in sixth grade, she married me. We now have five children (combined) and work together in our studio in Alpine, Utah. Our studio continues to create realistic photo / illustration for clients across the country. Kathy is studio manager and stylist. I am photographer / computer illustrator. Early works were a combination of airbrush and silk screen on photographic prints. Current work is digital, a merging of digital photography and computer illustration. We have received numerous awards including The One Show Gold Award and our work is represented in the permanent collection of the New York Museum of Modern Art. Clients include: Lucasfilm, Salisbury Communications, ABC records, Y&R, Foote Cone & Belding, Satchi & Satchi, Merck, McDonalds and Coca Cola. I hope you enjoy our work. Joe Heiner Joe and Kathy Heiner Studio

Fresh, exciting, evocative vector illustrations, for advertising, publishing, editorial, and packaging. Clients include: Bic, V-8, Coke, Hasbro, Macy's, Nordstroms, Hallmark, NYTimes, WSJ, Taco Bell, Ritz, Hanes, Scholastic, Penguin, K-Mart, and many more.

Viviana Garofoli was born in Buenos Aires, Argentina, where she currently lives with her husband, Sergio and two daughters, April and Emma. As a child, her favorite pastime was playing with her watercolors and crayons on big sheets of paper; if asked what she'd want to be when she grows up, Viviana would immediately reply, "a painter". In 1995, she graduated from Escuela National de Bellas Artes Pridiliano Pueyrredon with a degree in fine arts. Initially, she devoted her full attention to fine arts and successfully exhibited at numerous galleries in Buenos Aires. Subsequently, Viviana started illustrating for the editorial and textbook market and also engaged in restoration of pictorial works. But, it was not until 1995 that she decided to dedicate all her time to illustrating children's books. Over the last 15 years, she has illustrated over 20 children's book and contributed many editorial and textbook illustrations in Argentina and Puerto Rico. In her spare time, Viviana enjoys working in her garden, tending to her orchids.

Mara grew up in Lake Tahoe. She loves color, patterns, texture and line.
Mara studied both interior design and jewelry design in college and earned her BFA at CCA(C).
She is a mother, a wife, a sister and a daughter.
She is inspired by fairy tales, the night sky and sparkles.
Mara likes to draw, paint, sew and read.
She does not like to cook. Her husband is her best friend. Mara is happy.

Margaret Riegel is an award-winning illustrator who works for many prominent national magazines, major metropolitan newspapers and Fortune 500 corporations. Since graduating from The Cooper Union School for the Advancement of Science and Art, Margaret has received many awards including ones from American Illustration, The Society of Publication Designers, and The Society of Illustrators of Los Angeles. She has been recognized by several top trade publications and her work was exhibited in the “Illustrators of the New York Times” show at the Society of Illustrators in New York City. Margaret continues to work on a wide range of commercial commissions including corporate, editorial, advertising and publishing. Margaret lives in Manhattan with her husband, two kids and her large picture collection. Some clients have included: The Boston Globe, Business Week, Mademoiselle, Newsweek, The New Yorker, The New York Times, Time Magazine, Travel & Leisure, The Washington Post, Coopers & Lybrand, Deloitte & Touche, Frankfurt Balkind, Merrill Lynch, Little Brown & Company, Oracle Communications, and Scholastic Books

Best-selling author, award-winning illustrator, and creative entrepreneur! My studio is located in Alaska, where I live with my Scotsmen, daughters, and Giant Malamute.

Illustrations that consistently win awards from Communication Arts, American Illustration, Society of Illustrators, and Society of Publication Designers

Bernd Wagenfeld is a freelance illustrator with a huge variety of styles, but working mainly realistic and photorealistic. He has more than 15 years of experience and a broad skill set. His main clients include ad agencies and publishers.