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Cohen, Jim

Jim creates science-fiction illustrations, space art and fantasy landscapes.

Kann, Victoria

Check it out! 2-D, 3-D collage, digital illustration, stock, NEW work and Gift Gallery!

Cutler, Dave

Simple eloquent illustrations that engage, inspire and entertain. Please email me at dave@davecutlerstudio.com Award-winning conceptual illustration

Sunnydale Studio

Sunnydale Studio is an illustration studio that incorporates MylesTalbot.com. We produce illustrations from simple line drawings to highly detailed photo-realism to more textured, natural media style illustrations. Here at Sunnydale Studio we have a vast amount of experience and knowledge and are used to dealing with briefs from all over the world, from small design studios up to multi national organisations. Every brief is treated with professionalism and expertise and is delivered on time and to budget.

Moreno, Gabriel

Illustrator, engraver and painter based in Madrid, graduated in Fine Art from the University of Sevilla in 1998. Since then he has worked in different design studios and advertising agencies in Andalusia. In 2004 he moved to Madrid and in 2007 began showing his portfolio. He was named among the top 20 new illustrators by Computer Arts magazine in 2007. Previous clients include: TBWA, Y&R, BBDO, Leo Burnet, Orion Books, Jim Beam, Snickers, Marlboro, Universal Music, Time Out, Rolling Stone magazine, The Sunday Times and Esquire.

Prades, Simon

Simon Prades, born in 1985 into a german/spanish family is living in Saarbrücken, Germany with his wife and son.Since finishing University with a diploma in Graphic Design, he has been working as a freelance illustrator for clients in Editorial, Publishing, Sports, Advertising and Film.

Simon works in analog techniques, such as ink, pencils or watercolor but also digitally, depending on the subject. His work is often a combination of detailed and complex drawings and narrative ideas. Depending on the subject his illustrations can also be rough, spontaneous and moody. He also creates slightly animated versions of his illustrations, which can be used in digital publishing and media.

Simon has worked for clients such as:The New York Times, The New Yorker, HarperCollins, Bloomberg, The Atlantic, Scientific American, Rolling Stone Magazine, Medium.com, The Guardian, New Statesman, VICE, The New Republic, Der Spiegel, Cicero Magazin, Esquire, Empire Magazine, Entertainment weekly, Nike, Ubisoft, BBDO, Ogilvy & Mather, Serviceplan and Y&R.

tsinganos, jim

Jim Tsinganos is a Sydney based Illustrator with over 20 years experience who has had 2 working stints in Amsterdam. He is the recipient of numerous awards, both locally and internationally and working primarily with watercolour and photoshop, he is interested in creating work with a strong conceptual basis that will resonate with the viewer. Clients include; nike, time australia, random house, anz bank, westpac bank, amnesty international, sydney opera company, commonwealth bank, houghton mifflin, qantas, konami gaming, sydney morning herald, la times, american express, yaffa publications, cadburies uk.

Infomen

Infomen is an information and graphic design firm jointly run by designers Aman Khanna and Carlos Coelho. Operating from their studios in New Delhi and London, Infomen has been providing a successful design service to a wide variety of international clients since January 2006. Their specialization and user centered approach to design enables them to take complex design problems and convert them to user-friendly and understandable creative solutions. Previous clients include The Times, The Daily Telegraph, BBC Olive Magazine, Red Bulletin, Time-Out Magazine, Which Magazine, Mens Health, El Mundo Newspaper, Greenpeace, Pearson Education, O Jogo, Esquire Magazine, and Maxim.

Baker, Andrew

Andrew Baker is a successful practicing illustrator, with a strong reputation in editorial illustration and poster design. He won a Gold Award for Editorial illustrator from the Association of Illustrators in 2003, and his work has been featured in the Design, New Media and Editorial sections of the AOI Images Annual and in the D&AD annual. His work is seen in most serious newspapers and magazines, from The Guardian to New Scientist, and in on-line environments, shop windows and on posters and book covers. He is primarily concerned with using images for storytelling or conveying messages. Drawing, colour, a love for ephemera and an eye for retro design inform his work. Projects are started with drawing and completed using illustrator and Photoshop in a distinctive way. Much of his work is designed to be seen in sequential form, for example sequences of images for The Economist or the BBC web-site, but he remains passionate about the power of the single key image. Andrew Baker is a graduate of the Royal College of Art and teaches part-time on the illustration course at Middlesex University. He recently curated the SHED exhibition and contributed to Steady Gigs, The Charity Shop Compendium and Doodlearth. Recent clients include: BBH, The Guardian, The Times, Barclays Bank, The Economist, The Radio Times, Diageo, The Spinvox, Harvard Business Review, The Mail on Sunday magazine, Dorling Kindersley, Lloyds, Readers Digest books, The Telegraph, Esterson Associates, Kings College.

