Humorous illustration for editorial, advertising and children's books.

Simple eloquent illustrations that engage, inspire and entertain. Award-winning conceptual illustration

Since graduating in 2009 from Central Saint Martins, with a first class degree in Graphic Design, Helen Friel has been working as a freelance Paper Engineer. Helen both hand cuts and uses technology to produce her pieces. Bridging the gap between two and three dimensions is central to her design practice as well as producing pieces that involve and evoke emotion in the audience. Many of her pieces are stage sets in miniature, creating worlds with layers of card and paper. They are often influenced by an off-beat sense of humour that captions the delicate cut-outs. Her work has been featured in books Papercraft and Papercraft 2. Working from her studio in South London, Helen has produced work for clients including: Vogue UK, Vanity Fair UK, Time, Tatler UK, Tatler Asia, Harrods Magazine, MOO and Men’s Health.

Neil lives and works in Brighton. Since completing a degree and post graduate studies at Middlesex University and Central St. Martins, he has illustrated for a wide range of clients, including; The BBC, Publicis, Caspian Publishing, The Economist, LaSalle Bank, The Financial Times, The Sunday Times, The Guardian, Corbett, New Scientist, Medicus, OUP, The Radio Times, The Telegaph, The Royal Bank of Scotland, Verizon, Virgin Atlantic, Sony, The Washington Post, Bloomsbury, Time Out, Hodder, Design Week, Interbrand, BT, Conran Design.

Stephan Walter lives and works in Zurich where he was born in 1982. Stephan started work in the graphic design world at an advertising agency. During his time at the agency he made up his mind that the only way for him to express his passion in graphic design was for him to become self-employed! Stephan studied Graphic and Media Design at the F&F School for Art and Media Design. After graduating, Stephan pursued his dream. He worked for the F&F School, Freitag AG and for some local bands from Zurich. During this time Stephan was resolving his own style and approach. He quickly developed his own picture language by learning a lot of techniques related to handling alternative design softwares. A year after graduating, Stephan flew to New York to conduct research and development work with Stefan Sagmeister. Stephan has now practiced for six years as an independent illustrator and graphic designer trading under his own brand name of radionacional. Over the last six years Stephan has worked for many clients; many of them in the cultural arena. Stephan's client list includes: David Byrne, Brian Eno, Wired Magazine, Neue Zurcher Zeitung, Columbia University, Volkswagen, die Zeit, Levis, Sagmeister Inc, Elle and many more. Stephan also teaches and lectures at schools for design, mainly in his beloved discipline: Typography!

John S. Dykes lives and works in Sudbury, Massachusetts (near Boston). John works in acrylic, pen and ink and watercolor, collage, and digital. His clients range from editorial and corporate illustration to children's books as well as self generated projects. He has been recognized with awards and other fine kudos from the Society of Illustrators, the Society of Illustrators of Los Angeles, including gold and silver medals, Communication Arts, American Illustration, Print, 3x3 Annual, How Magazine, the AltPick Awards, and Step by Step Graphics.

Francis Livingston was born in Cortez, Colorado and ranks as one of the top American illustrators. His early works, which were influenced by Sargent and Whistler, were painted in a monochromatic style. Upon moving to the San Francisco Bay area he started to experiment with color which led to a fondness for the California and French Impressionists. Francis Livingston lived and painted in San Francisco for 20 years and then five years ago he moved his family to Sun Valley, Idaho, where he developed a deeper appreciation for the west.

Clients Include: Advertising Age, The Atlantic, Billboard, Exhibitor, LA Times, Money, New York Times, Variety, Wall Street Journal, Washington Post, and many more.

Anna Lazareva has wanted to be an illustrator since she was a little girl. She started to study drawing when she was 4. Anna graduated from the University in 2007 where she majored in journalism and the history of art. Her thesis project was about the relationship between editorial illustrations and the articles they are created for. She has attended summer courses at School of Visual Arts and Parsons New School for Design. Anna's source of inspirations are: fashion blogs, vintage photos and her travels around the world. Now she works at her little studio in Moscow, and she would love to work with you.

People, Characters, Business, Love, Conceptual, Black & White, Graphic, Cartoon, Fashion, Political, Charcature, Children, Children's Books, Comic, Comic Conceptual, Painterly, Pen and Ink, Storyboards, Wacky, Whimsical, Line and Wash, Food, Comic Humorous.

