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Cutler, Dave

Simple eloquent illustrations that engage, inspire and entertain. Please email me at dave@davecutlerstudio.com Award-winning conceptual illustration

George, Patrick

Peter Scott's (a.k.a PatrickGeorge) skills of illustration and design are largely concept-driven, clean, punchy and witty. He enjoys working on his own children's books (A drove of bullocks, A filth of starlings, Little Miss Muffet and other rhymes, and Opposites published by PatrickGeorge), but his style works equally well in a corporate and media context. PatrickGeorge’s previous clients include Toyota, GQ, Royal Mail, Houses of Parliament, Kent tourism and The Times. He has also produced a book of names which is a playful typographical treatment of 100 boys and 100 girls names (What's in a name?)

Baker, Andrew

Andrew Baker is a successful practicing illustrator, with a strong reputation in editorial illustration and poster design. He won a Gold Award for Editorial illustrator from the Association of Illustrators in 2003, and his work has been featured in the Design, New Media and Editorial sections of the AOI Images Annual and in the D&AD annual. His work is seen in most serious newspapers and magazines, from The Guardian to New Scientist, and in on-line environments, shop windows and on posters and book covers. He is primarily concerned with using images for storytelling or conveying messages. Drawing, colour, a love for ephemera and an eye for retro design inform his work. Projects are started with drawing and completed using illustrator and Photoshop in a distinctive way. Much of his work is designed to be seen in sequential form, for example sequences of images for The Economist or the BBC web-site, but he remains passionate about the power of the single key image. Andrew Baker is a graduate of the Royal College of Art and teaches part-time on the illustration course at Middlesex University. He recently curated the SHED exhibition and contributed to Steady Gigs, The Charity Shop Compendium and Doodlearth. Recent clients include: BBH, The Guardian, The Times, Barclays Bank, The Economist, The Radio Times, Diageo, The Spinvox, Harvard Business Review, The Mail on Sunday magazine, Dorling Kindersley, Lloyds, Readers Digest books, The Telegraph, Esterson Associates, Kings College.

Gralingen, Christian

Christian Gralingen was born in Essen (Germany) and now lives and works as an Art Director and Illustrator in Berlin. He has a diploma in Communication Design from the University Duisburg-Essen (Folkwang). His client list includes design agencies, publishing houses, magazines, academic institutions and foundations.
His aesthetics have many influences but are particularly inspired by the imagery of scientific publications, construction plans and technical drawings.
References and previous clients include: Anna B. Design, Büchergilde Gutenberg, Burg Giebichenstein University of Art and Design Halle, Condé Nast, Die Andere Bibliothek, Gruner + Jahr, GQ Magazine, Hertie School of Governance, Hertie Stiftung, Lamborghini Magazine, Literaturhaus Stuttgart, Lufthansa Magazine, Ministry of Finance (Germany), Ogilvy, Rotes Kreuz, Slanted Magazine, The New Yorker, Territory, TÜV-Süd Magazine
Christian’s work has been recognised by 3x3, The Art Directors Club Germany, American Illustration, Freistil, Joseph Binder Award, The Society of Illustrators and The Type Directors Club. He was one of the judges of the 3x3 Illustration Annual 2015.
Christian is part of the creative collective "The Hof" located in the centre of Berlin. "The Hof" is an art space and also an association of designers, illustrators, photographers and copywriters.

Yang, James

Illustration for corporate, advertising, licensing, publishing and editorial use. James Yang is represented by the David Goldman Agency.

Adams, Kathryn

Illustration stock collection from Kathryn Adams showing a mix of editorial, whimsical, humour and stylized linework.

Laird, Campbell

Awards: American Illustration, Society of Publication Designers Annual, HOW International Design Annual

Rathke, Kathryn

Looking at one of Kathryn Rathke’s line-based illustrations can be a bit like working out a puzzle – was it created using one fluid and continuous line, or many? According to the Seattle-based artist she owes her drawing skills to family connections. Her grandmother taught her to draw and supplied her with books by Arthur Rackham, Maurice Sendak, and William Steig, while her father was president of an advertising agency and used to bring home reams of paper for her to practice on.