Herring, Matthew

Matt uses a montage of found & self-generated graphic material to create assured, vibrant images for the Publishing, Design & Advertising industries. These images are selected from recent projects. They range from book jackets, magazine covers, newspaper features, instore signage, billboard posters, through to direct mail, annual reports & advertising campaigns. The work falls into several stylistic categories. Firstly a traditional collage & photo montage approach used predominantly for editorial work. With other images he’s employed a more graphic approach, using flat colour, vector shapes & simple lines to create a more contemporary feel. Previous clients include: Adobe, Nike, MTV, British Airways, Vanity Fair, Natwest, HSBC, BBC Worldwide, Toyota, Sainsbury’s, BP, Honda, Esquire, Penguin, Corvette, The Times, The Royal Mail, Norwich Union, FT, Computer Arts, which? The Radio Times, Business Week, GQ, Waterstones, IBM, Loaded, Harvard Business Review, RAC, Mojo, Shell, Nasdaq, LloydsTSB, Timeout, 5live, US news, The Guardian, Jeep Chrysler, Harrods, Directline, The Economist.

Carey, James

James Carey studied at the London College of Printing, graduating in 2002 with a degree in Graphic Media Design. James Carey's image making combines traditional draughtsmanship with a modern, graphic approach. James works first by hand, and then digitally finesses the separate layers of found imagery, sketched portraiture, and photographic elements, to build intricate narratives and instant visions. James Carey is commissioned for advertising, editorial and fashion work by numerous UK based and international clients including Adidas, Sony, VH1, The NME, GQ, Esquire magazine as well as The Independent, The Times and Intersection Magazine, and leading book imprints. When not undertaking commissioned illustration and graphic work, James paints canvases for exhibition in Los Angeles, Paris and Tokyo.

Mahoney, David

David Mahoney is a British freelance illustrator based in Edinburgh, Scotland. Since 2010 David has worked with a wide range of Fortune 500 companies and now works under the alias 'Headless Horse'.

His latest client list includes: The Guardian, 20th Century Fox, OPI, Kiehl’s, GQ, Fortune, Maxim, Easyjet, Tesco, Men’s Health, The Economist, NBA, MLB, Institutional Investor, Disney Pixar and Adobe.

David believes keeping tradition alive is important in an increasingly digital age. He specialises in the merging of traditional mediums and digital applications resulted in his signature style coined "tradigital". This method of creating his illustration allows his work to be animated, a style often used in digital editorial magazines.

In 2014, David opened his first solo exhibition at the Coningsby Gallery, London titled ‘Black + White’: a series of animated portraits of twenty leading individuals created in squid ink and watercolour.

In 2013, David was awarded the 99U Scholarship by the Samsung Accelerator and 99U for his illustrative work. David has had his work displayed in numerous publications and has spoken at events in both the USA and UK. David is a Community Professional for Adobe.

At the present, the artist is currently exhibiting his work in LA and New York with the Hero Complex Gallery for his client 20th Century Fox, celebrating the latest American Horror Story and Disney Pixar’s Toy Story.

Falconer, Sam

Sam Falconer’s illustrations combining vibrant characters and intricate environments have been commissioned by clients ranging from leading national newspapers to renowned science magazines and universities.

Initially working purely by hand, Sam discovered a passion for digital collage in 2010 which later developed into his own unique brand of rich and detailed imagery. This method allows him to develop and turnover complex pieces with diverse character sets in timeframes that suit each client’s needs.

As a big science and technology fan, Sam has developed a strong presence in the field with clients including Nature, Nautilus, New Scientist, The Royal Society of Chemistry, Scientific American and Wired magazine. in 2015 Sam was commissioned by the acclaimed MIT Museum to rework their map designs for the general public.