Realism, Maps, People, Fantasy, Book Covers, Infographics

Award winning illustrator, Ken Orvidas, creates conceptual images for annual reports, collateral, books, magazines, web and new media for clients in publishing, advertising, design, editioral and music. See an online portfolio and searchable database of stock illustrations.

With over 20 years experience as an Illustrator, Jim has a wide range of styles & skills seen at http://www.jimstarr.com. Jim received his BFA from Carnegie Mellon University in 1982. Today, Jim primarily illustrates electronically, but also continues to work in traditional techniques. My goal in every assignment is to work closely with the designer/art director to come up with a conceptually strong and well designed illustration." Jim has worked for a wide range of clients needs including logos, icons, package design, editorial, corporate, portraits, event posters, and web graphics. Jim works in many different styles including graphic, scratch board, airbrush, woodcut, pastel, paintings, watercolor, pencil, and pen and ink. His work has been accepted into Print magazine, the Society of Illustrators Annual, and the Washington DC. Illustrators Club Annual Exhibit. Fresh,conceptually strong, well designed digital illustration, specializing in archictectural, comic, comic conceptual, comic humorous, conceptual, digital, multiple styles, pen and ink, realism, science, wacky, whimsical, logos , graphic , scratchboard, pastels, paintings, airbrush, speckled, textured, posters, icons, web, art, editorial, corporate, travel, books, children, education, entertainment, games, gaming, gameboards, comic, humorous, design, industrial, industry, manufacturing, labor, infographics, maps, lifestyle, architectural, impressionistic, line with color, line and color, montage, nature, animals, stipple, silhouette, sports, technology, computers, transportation, vacation, wildlife, historical, retro, traditional, wacky, whimsical, scratch board, digital, llustrator, photoshop, painter, collage, black and white, black & white, watercolor, vector, pencil, oil, acrylic, realistic, realism, photo realism, painterly, packaging, package, financial, money, investments, investing, characters, identity, government, political, cartoon, charts, diagrams, business, food, dining, landscapes, medical, magazine, arts, music, childrens books, display, point of purchase, pop, holidays, partys, identity

Jim combines traditional skills, textures, ephemera, objects and digital media in his conceptual collage illustrations. The results are unique and often surreal images.

conceptual, editorial and character design

Intelligent illustration and flash animation for editorial, corporate, advertising and design firms. Keyword search over 1000 stock illustrations available online, direct from artist. Recent clients include: Computer Associates, eQuest, Fujitsu, Hewlett Packard, IBM, Ingram Micro, Ladies' Home Journal, Microsoft, Novell, Oracle, Scholastic, SHRM, Sprint, U.S. News and World Report and many more...

Patrick started his career as a freelance designer after gaining a Degree in Graphics and Illustration with Commendations for Print Making at Kingston University (London) in 1998. Patrick has done high profile work for global clients including: Transport of London, Cingular, Starbucks, Bacardi, Smirnoff, Coca-Cola and Waitrose, which has resulted in him having to work in Japan, Spain, Italy and the USA as well as London, and having his work appear in many more countries across USA, Europe and Asia. This work and exposure has resulted in Patrick's work being has been short-listed for and receiving commendations for a number of awards, including the Marketing Week Design Award for Corporate Design and Illustration, and the Design and Art Direction Award for Corporate Design and Illustration. (Most notably as a result of his work on the Selfridges Annual Report 2003.) He is also regularly featured in Creative review and the UK design press. On top of all of this Patrick has for the last 2 years been a university tutor, passing his skills onto the next generation of up and coming illustration graduates at the Istituto Marangoni – the prestigious Milan founded Fashion University. Patrick's most recent assignments find him as a spokesman for Hewlett Packard Arts Council and consultant for HP on the development of the HP 130 Large Format.

Conceptual illustration combining photos, photo textures and graphic forms. Online portfolio and stock search with over 1800 stock images. Digital. Contemporary. Fresh and fun.

WATERCOLOR, PEN & INK. Client List: Papyrus, American Greetings, International Greetings, Tervis, Georgia Pacific / Dixie Paperware, Creativore, The Tombras Group, Penguin Books, Women's Heath Magazine, Rachael Ray magazine etc.

Peter Strain is an AOI (Association of Illustrators) Critics' Choice Award-winning illustrator based in Belfast.
He specializes in creating carefully composed, hand-rendered illustration and typography and always tries to experiment with texture and mark-making techniques to keep his work evolving.
His work is hugely influenced by film and music and aims to tackle social, political and cultural issues with a highly distinctive hand lettering style, bold imagery and humour.
Clients & Projects include: Land of Giants, Empire, Esquire, Queens Film Theatre, The Ulster Hall, Unilever, Work Style Magazine, Jameson and The University of Ulster.

