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Cohen, Jim

Jim creates science-fiction illustrations, space art and fantasy landscapes.

Kann, Victoria

Check it out! 2-D, 3-D collage, digital illustration, stock, NEW work and Gift Gallery!

Cutler, Dave

Simple eloquent illustrations that engage, inspire and entertain. Please email me at dave@davecutlerstudio.com Award-winning conceptual illustration

Funderburgh, Dan

Dan Funderburgh is a Brooklyn-based illustrator, artist, and wallpaper designer whose creations are rooted in the world of decorative arts. Dan was born in Seattle and reared in the Midwest, receiving a BFA from the University of Kansas with a focus in illustration. After moving to New York in 2001, Dan established a partnership with the now Brooklyn-based wallpaper studio Flavorpaper, where his designs are hand-screen printed. The wallpapers have been featured at the International Contemporary Furniture Fair and at Pulse Miami, and are a part of the Cooper-Hewitt's permanent collection. Occasional collaborations with companies like Brooks, Furni, and Gravis have allowed the work to live on bicycle seats, furniture, and luggage. Dan's personal and gallery work includes letterpress and screen prints, sculptures and installations that play off of historical ornamentation. Revealing an acute appreciation for both the baroque and utilitarian, Dan's work often combines the language of ornament with objects that surround us. Clients include: Soho House, Brooks England, Gravis, Nixon, Target, Chivas Regal, The New York Times, The Paris Review, Condé Nast, Scion, Nike, Microsoft, HP, Burton, Penguin Group, Hodder, Grey, Ogilvy, Dwell, Surface, JDK, Hachette Book Group, TED Talks

Prades, Simon

Simon Prades, born in 1985 into a german/spanish family is living in Saarbrücken, Germany with his wife and son.Since finishing University with a diploma in Graphic Design, he has been working as a freelance illustrator for clients in Editorial, Publishing, Sports, Advertising and Film.

Simon works in analog techniques, such as ink, pencils or watercolor but also digitally, depending on the subject. His work is often a combination of detailed and complex drawings and narrative ideas. Depending on the subject his illustrations can also be rough, spontaneous and moody. He also creates slightly animated versions of his illustrations, which can be used in digital publishing and media.

Simon has worked for clients such as:The New York Times, The New Yorker, HarperCollins, Bloomberg, The Atlantic, Scientific American, Rolling Stone Magazine, Medium.com, The Guardian, New Statesman, VICE, The New Republic, Der Spiegel, Cicero Magazin, Esquire, Empire Magazine, Entertainment weekly, Nike, Ubisoft, BBDO, Ogilvy & Mather, Serviceplan and Y&R.

tsinganos, jim

Jim Tsinganos is a Sydney based Illustrator with over 20 years experience who has had 2 working stints in Amsterdam. He is the recipient of numerous awards, both locally and internationally and working primarily with watercolour and photoshop, he is interested in creating work with a strong conceptual basis that will resonate with the viewer. Clients include; nike, time australia, random house, anz bank, westpac bank, amnesty international, sydney opera company, commonwealth bank, houghton mifflin, qantas, konami gaming, sydney morning herald, la times, american express, yaffa publications, cadburies uk.

Labrooy, Chris

After graduating from the RCA with an MA in design products, Chris Labrooy first began to use 3D as a simple tool to visualise ideas for furniture and products that he could not afford to produce. As 3D technology and hardware evolved, Chris LaBrooy saw an opportunity to explore CGI as a creative medium in itself with which he could subvert and twist familiar everyday things into new typographic and sculptural forms. Chris LaBrooy is interested in the intersection between typography, architecture, product design and visual art. Chris LaBrooy has exhibited at the design museum in London and has been featured in many publications covering design, products, typography and illustration. Clients include NY Department of transportation, Future publishing, Scientific American, Avid brakes, Taste festivals and Microsoft.

George, Patrick

Peter Scott's (a.k.a PatrickGeorge) skills of illustration and design are largely concept-driven, clean, punchy and witty. He enjoys working on his own children's books (A drove of bullocks, A filth of starlings, Little Miss Muffet and other rhymes, and Opposites published by PatrickGeorge), but his style works equally well in a corporate and media context. PatrickGeorge’s previous clients include Toyota, GQ, Royal Mail, Houses of Parliament, Kent tourism and The Times. He has also produced a book of names which is a playful typographical treatment of 100 boys and 100 girls names (What's in a name?)

