Ben Perini [creative artist] realistic illustration - 3D art, graphics, and typography. Digital image specialist for editorial, publishing, design, and advertising.
Clients include St. Martin's Press, Penguin Random House, Grand Central Publishing, Audible, HarperCollins, Simon & Schuster, Llewellyn Worldwide, Warner Books, Kensington Publishing, Dorechester Publishing, Books on Tape, Thorndike Press/Gale, BBC Audiobooks America, McCann Erickson, Young & Rubicam SF, Price McNabb, Foote, Cone, Belding. SF, Wall Street Journal, Cosmopolitan Magazine, Smithsonian Magazine, AAA Living, The Washington Monthly, Bicycling Magazine, Cahner’s Publishing. Ben’s work has been recognized by Communication Arts, The Society of Illustrators, and Print.
Have You Bought Your Art . . . Today?

Dan Funderburgh is a Brooklyn-based illustrator, artist, and wallpaper designer whose creations are rooted in the world of decorative arts. Dan was born in Seattle and reared in the Midwest, receiving a BFA from the University of Kansas with a focus in illustration. After moving to New York in 2001, Dan established a partnership with the now Brooklyn-based wallpaper studio Flavorpaper, where his designs are hand-screen printed. The wallpapers have been featured at the International Contemporary Furniture Fair and at Pulse Miami, and are a part of the Cooper-Hewitt's permanent collection. Occasional collaborations with companies like Brooks, Furni, and Gravis have allowed the work to live on bicycle seats, furniture, and luggage. Dan's personal and gallery work includes letterpress and screen prints, sculptures and installations that play off of historical ornamentation. Revealing an acute appreciation for both the baroque and utilitarian, Dan's work often combines the language of ornament with objects that surround us. Clients include: Soho House, Brooks England, Gravis, Nixon, Target, Chivas Regal, The New York Times, The Paris Review, Condé Nast, Scion, Nike, Microsoft, HP, Burton, Penguin Group, Hodder, Grey, Ogilvy, Dwell, Surface, JDK, Hachette Book Group, TED Talks

Jim creates science-fiction illustrations, space art and fantasy landscapes.

Webb Creative provides concise, graphic illustrations using an aesthetic of flat shape and color to build engaging imagery, from conceptual interpretations, to info graphics.

Humorous, comic animation, conceptual, cartoon, whimsical illustration, storyboards, sports, childrens book, motion graphics, wacky digital illustration-- Need a quick idea? Call Jeff for a Free coffee critter mug, while supplies last.

digital collage for editorial, corporate, advertising, animation, book cover, packaging, children's books

Michael Koelsch (b: 1967) is an illustrator who acknowledges the beliefs of some of the great illustrators of the 50's and 60's, the giants like Coby Whitmore and Austin Briggs, who thought that keeping up with the times and evolving your style is as important as your sense of design and color and the fundamentals of drawing and painting. Mike resides in Huntington Beach, California with his wife, two girls and their Greater Swiss Mountain dog. Living by the beach and having a family he lives in perpetual motion between surfing, club soccer with the girls and actually getting some work done. Somewhere in there there is time for sleep. If you've gotten this far in Mike's bio, you must really want to get to know him. So don't hesitate. Give Shannon Associates a ring and ask for him specifically. He'd love to talk with you about your next project or whether the "evening glass off" session will be worth going out for.

Simon Prades, born in 1985 into a german/spanish family is living in Saarbrücken, Germany with his wife and son.Since finishing University with a diploma in Graphic Design, he has been working as a freelance illustrator for clients in Editorial, Publishing, Sports, Advertising and Film.

Simon works in analog techniques, such as ink, pencils or watercolor but also digitally, depending on the subject. His work is often a combination of detailed and complex drawings and narrative ideas. Depending on the subject his illustrations can also be rough, spontaneous and moody. He also creates slightly animated versions of his illustrations, which can be used in digital publishing and media.

Simon has worked for clients such as:The New York Times, The New Yorker, HarperCollins, Bloomberg, The Atlantic, Scientific American, Rolling Stone Magazine, Medium.com, The Guardian, New Statesman, VICE, The New Republic, Der Spiegel, Cicero Magazin, Esquire, Empire Magazine, Entertainment weekly, Nike, Ubisoft, BBDO, Ogilvy & Mather, Serviceplan and Y&R.