She has lots of other creative interests too. She learned to make leather masks in Italy, enjoys German experimental theatre, and sometimes throws parties where her friends must act out vignettes found in a 1912 children’s book called Entertainments for All the Year.

Kathryn did an MFA in Set Design at the University of Wisconsin but was always drawing on the side, sometimes accepting commissions from newspapers and magazines. Eventually she flipped things around and made her illustration work a full-time profession and set design became her hobby.

Kathryn does everything digitally in Photoshop and Illustrator using a Cintiq screen by Wacom.

If she’s doing portraiture work, she draws her subject many times over from different angles. This way she learns about the most important features of their face and can draw it in a way that makes it instantly recognisable.

The line is core to Kathryn’s style and her work is very fluid. Expressive and calligraphic, there’s a unique sense of gesture in her illustrations. She also uses crosshatching to develop surfaces in her images, using layers of lines of varying thickness to build up a texture.

Clients:
Newsweek, NY Observer, Vanity Fair, Time Out, The Evening Standard, O Magazine, Brooks Sports, Penguin, Make Magazine, Smart Money, Rolling Stone and Welt am Sonntag are just some of Kathryn’s clients.

Wilson, Ty

Contemporary, figurative and conceptual illustrator using pen/ink and mixed media to create unique people, places and things

Represented by Watson & Spierman Productions
ofc (212) 431-4480 cell (917) 930-6611

Schimler-Safford, Amy

Whimsical, decorative, and painterly illustration and design style. Clients include Target, American Greetings, Hallmark, Unicef, Crate and Barrel, Land of Nod, Fruit of the Loom, Baby Gap, Simon and Schuster, Scholastic, Oxford University Press to name a few. I have sold and licensed artwork to the children's publishing and gift markets as well as for stationery, advertising, editorial, packaging and home products.

Neil Donoghue

Infographics Illustration for instructions, manuals, health & safety applications.

Hitch, David

A new online portfolio of illustration for a variety of international clients.

Brown, William L.

William L. Brown creates bold, colorful drawings highly suitable for digital or print media. His distinctive digital/scratchboard works resemble woodblock prints with a contemporary edge. He excels in conceptual illustration for editorial, advertising, product, and publication markets.

Fortin, Pierre

Born in Montreal, Pierre Fortin now creates multiple award winning conceptional art from his home studio in Ontario, Canada. Heavily influenced by The Vienna School of Fantastic Realism, Art Deco, pop-culture and film noir, Pierre's sometimes whimsical work is immersed in a world of mystique and psychology, incorporating elements of visionary, fantasy and sci-fi. He's constantly seeking to refine his message delivery with experiments in visual concepts of both traditional and digital means. The results are self evident in illustrations that combine imagination and intrigue with visual power. Pierre's career spans more than 20 years, and includes designing and creating for a wide range of internationally known corporations, magazines and publishers, as well as award winning work in the video game and theme park industries. His work has been featured in American Illustration, Catipult and Communication Arts, as well as being seen in Time, Forbes, Sports Illustrated, The Atlantic Monthly, and Business Week. He has also created a mural for Universal Studios and won awards for his designs for the Beijing Cube Water Park and the new Dollywood Mystery Mine.

Panton, Doug

Whimsical Digital Illustration with a business commerce, corporate and information technology slant. Stock illustration available.

Beauregard, Christiane

Christiane Beauregard seems to possess limitless capacity to bring virtual images to life. From delicate emotions to complex technological data.. Christiane is always striving to express her passions through her digital art. Her beginnings in the design department of the Canadian Broadcasting Corporation were important in her artistic evolution. At the outset of the 90's she discovered computers and a certain affinity with vectors. Seduced by these voluptuous curves she adopted this as her principal mode of expression. She also took an interest in animation which let her explore the intersection of traditional and new technology. When she is not drawing she participates in exhibitions or she pursues workshops in theater and dance which are for her a real source of inspiration and creative motivation. www.christianebeauregard.com

SPOOKYPOP

A character driven clash of dark twisted images from urban pop culture, classic children's stories and a neo-Victorian industrial neverland. Digital and traditional mediums. Character illustration and character designs with a cool but spooky vibe. For something hip but with a darker twist. Especially suitable for games , cards, children's books, packaging, music promos and CD covers. Specialising also in Urban Vinyl art-toy design and construction. For anyplace you require added quirk. Let Doktor A. illuminate your shadows.