Metz, Justin

Trained in technical illustration then went on to become a creative in major ad agency. Technical ability and a creative impulse led me to develop strong cgi and retouching skills for creative concepts. Recent clients: BA, Bradford & Bingley, John West, Pilkington, Lowry Arts, Bloomberg Businessweek, Boston Magazine, John Lewis,

Baker, Andrew

Andrew Baker is a successful practicing illustrator, with a strong reputation in editorial illustration and poster design. He won a Gold Award for Editorial illustrator from the Association of Illustrators in 2003, and his work has been featured in the Design, New Media and Editorial sections of the AOI Images Annual and in the D&AD annual. His work is seen in most serious newspapers and magazines, from The Guardian to New Scientist, and in on-line environments, shop windows and on posters and book covers. He is primarily concerned with using images for storytelling or conveying messages. Drawing, colour, a love for ephemera and an eye for retro design inform his work. Projects are started with drawing and completed using illustrator and Photoshop in a distinctive way. Much of his work is designed to be seen in sequential form, for example sequences of images for The Economist or the BBC web-site, but he remains passionate about the power of the single key image. Andrew Baker is a graduate of the Royal College of Art and teaches part-time on the illustration course at Middlesex University. He recently curated the SHED exhibition and contributed to Steady Gigs, The Charity Shop Compendium and Doodlearth. Recent clients include: BBH, The Guardian, The Times, Barclays Bank, The Economist, The Radio Times, Diageo, The Spinvox, Harvard Business Review, The Mail on Sunday magazine, Dorling Kindersley, Lloyds, Readers Digest books, The Telegraph, Esterson Associates, Kings College.

Herring, Matthew

Matt uses a montage of found & self-generated graphic material to create assured, vibrant images for the Publishing, Design & Advertising industries. These images are selected from recent projects. They range from book jackets, magazine covers, newspaper features, instore signage, billboard posters, through to direct mail, annual reports & advertising campaigns. The work falls into several stylistic categories. Firstly a traditional collage & photo montage approach used predominantly for editorial work. With other images he’s employed a more graphic approach, using flat colour, vector shapes & simple lines to create a more contemporary feel. Previous clients include: Adobe, Nike, MTV, British Airways, Vanity Fair, Natwest, HSBC, BBC Worldwide, Toyota, Sainsbury’s, BP, Honda, Esquire, Penguin, Corvette, The Times, The Royal Mail, Norwich Union, FT, Computer Arts, which? The Radio Times, Business Week, GQ, Waterstones, IBM, Loaded, Harvard Business Review, RAC, Mojo, Shell, Nasdaq, LloydsTSB, Timeout, 5live, US news, The Guardian, Jeep Chrysler, Harrods, Directline, The Economist.

Archer, Andrew

Andrew Archer has been an illustrator since 2006 and has worked with an enviable list of the worlds most recognizable brands and publications. Inspired by surrealism, wood block prints, edo period art, ideograms and his time spent in Asia, his work is a self asserting mix of hallucinogenic color and rhythmic line. Best suited to briefs that allow him to indulge his imagination and unique color palette, clients who offer some creative freedom are gifted with extraordinary and distinctive visuals that always gain attention. Google image search ‘Everything Everything Gone to Heaven” for a perfect example of the power of Archer’s imagery to become an internet sensation, it is no wonder he is a popular choice with music and sports brands wanting to captivate their audience.
Clients include:
Nike, WIRED, Sony, ESPN, The Economist, FIA Formula E, MOJO, Red Bull, Playboy, Saatchi & Saatchi, BBC, Samsung, Bombay Sapphire, Random House, TBWA, BBDO, Q Magazine, Adidas, OUT, GQ Magazine, Washington Post, Spin, EMI Music, NY Observer, Fortune, New York Times, Audi EU, Vogue FR, Penguin Books, New Scientist, Elle, Men's Health magazine.

Dartford, Matt/FlipCGI

With over 16 years experience in the fields of illustration & design, Matt Dartford / Flip CG specialise in the creation of high quality, high resolution artwork for the advertising & entertainment industries. Previous clients include: Sony, Cadbury, American Express, MTV, Virgin, Tesco, Avon, UK Government, Royal Bank of Ireland, The BBC, Financial Times, Nestle, Ministry of Sound, Popular Science, Carlsberg, New Scientist, Esquire,George Wimpy Homes, Cream Recordings, IDG Publishing, Advantage Travel Agents, New State Music, Future Publishing and London Fog Soft Furnishings.

