Duirwaigh Studios is the publisher of visual delights and spiritual flights by artists Angi Sullins and Silas Toball. They have embellished numerous publications (books, calendars, greeting cards, CD/LP covers, web sites etc. with enchanted designs and illustration.

In 1964 Kathryn (Kathy) Hughes sat next to me (Joe Heiner) in our sixth grade classroom at Ensign Elementary school in Salt Lake City, Utah. While quietly sitting at her desk, Kathy was struck by a ruler hurled at me (I ducked) by our teacher, Mr. Anderson. We became close friends. After the eighth grade, my family moved to Montreal, P.Q. Canada. It was a long time till I saw Kathy again. Kathy's family stayed in Salt Lake City where Kathy later attended East High School. Kathy married, moved to San Francisco and had one son, Michael. After returning to Salt Lake City, Kathy graduated Cum Laude from University of Utah with a BS degree in Social Sciences. She taught nursery school for two years, became a single parent and a secretary for Architects and Planners in Salt Lake City. I attended Beaconsfield High School near Montreal, studied art and photography at Brigham Young University, and Art Center College of Design, married and had two children. I assisted commercial photographers Ed Goldstien and Carl Furuta. I also assisted David Willardson, illustrator, shooting detailed 4X5 photo reference for his airbrush illustrations. Willardson taught me airbrush techniques and helped develop an airbrush / photographic illustration style. My first portfolio of ten photo / illustrations quickly generated assignments from movie studios, advertising agencies, magazines and recording companies. With the help of the same great reps who represented Willardson, assignments came from across the country. This afforded a move back to Utah. Work went well from Utah and I became a single parent. Fifteen years after sitting by Kathy in sixth grade, she married me. We now have five children (combined) and work together in our studio in Alpine, Utah. Our studio continues to create realistic photo / illustration for clients across the country. Kathy is studio manager and stylist. I am photographer / computer illustrator. Early works were a combination of airbrush and silk screen on photographic prints. Current work is digital, a merging of digital photography and computer illustration. We have received numerous awards including The One Show Gold Award and our work is represented in the permanent collection of the New York Museum of Modern Art. Clients include: Lucasfilm, Salisbury Communications, ABC records, Y&R, Foote Cone & Belding, Satchi & Satchi, Merck, McDonalds and Coca Cola. I hope you enjoy our work. Joe Heiner Joe and Kathy Heiner Studio

Marty Baumann has worked as an artist at Pixar Animation Studios as an illustrator, graphic artist and production designer on such films as "Toy Story 3," "Cars 2," "Mater's Tall Tales," and many others. He also helped develop theme park installations, toy packaging and Pixar corporate branding. Beyond Pixar, Marty has rendered illustrations and developed characters for toy manufacturers, magazines and newspapers, illustrated children's books, created logos, info-graphics, Web sites, broadcast promotions and presentation art for Hasbro, McDonald's, HarperCollins, Chronicle Books, National Geographic, Scholastic Books, Universal Studios, Weekly Reader, Johnson & Johnson, Nickelodeon and many others. Recent projects include a redesign of the classic game Monopoly, a redesign of the Cheetos mascot, Chester the Cheetah, and llustrations for Hasbro and Listerine. Marty has been a rhythm and blues singer/guitarist for nearly 30 years. He’s shared the stage with Jr. Walker and the All Stars, Fenton Robinson, Bobby "Blue" Bland, Hound Dog Taylor's Houserockers, Danny Gatton, John Hammond, Johnny Winter and others. Marty’s CD "Let’s Buzz Awhile" features 13 original blues tunes.

Thoughtful, narrative, and richly layered imagery is created with a sensitivity to communication and concept. Producing mixed media illustrations for editorial, publishing, packaging, as well as advertising and corporate branding. Additionally, Stephanie creates imagery for film, television and theater. Stephanie's artwork has been featured many feature films + operas including: Enchanted, I Am Legend, Failure to Launch, The Happening, Don't Mess with the Zohan, The Eliixir of Love, Faust, Pagliacci, Don Carlo, Tosca, + Figaro, For assignment inquiries, call Stephanie's studio directly at 770-509-1099 or alternately you may call her rep: Gerald and Cullen Rapp :: www.rappart.com 212.889.3337 Stock Art Available, contact: stephanie@daltoncowan.com

Fresh, exciting, evocative vector illustrations, for advertising, publishing, editorial, and packaging. Clients include: Bic, V-8, Coke, Hasbro, Macy's, Nordstroms, Hallmark, NYTimes, WSJ, Taco Bell, Ritz, Hanes, Scholastic, Penguin, K-Mart, and many more.