Leicester-born Joe Wilson studied at Leeds Metropolitan University, Graduating with a bachelor of arts degree in Graphic Arts and Design in 2007. After a lifetime of drawing and doodling Joe Wilson became serious about being an artist at an early age and has left himself 'no other option'. Joe Wilson took an interest in printmaking at university and studied this heavily in his final year, with a great deal of his work taking the form of screen prints and etchings. This forms the foundation of Joe Wilson's work today, although since finishing university and leaving the print facilities, other ways of creating similar effects have had to be employed. Joe Wilson's work consists of painstakingly detailed, hand-drawn illustrations, usually in fine-line pen or pencil, that are then scanned and edited on the mac. Joe Wilson takes his influence from an array of sources including old engravings, 70s Vinyl covers and surrealist art. Joe Wilson is particularly interested in ideas of evolution, space, and complex constructions. Joe Wilson's unique drawing style attracts a mixture of different clients from editorial to fashion, he has produced work for clients such as: The Guardian, Adidas, 21st Amendment, Mojo magazine, Prospect Magazine, RKCR/Y&R, The Yards, Peter Werth, The Big Chill Festival, and Topshop. With aspirations to establish himself firmly as an illustrator, he hopes to work on many more commercial projects whilst continuing to produce his personal 'thought experiments' for his own pleasure.

The Red Dress is a London based Illustration duo, Olivia Chancellor and Ollie Bland. This husband and wife team met while studying Graphic Design and Illustration at Central St. Martins in 1996. The Red Dress' love for all types of Vintage posters (especially B-Movies) and Pulp Fiction illustration has inspired Olivia and Ollie to join creative forces. Drawing upon over 10 years experience in Fashion, T.V/Film, the Art world, Illustration and Design, The Red Dress produce striking, often dark but humorous images by painting Contemporary Culture in a Retro style. This usually includes bold hand drawn typography. Using Oils and Acrylics as well as computer based painting they can work from sourced photographic images or freestyle.

Nancy began her career like many illustrators do - crayoning on walls. Back then it was considered a bad habit, now she gets paid for it. In fact, she's doodled her way into a great career. While she now live in the U.S., she spent a big chunk of her life in Montreal (that's Mo-ray-al, if you wanna sound French). She went to Art school (big "A" like painting, printmaking, sculpture, and makin' a mess), and studied Graphic Design & Illustration, graduating with a B.F.A., and an M.A. from Syracuse, a much bigger box of crayons, and a big black portfolio to drag around. She has worked as an Art Director & V.P. for an ad agency where she learned "work week" means 80 hours, budgets are ALWAYS less than your quote, and art directors supply free psychotherapy to clients. All this helped her start her own business and she's never looked back: She loves commuting in her slippers (but sometimes hates her boss). So here she is, still doodling, though she now does it digitally. She's done more than 30 kids books, magazines galore, and teaches the occasional digital art class to torture future creatives.

Realistic painting on a tight deadline. Art is delivered as a final painting and a high resolution file. Award winning realistic illustration and portraits. Tim O'Brien has worked for most major publications and publishers since 1987. Many advertising clients and private portrait commissions fill out his busy schedule. . . Tim O'Brien has 9 paintings in the National Gallery in Washington, DC . . . Final art is delivered as well as being shot in-house and uploaded or burned to disc for immediate publication.

Check it out! 2-D, 3-D collage, digital illustration, stock, NEW work and Gift Gallery!

Graphic Illustration for Corporate, Editorial, Advertising and Children's Books. Clients include: The Grammy Awards, Playboy Jazz Festival, Wall Street Journal Asia, The Washington Post, Expenience Life Magazine, M.A.D.D., Manpower Inc., OmniPod, Syngenta, Ketchum Canada Inc., World Wildlife Fund, Ontario Parks, Clarks Shoes UK, Up with Paper, Scholastic Books, Penguin Putnam, Skinner House Books, Cambridge University Press UK, Chirp Magazine, Two Peas in a Bucket,, and Kids' CBC. Digital files can be supplied as vector. KEYWORDS: Animals Green Eco Nature Wildlife Fun Whimsical Retro Digital Computer Illustrator Photoshop Fashion Design T Shirt Poster Retail Merchandise Environment Vintage Scrapbooking, food, beverage, drink, posters, packaging, travel, coffee, wine, business, financial, conceptual, suit, briefcase, retro, madmen, cool, Children Cute Kids