Conceptual, editorial, graphic illustration. This is one of many styles that Larry works in. Please check out his personal website for much more.

Conceptual graphic illustrations by way of a bold, colorful, and fun approach.... Leo Acadia has created colorful graphic illustrations for a wide range of clients - such as The Wall Street Journal, New York Times, Boston Globe, Time, and Reader's Digest - as well as for book covers, advertising, and pharmaceutical clients. He has earned recognition from The Society of Illustrators, Communication Arts, American Illustration, 3x3 Illustration Annual, and The AltPick awards. More images can be seen at LeoAcadia.com - (link is above).

Illustration for corporate, advertising, licensing, publishing and editorial use. Jim Dryden is represented by the David Goldman Agency.

Michael Sloan creates illustrations for editorial, corporate, advertising, institutional, and publishing clients. His work has been awarded three silver medals from The Society of Illustrators in NYC. He recently spent a year living and working in Hong Kong.

Mark McGinnis is an illustrator and designer based in Brooklyn, NY. Partial client list: The Boston Globe, The New York Times, Business Week, Wall Street Journal, Poetry Foundation, Harvard Business Review, The American Lawyer, Miller McCune, Hanley Wood, SF Weekly, San Diego Union Tribune, Hollywood Reporter, Variety Magazine, Mt. Sinai, Emory University, Southern Poverty Law Center, Northeastern Law magazine, Stanford Social Review, University of California Berkeley, Pacific Standard, Johns Hopkins and Mas Context. Recognition: Communication Arts Illustration Annual 2011, Communication Arts Design Annual 2011, Society of Illustrators Annual 2011, 3x3 Annual 8, 3x3 Annual 7, Creative Quarterly 21

William L. Brown creates bold, colorful drawings highly suitable for digital or print media. His distinctive digital/scratchboard works resemble woodblock prints with a contemporary edge. He excels in conceptual illustration for editorial, advertising, product, and publication markets.

Peter is an award winning illustrator working in advertising and picture books. In the past he has art directed pre-school television series and ads as well as designing for award winning animated films both in Europe and the US. His work has a mid-century appeal with an emphasis on stylised design resulting in a funky and humorous style that makes people smile ... and of course buy things. Peter's work has been featured on Drawn, IllustrationAge and The Little Chimp Society as well as being awarded by American Illustration, The Creative Quarterly Journal and 3X3 Pro-Illustration and Childrens Books showcase.

Whimsical style ideal for kids and grown ups. Graphic Illustration from naive to sophisticated to retro for Corporate, Editorial, Advertising and Children's Books. Clients include: The Grammy Awards, Playboy Jazz Festival, World Wildlife Fund, Ontario Parks, Clarks Shoes UK, Up with Paper, Wall Street Journal Asia, The Washington Post, M.A.D.D., Manpower Inc., OmniPod, Ketchum Canada, Scholastic Books, Penguin Putnam, Skinner House Books, Cambridge University Press UK, Chirp Magazine, Two Peas in a Bucket, Squishy Fish, and Kids' CBC. Digital files can be supplied as vector. KEYWORDS: Children Cute Kids Animals Green Eco Nature Wildlife Fun Whimsical Retro Digital Computer Illustrator Photoshop Fashion Design T Shirt Poster Retail Merchandise Environment Vintage Scrapbooking Tree Growth Chart, foo, beverage, drink, posters, packaging, travel, coffee, wine, business, financial, conceptual, suit, briefcase, retro, madmen, cool

Conceptual/whimsical line drawings, sometimes with collage elements. For editorial, book publishing, corporate, and advertising. Also icons, wearables (Swatch) and animation for web and TV

Conceptual solutions to editorial and corporate assignments. Now offering animation.

The collection of animals were done for Penguin Books Astrology series "Sydney Omarr" The ship drawings were created for the maritime industry. They were drawn on-location during Fleet Week in New york Harbor.