Luczak, Laurie

Conceptual illustration used for editorial, childrens book, advertsing, book covers, design and corporate media. Laurie offers two different styles working in painterly and digital media. Her work has appeared in Communication Arts, Society of Illustrators, American Illustration, Society of Ilustrators LA, & Print. Clients include The New York Times, The US Post Office, AMEX,The Wall St Journal, Continental, AARP, Seventeen and more.

Jane Sanders

Online illustrator's portfolio.

Susan Crawford / Plankton Art Co.

Digital, graphic, stylized forms, children's books, nature, children, retro, lettering, toys and games, humor, caricature, decorative, whimsical, style, design, logos, books, lifestyle, food. Clients include: American Museum of Natural History, Chronicle, Smithsonian National Zoo.

Ning, Amy

Born in Tokyo and relocated to the States in 1972. Studied illustration at California State University in Long Beach. Along with her freelance career, she has was selected as a feature illustrator for the Orange County Register Newspaper from 1989 through 2008. Her stylized, decorative and often conceptual art has been recognized in shows of SI, SILA, Print and SND. Her digital illustrations have also been featured in advertising, design firm, and publishing projects, including clients Phizer, Livestrong, Major League Baseball, The Integer Group, Encyclopedia Brittanica, Ths San Diego Union , Clubhouse Jr., Consumer Resports, Houghton Mifflin and many more.

Flaming, Jon

Jon Flaming Design is a design and illustration studio based in Dallas, Texas that creates award winning images for big and small companies across the US. Clients include American Airlines, Dell, FedEx, Frito-Lay, HP, Hanes, The John Wayne Cancer Foundation, Kellogg's, Neiman Marcus, Pepsi, Sony, US Airways & the YMCA. Jon's work has appeared in many publications including Communications Arts, Graphis, Print magazine, and The Society of Illustrator's annual.

Roberts, Scott

Scott Roberts has been making pictures his whole life and has worked as a freelance illustrator for over 25 years. His bold, graphic illustrations communicate concepts with economical use of imagery and a lack of visual clutter. Awards include The Illustrators Club of Washington, Print's Regional Design Annual, Art Directors Club of Metropolitan Washington, Society of Publication Designers, Society of Illustrators of Los Angeles and Society of Illustrators in New York. Clients include: U.S. News & World Report, New York Times, Wall Street Journal, American Express, Hewlett Packard, IBM, CitiFinancial, Entrepreneur, Southwest Airlines, US Airways, Harvard Business Review, Verizon, Smart Money, Barron's, Forbes, Consumer Report, Washington Post, Johns Hopkins Medicine. Scott lives and works in Bel Air, Maryland.

Quon, Mike

Symbols, icons for design and marketing Mike Quon, prolific and eclectic illustrator who first popularized the brushstroke style, works in pen and ink and digitally to create vibrant and evocative images for print, editorial, advertising, brand identity, packaging and promotion. Appreciates the power of art, communication through art, art directors, art buyers and anyone else who loves art.

Webb, Tim

Conceptual digital illustrations for advertising, annual reports, childrens books, corporate, editorial, infographics, logos, maps, stylized forms and 450+ stock images available. Kansas native with a cutting-edge style has earned him publication with clients such as Adidas, Adobe, Bank of America, Bell Atlantic, CocaCola, General Motors and Novartis Pharmaceuticals just to name a few. Tim takes a high-tech approach to his conceptual art using Adobe Illustrator while drawing on the "not-so-high-tech" suggestions of his three sons. He keeps his fingers on the pulse of the big cities via the internet and proves by his innovative work that for a small-town boy, "there's no place like home".