Chivers, Sam

For several years I lead a double life. During the day I worked for a Design/Illustration studio producing work in a wide variety of styles for many different clients. Whilst in my spare time I was exploring more creative preoccupations though self-directed projects, often just enjoying a bit of creative freedom away from the pressures of the commercial world and being told what to do all the time.

Bringing together my love of drawing and geeking out on the computer, these quite often ended up as screen prints. Screen print is a process I’ve grown to love because of the restraints it imposes, I loved trying to create a sense of depth with just three or four layers. Often mistakes would be surprisingly pleasing.

After a while of incubation this work began attracting commercial clients (as I hoped it would) and eventually I made the leap to doing it full time.

My work naturally veers towards that blurry border point between science and nature. Recently I’ve become aware of how much I’m influenced by the countryside in which I live, and my tendency to fictionalise it through drawing.

My ambitions with my work are to keep making it better and continue to evolve as an artist. Presently my output mutated into a two pronged beast; I make these airbrushed sci-fi landscapes and then more hand drawn limited palette pieces – my aim is to carry on joining the dots in between these two styles somehow unifying them more.

Berry Rhys, Alan

Alan Berry Rhys is a graphic artist and illustrator home based in Buenos Aires, Argentina. He has been a graphic design professor at Buenos Aires University for 8 years. As an artist, I have produced several solo shows at Buenos Aires (Argentina), Rosario (Argentina), San Francisco (CA, USA) and Santiago de Chile (Chile). In addition, Alan has participated in several combined shows, at Portland (Oregon, USA), Buenos Aires (Argentina), Tandil (Argentina) and Asunción (Paraguay). He has been invited to the last 3 editions of Puma Urban Art in Buenos Aires.
He's worked for a wide range of commercial and commissioned works for brands developing graphic universes and illustrations.
Vintage graphic advertising inspires his work. He loves the look of low-fi printing. It's errors and limitations that give his work a distinctive characteristic. Using screen-printing, risograph and painting, Alan has developed a style based on low quality printing methods of the early graphic advertising. He also has extended work on lettering and typography.
In the search of inspiration of a simpler life he explores craftsmanship lifestyles, such as fishermen, axmen, butchers, carpenters, etc. In addition, he also enjoys exploring popular street graphic.
Alan has worked for brands such as Jack Daniel's, Absolut Vodka, Nike, Puma, Sol Beer, Cinzano, Vans, Oreo, Good Year, Penguin, California Customs, Pilgrim London, BlackFin, Gravedad Zero.

Hom, John

Children and kids marketing and design with emphasis on children's Illustrations for magazines, annual reports, children books, collateral, advertising and publishing, digital, various 3d, conceptual, dvd and game covers and packaging and character development. Give me a call or send me an email if you like what you see. Thanks for looking!

Falconer, Sam

Sam Falconer’s illustrations combining vibrant characters and intricate environments have been commissioned by clients ranging from leading national newspapers to renowned science magazines and universities.

Initially working purely by hand, Sam discovered a passion for digital collage in 2010 which later developed into his own unique brand of rich and detailed imagery. This method allows him to develop and turnover complex pieces with diverse character sets in timeframes that suit each client’s needs.

As a big science and technology fan, Sam has developed a strong presence in the field with clients including Nature, Nautilus, New Scientist, The Royal Society of Chemistry, Scientific American and Wired magazine. in 2015 Sam was commissioned by the acclaimed MIT Museum to rework their map designs for the general public.

Other clients include: British Airways, British GQ, Capital, Computer Arts, Deustch Inc, Emirates, The Guardian, The Independent, Intelligent Life, John Hopkins University, M & C Saatchi, Nokia, Reader's Digest, Scholastic, The Spectator, The Telegraph, The Times, The Washington Post.

In 2014 Sam was featured in IdN magazine’s New Faces of Inspiration issue as one of ten leading illustrators in the editorial field. His work was also exhibited in Taoyan city, Taiwan as part of Dpi magazine’s Space Odyssey exhibition.

Sam has a BA in Illustration and Animation from Kingston University and graduated in 2011.

Marden, Phil

Phil Marden's humorous, conceptual illustrations have been published in dozens of publications including The New York Times, Newsweek and Fortune over the last 30 years. His work has also been animated for TV, commercials, educational films and the feature film, "The Stepford Wives."