Chris Cocozza, bookcover artist that specializes in romance, mystery, impressionistic, landscape, horror, still life, young adult, steam punk,Photo illustration, realism, Book Cover, Digital, Fantasy, People, Figurative, Youth, Children's Books,Edgy, Historical, Portrait, Toys & Games, Greeting Cards, Holidays, Film/Entertainment, Games, Americana, Action, Children, Children's Products, Posters, Wildlife,Urban.

Chris Cocozza, an award winning romance bookcover artist, has illustrated 100's of book covers for major publishers across the United States and around the world.

Most recently, he won the 2010 Dunes and Dreams RWA cover contest award for "Best Historical Romance" for "His Conquest" by Diana Cosby.

As a young person, his talent was recognized by Jack Davis, one of Mad Magazines' creators and famed cartoonists, who then helped to mentor Chris early in his artistic life.

Mr. Davis provided perspective, insight and grounding at a very critical time, and helped Chris to understand the demands and commitments needed to pursue an artist's life.

Chris started his academic career by studying in New York City at various institutions of higher education; The School of Visual Arts, The Arts Students League and the National Academy of Design where he honed his skills as a traditional painter and draftsman.

Following in the footsteps of some of his most inspirational artists and teachers, Chris set out to traditionally paint the figure for the bookcover industry, first breaking in with the western and young adult genres, and expanding to romance, action and mystery genres.

In the early 90's, with the advent of digital media, Chris easily made the transition to the new techniques and tools without sacrificing his mastery of the "traditional techniques".

Chris was one of the first romance illustrators to embrace the new technology and continues to be one of it's foremost pioneers into the 21st century. His work is studied in many universities across the country.

Chris continues to embrace the incredible joy that these tools and creating great illustrative images bring him and others.

Born in Bronx, New York, Chris now makes his home in bucolic Litchfield county Connecticut, with his wife and two miniature poodles.

Some of Chris's clients include:
Soap Opera Digest
Harlequin
Avon Books
Harper Collins
Penguin-Putnam
St. Martin's
Scholastic
Kensington
Bantam Doubleday-Dell
Zondervan
Ballantine
among others...

Highly stylized and humorous illustrations; specializing in graphic design, character design and development.

Watercolor-looking digital illustrations of places, maps, and cats.

Realistic Illustration done digitially, but with a warm, hand painted look, for animatics, storyboard, comps, book covers, advertising, publishing, and packaging. --Featuring a wide variety of subject matter, including people, children, family, product, sports, food, dining, eating, environment, relationship, nostalgia & retro themes, christmas, santa, home life, dogs, horses, baseball, pharmaceutical, geriatric, romance, love, relationship, landscape, nature, faces, & expressions. Work has been described as, warm, bold, colorful, and graphic. Has been commissioned by ad agencies, publishers, and design & packaging firms nationally. Represented by John Brewster Creative Services. email: creative.svcs@snet.net

Kelly Smith is an Australian Illustrator, working predominantly in fashion and beauty.

With a Bachelor of Fine Art from the Tasmanian School of Art, Kelly majored in photography and graphic design, but reverted back to her love of drawing after graduating. She ran a blog and launched her career after being interviewed in Vogue about an exhibition she was mounting.

Kelly’s approach is mainly traditional, with 90 per cent of the work completed using a graphite pencil. She then scans the drawing in, adding colour and tweaking the image using Photoshop. Her compositions vary – usually it’s a case of highlighting one focal area that’s full of beauty, but in other cases she builds up a scene to surround it.

Her images are intricate, finely detailed pencil illustrations, incorporating pops of digital colour. They are soft and feminine in tone and content.