Alex Williamson was born in England in 1973 and now lives and works as an illustrator and Graphic Artist in London. Alex Williamson has a BA Graphic Design (printmaking) from Leeds Metropolitan University and an MA in Communication Design from the RCA. Alex creates original artwork using cut-out, collage and print techniques, combining found ephemera, drawing and photography. His work is concerned with experimental graphic process, fiction and narrative. Alex works on a wide range of commercial commissions and projects in the publishing, corporate, editorial and advertising sectors as well as producing and exhibiting personal experimental work. He also lectures in Design for Interaction and Moving Image on the Graphic Design BA at the London College of Communication. Previous clients include: Vodafone, Science Museum, Lastminute.com, Penguin, MTV, Washington Post, Levis, Havana Club Rum, Tiger Beer, The Guardian, Time Out, Orion, GQ, Macmillan, NatWest, Sony, BBC Radio One, Random House, The Economist, ICM Models, Gartner, McKinsey, Fortune Magazine, The Independent, The Face, Sunday Times, Getty Images, Financial Times, Portobello Books, The New Yorker, Department For Transport and Citigroup. Alex Williamson also works in Moving Image - previous clients have included: MTV, BBC, Channel 4, E4, Chrysalis, October Films, Big Life, Parlophone, Polydor, Rough Trade, Nickelodeon.

Jackdaw is a graphic artist and commercial illustrator who originally trained at the Maidstone College of Art in the UK, graduating with a First Class Honours Degree in Graphic Communication. Originally working from a studio in the East end of London and then Oxford, he has created a body of work for a diverse range of clients globally, in both the advertising and editorial worlds. Creating vibrant images that interweave expressionistic painting and mixed media techniques with hand-drawn elements and photography, the energetic and captivating results are often complex, beautiful and edgy reflections of contemporary culture. Previous clients include: Vodafone, Asahi Beer, Saatchi Advertising USA, Philip Morris Inc, Pfizer Pharmaceutical Inc. USA, The Irish Times, The Guardian, Scholastic Publishing USA, Penguin Books, Carphone Warehouse, Cream, and the Welsh Assembly.

Michael Morgenstern illustrates for many of the leading magazine and book publishers in the United States and around the globe. He was selected as one of the "best 200 illustrators worldwide" and one of the "best 200 digital artists worldwide" by Luerzer's Archive. He has been recognized by Print, American Illustration, Spectrum and Folio. Some of his clients include: The Economist, The Washington Post, The New York Times, Random House, Farrar Strauss and Giroux, Adobe, The Wall Street Journal, and The Chronicle of Higher Education, among many others.

Illustration for corporate, advertising, licensing, publishing and editorial use. James Yang is represented by the David Goldman Agency.

Gayle's work is used in marketing collateral, advertising, editorial, animation, web design and logo and brand development. She welcomes challenges, and she really loves to work with her clients to help them achieve exactly what the need. women

With over 20 years of experience, Marc Tobin produces a wide variety of Creative Imagery ranging from Magazine, Children's Book and Poster Illustrations to Logo Design and Web Graphics.

Award-winning, color-intensive, collaged and textured illustration for Editorial, Book, Corporate and Advertising projects. Former art director turned freelancer, Cathy Gendron survived a near-fatal career in newspapers and the noxious fumes from her painting process to work from her studio in Ann Arbor, Michigan. Clients include: AARP, Anderson Consulting, Bloomberg Markets, Chrysler, Exxon, Ford, Forbes, General Motors, Golf Magazine, Harvard Business Review, IBM, Johns-Hopkins, Kensington Publishing, Llewellyn Worldwide, McGraw Hill, NCR, Newsday, Newsweek, New York Times, Peaceable Kingdom Press, Penguin Putnam, Saatchi & Saatchi, Seventeen, Sky and Telescope, Target, US News & World Reports, Utne Reader, Wall Street Journal, Washington Post,

Phil Marden has published his humorous, edgy, conceptual illustrations in dozens of publications including The New York Times, Newsweek and Fortune. His work has also been animated for TV, commercials, educational films and the feature film, "The Stepford Wives."

Norm Bendell's witty style has been featured in some of the most successful campaigns in the history of advertising. He's won numerous awards for clients in both print and animation as well as for best selling books. Whether it's a large ad campaign, a book or a small spot illustration, Bendell's background in art direction and design helps give him great insight for helping client's to successfully reach their goals. And he takes pride in making it a pleasant experience.

Born in 1977 to an Italian mother and English father James Taylors relationship with pencil and paper started at an early age. James Taylors work is eclectic, with a range of influences from Keiichi Tanaami to Tony Hart. “Eclectic” but always considered. From collage to pure drawing, James Taylors approach and thinking have won him varying clients in the United States and the United Kingdom.