Burston, Oliver

Oliver's outstanding brand of high resolution visual imagery, coupled with his reputation for making experienced and finely judged inputs to briefs continues to attract leading clients seeking distinctive solutions from all over the world. Oliver enjoys working at the cutting edge of digital technology, employing the latest advances in 2d and 3d visualisation. Oliver has also worked extensively in the film and animation industry, directing videos for MTV, contemporary dance and television. Previous clients include: Penguin Books, Camel, Lowe, Saatchi and Saatchi, Egmont books, BBC Focus, BP, GQ magazine, Collins, Money Observer, The Times, Sony, Campaign, V&A, Ford, BBDO, Egmont Books, Wolf Olins, Sky At Night, The Royal Institute,Gyro Worldwide, The Banker, The Economist, Investors Chronicle, The Sunday Mail, Men's Health, Men's Fitness, Faber books, Findlay Publications, Sainsburys, Seimens, Quercus Books, JWT, Magazine, Dorlin Kindersley, Trident Communications, IPC media, Baber Smith, Caspian Publishing, The Independent, Bates USA, Condenast, Random House, Rainmaker, FT, Orion Books, McCann, BT.

Crowther, Peter

Peter Crowther graduated in 1987 from the London College of Printing with a First Class Honors in Graphic Design. Then went onto the Royal College of Art in 1987-1989 graduating with an MA(DES RCA) in Graphic Design. He then worked for six months in one of the first truly multimedia design companies, Decode Design. During this time he beta tested the first version of Photoshop and went onto leave and set up as a freelance illustrator/animator. The journey from working with photomontage, through to photo-retouching and later with realistic 3D has led to many interesting and varied jobs and has been incredibly rewarding. From stamps for the Royal mail up to 96 sheet posters for P&O and the odd title sequence. Today we continue to use the cutting edge 3D software often speaking directly with the chief programmers to request and test new features. As the technology evolves we strive to create the highest level of work with an eye for the details. Peter Crowther lives in London with his wife Suzanna and two children, Roberta and Jack.

McKenna, Josh

Born in a provincial British seaside town Josh McKenna is now based in London. Josh’s work is minimally designed but full of voluptuously, curved characters, his work focuses less on the details and more on asymmetric shapes in pleasing compositions using a soft west coast inspired palette. Tan lines and bodacious booties are rife in his portfolio but this fun, cheeky approach gives Josh’s stylised worlds personality.

McKenna’s creative process involves sketching ideas on iPad and Pencil, chopping and changing compositions and then moving to a computer to create vector artwork, adding textures and applying a carefully considered colour palette.

Josh McKenna graduated Falmouth University in 2014 and now works in editorial, advertising, shop windows and emojis on phones.

Yang, James

Illustration for corporate, advertising, licensing, publishing and editorial use. James Yang is represented by the David Goldman Agency.

Adams, Kathryn

Illustration stock collection from Kathryn Adams showing a mix of editorial, whimsical, humour and stylized linework.

Perini, Ben

Ben Perini [creative artist] realistic illustration - 3D art, graphics, and typography. Digital image specialist for editorial, publishing, design, and advertising.
Clients include St. Martin's Press, Penguin Random House, Grand Central Publishing, Audible, HarperCollins, Simon & Schuster, Llewellyn Worldwide, Warner Books, Kensington Publishing, Dorechester Publishing, Books on Tape, Thorndike Press/Gale, BBC Audiobooks America, McCann Erickson, Young & Rubicam SF, Price McNabb, Foote, Cone, Belding. SF, Wall Street Journal, Cosmopolitan Magazine, Smithsonian Magazine, AAA Living, The Washington Monthly, Bicycling Magazine, Cahner’s Publishing. Ben’s work has been recognized by Communication Arts, The Society of Illustrators, and Print.
Have You Bought Your Art . . . Today?

Synnott, Stephen

conceptual and children's book illustrator.

Trenc, Milan

Editorial and business, line drawing, black and white, mixed media, photo illustration, photo collage, photoshop.