Mara grew up in Lake Tahoe. She loves color, patterns, texture and line.
Mara studied both interior design and jewelry design in college and earned her BFA at CCA(C).
She is a mother, a wife, a sister and a daughter.
She is inspired by fairy tales, the night sky and sparkles.
Mara likes to draw, paint, sew and read.
She does not like to cook. Her husband is her best friend. Mara is happy.

Steph Calvert is an award-winning illustrator.

Specialties include:

• Hand drawn / Hand painted / Vector artwork
• Hand Lettering / typography
• Super cute characters with lots of expression
• Humor. Lots and lots of humor.
• Digital painting with hits of real world painting for texture
• Clean line work for coloring books
• Editorial and children's book work
• Illustrations for event flyers and poster design
• Product development for home decor / baby
• Surface pattern design / textile design / repeat patterns for fabric
• Apparel illustration for girls: baby / kids / tweens / juniors
• Sketching and concept art
• Color
• Trend research

A BFA in Computer Art with a focus on traditional hand drawn animation from Savannah College of Art and Design gave Steph superpowers in expressive poses as well creating illustration work with a sense of emotion and movement, and a knack for injecting little bits of family friendly hilariousness into her work.

Steph has 15+ years of professional experience, including 10 years working as an in house artist for companies like OshKosh B'Gosh and Mighty Fine.

She is a professional and doesn't cringe at revisions. She is one of the hardest workers you'll ever meet.

Her clients are located all over the United States, and have included indie brands like coloring book publisher Colorful Cities and household names like Kohl’s department stores.

Graphic Illustration for Corporate, Editorial, Advertising and Children's Books. Clients include: The Grammy Awards, Playboy Jazz Festival, Wall Street Journal Asia, The Washington Post, Expenience Life Magazine, M.A.D.D., Manpower Inc., OmniPod, Syngenta, Ketchum Canada Inc., World Wildlife Fund, Ontario Parks, Clarks Shoes UK, Up with Paper, Scholastic Books, Penguin Putnam, Skinner House Books, Cambridge University Press UK, Chirp Magazine, Two Peas in a Bucket,, and Kids' CBC. Digital files can be supplied as vector. KEYWORDS: Animals Green Eco Nature Wildlife Fun Whimsical Retro Digital Computer Illustrator Photoshop Fashion Design T Shirt Poster Retail Merchandise Environment Vintage Scrapbooking, food, beverage, drink, posters, packaging, travel, coffee, wine, business, financial, conceptual, suit, briefcase, retro, madmen, cool, Children Cute Kids

Technical illustrations and cutaway drawings, specializing in the automotive industry.

Kilian Eng creates illustrations rich in color and often with a lot of environmental elements. Kilian creates alternative worlds inspired by interest in both classic and futuristic architecture, surrealism, science fiction, and theatre scenography.

Vault49 is an internationally award-winning design studio with a worldwide practice and reputation for creating world-class illustration, photography, and motion graphics. Vault49 work in a wide variety of materials and media to provide a full complement of design services; from initial concepts through to design implementation and production. Vault49’s extensive portfolio is characterised by a focus on craftsmanship, digital collage and photo-collage and an expressive use of colour which, when combined, rewards repeat visits with new discoveries and an appreciation for their attention to detail. Vault49’s heritage is in traditional crafts and production processes. They are storytellers in the classic fashion. A typical mixed-media design might originate with a photo-shoot (produced and art directed by Vault49’s award winning photographic team) which is then collaged together with intricately detailed hand-drawn elements, scanned and combined with digital illustration and silk screened textures to create a layered artwork full of depth. Vault49 passionately believe that their art is more than just a profession, more than just ‘work’… it is a lifetime dedication to beauty and fine living. Their broad range of styles and talent has led to them becoming a design team of choice for many discerning clients around the world who want to enjoy the benefits of a highly developed creative relationship but who do not wish to be tied down to a particular style or look. Clients who Vault49 have made happy include Vodafone, Bacardi, Samsung, Nike, Honda, Pepsi, Levis, Coca-Cola, Infiniti Cars, Mastercard, MTV, The New York Times, The Times (London) and Virgin.