Other clients include: British Airways, British GQ, Capital, Computer Arts, Deustch Inc, Emirates, The Guardian, The Independent, Intelligent Life, John Hopkins University, M & C Saatchi, Nokia, Reader's Digest, Scholastic, The Spectator, The Telegraph, The Times, The Washington Post.

In 2014 Sam was featured in IdN magazine’s New Faces of Inspiration issue as one of ten leading illustrators in the editorial field. His work was also exhibited in Taoyan city, Taiwan as part of Dpi magazine’s Space Odyssey exhibition.

Sam has a BA in Illustration and Animation from Kingston University and graduated in 2011.

Marden, Phil

Phil Marden's humorous, conceptual illustrations have been published in dozens of publications including The New York Times, Newsweek and Fortune over the last 30 years. His work has also been animated for TV, commercials, educational films and the feature film, "The Stepford Wives."

Burston, Oliver

Oliver's outstanding brand of high resolution visual imagery, coupled with his reputation for making experienced and finely judged inputs to briefs continues to attract leading clients seeking distinctive solutions from all over the world. Oliver enjoys working at the cutting edge of digital technology, employing the latest advances in 2d and 3d visualisation. Oliver has also worked extensively in the film and animation industry, directing videos for MTV, contemporary dance and television. Previous clients include: Penguin Books, Camel, Lowe, Saatchi and Saatchi, Egmont books, BBC Focus, BP, GQ magazine, Collins, Money Observer, The Times, Sony, Campaign, V&A, Ford, BBDO, Egmont Books, Wolf Olins, Sky At Night, The Royal Institute,Gyro Worldwide, The Banker, The Economist, Investors Chronicle, The Sunday Mail, Men's Health, Men's Fitness, Faber books, Findlay Publications, Sainsburys, Seimens, Quercus Books, JWT, Magazine, Dorlin Kindersley, Trident Communications, IPC media, Baber Smith, Caspian Publishing, The Independent, Bates USA, Condenast, Random House, Rainmaker, FT, Orion Books, McCann, BT.

McKenna, Josh

Born in a provincial British seaside town Josh McKenna is now based in London. Josh’s work is minimally designed but full of voluptuously, curved characters, his work focuses less on the details and more on asymmetric shapes in pleasing compositions using a soft west coast inspired palette. Tan lines and bodacious booties are rife in his portfolio but this fun, cheeky approach gives Josh’s stylised worlds personality.

McKenna’s creative process involves sketching ideas on iPad and Pencil, chopping and changing compositions and then moving to a computer to create vector artwork, adding textures and applying a carefully considered colour palette.

Josh McKenna graduated Falmouth University in 2014 and now works in editorial, advertising, shop windows and emojis on phones.

Yang, James

Illustration for corporate, advertising, licensing, publishing and editorial use. James Yang is represented by the David Goldman Agency.

LaCoste, Gary

Gary started his illustration career in 1998 working primarily with licensed characters for the toy and game industry. Clients included Hasbro, Nickelodeon, and Lego. About six years ago his focus shifted to include children's publishing where he promotes his own illustration style. Gary has enjoyed illustrating over 25 titles (and counting...)

Julian, David

With 27 years experience as a designer, photographer and illustrator, David Julian creates Fresh,conceptually strong, well designed digital illustration using Photoshop to produce his own mix of imaginative photo-realism. His work incorporates painterly texture, iconic elements and dramatic realistic dimensional lighting. Prompt client communicatons, flexibility and efficiency are assured. Topics in his work include technology, psychology and mystery book covers, movie and event posters, education & schools, health care, science, medicine, industrial, investing, history, fashion, children, editorial, architectural, computers, corporate, environmental, pharmaceutical advertising, entertainment and music, environmental, travel, politics, portraits, and social culture. CLIENTS INCLUDE: HBO, Discovery Channel, Cisco, IBM, CBS, Sony Entertainment, Microsoft, LA, CHI & NY Times, Oracle, TimeWarner, George Lucas, Penguin, Harvard Press, Pearson, ZiffDavis, and countless periodicals CDs and books. Awards in PRINT, One Show, Creativity and SND annuals.