Ketler, Ruth Sofair

Conceptual illustration created using both ink and watercolor as well as monotype (painterly) styles

Kondo, Yuko

Yuko Kondo is an illustrator, art director and animator based in London, UK. Yuko Kondo graduated from the Royal College of Art with an MA(hons) in Communication Art and Design. For his vibrant and intelligent work, Yuko Kondo is in demand with major brands and creatives world wide. Yuko has built up an impressive client base as listed below. Yuko Kondo’s aim is to entertain the viewer through his work, making bold use of colour, pattern and a distinct repertoire of surreal and often darkly humorous characters. His first book ‘Too Fat Can’t Fly’ was published though Pocko/Gingko. Yuko Kondo participated in many exhibitions across Europe, USA and Japan, with his first solo show taking place in London in 2009. Yuko Kondo’s latest project is ‘Y to R’, an art direction / design / branding unit he set up with experienced art director Ryuhei Nakadai who learned his trade at Hakuhodo (Japan’s biggest advertising agency). Previous clients include: Microsoft Windows 7, Playstation Portable, Playstation, PS3 (Little Big Planet), Nike, Coca Cola, LEE Jeans, Converse, Levis, Virgin Mobile USA, Orange, Doritos, Covent Garden, European Union, NYC GO, Don't Panic, Eurostar, TGV, Rail Europe, International Feel Recordings, Glasgow Underground Recording, Virgin Records, Merrydown, Uniqlo, Vans, Puma, Paul Smith, Random House, John Brown Publishing, Red Bulletin, Dazed and Confused, Time Out, Observer, Wallpaper*, Art Review, Complex Magazine & Milk Magazine.

Webb Creative

Webb Creative provides concise, graphic illustrations using an aesthetic of flat shape and color to build engaging imagery, from conceptual interpretations, to info graphics.

Julian, David

With 27 years experience as a designer, photographer and illustrator, David Julian creates Fresh,conceptually strong, well designed digital illustration using Photoshop to produce his own mix of imaginative photo-realism. His work incorporates painterly texture, iconic elements and dramatic realistic dimensional lighting. Prompt client communicatons, flexibility and efficiency are assured. Topics in his work include technology, psychology and mystery book covers, movie and event posters, education & schools, health care, science, medicine, industrial, investing, history, fashion, children, editorial, architectural, computers, corporate, environmental, pharmaceutical advertising, entertainment and music, environmental, travel, politics, portraits, and social culture. CLIENTS INCLUDE: HBO, Discovery Channel, Cisco, IBM, CBS, Sony Entertainment, Microsoft, LA, CHI & NY Times, Oracle, TimeWarner, George Lucas, Penguin, Harvard Press, Pearson, ZiffDavis, and countless periodicals CDs and books. Awards in PRINT, One Show, Creativity and SND annuals.

Moores, Jeff

Humorous, comic animation, conceptual, cartoon, whimsical illustration, storyboards, sports, childrens book, motion graphics, wacky digital illustration-- Need a quick idea? Call Jeff for a Free coffee critter mug, while supplies last.

McSherry, Kevin

Illustrations for editorial, design and advertising.

Cocotos, Tom

digital collage for editorial, corporate, advertising, animation, book cover, packaging, children's books

Rathke, Kathryn

Looking at one of Kathryn Rathke’s line-based illustrations can be a bit like working out a puzzle – was it created using one fluid and continuous line, or many? According to the Seattle-based artist she owes her drawing skills to family connections. Her grandmother taught her to draw and supplied her with books by Arthur Rackham, Maurice Sendak, and William Steig, while her father was president of an advertising agency and used to bring home reams of paper for her to practice on.

She has lots of other creative interests too. She learned to make leather masks in Italy, enjoys German experimental theatre, and sometimes throws parties where her friends must act out vignettes found in a 1912 children’s book called Entertainments for All the Year.

Kathryn did an MFA in Set Design at the University of Wisconsin but was always drawing on the side, sometimes accepting commissions from newspapers and magazines. Eventually she flipped things around and made her illustration work a full-time profession and set design became her hobby.

Kathryn does everything digitally in Photoshop and Illustrator using a Cintiq screen by Wacom.

If she’s doing portraiture work, she draws her subject many times over from different angles. This way she learns about the most important features of their face and can draw it in a way that makes it instantly recognisable.

The line is core to Kathryn’s style and her work is very fluid. Expressive and calligraphic, there’s a unique sense of gesture in her illustrations. She also uses crosshatching to develop surfaces in her images, using layers of lines of varying thickness to build up a texture.