Margaret Riegel is an award-winning illustrator who works for many prominent national magazines, major metropolitan newspapers and Fortune 500 corporations. Since graduating from The Cooper Union School for the Advancement of Science and Art, Margaret has received many awards including ones from American Illustration, The Society of Publication Designers, and The Society of Illustrators of Los Angeles. She has been recognized by several top trade publications and her work was exhibited in the “Illustrators of the New York Times” show at the Society of Illustrators in New York City. Margaret continues to work on a wide range of commercial commissions including corporate, editorial, advertising and publishing. Margaret lives in Manhattan with her husband, two kids and her large picture collection. Some clients have included: The Boston Globe, Business Week, Mademoiselle, Newsweek, The New Yorker, The New York Times, Time Magazine, Travel & Leisure, The Washington Post, Coopers & Lybrand, Deloitte & Touche, Frankfurt Balkind, Merrill Lynch, Little Brown & Company, Oracle Communications, and Scholastic Books

Ping is an illustrator grew up in Taiwan where she studied Chemistry. After working at a newspaper publisher in Taiwan as a visual designer for four years, she went on to study Illustration at the Academy of Art University in San Francisco. Her work includes editorial illustration, commercial illustration, interactive illustration, animated illustration and graphic design. She loves cooking and cycling.

Digital Illustration, digital illustration, pharmaceutical illustration, photo illustration, illustrator, photoshop, conceptual, imaging, imaginary

Conceptual illustration used for editorial, childrens book, advertsing, book covers, design and corporate media. Laurie offers two different styles working in painterly and digital media. Her work has appeared in Communication Arts, Society of Illustrators, American Illustration, Society of Ilustrators LA, & Print. Clients include The New York Times, The US Post Office, AMEX,The Wall St Journal, Continental, AARP, Seventeen and more.

Vietnamese artist Turine Tran’s imaginative children’s illustrations were inspired by some of the Victorian greats like Arthur Rackham, yet she’s established her own unique style which is charming, elegant and popular with clients who like her nostaligic, painterly approach.

Turine grew up in a house full of books that she could escape into as a child. She was taught to draw by her father. Ho Chi Minh City is a hot, busy and crowded place, but Turine prefers the countryside – particularly when the weather is dark and gloomy. In addition to her art, she does a lot of crafting, from beads to sewing and from knitting to cooking.

Turine studied design in Vietnam, before going to the School of Art, Design and Media in Singapore. She moved to Edinburgh to study for a Masters in Illustration, and later returned to Vietnam.

Images usually start off as rough pencil sketches in Turine’s notebooks as she tries to establish the forms and the composition. Detail and shading are added and then the pencil image is scanned in so that she can add colour in Photoshop. She has designed her own custom brushes within the application.

Turine’s style is intentionally nostalgic. She wants viewers to reminisce when they see her work – as though it’s just been discovered in a dusty old attic. Her Victorian-inspired illustrations are full of whimsical lines and forms, given life by paper textures. Meanwhile, she enjoys creating children’s characters that aren’t just cute and cuddly, but which are vulnerable and unpredictable, and don’t behave in ways that adult viewers expect them to.

Since graduating in 2009 from Central Saint Martins, with a first class degree in Graphic Design, Helen Friel has been working as a freelance Paper Engineer. Helen both hand cuts and uses technology to produce her pieces. Bridging the gap between two and three dimensions is central to her design practice as well as producing pieces that involve and evoke emotion in the audience. Many of her pieces are stage sets in miniature, creating worlds with layers of card and paper. They are often influenced by an off-beat sense of humour that captions the delicate cut-outs. Her work has been featured in books Papercraft and Papercraft 2. Working from her studio in South London, Helen has produced work for clients including: Vogue UK, Vanity Fair UK, Time, Tatler UK, Tatler Asia, Harrods Magazine, MOO and Men’s Health.