Rathke, Kathryn

Looking at one of Kathryn Rathke’s line-based illustrations can be a bit like working out a puzzle – was it created using one fluid and continuous line, or many? According to the Seattle-based artist she owes her drawing skills to family connections. Her grandmother taught her to draw and supplied her with books by Arthur Rackham, Maurice Sendak, and William Steig, while her father was president of an advertising agency and used to bring home reams of paper for her to practice on.

She has lots of other creative interests too. She learned to make leather masks in Italy, enjoys German experimental theatre, and sometimes throws parties where her friends must act out vignettes found in a 1912 children’s book called Entertainments for All the Year.

Kathryn did an MFA in Set Design at the University of Wisconsin but was always drawing on the side, sometimes accepting commissions from newspapers and magazines. Eventually she flipped things around and made her illustration work a full-time profession and set design became her hobby.

Kathryn does everything digitally in Photoshop and Illustrator using a Cintiq screen by Wacom.

If she’s doing portraiture work, she draws her subject many times over from different angles. This way she learns about the most important features of their face and can draw it in a way that makes it instantly recognisable.

The line is core to Kathryn’s style and her work is very fluid. Expressive and calligraphic, there’s a unique sense of gesture in her illustrations. She also uses crosshatching to develop surfaces in her images, using layers of lines of varying thickness to build up a texture.

Clients:
Newsweek, NY Observer, Vanity Fair, Time Out, The Evening Standard, O Magazine, Brooks Sports, Penguin, Make Magazine, Smart Money, Rolling Stone and Welt am Sonntag are just some of Kathryn’s clients.

Howell, Sarah

Sarah Howell works mainly with figurative and fashion imagery. Collaborating with photographers, she initiates a work with a collage base, and then scans drawings and paintings with various mixed media techniques to create a textured artwork. This sees photographic collage smattered with graffiti and energized by vivid illustration, creating a dark, often edgy but always beautiful and bright result. Sarah is originally from Sydney, where she studied a Bachelor of Fine Arts in painting. To date, Sarah has had her work featured in many magazines including the Face, Grafik, Tank, Oyster and Gloss, Flaunt, Digit, Computer Arts, Observer Magazine, Maxim, 125 and Dedicate and Illustrated Ape. She has worked closely with record companies such as EMI, Polydor and Universal/ Island and GSL creating album covers and flyers and has also worked closely with the bands art directing and creating stage designs and merchandise. Commissions also include Penguin Books and Orange, Siemens phones, Nike, Bodyshop, Diet Coke, Vodaphone VH1 and MTV and the Grammy Awards, Luella Bartley, PPQ, Topshop and London Fashion Week. She has also created campaigns for Nokia, Martini, Jameson, Procter and Gamble to name a few.

Charney, Israel

A folio of photo-collage and faces. Graphic.

Schimler-Safford, Amy

Whimsical, decorative, and painterly illustration and design style. Clients include Target, American Greetings, Hallmark, Unicef, Crate and Barrel, Land of Nod, Fruit of the Loom, Baby Gap, Simon and Schuster, Scholastic, Oxford University Press to name a few. I have sold and licensed artwork to the children's publishing and gift markets as well as for stationery, advertising, editorial, packaging and home products.

Duirwaigh Studios

Duirwaigh Studios is the publisher of visual delights and spiritual flights by artists Angi Sullins and Silas Toball. They have embellished numerous publications (books, calendars, greeting cards, CD/LP covers, web sites etc. with enchanted designs and illustration.

Wilson, Joe

Leicester-born Joe Wilson studied at Leeds Metropolitan University, Graduating with a bachelor of arts degree in Graphic Arts and Design in 2007. After a lifetime of drawing and doodling Joe Wilson became serious about being an artist at an early age and has left himself 'no other option'. Joe Wilson took an interest in printmaking at university and studied this heavily in his final year, with a great deal of his work taking the form of screen prints and etchings. This forms the foundation of Joe Wilson's work today, although since finishing university and leaving the print facilities, other ways of creating similar effects have had to be employed. Joe Wilson's work consists of painstakingly detailed, hand-drawn illustrations, usually in fine-line pen or pencil, that are then scanned and edited on the mac. Joe Wilson takes his influence from an array of sources including old engravings, 70s Vinyl covers and surrealist art. Joe Wilson is particularly interested in ideas of evolution, space, and complex constructions. Joe Wilson's unique drawing style attracts a mixture of different clients from editorial to fashion, he has produced work for clients such as: The Guardian, Adidas, 21st Amendment, Mojo magazine, Prospect Magazine, RKCR/Y&R, The Yards, Peter Werth, The Big Chill Festival, and Topshop. With aspirations to establish himself firmly as an illustrator, he hopes to work on many more commercial projects whilst continuing to produce his personal 'thought experiments' for his own pleasure.

