
Cooper, Matthew

Jensen, Andrea
2021 Indigo Silver Winner For Freelance Illustration
2019 Indigo Honorable Mention Winner For Freelance Illustration
2018 Indigo Gold Award Winner For Freelance Illustration
Working primarily in graphite, I strive to capture the nature of fabrics as well as the mood of my subject. A spark in the eye, a burst of motion, or quiet reflection taking the subject beyond a photograph, rich in texture and feeling. From portraiture to fashion, my work tells a story. The viewer should be curious, hopefully drawn in, to complete it on their own.
I have attended Minneapolis College of Art & Design, classes in digital graphics, University of Minnesota, drawing & painting and have earned an Associate Arts Degree in commercial art from Minneapolis Technical College. My interest in fashion and clothing construction has led to employment as a costumer for Guthrie Theater, Minnesota Dance Theatre, Minnesota Opera and Children’s Theatre Company.
Exhibits of my work have been held in Minneapolis at Geometrie Gallery and The Loring Cafe & Bar and in Venice, California at Sponto Gallery.
I have been represented by Ann Koeffler Artist Representation for the past 15 years. Since she has recently retired I am seeking new representation.
Cocotos, Tom
Prades, Simon
Simon works in analog techniques, such as ink, pencils or watercolor but also digitally, depending on the subject. His work is often a combination of detailed and complex drawings and narrative ideas. Depending on the subject his illustrations can also be rough, spontaneous and moody. He also creates slightly animated versions of his illustrations, which can be used in digital publishing and media.
Simon has worked for clients such as:The New York Times, The New Yorker, HarperCollins, Bloomberg, The Atlantic, Scientific American, Rolling Stone Magazine, Medium.com, The Guardian, New Statesman, VICE, The New Republic, Der Spiegel, Cicero Magazin, Esquire, Empire Magazine, Entertainment weekly, Nike, Ubisoft, BBDO, Ogilvy & Mather, Serviceplan and Y&R.
Phillips, Craig
Spurll, Barbara
Mahoney, David
His latest client list includes: The Guardian, 20th Century Fox, OPI, Kiehl’s, GQ, Fortune, Maxim, Easyjet, Tesco, Men’s Health, The Economist, NBA, MLB, Institutional Investor, Disney Pixar and Adobe.
David believes keeping tradition alive is important in an increasingly digital age. He specialises in the merging of traditional mediums and digital applications resulted in his signature style coined "tradigital". This method of creating his illustration allows his work to be animated, a style often used in digital editorial magazines.
In 2014, David opened his first solo exhibition at the Coningsby Gallery, London titled ‘Black + White’: a series of animated portraits of twenty leading individuals created in squid ink and watercolour.
In 2013, David was awarded the 99U Scholarship by the Samsung Accelerator and 99U for his illustrative work. David has had his work displayed in numerous publications and has spoken at events in both the USA and UK. David is a Community Professional for Adobe.
At the present, the artist is currently exhibiting his work in LA and New York with the Hero Complex Gallery for his client 20th Century Fox, celebrating the latest American Horror Story and Disney Pixar’s Toy Story.
Nielsen, Cliff
Brickley, Corey
Corey Brickley was born in the U.S. In 1987 and now lives and works as an illustrator and designer in Philadelphia.
Corey Brickley is a graduate of the University of the Arts' Illustration program in Philadelphia, PA. Corey creates concept-driven illustrations for editorial, publishing, music and advertising. He is a digital artist who uses a healthy mix of 3D, texture, and Wacom-based painting. His work is concerned with surreal and graphic juxtapositions.
Corey primarily works in editorial and specializes in motion graphics and animation. Corey is a winner of the American Illustration 35th annual competition for his motion illustration work with The Huffington Post.
Previous clients include: The New Yorker, The New York Times, The Huffington Post, Pacific Standard Magazine, Vice Magazine, Penn Gazette, Texas Monthly, Magnet Magazine, Grid Magazine.
Dream clients: Mother Jones, Popular Mechanics, GQ, Rolling Stone, Penguin, Little Brown, Tor, Converse, Vans, MTV, SmuttyNose Brewing Co
Fuentes, Edu
With a combination of bold colours and geometry, his artwork orbits between the symbolic and the mechanical, playing with depth of field and multilayered objects. He is inspired by science, cinema and pop culture, and makes a sisyphean attempt to learn Japanese every once in a while.
His work has been featured in the books Understanding Illustration, Ghosts of Gone Birds and Three By Three Illustration Directory.