Boyd, Sheree

Partial Client List: American Baby, Anthology Inc., Best Forms Co., Bridal Guide Magazine, Cadmus Publishing, Chicago Review Press, Childcraft Education Corp., Children's Playmate, Cottage Row Press, Emmbook i-phone app, Fablevision, Fit Magazine, Foresman Publishing, Girl's Life Magazine, Hallmark, Highlights for Children, Humpty Dumpty Magazine, Interactive Weekly, Lippencott Raven Publishing, McGraw Hill Publishing, Our Sunday Visitor, Parent and Child Magazine, Picture Window Books, Rebus Pub., Sandviks, Scholastic, Scott Foresman Pub., Steve Curtis Design, The New York Times, The Washington Times, Turtle Magazine, Weight Watchers Weekly, Women's Wear Daily

Wertzateria

Our studio produces award-winning pictures in a variety of styles. Our images start with the pencil, always, and finish with digital collage, monoprints, and screen prints. Our clients include the De Young Museum, the New Yorker, the San Francisco International Film Festival, and Farrar Strauss Giroux.

Parker, Curtis

ORIGINAL ART WORKS.

Dryden, Jim

Illustration for corporate, advertising, licensing, publishing and editorial use. Jim Dryden is represented by the David Goldman Agency.

Slabbers, Ronald

Visually clever, humorous and conceptual illustration, including infographics.

From serious business to serious fun.

Feel free to contact me with any questions or to discuss your project.

For USA, Canada and outside Europe you can also contact my US representative:
Sharon Kurlansky at www.laughing-stock.com - Telephone: 508-460-6058 - sharon@laughing-stock.com
I live and work in Amsterdam, the Netherlands.

Fishauf, Louis

Louis Fishauf is one of Canada's most respected graphic artists and visual communicators.

He has designed magazines, posters, corporate logos, murals, ad campaigns, product packaging, apparel graphics, postage stamps and websites for a wide variety of large and small clients. His innovative graphic style has garnered awards and industry recognition in Canada and abroad.

Fishauf Design provides consultation, graphic design and creative services to clients in publishing, technology, entertainment, retail and consumables.

Maravillas, Jennifer

With Filipino and European roots, and with freckles from head to toe, Jennifer Maravillas feels as if she’s on a detective-like quest to understand as many different perspectives as possible. Her roots as an artist, meanwhile, go back to her training in ballet as a child. She sees her art as a kind of ballet performed on paper using a marker.

She rarely restricts herself to just a marker, though. Watercolour, spray paint and various other media are used in her illustrations. As a side project, she has made a map of Brooklyn out of garbage, and in future plans to try and map as much of the world as she can. On top of painting, her passions are anthropology and sociology.

Jennifer did an undergraduate degree is in Graphic Design at the University of Louisville and a graduate degree is in Mass Communication at Virginia Commonwealth University.

The techniques Jennifer uses are constantly changing, and her style often comes as a result of the medium she’s exploring at a given time. By and large she’s a mixed media artist, always trying new materials and combinations of them – typically they include watercolour markers, ink, spray paint, pencil, cut out paper, block printing, and Photoshop. Sometimes she allows a composition to evolve without knowing what the end result might be like, other times she has a clear idea in her head of what she wants.

Jennifer is fascinated by the digital process. She scans in every doodle and texture she draws or paints, keeping them for reference or for use as layers in new pieces.

Jennifer uses vibrant colour combinations as she builds up maps, cityscapes and scenery from hundreds of smaller handmade elements. Some of her influences include Werner Herzog, Mary Blair, Guy Debord, and Buckminster Fuller.

Shaffer, Chad J.

Intelligent illustration and flash animation for editorial, corporate, advertising and design firms. Keyword search over 1000 stock illustrations available online, direct from artist. Recent clients include: Computer Associates, eQuest, Fujitsu, Hewlett Packard, IBM, Ingram Micro, Ladies' Home Journal, Microsoft, Novell, Oracle, Scholastic, SHRM, Sprint, U.S. News and World Report and many more...

