
Funderburgh, Dan


Webb Creative

Moores, Jeff

Cocotos, Tom

Koelsch, Mike

Prades, Simon
Simon works in analog techniques, such as ink, pencils or watercolor but also digitally, depending on the subject. His work is often a combination of detailed and complex drawings and narrative ideas. Depending on the subject his illustrations can also be rough, spontaneous and moody. He also creates slightly animated versions of his illustrations, which can be used in digital publishing and media.
Simon has worked for clients such as:The New York Times, The New Yorker, HarperCollins, Bloomberg, The Atlantic, Scientific American, Rolling Stone Magazine, Medium.com, The Guardian, New Statesman, VICE, The New Republic, Der Spiegel, Cicero Magazin, Esquire, Empire Magazine, Entertainment weekly, Nike, Ubisoft, BBDO, Ogilvy & Mather, Serviceplan and Y&R.

Wilson, Joe

The Red Dress

Kann, Victoria

tsinganos, jim

Labrooy, Chris

Phillips, Craig

George, Patrick

Webb, Neil

Friel, Helen

Acadia, Leo

Metz, Justin

Baker, Andrew

Herring, Matthew

Williamson, Alex

Dininno, Steve

Taylor, James

Yang, James

Dryden, Jim

Dartford, Matt/FlipCGI

Morgan, Patrick

Elmer, Richard


Ward, Mark

Tharp, Pepper

Goudappel, Aad

Chivers, Sam
Bringing together my love of drawing and geeking out on the computer, these quite often ended up as screen prints. Screen print is a process I’ve grown to love because of the restraints it imposes, I loved trying to create a sense of depth with just three or four layers. Often mistakes would be surprisingly pleasing.
After a while of incubation this work began attracting commercial clients (as I hoped it would) and eventually I made the leap to doing it full time.
My work naturally veers towards that blurry border point between science and nature. Recently I’ve become aware of how much I’m influenced by the countryside in which I live, and my tendency to fictionalise it through drawing.
My ambitions with my work are to keep making it better and continue to evolve as an artist. Presently my output mutated into a two pronged beast; I make these airbrushed sci-fi landscapes and then more hand drawn limited palette pieces – my aim is to carry on joining the dots in between these two styles somehow unifying them more.

Dykes, John S

Gendron, Cathy


Disley, Phil

Mallart, Bruno

Berry Rhys, Alan
He's worked for a wide range of commercial and commissioned works for brands developing graphic universes and illustrations.
Vintage graphic advertising inspires his work. He loves the look of low-fi printing. It's errors and limitations that give his work a distinctive characteristic. Using screen-printing, risograph and painting, Alan has developed a style based on low quality printing methods of the early graphic advertising. He also has extended work on lettering and typography.
In the search of inspiration of a simpler life he explores craftsmanship lifestyles, such as fishermen, axmen, butchers, carpenters, etc. In addition, he also enjoys exploring popular street graphic.
Alan has worked for brands such as Jack Daniel's, Absolut Vodka, Nike, Puma, Sol Beer, Cinzano, Vans, Oreo, Good Year, Penguin, California Customs, Pilgrim London, BlackFin, Gravedad Zero.

Scott, Si
Si’s love of music inspires the flowing nature of his hand-drawn designs, beautifully and precisely executed. He resists limitations in his own work, constantly exploring new techniques. These explorations have led to his development as a paper-cut and tattoo artist, skills which complement his already established talents as a proficient draughtsman. Si’s multi-faceted approach has led him to work across a wide spectrum of projects, from advertising campaigns to branding, publishing to editorial, and interior design to album covers.
Outside of his creative practice Si exhibits his work frequently, offers both art direction and creative consultation to clients, and gives lectures on both his experience as an artist and his knowledge of the industry. His work has been regularly awarded and featured in numerous publications, including being listed in the Best 200 Design Moments Ever by Computer Arts Magazine, and honoured twice in Luerzer's Archive - The Best 200 Illustrators In The World.

Cutler, Dave

Hom, John

Borge, Richard

Bollinger, Peter

Manley, Matt

Vasilakis, Anastasia
Among the numerous prestigious awards Anastasia has been honored with are : The Society of Illustrators, Communication Arts and The Society of Publication Designers.
She has also been honored as a guest lecturer at The International Center of Photography, The New School and School of Visual Arts in New York, as well as The International School of Paris.
Her credentials don't end with the world of print however. She's also active as a graphic designer for Film and Television and has worked with such well known production designers as Laurence Bennett and Linda Burton.
A few of her clients inlude: The NY Times, The Wall Street Journal, LA Times, Time Magazine, Computerworld, CIO Magazine, Rolling Stone, Money Magazine, Showtime, HBO, ESPN, Sundance, SONY Records, Atlantic Records, Levi Strauss and Merck.
Anastasia's fine art paintings are collected internationally. Large scale commissions have been created for venues in Berlin, and City Winery's in Chicago, Nashville and New York City.

Falconer, Sam
Initially working purely by hand, Sam discovered a passion for digital collage in 2010 which later developed into his own unique brand of rich and detailed imagery. This method allows him to develop and turnover complex pieces with diverse character sets in timeframes that suit each client’s needs.
As a big science and technology fan, Sam has developed a strong presence in the field with clients including Nature, Nautilus, New Scientist, The Royal Society of Chemistry, Scientific American and Wired magazine. in 2015 Sam was commissioned by the acclaimed MIT Museum to rework their map designs for the general public.
Other clients include: British Airways, British GQ, Capital, Computer Arts, Deustch Inc, Emirates, The Guardian, The Independent, Intelligent Life, John Hopkins University, M & C Saatchi, Nokia, Reader's Digest, Scholastic, The Spectator, The Telegraph, The Times, The Washington Post.
In 2014 Sam was featured in IdN magazine’s New Faces of Inspiration issue as one of ten leading illustrators in the editorial field. His work was also exhibited in Taoyan city, Taiwan as part of Dpi magazine’s Space Odyssey exhibition.
Sam has a BA in Illustration and Animation from Kingston University and graduated in 2011.

Salerno, Steven

Akgulian, Nishan
