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Friel, Helen

Since graduating in 2009 from Central Saint Martins, with a first class degree in Graphic Design, Helen Friel has been working as a freelance Paper Engineer. Helen both hand cuts and uses technology to produce her pieces. Bridging the gap between two and three dimensions is central to her design practice as well as producing pieces that involve and evoke emotion in the audience. Many of her pieces are stage sets in miniature, creating worlds with layers of card and paper. They are often influenced by an off-beat sense of humour that captions the delicate cut-outs. Her work has been featured in books Papercraft and Papercraft 2. Working from her studio in South London, Helen has produced work for clients including: Vogue UK, Vanity Fair UK, Time, Tatler UK, Tatler Asia, Harrods Magazine, MOO and Men’s Health.

Howell, Sarah

Sarah Howell works mainly with figurative and fashion imagery. Collaborating with photographers, she initiates a work with a collage base, and then scans drawings and paintings with various mixed media techniques to create a textured artwork. This sees photographic collage smattered with graffiti and energized by vivid illustration, creating a dark, often edgy but always beautiful and bright result. Sarah is originally from Sydney, where she studied a Bachelor of Fine Arts in painting. To date, Sarah has had her work featured in many magazines including the Face, Grafik, Tank, Oyster and Gloss, Flaunt, Digit, Computer Arts, Observer Magazine, Maxim, 125 and Dedicate and Illustrated Ape. She has worked closely with record companies such as EMI, Polydor and Universal/ Island and GSL creating album covers and flyers and has also worked closely with the bands art directing and creating stage designs and merchandise. Commissions also include Penguin Books and Orange, Siemens phones, Nike, Bodyshop, Diet Coke, Vodaphone VH1 and MTV and the Grammy Awards, Luella Bartley, PPQ, Topshop and London Fashion Week. She has also created campaigns for Nokia, Martini, Jameson, Procter and Gamble to name a few.

Prades, Simon

Simon Prades, born in 1985 into a german/spanish family is living in Saarbrücken, Germany with his wife and son.Since finishing University with a diploma in Graphic Design, he has been working as a freelance illustrator for clients in Editorial, Publishing, Sports, Advertising and Film.

Simon works in analog techniques, such as ink, pencils or watercolor but also digitally, depending on the subject. His work is often a combination of detailed and complex drawings and narrative ideas. Depending on the subject his illustrations can also be rough, spontaneous and moody. He also creates slightly animated versions of his illustrations, which can be used in digital publishing and media.

Simon has worked for clients such as:The New York Times, The New Yorker, HarperCollins, Bloomberg, The Atlantic, Scientific American, Rolling Stone Magazine, Medium.com, The Guardian, New Statesman, VICE, The New Republic, Der Spiegel, Cicero Magazin, Esquire, Empire Magazine, Entertainment weekly, Nike, Ubisoft, BBDO, Ogilvy & Mather, Serviceplan and Y&R.

Lorenz, Lee

Lee Lorenz has distinguished himself both as a cartoonist and as an expert on humor and laughter throughout the last 60 years. His cartoons are unique yet traditional, with a brush line charged with energy and a punch line always on the mark. Lorenz first published cartoon appeared in Colliers in 1956, and two years later he became a contract contributor to The New Yorker, which has published more than 1,600 of his drawings. He was The New Yorker's art editor for 25 years, from 1973 until 1993, continuing as cartoon editor until 1997. His current clients include The New Yorker, Departures and corporate accounts such as West Jet.

Morgan, Patrick

Patrick started his career as a freelance designer after gaining a Degree in Graphics and Illustration with Commendations for Print Making at Kingston University (London) in 1998. Patrick has done high profile work for global clients including: Transport of London, Cingular, Starbucks, Bacardi, Smirnoff, Coca-Cola and Waitrose, which has resulted in him having to work in Japan, Spain, Italy and the USA as well as London, and having his work appear in many more countries across USA, Europe and Asia. This work and exposure has resulted in Patrick's work being has been short-listed for and receiving commendations for a number of awards, including the Marketing Week Design Award for Corporate Design and Illustration, and the Design and Art Direction Award for Corporate Design and Illustration. (Most notably as a result of his work on the Selfridges Annual Report 2003.) He is also regularly featured in Creative review and the UK design press. On top of all of this Patrick has for the last 2 years been a university tutor, passing his skills onto the next generation of up and coming illustration graduates at the Istituto Marangoni – the prestigious Milan founded Fashion University. Patrick's most recent assignments find him as a spokesman for Hewlett Packard Arts Council and consultant for HP on the development of the HP 130 Large Format.

Von Ulrich, Mark

Mark Von Ulrich earned his BA in design and Illustration from Columbus college of art and design in Columbus, Ohio. He works in the editorial, advertising and publishing fields. Selected clients include Harvard Business, Electronic Business, Playboy and Barnes & Noble. Riley Illustration is his representative.

Bray, Ed

Ed Bray is an illustration graduate of the Rhode Island School of Design. After graduation, he began his illustration career in Minneapolis, Minnesota where he worked for a company on pen and ink and marker layouts. In addition to his commercial assignments, he focused on watercolor landscapes of the Midwest, which were exhibited at the Fuller Museum in Massachusetts. Examples of his illustrations appear in Drawing: Structure and Vision by Fritz Drury and Joanne Stryker © 2008.