I enjoy rendering objects, real or imagined. I've worked in graphite, air brush, acrylics and oils, with my current work done digitally. I've done work for Nabisco, General Mills, DuPont, 3M, Dole, Dun & Bradstreet, Newsweek, Business Week, Gerber as well as numerous banks, investment firms and publishers both nationally and globally. My work has appeared in numerous Communication Arts Illustration annuals.

With over 16 years experience in the fields of illustration & design, Matt Dartford / Flip CG specialise in the creation of high quality, high resolution artwork for the advertising & entertainment industries. Previous clients include: Sony, Cadbury, American Express, MTV, Virgin, Tesco, Avon, UK Government, Royal Bank of Ireland, The BBC, Financial Times, Nestle, Ministry of Sound, Popular Science, Carlsberg, New Scientist, Esquire,George Wimpy Homes, Cream Recordings, IDG Publishing, Advantage Travel Agents, New State Music, Future Publishing and London Fog Soft Furnishings.

a blending of traditional and digital media with a conceptual focus.

Having started out as a music teacher in public schools, Anne shifted to illustration in 1982, finding the quiet space of her studio a much more peaceful place to work. She has had a variety of clients in both advertising (GTE, ITT, Black & Decker, Nabisco, Dunn & Bradstreet) and editorial (Ladies Home Journal), as well as having illustrated many children's books. She lives in Ohio with her husband Jack, terrier Brody and thoroughbred mare Sitka, whom she trains and rides competitively in dressage.

In 1964 Kathryn (Kathy) Hughes sat next to me (Joe Heiner) in our sixth grade classroom at Ensign Elementary school in Salt Lake City, Utah. While quietly sitting at her desk, Kathy was struck by a ruler hurled at me (I ducked) by our teacher, Mr. Anderson. We became close friends. After the eighth grade, my family moved to Montreal, P.Q. Canada. It was a long time till I saw Kathy again. Kathy's family stayed in Salt Lake City where Kathy later attended East High School. Kathy married, moved to San Francisco and had one son, Michael. After returning to Salt Lake City, Kathy graduated Cum Laude from University of Utah with a BS degree in Social Sciences. She taught nursery school for two years, became a single parent and a secretary for Architects and Planners in Salt Lake City. I attended Beaconsfield High School near Montreal, studied art and photography at Brigham Young University, and Art Center College of Design, married and had two children. I assisted commercial photographers Ed Goldstien and Carl Furuta. I also assisted David Willardson, illustrator, shooting detailed 4X5 photo reference for his airbrush illustrations. Willardson taught me airbrush techniques and helped develop an airbrush / photographic illustration style. My first portfolio of ten photo / illustrations quickly generated assignments from movie studios, advertising agencies, magazines and recording companies. With the help of the same great reps who represented Willardson, assignments came from across the country. This afforded a move back to Utah. Work went well from Utah and I became a single parent. Fifteen years after sitting by Kathy in sixth grade, she married me. We now have five children (combined) and work together in our studio in Alpine, Utah. Our studio continues to create realistic photo / illustration for clients across the country. Kathy is studio manager and stylist. I am photographer / computer illustrator. Early works were a combination of airbrush and silk screen on photographic prints. Current work is digital, a merging of digital photography and computer illustration. We have received numerous awards including The One Show Gold Award and our work is represented in the permanent collection of the New York Museum of Modern Art. Clients include: Lucasfilm, Salisbury Communications, ABC records, Y&R, Foote Cone & Belding, Satchi & Satchi, Merck, McDonalds and Coca Cola. I hope you enjoy our work. Joe Heiner Joe and Kathy Heiner Studio

Eric's paintings are known for strong light and shadow, as well as for rich color and strong draftsmanship. The illustrative work is conceptual, textural and often surreal. Eric also does beautiful people and animal portraits.

The Red Dress is a London based Illustration duo, Olivia Chancellor and Ollie Bland. This husband and wife team met while studying Graphic Design and Illustration at Central St. Martins in 1996. The Red Dress' love for all types of Vintage posters (especially B-Movies) and Pulp Fiction illustration has inspired Olivia and Ollie to join creative forces. Drawing upon over 10 years experience in Fashion, T.V/Film, the Art world, Illustration and Design, The Red Dress produce striking, often dark but humorous images by painting Contemporary Culture in a Retro style. This usually includes bold hand drawn typography. Using Oils and Acrylics as well as computer based painting they can work from sourced photographic images or freestyle.