Previous clients include: Wired UK, Mayor of London, BMW, Zurich, More Than, Monocle, Times Higher Education, GT Nexus, Kaplan, WPP, Financial Management, Bulletin, STEP Journal, FM World, WeAreBold, Oxford University Press.
Koelsch, Michael
He has worked with every major publishing house, countless advertising agencies, and a large number of design agencies and magazines. Best known for his retro style and horror film posters, Michael Koelsch continues to evolve and adjust his styles for each client.
Rathke, Kathryn
Clients:
Newsweek, NY Observer, Vanity Fair, Time Out, The Evening Standard, O Magazine, Brooks Sports, Penguin, Make Magazine, Smart Money, Rolling Stone and Welt am Sonntag are just some of Kathryn’s clients.
Rogers, Paul
O'Brien, Tim
Morrow, JT
Eng, Kilian
Archer, Andrew
Clients include:
Nike, WIRED, Sony, ESPN, The Economist, FIA Formula E, MOJO, Red Bull, Playboy, Saatchi & Saatchi, BBC, Samsung, Bombay Sapphire, Random House, TBWA, BBDO, Q Magazine, Adidas, OUT, GQ Magazine, Washington Post, Spin, EMI Music, NY Observer, Fortune, New York Times, Audi EU, Vogue FR, Penguin Books, New Scientist, Elle, Men's Health magazine.
Berkeley, Jon
Ching, Tracie
While commissioned for a wide range of projects including commercial athletic apparel, editorial illustration, and gallery work, Tracie Ching is best known for her alternative movie posters.
Previous clients include 20th Century Fox, Adidas, AMC, CBS, Fortune Magazine, Google, GQ, Marvel, MGM, Redbull, The Guardian, The London Times, TIME, Sony Pictures
O'Hara, Colleen
Kyle T. Webster Illustration
Kachik, John
Wilson, Oscar
Steckley, Ed
Salvati, Jim
Laurent Blachier
Larsen, Eric
Dahlstrom, Nicko
Garland, Paul
The images begin life with confident pencil drawings. These are then combined with handmade textures, painting, and printmaking to complete, vibrant digital imagery which allows for the works to be commissioned from and to anywhere in the world. His works often use metaphors to convey the brief in as simple and effective a way as possible.
His work has been recognised by the Society of Illustrators, American Illustration, 3x3, Luerzers Archive, Society of Illustrators of LA, the Association of Illustrators and the World Illustration Awards amongst others.
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Carroll, Tim
Rugh, Douglas
Rundo, Ron
He strives to enhance and heighten the beauty found in the ordinary and elevate it to extraordinary by creating works of art that challenge the viewer to engage in inner
During the past 26 years he has developed a broad palette of expertise in all forms of visual expression including sculpture, oil on canvas, watercolor and mixed media.
Turnbull, Tracy
Tracy graduated from Newcastle Polytechnic (now Northumbria University) with a BA Hons in Fashion Design.
Initial drawings are done either on paper, or on screen using her Wacom Cintiq. Tracy then colours her work digitally using Photoshop.
Just as fashion is always evolving and changing, Tracy likes to keep her work fresh and contemporary. Her style changes a lot, influenced by what’s current in illustration as well as what’s on the catwalk. When she gets bored with one style, she experiments and adapts. Lately, she’s been working in pencil and mixing it with strong colour.
She likes to draw strong characters with unusual features, and her training in fashion design certainly comes in handy when she renders garments. She understands clothing construction, proportions, and how draped fabrics look, which comes across in her work.
Client List Nylon Magazine Benefit Cosmetics Pro Hair and Beauty Magazine L'Oreal Professional Perseus Books MGA Entertainment Readers Digest US Sportsgirl Australia Portas Agency Tigi Bedhead Quarto Books D'Addario Quarto Publishing Barbour
Billy, Butcher
In addition to his illustration work, Billy is a creative director in a digital agency. He lived in the UK for a while, and has travelled widely. With seemingly endless influences at his disposal – including Banksy, Steve Ditko, Shigeru Miyamoto, Malcolm McLaren and Andy Warhol - Butcher Billy never runs out of moods and concepts to explore.
“I like to create freely and then realise bits of an artwork are influenced by the mood of a movie by Tim Burton, the brushstrokes of a piece by Salvador Dali, with a soundtrack from an early album by David Bowie,” he says.
Malbon, Chris
Incredibly experienced and versatile, Chris is able to adapt his style and creative process to fit the demands of the job in hand, this ability makes Chris a winner for any campaign large or small. The end result is always of the highest quality both artistically and commercially. He is constantly figuring out innovative new concepts and ideas to push his art.