Heiner, Joe & Kathy

In 1964 Kathryn (Kathy) Hughes sat next to me (Joe Heiner) in our sixth grade classroom at Ensign Elementary school in Salt Lake City, Utah. While quietly sitting at her desk, Kathy was struck by a ruler hurled at me (I ducked) by our teacher, Mr. Anderson. We became close friends. After the eighth grade, my family moved to Montreal, P.Q. Canada. It was a long time till I saw Kathy again. Kathy's family stayed in Salt Lake City where Kathy later attended East High School. Kathy married, moved to San Francisco and had one son, Michael. After returning to Salt Lake City, Kathy graduated Cum Laude from University of Utah with a BS degree in Social Sciences. She taught nursery school for two years, became a single parent and a secretary for Architects and Planners in Salt Lake City. I attended Beaconsfield High School near Montreal, studied art and photography at Brigham Young University, and Art Center College of Design, married and had two children. I assisted commercial photographers Ed Goldstien and Carl Furuta. I also assisted David Willardson, illustrator, shooting detailed 4X5 photo reference for his airbrush illustrations. Willardson taught me airbrush techniques and helped develop an airbrush / photographic illustration style. My first portfolio of ten photo / illustrations quickly generated assignments from movie studios, advertising agencies, magazines and recording companies. With the help of the same great reps who represented Willardson, assignments came from across the country. This afforded a move back to Utah. Work went well from Utah and I became a single parent. Fifteen years after sitting by Kathy in sixth grade, she married me. We now have five children (combined) and work together in our studio in Alpine, Utah. Our studio continues to create realistic photo / illustration for clients across the country. Kathy is studio manager and stylist. I am photographer / computer illustrator. Early works were a combination of airbrush and silk screen on photographic prints. Current work is digital, a merging of digital photography and computer illustration. We have received numerous awards including The One Show Gold Award and our work is represented in the permanent collection of the New York Museum of Modern Art. Clients include: Lucasfilm, Salisbury Communications, ABC records, Y&R, Foote Cone & Belding, Satchi & Satchi, Merck, McDonalds and Coca Cola. I hope you enjoy our work. Joe Heiner Joe and Kathy Heiner Studio

Baumann, Marty

Marty Baumann has worked as an artist at Pixar Animation Studios as an illustrator, graphic artist and production designer on such films as "Toy Story 3," "Cars 2," "Mater's Tall Tales," and many others. He also helped develop theme park installations, toy packaging and Pixar corporate branding. Beyond Pixar, Marty has rendered illustrations and developed characters for toy manufacturers, magazines and newspapers, illustrated children's books, created logos, info-graphics, Web sites, broadcast promotions and presentation art for Hasbro, McDonald's, HarperCollins, Chronicle Books, National Geographic, Scholastic Books, Universal Studios, Weekly Reader, Johnson & Johnson, Nickelodeon and many others. Recent projects include a redesign of the classic game Monopoly, a redesign of the Cheetos mascot, Chester the Cheetah, and llustrations for Hasbro and Listerine. Marty has been a rhythm and blues singer/guitarist for nearly 30 years. He’s shared the stage with Jr. Walker and the All Stars, Fenton Robinson, Bobby "Blue" Bland, Hound Dog Taylor's Houserockers, Danny Gatton, John Hammond, Johnny Winter and others. Marty’s CD "Let’s Buzz Awhile" features 13 original blues tunes.

The Red Dress

The Red Dress is a London based Illustration duo, Olivia Chancellor and Ollie Bland. This husband and wife team met while studying Graphic Design and Illustration at Central St. Martins in 1996. The Red Dress' love for all types of Vintage posters (especially B-Movies) and Pulp Fiction illustration has inspired Olivia and Ollie to join creative forces. Drawing upon over 10 years experience in Fashion, T.V/Film, the Art world, Illustration and Design, The Red Dress produce striking, often dark but humorous images by painting Contemporary Culture in a Retro style. This usually includes bold hand drawn typography. Using Oils and Acrylics as well as computer based painting they can work from sourced photographic images or freestyle.