With over 20 years experience as an Illustrator, Jim has a wide range of styles & skills seen at http://www.jimstarr.com. Jim received his BFA from Carnegie Mellon University in 1982. Today, Jim primarily illustrates electronically, but also continues to work in traditional techniques. My goal in every assignment is to work closely with the designer/art director to come up with a conceptually strong and well designed illustration." Jim has worked for a wide range of clients needs including logos, icons, package design, editorial, corporate, portraits, event posters, and web graphics. Jim works in many different styles including graphic, scratch board, airbrush, woodcut, pastel, paintings, watercolor, pencil, and pen and ink. His work has been accepted into Print magazine, the Society of Illustrators Annual, and the Washington DC. Illustrators Club Annual Exhibit. Fresh,conceptually strong, well designed digital illustration, specializing in archictectural, comic, comic conceptual, comic humorous, conceptual, digital, multiple styles, pen and ink, realism, science, wacky, whimsical, logos , graphic , scratchboard, pastels, paintings, airbrush, speckled, textured, posters, icons, web, art, editorial, corporate, travel, books, children, education, entertainment, games, gaming, gameboards, comic, humorous, design, industrial, industry, manufacturing, labor, infographics, maps, lifestyle, architectural, impressionistic, line with color, line and color, montage, nature, animals, stipple, silhouette, sports, technology, computers, transportation, vacation, wildlife, historical, retro, traditional, wacky, whimsical, scratch board, digital, llustrator, photoshop, painter, collage, black and white, black & white, watercolor, vector, pencil, oil, acrylic, realistic, realism, photo realism, painterly, packaging, package, financial, money, investments, investing, characters, identity, government, political, cartoon, charts, diagrams, business, food, dining, landscapes, medical, magazine, arts, music, childrens books, display, point of purchase, pop, holidays, partys, identity

Daniel Griffo was born on March 8th, 1973 in La Plata, Argentina, where he currently resides with his wife Elba, his baby boy Benjamin and his two pets Indiana and Jones. As a young child, he was always drawn towards creating and drawing images. At 10, he took his first steps into the world of illustration with the guidance of his drawing and painting instructor who taught him the basic foundations of the craft. In his teens, he became a self-taught comic illustrator and worked for both Argentinean and Italian publishers. Shortly afterwards, he worked for various studios creating licensed art, where he sharpened his skills and amassed a great deal of experience. As a freelance illustrator, Daniel has worked for many large companies including Image Comics, Warner, DC, and Disney. In his portfolio, you will find traditional and digital images, layout color, story boards, comic book art, inks, lettering, children and adult illustration, character development, and 3D models – Daniel is truly a jack-of-all-trades.

Tom's work is both classical and contemporary and juxtaposes symbolism, concepts and realistic form to tell a story. His work is a hybrid of illustration, design and photography. The distinctiveness of each is combined to create a contemporary visual solution. Clients range from major international corporations, agencies, design firms and publishers to smaller new businesses, boutique agencies and firms. Specialty areas include business, healthcare, technology, concepts, finance, editorial, etc.

Bernd Wagenfeld is a freelance illustrator with a huge variety of styles, but working mainly realistic and photorealistic. He has more than 15 years of experience and a broad skill set. His main clients include ad agencies and publishers.

Jackdaw is a graphic artist and commercial illustrator who originally trained at the Maidstone College of Art in the UK, graduating with a First Class Honours Degree in Graphic Communication. Originally working from a studio in the East end of London and then Oxford, he has created a body of work for a diverse range of clients globally, in both the advertising and editorial worlds. Creating vibrant images that interweave expressionistic painting and mixed media techniques with hand-drawn elements and photography, the energetic and captivating results are often complex, beautiful and edgy reflections of contemporary culture. Previous clients include: Vodafone, Asahi Beer, Saatchi Advertising USA, Philip Morris Inc, Pfizer Pharmaceutical Inc. USA, The Irish Times, The Guardian, Scholastic Publishing USA, Penguin Books, Carphone Warehouse, Cream, and the Welsh Assembly.