Clients:
Newsweek, NY Observer, Vanity Fair, Time Out, The Evening Standard, O Magazine, Brooks Sports, Penguin, Make Magazine, Smart Money, Rolling Stone and Welt am Sonntag are just some of Kathryn’s clients.

Stewart, JW

Conceptual Illustration for all purposes, with an emphasis on corporate and institutional communications.

Kalis, Jennifer

Online illustration portfolio, unique fun style, editorial, children's books

Williams, Dan

I am a graduate of the Royal College of Art and am currently living in London renovating a large old Victorian house and building a magnificent studio. My time is divided between illustration, painting on location and lecturing. For me all 3 disciplines feed each other, keeping me on my toes and keen to explore new uses for my work. Travel is a very important ingredient in all of this and a strong element within much of my work. The last few years I have been traveling in South Eastern Asia, Northern Africa and Europe. I love the insight, excitement and energy of geography and people

Howell, Sarah

Sarah Howell works mainly with figurative and fashion imagery. Collaborating with photographers, she initiates a work with a collage base, and then scans drawings and paintings with various mixed media techniques to create a textured artwork. This sees photographic collage smattered with graffiti and energized by vivid illustration, creating a dark, often edgy but always beautiful and bright result. Sarah is originally from Sydney, where she studied a Bachelor of Fine Arts in painting. To date, Sarah has had her work featured in many magazines including the Face, Grafik, Tank, Oyster and Gloss, Flaunt, Digit, Computer Arts, Observer Magazine, Maxim, 125 and Dedicate and Illustrated Ape. She has worked closely with record companies such as EMI, Polydor and Universal/ Island and GSL creating album covers and flyers and has also worked closely with the bands art directing and creating stage designs and merchandise. Commissions also include Penguin Books and Orange, Siemens phones, Nike, Bodyshop, Diet Coke, Vodaphone VH1 and MTV and the Grammy Awards, Luella Bartley, PPQ, Topshop and London Fashion Week. She has also created campaigns for Nokia, Martini, Jameson, Procter and Gamble to name a few.

Butzer, Chris

C.M. Butzer was raised in a small town just outside of Portland, Oregon. In 1992, Butzer left Oregon to attend Cornish College of the Arts in Seattle where he earned a BFA in Illustration. After school he worked for Wizards of the Coast before moving to Florence, Italy. There, he met Luigi Galante who ran a didactic illustration studio, Studio Galante. After working for Studio Galante for five years, he moved to New York City to earn his MFA in Illustration at the School of Visual Arts. He currently teaches at SVA.

Aside from teaching and working as an illustrator, storyboard and concept artist out of his studio in Brooklyn, Butzer also illustrates graphic novels. His first novel, Gettysburg, was published by Harper Collins in 2009. He is currently working on a second novel.

McAllister, Chris

Imaginative conceptual images for advertising, editorial and corporate clients. His work has won awards from Communication Arts, Print Magazine and The Society of Illustrators. Specialty areas include business, finance, technology, healthcare and editorial. Clients have included: Verizon, Forbes Magazine, Business Week, Intel, Bloomberg Financial, Bell Atlantic, Bank One, Gieko Insurance and many more.

Colvin, Rob

Rob Colvin's passion for form, design and ideas is vividly portrayed in his dynamic paintings. Rob creates beautiful images which convey complex concepts with simple visual solutions. Through the use of common objects in an uncommon way he challenges viewers to look carefully to see the idea behind the picture. His work has been published internationally in a wide variety of media. During his successful illustration career, Rob has created original work for hundreds of clients including IBM, Newsweek, AT&T, and Pepsi. He has been honored by professional organizations such as the New York Art Directors Club, Communication Arts, Society of Illustrators, and many others. He has participated in numerous local and national juried shows receiving multiple awards in the process.

Mertins, Lisa

Conceptual, 3d, traditional, computer generated

Kennedy, Anne

Having started out as a music teacher in public schools, Anne shifted to illustration in 1982, finding the quiet space of her studio a much more peaceful place to work. She has had a variety of clients in both advertising (GTE, ITT, Black & Decker, Nabisco, Dunn & Bradstreet) and editorial (Ladies Home Journal), as well as having illustrated many children's books. She lives in Ohio with her husband Jack, terrier Brody and thoroughbred mare Sitka, whom she trains and rides competitively in dressage.

Scott, Bob

Conceptual digital illustrations for editorial, design, advertising and corporate clients.
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