Jim Tsinganos is a Sydney based Illustrator with over 20 years experience who has had 2 working stints in Amsterdam. He is the recipient of numerous awards, both locally and internationally and working primarily with watercolour and photoshop, he is interested in creating work with a strong conceptual basis that will resonate with the viewer. Clients include; nike, time australia, random house, anz bank, westpac bank, amnesty international, sydney opera company, commonwealth bank, houghton mifflin, qantas, konami gaming, sydney morning herald, la times, american express, yaffa publications, cadburies uk.

After graduating from the RCA with an MA in design products, Chris Labrooy first began to use 3D as a simple tool to visualise ideas for furniture and products that he could not afford to produce. As 3D technology and hardware evolved, Chris LaBrooy saw an opportunity to explore CGI as a creative medium in itself with which he could subvert and twist familiar everyday things into new typographic and sculptural forms. Chris LaBrooy is interested in the intersection between typography, architecture, product design and visual art. Chris LaBrooy has exhibited at the design museum in London and has been featured in many publications covering design, products, typography and illustration. Clients include NY Department of transportation, Future publishing, Scientific American, Avid brakes, Taste festivals and Microsoft.

Craig phillips has been providing illustrations to the publishing and advertising industries in the United States, Australia and Europe for over a decade. He has created book jackets and interior art for Random House, Penguin, Scholastic, Simon & Schuster, Hachette Book Group, TOR Books, Wizards Of The Coast, Oxford University Press and many more. He has created tour posters for Red Hot Chili Peppers, Queens of the Stone Age and Foo Fighters and provided editorial work to many publications including Rolling Stone Magazine. His work has been included in art annuals such as Spectrum 13, 14, 15, 16, 17 and 18, Society Of Illustrators 53, Luerzers 200 Best Illustrators Worldwide, The Art Of Modern Rock, A Fistful Of Rock, Creative Quarterly 16 and 23. Work has also been exhibited at the Society of Illustrators 53 Book Illustration exhibition in New York, the 2nd Spectrum exhibition at the Museum of American Illustration, a group exhibition at the Erskine gallery in Sydney and a solo exhibition at the University of Arkansas in Florida.

Peter Scott's (a.k.a PatrickGeorge) skills of illustration and design are largely concept-driven, clean, punchy and witty. He enjoys working on his own children's books (A drove of bullocks, A filth of starlings, Little Miss Muffet and other rhymes, and Opposites published by PatrickGeorge), but his style works equally well in a corporate and media context. PatrickGeorge’s previous clients include Toyota, GQ, Royal Mail, Houses of Parliament, Kent tourism and The Times. He has also produced a book of names which is a playful typographical treatment of 100 boys and 100 girls names (What's in a name?)

Conceptual illustration used for editorial, childrens book, advertsing, book covers, design and corporate media. Laurie offers two different styles working in painterly and digital media. Her work has appeared in Communication Arts, Society of Illustrators, American Illustration, Society of Ilustrators LA, & Print. Clients include The New York Times, The US Post Office, AMEX,The Wall St Journal, Continental, AARP, Seventeen and more.

Neil lives and works in Brighton. Since completing a degree and post graduate studies at Middlesex University and Central St. Martins, he has illustrated for a wide range of clients, including; The BBC, Publicis, Caspian Publishing, The Economist, LaSalle Bank, The Financial Times, The Sunday Times, The Guardian, Corbett, New Scientist, Medicus, OUP, The Radio Times, The Telegaph, The Royal Bank of Scotland, Verizon, Virgin Atlantic, Sony, The Washington Post, Bloomsbury, Time Out, Hodder, Design Week, Interbrand, BT, Conran Design.

Since graduating in 2009 from Central Saint Martins, with a first class degree in Graphic Design, Helen Friel has been working as a freelance Paper Engineer. Helen both hand cuts and uses technology to produce her pieces. Bridging the gap between two and three dimensions is central to her design practice as well as producing pieces that involve and evoke emotion in the audience. Many of her pieces are stage sets in miniature, creating worlds with layers of card and paper. They are often influenced by an off-beat sense of humour that captions the delicate cut-outs. Her work has been featured in books Papercraft and Papercraft 2. Working from her studio in South London, Helen has produced work for clients including: Vogue UK, Vanity Fair UK, Time, Tatler UK, Tatler Asia, Harrods Magazine, MOO and Men’s Health.