Having worked in the advertising, marketing, photography, and allied creative design industries since 1984, Barry Downard's business is based on providing creative visual solutions and concepts (photography, illustrator, artwork and design) to advertising & design agencies, and publishers. Trained as an interior designer, Barry designed houses, shop interiors, exhibition stands and fashion shows, played drums and worked as an art director before drifting into fashion and advertising photography. In 1993, Barry became inspired by the story-telling possibilities of digitally manipulating his photographs, and developed a style of photo-illustration. Barry's technique consists of taking lots of photographs (shot by himself, supplied by client, or stock images), throwing them into a photo-snaffling machine, stirring it up with a healthy dose of fun, and sticking it all together with computer glue.

As a life-long illustrator and cartoonist, Malane Newman now mainly focuses on cartoon illustration, freelance cartooning, character design, and licensed character artwork. Contracted licensed character work includes Mattel’s Barbie – A Fashion Fairy Tale and The Toon Studio of Beverly Hills - Fairy Tale High. Her portfolio includes digital illustrations for packaging, advertising, new character development, board games and toys, and children’s books. Malane Newman has worked quite extensively with clients designing original cartoon characters and illustrating their new products. Malane Newman’s work also appears in a number of periodicals that include greeting cards, children’s books, magazines, newspapers and many others. She has also designed and developed an animated cartooned website for a line of children’s clothing and animated children’s story for use on an educational website. A real professional joy to work with! More of Malane’s illustrations can be found at http://www.malanenewman.com. Thanks for looking!

Carolyn currently lives in Toronto, Canada with her family. She is principal designer and creative director for her company ECOJOT. Carolyn also freelances through her agent Lilla Rogers Studios.
Carolyn has worked on a variety of projects including four fabric collections with P&B Textiles, 2 scrap booking collections for K&Co and Packaging for Swedish Organic Candy Company Ekorrens Ekologiska. As well as Holiday cards for Unicef, Gift cards for Target and toys & games for Land of Nod.
Carolyn's specialties are packaging, lettering, florals, animals and repeat designs. Carolyn paints with Gouache, uses ink and traditional digital media.
When not working Carolyn loves to travel, read, garden and practice yoga.

Portfolio of digital collage illustration

Funky Fashiony Illustration work just for you! Need something? drop me a line! You can see more at kyrakendall.com, or you can follow me on twitter: http://twitter.com/hellokyra

Christopher Peterson's work is marked by great attention to detail, while maintaining an informal colorful and painterly feel. His creative approach is thorough and focused, sometimes reading an entire biography when starting a rock poster. Whenever possible, photographic reference must be his own. Drawing is always central to the work. Good figures and correct perspective are important while maintaining a spontaneous flair. These are the strengths that make Christopher one of the best freelance illustrators on the west coast.

Having been the president of the San Francisco Society of illustrators, he knows this business of illustration inside and out. He is a member of the Society of Illustrators, the US Air Force Art Program, ASIP, a leading organization in the fight for copyright protection and a royalties collection society for artists. He has taught illustration at both California College of Art and the Academy of Art College.

His rock posters have won major national recognition. He has created posters for Paul McCartney, Phish, The String Cheese Incident, Sting, Eric Clapton, Elvis Costello, John Hiatt, Taj Mahal and Gloria Estefan. There is a section on his work in the Art of Modern Rock (Chronicle books, 2004). His poster for John Lee Hooker won a Gold Medal in the San Fancisco Society of Illustrators, and won a place in the New York Society of Illustrators annual show and book- Illustrators 42 (Watson-Guptil, 1998). He has in fact created more than 80 posters for a variety of venues and bands. His original paintings hang in the halls of the Pentagon, as a part of the US Air Force Art program. His work has been published in the Los Angeles Society of illustrators annual book, and in Print magazine's regional design annual. In 1995, he won the bronze medal for advertising in the San Francisco society of illustrators show, in1996 he won gold, silver, and bronze medals in the San Francisco society of illustrators show.

In addition to Rock posters, Mr. Peterson does a wide variety of illustration, including storyboards, renderings, set design, murals and print.

Christopher Peterson was born in New York in 1957, and grew up in Westport, Connecticut. He received his education at the Art Institute of Boston, and then at Art Center College of Design in Pasadena, and began his career as an Illustrator in New York City in 1980. His current work may be seen at www.petersonland.com.