Stephanie Dalton Cowan

Thoughtful, narrative, and richly layered imagery is created with a sensitivity to communication and concept. Producing mixed media illustrations for editorial, publishing, packaging, as well as advertising and corporate branding. Additionally, Stephanie creates imagery for film, television and theater. Stephanie's artwork has been featured many feature films + operas including: Enchanted, I Am Legend, Failure to Launch, The Happening, Don't Mess with the Zohan, The Eliixir of Love, Faust, Pagliacci, Don Carlo, Tosca, + Figaro, For assignment inquiries, call Stephanie's studio directly at 770-509-1099 or alternately you may call her rep: Gerald and Cullen Rapp :: www.rappart.com 212.889.3337 Stock Art Available, contact: stephanie@daltoncowan.com

Henderling, Lisa

Fresh, exciting, evocative vector illustrations, for advertising, publishing, editorial, and packaging. Clients include: Bic, V-8, Coke, Hasbro, Macy's, Nordstroms, Hallmark, NYTimes, WSJ, Taco Bell, Ritz, Hanes, Scholastic, Penguin, K-Mart, and many more.

Cocozza, Chris

Chris Cocozza, bookcover artist that specializes in romance, mystery, impressionistic, landscape, horror, still life, young adult, steam punk,Photo illustration, realism, Book Cover, Digital, Fantasy, People, Figurative, Youth, Children's Books,Edgy, Historical, Portrait, Toys & Games, Greeting Cards, Holidays, Film/Entertainment, Games, Americana, Action, Children, Children's Products, Posters, Wildlife,Urban.

Chris Cocozza, an award winning romance bookcover artist, has illustrated 100's of book covers for major publishers across the United States and around the world.

Most recently, he won the 2010 Dunes and Dreams RWA cover contest award for "Best Historical Romance" for "His Conquest" by Diana Cosby.

As a young person, his talent was recognized by Jack Davis, one of Mad Magazines' creators and famed cartoonists, who then helped to mentor Chris early in his artistic life.

Mr. Davis provided perspective, insight and grounding at a very critical time, and helped Chris to understand the demands and commitments needed to pursue an artist's life.

Chris started his academic career by studying in New York City at various institutions of higher education; The School of Visual Arts, The Arts Students League and the National Academy of Design where he honed his skills as a traditional painter and draftsman.

Following in the footsteps of some of his most inspirational artists and teachers, Chris set out to traditionally paint the figure for the bookcover industry, first breaking in with the western and young adult genres, and expanding to romance, action and mystery genres.

In the early 90's, with the advent of digital media, Chris easily made the transition to the new techniques and tools without sacrificing his mastery of the "traditional techniques".

Chris was one of the first romance illustrators to embrace the new technology and continues to be one of it's foremost pioneers into the 21st century. His work is studied in many universities across the country.

Chris continues to embrace the incredible joy that these tools and creating great illustrative images bring him and others.

Born in Bronx, New York, Chris now makes his home in bucolic Litchfield county Connecticut, with his wife and two miniature poodles.

Some of Chris's clients include:
Soap Opera Digest
Harlequin
Avon Books
Harper Collins
Penguin-Putnam
St. Martin's
Scholastic
Kensington
Bantam Doubleday-Dell
Zondervan
Ballantine
among others...

Lakkis, Chad

Highly stylized and humorous illustrations; specializing in graphic design, character design and development.

Yule, Susan Hunt

Watercolor-looking digital illustrations of places, maps, and cats.

Ben-Ami, Doron

Realistic Illustration done digitially, but with a warm, hand painted look, for animatics, storyboard, comps, book covers, advertising, publishing, and packaging. --Featuring a wide variety of subject matter, including people, children, family, product, sports, food, dining, eating, environment, relationship, nostalgia & retro themes, christmas, santa, home life, dogs, horses, baseball, pharmaceutical, geriatric, romance, love, relationship, landscape, nature, faces, & expressions. Work has been described as, warm, bold, colorful, and graphic. Has been commissioned by ad agencies, publishers, and design & packaging firms nationally. Represented by John Brewster Creative Services. email: creative.svcs@snet.net

Smith, Kelly

Kelly Smith is an Australian Illustrator, working predominantly in fashion and beauty.