Conceptual graphic illustrations by way of a bold, colorful, and fun approach.... Leo Acadia has created colorful graphic illustrations for a wide range of clients - such as The Wall Street Journal, New York Times, Boston Globe, Time, and Reader's Digest - as well as for book covers, advertising, and pharmaceutical clients. He has earned recognition from The Society of Illustrators, Communication Arts, American Illustration, 3x3 Illustration Annual, and The AltPick awards. More images can be seen at LeoAcadia.com - (link is above).

Trained in technical illustration then went on to become a creative in major ad agency. Technical ability and a creative impulse led me to develop strong cgi and retouching skills for creative concepts. Recent clients: BA, Bradford & Bingley, John West, Pilkington, Lowry Arts, Bloomberg Businessweek, Boston Magazine, John Lewis,

Andrew Baker is a successful practicing illustrator, with a strong reputation in editorial illustration and poster design. He won a Gold Award for Editorial illustrator from the Association of Illustrators in 2003, and his work has been featured in the Design, New Media and Editorial sections of the AOI Images Annual and in the D&AD annual. His work is seen in most serious newspapers and magazines, from The Guardian to New Scientist, and in on-line environments, shop windows and on posters and book covers. He is primarily concerned with using images for storytelling or conveying messages. Drawing, colour, a love for ephemera and an eye for retro design inform his work. Projects are started with drawing and completed using illustrator and Photoshop in a distinctive way. Much of his work is designed to be seen in sequential form, for example sequences of images for The Economist or the BBC web-site, but he remains passionate about the power of the single key image. Andrew Baker is a graduate of the Royal College of Art and teaches part-time on the illustration course at Middlesex University. He recently curated the SHED exhibition and contributed to Steady Gigs, The Charity Shop Compendium and Doodlearth. Recent clients include: BBH, The Guardian, The Times, Barclays Bank, The Economist, The Radio Times, Diageo, The Spinvox, Harvard Business Review, The Mail on Sunday magazine, Dorling Kindersley, Lloyds, Readers Digest books, The Telegraph, Esterson Associates, Kings College.

Alex Williamson was born in England in 1973 and now lives and works as an illustrator and Graphic Artist in London. Alex Williamson has a BA Graphic Design (printmaking) from Leeds Metropolitan University and an MA in Communication Design from the RCA. Alex creates original artwork using cut-out, collage and print techniques, combining found ephemera, drawing and photography. His work is concerned with experimental graphic process, fiction and narrative. Alex works on a wide range of commercial commissions and projects in the publishing, corporate, editorial and advertising sectors as well as producing and exhibiting personal experimental work. He also lectures in Design for Interaction and Moving Image on the Graphic Design BA at the London College of Communication. Previous clients include: Vodafone, Science Museum, Lastminute.com, Penguin, MTV, Washington Post, Levis, Havana Club Rum, Tiger Beer, The Guardian, Time Out, Orion, GQ, Macmillan, NatWest, Sony, BBC Radio One, Random House, The Economist, ICM Models, Gartner, McKinsey, Fortune Magazine, The Independent, The Face, Sunday Times, Getty Images, Financial Times, Portobello Books, The New Yorker, Department For Transport and Citigroup. Alex Williamson also works in Moving Image - previous clients have included: MTV, BBC, Channel 4, E4, Chrysalis, October Films, Big Life, Parlophone, Polydor, Rough Trade, Nickelodeon.

Having worked in the advertising, marketing, photography, and allied creative design industries since 1984, Barry Downard's business is based on providing creative visual solutions and concepts (photography, illustrator, artwork and design) to advertising & design agencies, and publishers. Trained as an interior designer, Barry designed houses, shop interiors, exhibition stands and fashion shows, played drums and worked as an art director before drifting into fashion and advertising photography. In 1993, Barry became inspired by the story-telling possibilities of digitally manipulating his photographs, and developed a style of photo-illustration. Barry's technique consists of taking lots of photographs (shot by himself, supplied by client, or stock images), throwing them into a photo-snaffling machine, stirring it up with a healthy dose of fun, and sticking it all together with computer glue.