Crowded urban scenes, architecture and maps – the things you see today in Mike Hall’s artwork go back to his creative beginnings. As a child he used to love drawing images full of people, and maps of imaginary towns and even entire countries. He says this might be because he grew up in the new town of Harlow in Essex – the modern, pre-planned, post-war setting gave him an interest in architecture, topography and mapping from an early age.

Of course, he liked comics and picture books too, and today he’s also inspired by William Hogarth, Gustave Doré and Wenceslaus Hollar, as well as MacDonald Gill, an artist who embellished his map illustrations with all kinds of colourful motifs. He loves everything Hispanic, which is why he recently relocated to Spain.

Mike spent two years studying graphic design before switching to an illustration course. He completed an Illustration degree at the University of Westminster.

Often Mike’s hand-drawn imagery is embellished using a computer. He combines print designs he’s drawn using pen on paper with digital elements to build up an image. The colouring is done digitally. Sometimes, he’ll also draw his map designs using vector graphics.

Architecture usually plays a large role in Mike’s work – either as the primary focus of the illustration, or as something in the background that gives it structure. He’s very interested in topographical views, geography and conveying a sense of place. Nonetheless, his characters come through just as strongly with crowded, colourful people scenes giving you plenty to look at.

Born in 1977 to an Italian mother and English father James Taylors relationship with pencil and paper started at an early age. James Taylors work is eclectic, with a range of influences from Keiichi Tanaami to Tony Hart. “Eclectic” but always considered. From collage to pure drawing, James Taylors approach and thinking have won him varying clients in the United States and the United Kingdom.

At Durning 3D, we create high-resolution computer generated image solutions primarily for print advertising. One-of-a-kind images that are photorealistic or abstract, where the only limits are those of your imagination. Images that are comparable to photography and are typically more cost effective than photography.

Digital Collage and Photo Manipulation

Minick uses bold pen-like lines, thoughtful composition and a saturated palette. Sam has sixteen years of experience as a freelance illustrator and eight years as a graphic journalist. He has created work for Volkswagen, Kelloggs, Field & Stream, Smithsonian Magazine, Ringling Museum and Adobe. His tenure in the newsroom makes him a reliable resource for dynamic, accurate and integral visuals on tight deadlines.

Linda Carruth creates strikingly realistic digital illustration, technical drawings, and conceptual photo collage, with the utmost attention paid to detail, for the industrial and business communities.

Jon Berkeley graduated in Fine Art from the National College of Art and Design, Dublin in 1983. Since then he has lived and worked as a freelance illustrator in Dublin, London, Sydney, and Hong Kong. Jon has worked extensively with many top advertising agencies such as Bozell, Saatchi and Saatchi, McCann Erickson, Campbell Grey, DDB Needham, BBDO, and all those other Beeby Deebies. Previous clients include: Time Magazine, The Economist, The New Statesman, The Irish Times, The Sunday Times, The Sunday Tribune, Backbone, Time Out, The Washington Post, Radio Times, The Sydney Morning Herald, The LA Times, Wirtschaftswoche, El Tiempo, Asiaweek, CFO Asia, Credit Lyonnais, American Express, Coca Cola, Digital, Heinz, Carlsberg, Aer Lingus, Guinness, RTE, Penguin Books, Scholastic Books, and just about anyone else you can think of. Jon has won awards from the Society of Newspaper Design in the US, The 4As in Hong Kong, as well as the ICAD and the IGI in Ireland. He is the author of The Wednesday Tales, a series of children’s novels. He lives near Barcelona with his wife and five children.

With Filipino and European roots, and with freckles from head to toe, Jennifer Maravillas feels as if she’s on a detective-like quest to understand as many different perspectives as possible. Her roots as an artist, meanwhile, go back to her training in ballet as a child. She sees her art as a kind of ballet performed on paper using a marker.

She rarely restricts herself to just a marker, though. Watercolour, spray paint and various other media are used in her illustrations. As a side project, she has made a map of Brooklyn out of garbage, and in future plans to try and map as much of the world as she can. On top of painting, her passions are anthropology and sociology.