With a Bachelor of Fine Art from the Tasmanian School of Art, Kelly majored in photography and graphic design, but reverted back to her love of drawing after graduating. She ran a blog and launched her career after being interviewed in Vogue about an exhibition she was mounting.

Kelly’s approach is mainly traditional, with 90 per cent of the work completed using a graphite pencil. She then scans the drawing in, adding colour and tweaking the image using Photoshop. Her compositions vary – usually it’s a case of highlighting one focal area that’s full of beauty, but in other cases she builds up a scene to surround it.

Her images are intricate, finely detailed pencil illustrations, incorporating pops of digital colour. They are soft and feminine in tone and content.

Penny, Mara

Mara grew up in Lake Tahoe. She loves color, patterns, texture and line.
Mara studied both interior design and jewelry design in college and earned her BFA at CCA(C).
She is a mother, a wife, a sister and a daughter.
She is inspired by fairy tales, the night sky and sparkles.
Mara likes to draw, paint, sew and read.
She does not like to cook. Her husband is her best friend. Mara is happy.

Calvert, Steph

Steph Calvert is an award-winning illustrator.

Specialties include:

• Hand drawn / Hand painted / Vector artwork
• Hand Lettering / typography
• Super cute characters with lots of expression
• Humor. Lots and lots of humor.
• Digital painting with hits of real world painting for texture
• Clean line work for coloring books
• Editorial and children's book work
• Illustrations for event flyers and poster design
• Product development for home decor / baby
• Surface pattern design / textile design / repeat patterns for fabric
• Apparel illustration for girls: baby / kids / tweens / juniors
• Sketching and concept art
• Color
• Trend research

A BFA in Computer Art with a focus on traditional hand drawn animation from Savannah College of Art and Design gave Steph superpowers in expressive poses as well creating illustration work with a sense of emotion and movement, and a knack for injecting little bits of family friendly hilariousness into her work.

Steph has 15+ years of professional experience, including 10 years working as an in house artist for companies like OshKosh B'Gosh and Mighty Fine.

She is a professional and doesn't cringe at revisions. She is one of the hardest workers you'll ever meet.

Her clients are located all over the United States, and have included indie brands like coloring book publisher Colorful Cities and household names like Kohl’s department stores.

Baviera, Rocco

Graphic Illustration for Corporate, Editorial, Advertising and Children's Books. Clients include: The Grammy Awards, Playboy Jazz Festival, Wall Street Journal Asia, The Washington Post, Expenience Life Magazine, M.A.D.D., Manpower Inc., OmniPod, Syngenta, Ketchum Canada Inc., World Wildlife Fund, Ontario Parks, Clarks Shoes UK, Up with Paper, Scholastic Books, Penguin Putnam, Skinner House Books, Cambridge University Press UK, Chirp Magazine, Two Peas in a Bucket,, and Kids' CBC. Digital files can be supplied as vector. KEYWORDS: Animals Green Eco Nature Wildlife Fun Whimsical Retro Digital Computer Illustrator Photoshop Fashion Design T Shirt Poster Retail Merchandise Environment Vintage Scrapbooking, food, beverage, drink, posters, packaging, travel, coffee, wine, business, financial, conceptual, suit, briefcase, retro, madmen, cool, Children Cute Kids

Autotechart

Technical illustrations and cutaway drawings, specializing in the automotive industry.

Eng, Kilian

Kilian Eng creates illustrations rich in color and often with a lot of environmental elements. Kilian creates alternative worlds inspired by interest in both classic and futuristic architecture, surrealism, science fiction, and theatre scenography.