Steve Dininno has been a top illustrator for more than 30 years. He majored in illustration and graduated with honors from the School of Visual Arts in New York City. A regular contributor for more than a decade to the Wall Street Journal, his work has appeared in literally thousands of publications worldwide for clients that include: Coca Cola, EMI Music Publishing, Bayer Pharmaceuticals, T. Rowe Price, Jaguar, Blue Cross/Blue Shield, Simon & Schuster, Panasonic, Prudential, AT&T, Citibank, TIME Inc., Dupont, and IBM. Dininno is also an award-winning painter and printmaker who is represented by numerous galleries. His fine art has been included in countless national juried exhibitions and is in a multitude of private and corporate collections.

Andrew Archer has been an illustrator since 2006 and has worked with an enviable list of the worlds most recognizable brands and publications. Inspired by surrealism, wood block prints, edo period art, ideograms and his time spent in Asia, his work is a self asserting mix of hallucinogenic color and rhythmic line. Best suited to briefs that allow him to indulge his imagination and unique color palette, clients who offer some creative freedom are gifted with extraordinary and distinctive visuals that always gain attention. Google image search ‘Everything Everything Gone to Heaven” for a perfect example of the power of Archer’s imagery to become an internet sensation, it is no wonder he is a popular choice with music and sports brands wanting to captivate their audience.
Clients include:
Nike, WIRED, Sony, ESPN, The Economist, FIA Formula E, MOJO, Red Bull, Playboy, Saatchi & Saatchi, BBC, Samsung, Bombay Sapphire, Random House, TBWA, BBDO, Q Magazine, Adidas, OUT, GQ Magazine, Washington Post, Spin, EMI Music, NY Observer, Fortune, New York Times, Audi EU, Vogue FR, Penguin Books, New Scientist, Elle, Men's Health magazine.

Born in 1977 to an Italian mother and English father James Taylors relationship with pencil and paper started at an early age. James Taylors work is eclectic, with a range of influences from Keiichi Tanaami to Tony Hart. “Eclectic” but always considered. From collage to pure drawing, James Taylors approach and thinking have won him varying clients in the United States and the United Kingdom.

Illustration for corporate, advertising, licensing, publishing and editorial use. James Yang is represented by the David Goldman Agency.

Illustration for corporate, advertising, licensing, publishing and editorial use. Jim Dryden is represented by the David Goldman Agency.

Ed Bray is an illustration graduate of the Rhode Island School of Design. After graduation, he began his illustration career in Minneapolis, Minnesota where he worked for a company on pen and ink and marker layouts. In addition to his commercial assignments, he focused on watercolor landscapes of the Midwest, which were exhibited at the Fuller Museum in Massachusetts. Examples of his illustrations appear in Drawing: Structure and Vision by Fritz Drury and Joanne Stryker © 2008.

Ed is skilled in presentation artwork, such as storyboards and comps, as well as finished illustrations and fine art. His work is featured in American Showcase #23 and the Directory of Illustration website www.behance.net/edBray & www.directoryofillustration.com/edbray.

Ed lives and works as a freelancer in Brockton, Massachusetts and is a member of the Arts League of Lowell. He was featured in a November edition of The Lowell Sun.

Ed is able to work quickly to meet tight deadlines and is available at any time for an assignment.

Clients include iRobot, Gary Sloan Studios Inc., J.Jill, The Fantastical, Riverside Co, Hood, Colonial Life, The Via Group LLC, Urban College of Boston, Supervalu, Wells Fargo Bank, Wilson Leather, BHF Printing, Midway YMCA, Blue Diamond Natural, Tri-District School, Fuller Art Museum, Twenty-First Century Software, Raymond Watson Funeral Home, Harvard Business School, Arthur's Paradise Diner, S&S Auto Repair, City of Holyoke MA, The Public Health Museum, Boston Brake and Tune-Up, Bread & Roses Heritage Committee

With over 16 years experience in the fields of illustration & design, Matt Dartford / Flip CG specialise in the creation of high quality, high resolution artwork for the advertising & entertainment industries. Previous clients include: Sony, Cadbury, American Express, MTV, Virgin, Tesco, Avon, UK Government, Royal Bank of Ireland, The BBC, Financial Times, Nestle, Ministry of Sound, Popular Science, Carlsberg, New Scientist, Esquire,George Wimpy Homes, Cream Recordings, IDG Publishing, Advantage Travel Agents, New State Music, Future Publishing and London Fog Soft Furnishings.