Mjolsness, Jane

Illustrations for packaging, editorial, books and book covers, fashion, greeting cards. Illustrating complex emotional issues, womens issues, relationships and food in a stylized, simplistic, elegant manner with great attention to composition, color and line quality. Clients: Allergan USA, CF Napa (Tapeña Wines), What to Expect When You’re Expecting Foundation, Duncan Baird Publishers (London), Boston Market, Olive Garden, Marshall Field’s, Target, Visa Gold, American Airlines, Northwest Airlines, US Government, Hershey’s, Mall of America, The Washington Post, Faber&Faber, Hazelden, Pillsbury, AT&T, GlaxoSmithKline, EuroRSCG, Beringer Wines, Gerber Baby Products, FCB, BBDO, 3M, American Express, and many others. KEYWORDS: Women, emotions, healthcare, decorative, stylized, conceptual, packaging, line, line with color

Napier, Martha

When Martha Napier took the leap and became a full-time freelance illustrator in 2013, the world of fashion design lost a wonderful creator, but the world of illustration gained an excellent artist. Martha’s vivid watercolours and loose, almost naïve style, have given a lighthearted lift to all kinds of interesting projects in fashion, advertising, editorial and more. She also does live painting for clients, and was named a top illustrator to watch on Instragram by InStyle magazine.

Martha was born in the Midwest, grew up in Germany, and today splits her time between Chicago and New York. She loves fashion – that much is clear – and her most admired designers include Miuccia Prada, Marni, and Phoebe Philo. Henri de Toulouse-Lautrec, Henri Matisse and Cy Twombly are three artists that inspire her.

Beyond art and fashion, she’s had a fascinating life. She’s travelled to the North Pole, and to the Galapagos Islands. “The only place I’ve seen a cactus, a flamingo and a penguin in the same location,” she says.

Martha has a BA in Studio Art from Wake Forest University, and was a Presidential Scholar at the same college in Fine Art. She discovered her love of fashion illustration at the Parsons School of Design, where she studied for a post grad degree in Fashion Design.

Watercolours are Martha’s main media, but she also uses markers, pencils and acrylics. She scans the work into Photoshop and uses the application to clean it up and colour correct it before delivering it to her clients.

Martha is very much a gestural painter, with a very fine skill in getting paints to flow from her brush and soak beautifully into the paper, and to mix with one another. Seen up close, it’s a gorgeous effect. Her work is vibrant and vivid as you can see, and full of joy and whimsy.

Harms, Dennis

My digital illustrations and design solutions cover topics from cutting edge technologies to old world standards. With my 18 years of experience in design, concept and strategy, I will provide you with great solutions for your advertising, corporate, or editorial projects.

Hermanson, Bri

Scratchboard Illustration

Berg, Margaret

WATERCOLOR, PEN & INK. Client List: Papyrus, American Greetings, International Greetings, Tervis, Georgia Pacific / Dixie Paperware, Creativore, The Tombras Group, Penguin Books, Women's Heath Magazine, Rachael Ray magazine etc.

Ideajuice

Laboratory of illustration, comics and graphic design by IdeaJuice / Marco Cassé

Greenberg, Karen

graphic, illustration, layered, acrylic, paint, digital, line, line with color, fashion, people, figures, still life, travel, food, logos, icons, editorial, publishing, advertising, packaging, decorative, textiles, pattern, hand lettering Graphic and stylized with line and color, plus new work incorporating painted textures. Advertising, editorial, publishing, design and corporate.

Lomax, Liz

Liz Lomax is an award-winning New York artist who incorporates sculpture, design, painting and photography into her work. She creates illustrations for advertising campaigns, magazines, newspapers, books and album covers. Her unique, hand-sculpted illustration style, which grew from a love of creating shoebox dioramas as a child, is a breath of fresh air in this age of computer generated imagery. She is widely recognized as one of the leading figures in her field and has been published in Communication Arts, American Illustration, Society of Illustrators, TASCHEN art books and many prestigious books on illustration. She has chaired and juried illustration competitions and taught at Parsons, Pratt and lectured worldwide. Her clients include Barneys NY, Black Entertainment Television, Bloomberg, DC Comics, Entertainment Weekly, Lucky Brand Jeans, Miramax, Newsweek, Rock ‘n’ Roll Fantasy Camp, Rolling Stone, Saatchi & Saatchi, Seventeen, and VH1 Classic (and many more)
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