Vault49

Vault49 is an internationally award-winning design studio with a worldwide practice and reputation for creating world-class illustration, photography, and motion graphics. Vault49 work in a wide variety of materials and media to provide a full complement of design services; from initial concepts through to design implementation and production. Vault49’s extensive portfolio is characterised by a focus on craftsmanship, digital collage and photo-collage and an expressive use of colour which, when combined, rewards repeat visits with new discoveries and an appreciation for their attention to detail. Vault49’s heritage is in traditional crafts and production processes. They are storytellers in the classic fashion. A typical mixed-media design might originate with a photo-shoot (produced and art directed by Vault49’s award winning photographic team) which is then collaged together with intricately detailed hand-drawn elements, scanned and combined with digital illustration and silk screened textures to create a layered artwork full of depth. Vault49 passionately believe that their art is more than just a profession, more than just ‘work’… it is a lifetime dedication to beauty and fine living. Their broad range of styles and talent has led to them becoming a design team of choice for many discerning clients around the world who want to enjoy the benefits of a highly developed creative relationship but who do not wish to be tied down to a particular style or look. Clients who Vault49 have made happy include Vodafone, Bacardi, Samsung, Nike, Honda, Pepsi, Levis, Coca-Cola, Infiniti Cars, Mastercard, MTV, The New York Times, The Times (London) and Virgin.

Riegel, Margaret

Margaret Riegel is an award-winning illustrator who works for many prominent national magazines, major metropolitan newspapers and Fortune 500 corporations. Since graduating from The Cooper Union School for the Advancement of Science and Art, Margaret has received many awards including ones from American Illustration, The Society of Publication Designers, and The Society of Illustrators of Los Angeles. She has been recognized by several top trade publications and her work was exhibited in the “Illustrators of the New York Times” show at the Society of Illustrators in New York City. Margaret continues to work on a wide range of commercial commissions including corporate, editorial, advertising and publishing. Margaret lives in Manhattan with her husband, two kids and her large picture collection. Some clients have included: The Boston Globe, Business Week, Mademoiselle, Newsweek, The New Yorker, The New York Times, Time Magazine, Travel & Leisure, The Washington Post, Coopers & Lybrand, Deloitte & Touche, Frankfurt Balkind, Merrill Lynch, Little Brown & Company, Oracle Communications, and Scholastic Books

Phillips, Craig

Craig phillips has been providing illustrations to the publishing and advertising industries in the United States, Australia and Europe for over a decade. He has created book jackets and interior art for Random House, Penguin, Scholastic, Simon & Schuster, Hachette Book Group, TOR Books, Wizards Of The Coast, Oxford University Press and many more. He has created tour posters for Red Hot Chili Peppers, Queens of the Stone Age and Foo Fighters and provided editorial work to many publications including Rolling Stone Magazine. His work has been included in art annuals such as Spectrum 13, 14, 15, 16, 17 and 18, Society Of Illustrators 53, Luerzers 200 Best Illustrators Worldwide, The Art Of Modern Rock, A Fistful Of Rock, Creative Quarterly 16 and 23. Work has also been exhibited at the Society of Illustrators 53 Book Illustration exhibition in New York, the 2nd Spectrum exhibition at the Museum of American Illustration, a group exhibition at the Erskine gallery in Sydney and a solo exhibition at the University of Arkansas in Florida.

Chou, Ping Hua

Ping is an illustrator grew up in Taiwan where she studied Chemistry. After working at a newspaper publisher in Taiwan as a visual designer for four years, she went on to study Illustration at the Academy of Art University in San Francisco. Her work includes editorial illustration, commercial illustration, interactive illustration, animated illustration and graphic design. She loves cooking and cycling.

Roe, Monika

After graduating with a degree in graphic design, Monika Roe worked as an art director and creative director for ad agencies in Los Angeles and Indianapolis. Now a full-time illustrator, some of Monika's clients include: Microsoft, Toyota, Mattel, Diet Coke, Pantene, Coty, Conde Nast Publications, Penguin Group, Doubleday, Random House, Harper Collins, Simon & Schuster, Time Inc., The Wall Street Journal, and Hallmark. Her work has been featured in STEP inside design magazine and Adweek. Monika's studio is located in the beautiful wine country of California's central coast, where she lives with her two pugs, Ladybug and Bumblebee. She likes Danish modern furniture, browsing estate sales and drinks way too much coffee.

Lewis, Gregory

Digital Illustration, digital illustration, pharmaceutical illustration, photo illustration, illustrator, photoshop, conceptual, imaging, imaginary

Luczak, Laurie

Conceptual illustration used for editorial, childrens book, advertsing, book covers, design and corporate media. Laurie offers two different styles working in painterly and digital media. Her work has appeared in Communication Arts, Society of Illustrators, American Illustration, Society of Ilustrators LA, & Print. Clients include The New York Times, The US Post Office, AMEX,The Wall St Journal, Continental, AARP, Seventeen and more.
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