Patrick started his career as a freelance designer after gaining a Degree in Graphics and Illustration with Commendations for Print Making at Kingston University (London) in 1998. Patrick has done high profile work for global clients including: Transport of London, Cingular, Starbucks, Bacardi, Smirnoff, Coca-Cola and Waitrose, which has resulted in him having to work in Japan, Spain, Italy and the USA as well as London, and having his work appear in many more countries across USA, Europe and Asia. This work and exposure has resulted in Patrick's work being has been short-listed for and receiving commendations for a number of awards, including the Marketing Week Design Award for Corporate Design and Illustration, and the Design and Art Direction Award for Corporate Design and Illustration. (Most notably as a result of his work on the Selfridges Annual Report 2003.) He is also regularly featured in Creative review and the UK design press. On top of all of this Patrick has for the last 2 years been a university tutor, passing his skills onto the next generation of up and coming illustration graduates at the Istituto Marangoni – the prestigious Milan founded Fashion University. Patrick's most recent assignments find him as a spokesman for Hewlett Packard Arts Council and consultant for HP on the development of the HP 130 Large Format.

Yehrin Tong graduated from Central Saint Martins with a BA Hons in Graphic Design. Yehrin Tong has designed artwork for independent music labels; working with artists she met while regularly haunting the underground club scene of London. Yehrin Tong's main interests lie in creating illusory, eye-boggling yet mathematical pattern and typographic illustration. Yehrin Tongs work has encompassed ad campaigns on billboards and taxi cabs, elaborate repeat pattern and embroidery prints for fashion, as well as typographic cover and editorial illustration. Yehrin Tong’s work is complex and intricate. The words minimal and simple rarely come into Yehrin TongS vocabulary. Previous clients include: M&C Saatchi, Bombay Sapphire, Dell Computers, Billboard Magazine, Royal Bank Of Scotland, GQ Russia, Russian Tatler, VICE, Maharishi, The Future Laboratory, Viewpoint, Non-Format, K7! Records, Grafik, The Red Bulletin, Notion and Disorder.

Richard Elmer was born in New Jersey. After high school he studied graphic design briefly in South Florida. He returned north where he studied design and illustration, receiving his BFA from The School of Visual Arts in NYC where he currently lives and works. Continued studies includet Parsons School of Design and the New School in New York. Early professional years were spent in publishing, quickly moving on as a freelance artist creating illustrations for many advertising, publishing and design companies like New York Times and Strathmore with work reproduced in Germany and Spain. Working professionally first in pastels, medium went on to include oils and traditional acrylic as well as digital. A strong visual vocabulary helped define his conceptual style across publishing, advertising, design and editorial markets. Richard Elmer teaches illustration at FIT's, School of Art & Design in NYC.

Humorous illustration for editorial, advertising and children's books.

Mark Ward is an artist based in London. His work is derived from his obsession with Americana. Raised on a diet of Saturday morning cartoons, BMX, skateboarding, and drawing, Mark has kept true to his roots soaking up every last candy wrapper and morphing them into his surreal and comical visions. Growing up in the South London suburbs in the late 80’s, Mark was reading every possible American skateboard magazine he could get his hands on. He realized his grey London environment didn’t reflect the sunny California he was being sold in the magazines. Rolling through puddles in South London just doesn’t match up to cruising along Long Beach. Mark’s work mixes the everyday mundane with surreal elements of the 80’s American bubble, encouraging the viewer to see things differently, and peel back the gloss on the pop imagery that he worshipped in his childhood. A graduate of Central St Martins, Mark has been recognized by the Art Directors Club and received a Young Gun Award for his outstanding illustration work. He has exhibited internationally throughout Europe and America, in both solo and group shows. His work was also included in the Pop Art Design show at the Barbican. Alongside his personal work, Mark creates bold imagery for a wide range of commercial opportunities including fashion, magazine covers, editorial and large scale installations. Projects include signature work for Stussy, Burton Snowboards, Nike and Columbia Records. Clients include: Adidas, Anomaly, Atlantic Records, Burton Snowboards, Cadburys, Columbia Records, Converse, Etnies, The Guardian, HarperCollins, Jordan Air, Medicom Toys, Microsoft, MTV, Nike, Puma, Pepsi, Red Bull, The Shortlist, Sony, Stussy, Studio Output, UsTwo