Jennifer did an undergraduate degree is in Graphic Design at the University of Louisville and a graduate degree is in Mass Communication at Virginia Commonwealth University.

The techniques Jennifer uses are constantly changing, and her style often comes as a result of the medium she’s exploring at a given time. By and large she’s a mixed media artist, always trying new materials and combinations of them – typically they include watercolour markers, ink, spray paint, pencil, cut out paper, block printing, and Photoshop. Sometimes she allows a composition to evolve without knowing what the end result might be like, other times she has a clear idea in her head of what she wants.

Jennifer is fascinated by the digital process. She scans in every doodle and texture she draws or paints, keeping them for reference or for use as layers in new pieces.

Jennifer uses vibrant colour combinations as she builds up maps, cityscapes and scenery from hundreds of smaller handmade elements. Some of her influences include Werner Herzog, Mary Blair, Guy Debord, and Buckminster Fuller.

Laura Ralli is an italian artist, a sculptor, a storyboard artist, a character designer, an illustrator of books for children and young. She combines traditional and digital techniques.

Tracie Ching is an illustrator and graphic designer living and working in Washington, DC. A self-taught digital artist, Tracie specializes in portraiture featuring complex, graphic line work with a limited palette - a tendency-turned-style after years of working in the medium of silkscreen prints.

While commissioned for a wide range of projects including commercial athletic apparel, editorial illustration, and gallery work, Tracie Ching is best known for her alternative movie posters.

Previous clients include 20th Century Fox, Adidas, AMC, CBS, Fortune Magazine, Google, GQ, Marvel, MGM, Redbull, The Guardian, The London Times, TIME, Sony Pictures

Illustrations for packaging, editorial, books and book covers, fashion, greeting cards. Illustrating complex emotional issues, womens issues, relationships and food in a stylized, simplistic, elegant manner with great attention to composition, color and line quality. Clients: Allergan USA, CF Napa (Tapeña Wines), What to Expect When You’re Expecting Foundation, Duncan Baird Publishers (London), Boston Market, Olive Garden, Marshall Field’s, Target, Visa Gold, American Airlines, Northwest Airlines, US Government, Hershey’s, Mall of America, The Washington Post, Faber&Faber, Hazelden, Pillsbury, AT&T, GlaxoSmithKline, EuroRSCG, Beringer Wines, Gerber Baby Products, FCB, BBDO, 3M, American Express, and many others. KEYWORDS: Women, emotions, healthcare, decorative, stylized, conceptual, packaging, line, line with color

When Martha Napier took the leap and became a full-time freelance illustrator in 2013, the world of fashion design lost a wonderful creator, but the world of illustration gained an excellent artist. Martha’s vivid watercolours and loose, almost naïve style, have given a lighthearted lift to all kinds of interesting projects in fashion, advertising, editorial and more. She also does live painting for clients, and was named a top illustrator to watch on Instragram by InStyle magazine.

Martha was born in the Midwest, grew up in Germany, and today splits her time between Chicago and New York. She loves fashion – that much is clear – and her most admired designers include Miuccia Prada, Marni, and Phoebe Philo. Henri de Toulouse-Lautrec, Henri Matisse and Cy Twombly are three artists that inspire her.

Beyond art and fashion, she’s had a fascinating life. She’s travelled to the North Pole, and to the Galapagos Islands. “The only place I’ve seen a cactus, a flamingo and a penguin in the same location,” she says.

Martha has a BA in Studio Art from Wake Forest University, and was a Presidential Scholar at the same college in Fine Art. She discovered her love of fashion illustration at the Parsons School of Design, where she studied for a post grad degree in Fashion Design.

Watercolours are Martha’s main media, but she also uses markers, pencils and acrylics. She scans the work into Photoshop and uses the application to clean it up and colour correct it before delivering it to her clients.

Martha is very much a gestural painter, with a very fine skill in getting paints to flow from her brush and soak beautifully into the paper, and to mix with one another. Seen up close, it’s a gorgeous effect. Her work is vibrant and vivid as you can see, and full of joy and whimsy.

Creative photo manipulation and photo illustration, images also available as stock.