A hardworking and prolific contributor, Chris has created work for an array of clients and agencies over the past 15 years. He has worked on campaigns for Coca-Cola, Sony, London 2012, Unilever, Carhartt, Nestle, Nike and MTV and has plenty more impressive credits under his belt, so he is no stranger to the pressure that comes from working on high-profile campaigns.
His career has taken him on a journey through some renowned studios including Attik, Zip Design, Version, Sun House and McFaul Studio.
Client List: Nike, Lucas Films, Coke Olympics 2012, Bristol City College, BBC, Discovery Channel, Hero Complex Gallery, Gallery1988, Aardman, Mondays MoCo, Lounger Productions, Clutter Magazine, Digicel, Computer Arts Magazine, AnyForty, EA Games, Hugo Boss x Martin Kaymer, Henrik Stenson, Nesspresso, David Guetta, Orange / EE, Clearasil, Design Council, Shortlist Magazine, Vintage TV, Mauger Modern, Luma, KIA, DJ Magazine, The Economic Review
Edwards, Neil
After graduating with a BA Hons in Graphic Design at Carlisle College of Art and Design, he went on to produce his first commercial work for Marvel in 1996. From there he worked for graphic design agencies before becoming freelance and a marvel exclusive artist.
Since then he has worked on various books including SUPERMAN, FANTASTIC FOUR, DR WHO, SPIDER-MAN, AVENGERS, BATMAN, JUSTICE LEAGUE, GREEN LANTERN, TORCHWOOD and HERCULES. His SPIDER-MAN SEASON ONE graphic novel was also a New York Times best seller.
Neil has illustrated for DC comics, Valiant Comics, Marvel Comics, Titan Comics, Dynamite Comics, Lucasfilm, BBC, 2000ad, Disney, Shortlist Magazine, Wrexham Council and Hackney Council.
Schommer, Florian
Florian performs his own recognizable style, while also being able to adapt to his customers’ preferences. Growing up in the skate & punk scene of the 90s, he later attended art college in Düsseldorf while constantly touring the world with a variety of bands. After winning several Design awards like ADC, German Design Awards, Illustrative Nominee and Red Dot Award he became an official member of Germany’s Art Directors Club.
Tallon, Ben
Growing up in Keighley, West Yorkshire, Ben loved Leeds United, wrestling and video games as a child. They still give him inspiration today, and sometimes feature in his work, alongside pop icons and TV stars. Now located in London, Ben is passionate about creativity and is the author of Champagne and Wax Crayons, as well as the host of the podcast Arrest All Mimics. He has a BTEC in Graphic Design from Keighley College, and a BA in Illustration from the University of Central Lancashire.
APPROACH
Pens, inks, brushes, found materials and textures, acrylics, spray paint, pastels, wax and colored pencils – Ben is very much a mixed media creative. He’ll use worn out old brushes that have a little more depth and character than new ones, and favors the unexpected or happy accident. Photoshop is used to layer everything together and finalize the composition.
STYLE
Ben’s style is loose and organic, full of marks and gaps because he likes to engage viewers by leaving something to the imagination.
AWARDS
2015 – Dot London Small Business Awards – Creative Agency of the Year
CLIENT LIST
Ben has been commissioned by clients including The Guardian, EasyJet, Adidas, World Wrestling Entertainment, Comic Relief, Channel 4, The Wall Street Journal, UNICEF and more.
Tallon Type
From tight handwritten styles through to headlines in broad brushstrokes, Ben will fine-tune the lettering to the job at hand. He’s spent years evolving a range of character styles, working closely with art directors to gain a comprehensive understanding of kerning, weight, messaging hierarchies, composition and overlays to make custom lettering as effective as possible.
APPROACH
When Ben receives a brief he often collaborates closely with his client in choosing the media and execution that will give the project maximum impact. Inks, paints, spray paint, pencils, pens and found materials – the selection depends on the surface, idea, photography and time constraints.
STYLES
Ben creates hand lettering in a variety of styles, and will find a look to perfectly suit the mood and tone of the brief. For one project pen work in a clear hand will convey the right level of subtlety, while others need enormous, bright spray-painted caps. Ben can deliver either, and anything in between.
CLIENT LIST
Tallon Type clients include The Premier League, World Wrestling Entertainment, Arsenal Football Club, The Guardian, Bloomsbury, Women’s Health, Dr Martens and Comic Relief.