Pepper Tharp | illustrator + Creative Director Hello, My work, aptly coined 'sophisticated fun' and 'nuevo french' is refined, elegant, informed with a touch of wit. Whether through the eyes of a sanguine shaggy dog or a willowy fashion-femme on a Mediterranean holiday I have a beguiling ability to capture life's minutia to tell stories that captivate. I am adept in understanding my client's goals and deliver work that ensures their brand is well-placed and memorable in the ever evolving and competitive global market. I have delivered many successful projects and campaigns for notable clients such as, American Express, Artful Living Magazine, Harper Collins, St. Martin’s Press, Ritz Carlton Weddings, Macy’s, Nestle, Sur la Table, Target, Vera Wang, William Sonoma,The Container Store and most recently 70 illustrations for Carson Kressley's new book (to be published this year). I have also discovered a fun niche in creating visuals for of social media and web design. With a true collaborative spirit, I love being part of a dream-team, but I'm equally comfortable acting as lead creative director or simply...working solo.I adhere closely to G.A.G. Handbook for pricing and ethical standards in my business acumen. With a drive to explore, I invite my clients to join me in every step of creative process so that they are fully informed and have input along the way. My work zone is a full capacity Mac Studio fueled by Nespresso and Adobe Creative Suites in a garden-view studio in my 1883 historic cottage in Linden Hills. Yet, in a moment's notice I can jump into your studio if in-house help is needed! I look forward to learning about your next project! Truly, Pepper Tharp www.peppertharp.com

He translates complex ideas and abstract themes into clear and powerful images. Aad creates illustrations that at first glance seem very simple. His distinctive style is characterized by the use of flat areas of color and the complete absence of lines. On closer look the mildly alienating images often contain multiple intellectual or emotional layers. This approach leads to works that are both timeless and contemporary.

For several years I lead a double life. During the day I worked for a Design/Illustration studio producing work in a wide variety of styles for many different clients. Whilst in my spare time I was exploring more creative preoccupations though self-directed projects, often just enjoying a bit of creative freedom away from the pressures of the commercial world and being told what to do all the time.

Bringing together my love of drawing and geeking out on the computer, these quite often ended up as screen prints. Screen print is a process I’ve grown to love because of the restraints it imposes, I loved trying to create a sense of depth with just three or four layers. Often mistakes would be surprisingly pleasing.

After a while of incubation this work began attracting commercial clients (as I hoped it would) and eventually I made the leap to doing it full time.

My work naturally veers towards that blurry border point between science and nature. Recently I’ve become aware of how much I’m influenced by the countryside in which I live, and my tendency to fictionalise it through drawing.

My ambitions with my work are to keep making it better and continue to evolve as an artist. Presently my output mutated into a two pronged beast; I make these airbrushed sci-fi landscapes and then more hand drawn limited palette pieces – my aim is to carry on joining the dots in between these two styles somehow unifying them more.

Oscar Wilson started working in London in 1996. Specialising in image creation, illustration and hand crafted typography, Oscar Wilson produces work for a wide variety of clients, with commissions from the advertising world, fashion, publishing, film and TV. Previous clients include: Crisis, Fabric, Guinness, Honda, Levi's, MTV, Nike, NME, Orange, Penguin, Sky TV, Stüssy, Transport For London, The Observer, Time Out, Twentieth Century Fox, Virgin Atlantic, Visit London, Volkswagen. Agencies: AMV BBDO, Arnold Worldwide, M&C Saatchi, Mother, RKCR Y&R, Start Creative, WCRS, WWAV Rapp Collins. Oscar Wilson also works collaboratively with (brother) Ben Wilson on 3D and interior projects, under the ‘Wilson Brothers’ banner. Clients for the Wilson Brothers include: Brooks, Honda, Nike, Stüssy Japan.

John S. Dykes lives and works in the Boston area. John works in acrylic, pen and ink, mixed media, and digital. His clients range from editorial and corporate illustration to children's books as well as self-generated projects. He has earned recognition from the Society of Illustrators, the Society of Illustrators of Los Angeles, including gold and silver medals, Communication Arts, American Illustration, Print, 3x3 Annual, How Magazine, the AltPick Awards, and Step by Step Graphics.

Award-winning, color-intensive, collaged and textured illustration for Editorial, Book, Corporate and Advertising projects. Former art director turned freelancer, Cathy Gendron survived a near-fatal career in newspapers and the noxious fumes from her painting process to work from her studio in Ann Arbor, Michigan. Clients include: AARP, Anderson Consulting, Bloomberg Markets, Chrysler, Exxon, Ford, Forbes, General Motors, Golf Magazine, Harvard Business Review, IBM, Johns-Hopkins, Kensington Publishing, Llewellyn Worldwide, McGraw Hill, NCR, Newsday, Newsweek, New York Times, Peaceable Kingdom Press, Penguin Putnam, Saatchi & Saatchi, Seventeen, Sky and Telescope, Target, US News & World Reports, Utne Reader, Wall Street Journal, Washington Post,

Realism, Maps, People, Fantasy, Book Covers, Infographics

Working in both the UK & America for over twenty years for such editorial clients as The Financial Times, The Spectator, The Guardian and GQ magazine, and for publishers Oxford University Press & Harper Collins. Phil Disley is represented by the David Goldman Agency.

Humorous, surealistic, Wacky, financial, computer, digital, conceptual, portrait, collage, absurd, music, machinery, mechanical , contraption, medical, fun, architecture, Imaginative illustration for corporate, advertising, licensing, publishing and editorial use. Bruno Mallart is represented by the David Goldman Agency.

When he was a boy growing up in New Jersey, Joseph McDermott remembers drawing the panels from his comic books, and creating scenes featuring his favourite cartoon characters. Now based in Philadelphia, he’s doing the same thing as a career and has developed a Lichtenstein-esque style based almost entirely on Silver Age comics.

Before becoming a full time illustrator, he worked in an art museum for eight years. He has a Scottish terrier called Monty, a large collection of vinyl albums, and still loves his comics.

Joseph has a BA in Art History from Messiah College in Pennsylvania and has trained in drawing, painting, sculpture, screen-printing, typography and photography.

In one sense, Joseph works traditionally. He sketches and fine tunes everything first, before colouring and finishing the image. However, all of this is done digitally using the SketchBook Pro application, along with Illustrator and Photoshop.

Joseph’s vintage comic book style will certainly remind you of Lichtenstein’s approach to Pop Art, right down to the replication of ink dot patterns that reflect 20th century printing techniques. In fact, many of the brushes and halftone patterns Joseph uses in his work are of his own design.

Randi is an illustrator and designer who creates hand painted watercolor illustrations and lettering. She earned a BA in fine art and went on to a career in graphic design, art direction and giftware design. Randi was born and raised in Los Angeles where she still lives today. Her bright colors, bold graphics and funky geometrics are inspired by mid century modern design and her California lifestyle.

Alan Berry Rhys is a graphic artist and illustrator home based in Buenos Aires, Argentina. He has been a graphic design professor at Buenos Aires University for 8 years. As an artist, I have produced several solo shows at Buenos Aires (Argentina), Rosario (Argentina), San Francisco (CA, USA) and Santiago de Chile (Chile). In addition, Alan has participated in several combined shows, at Portland (Oregon, USA), Buenos Aires (Argentina), Tandil (Argentina) and Asunción (Paraguay). He has been invited to the last 3 editions of Puma Urban Art in Buenos Aires.
He's worked for a wide range of commercial and commissioned works for brands developing graphic universes and illustrations.
Vintage graphic advertising inspires his work. He loves the look of low-fi printing. It's errors and limitations that give his work a distinctive characteristic. Using screen-printing, risograph and painting, Alan has developed a style based on low quality printing methods of the early graphic advertising. He also has extended work on lettering and typography.
In the search of inspiration of a simpler life he explores craftsmanship lifestyles, such as fishermen, axmen, butchers, carpenters, etc. In addition, he also enjoys exploring popular street graphic.
Alan has worked for brands such as Jack Daniel's, Absolut Vodka, Nike, Puma, Sol Beer, Cinzano, Vans, Oreo, Good Year, Penguin, California Customs, Pilgrim London, BlackFin, Gravedad Zero.