Ed is skilled in presentation artwork, such as storyboards and comps, as well as finished illustrations and fine art. His work is featured in American Showcase #23 and the Directory of Illustration website www.behance.net/edBray & www.directoryofillustration.com/edbray.

Ed lives and works as a freelancer in Brockton, Massachusetts and is a member of the Arts League of Lowell. He was featured in a November edition of The Lowell Sun.

Ed is able to work quickly to meet tight deadlines and is available at any time for an assignment.

Clients include iRobot, Gary Sloan Studios Inc., J.Jill, The Fantastical, Riverside Co, Hood, Colonial Life, The Via Group LLC, Urban College of Boston, Supervalu, Wells Fargo Bank, Wilson Leather, BHF Printing, Midway YMCA, Blue Diamond Natural, Tri-District School, Fuller Art Museum, Twenty-First Century Software, Raymond Watson Funeral Home, Harvard Business School, Arthur's Paradise Diner, S&S Auto Repair, City of Holyoke MA, The Public Health Museum, Boston Brake and Tune-Up, Bread & Roses Heritage Committee

Metz, Justin

Trained in technical illustration then went on to become a creative in major ad agency. Technical ability and a creative impulse led me to develop strong cgi and retouching skills for creative concepts. Recent clients: BA, Bradford & Bingley, John West, Pilkington, Lowry Arts, Bloomberg Businessweek, Boston Magazine, John Lewis,

Grundy, Peter

Tilly Northedge and Peter Grundy set up Grundy & Northedge in 1980 because they were both interested in information design. Firstly because it was a totally un-glamorous area of the business which they thought they could change, and secondly because it was less about selling things and more about explaining things which seemed a lot more interesting.
Grundy & Northedge spent twenty six years making information visually interesting and in the process developed a way of drawing simple images to illustrate ideas that became their signature. They called it iconography, pictures that provide information and explain complex things.
When Tilly left design in 2006 Peter Grundy renamed the studio ‘Grundini’ with the intent of more extensive iconographic experimentation, not only for the clients who were in effect already there, but newly for customers, people who would see his work and buy one for there home, office or elsewhere.
Peter Grundy's previous clients include Shell Oil, Moet & Chandon, Royal Mail, The Guardian G2, The Red Bull F1 Team, Men's Health, South West Trains, Hampton Court Palace and Volkswagen.

Hom, John

Children and kids marketing and design with emphasis on children's Illustrations for magazines, annual reports, children books, collateral, advertising and publishing, digital, various 3d, conceptual, dvd and game covers and packaging and character development. Give me a call or send me an email if you like what you see. Thanks for looking!

Baker, Andrew

Andrew Baker is a successful practicing illustrator, with a strong reputation in editorial illustration and poster design. He won a Gold Award for Editorial illustrator from the Association of Illustrators in 2003, and his work has been featured in the Design, New Media and Editorial sections of the AOI Images Annual and in the D&AD annual. His work is seen in most serious newspapers and magazines, from The Guardian to New Scientist, and in on-line environments, shop windows and on posters and book covers. He is primarily concerned with using images for storytelling or conveying messages. Drawing, colour, a love for ephemera and an eye for retro design inform his work. Projects are started with drawing and completed using illustrator and Photoshop in a distinctive way. Much of his work is designed to be seen in sequential form, for example sequences of images for The Economist or the BBC web-site, but he remains passionate about the power of the single key image. Andrew Baker is a graduate of the Royal College of Art and teaches part-time on the illustration course at Middlesex University. He recently curated the SHED exhibition and contributed to Steady Gigs, The Charity Shop Compendium and Doodlearth. Recent clients include: BBH, The Guardian, The Times, Barclays Bank, The Economist, The Radio Times, Diageo, The Spinvox, Harvard Business Review, The Mail on Sunday magazine, Dorling Kindersley, Lloyds, Readers Digest books, The Telegraph, Esterson Associates, Kings College.

Borge, Richard

MUSIC VIDEOS at richardborge.com 3D, digital, conceptual, corporate, editorial, music packaging Also doing animation/motion graphics

Beauregard, Christiane

Christiane Beauregard seems to possess limitless capacity to bring virtual images to life. From delicate emotions to complex technological data.. Christiane is always striving to express her passions through her digital art. Her beginnings in the design department of the Canadian Broadcasting Corporation were important in her artistic evolution. At the outset of the 90's she discovered computers and a certain affinity with vectors. Seduced by these voluptuous curves she adopted this as her principal mode of expression. She also took an interest in animation which let her explore the intersection of traditional and new technology. When she is not drawing she participates in exhibitions or she pursues workshops in theater and dance which are for her a real source of inspiration and creative motivation. www.christianebeauregard.com

Wilson, Joe

Leicester-born Joe Wilson studied at Leeds Metropolitan University, Graduating with a bachelor of arts degree in Graphic Arts and Design in 2007. After a lifetime of drawing and doodling Joe Wilson became serious about being an artist at an early age and has left himself 'no other option'. Joe Wilson took an interest in printmaking at university and studied this heavily in his final year, with a great deal of his work taking the form of screen prints and etchings. This forms the foundation of Joe Wilson's work today, although since finishing university and leaving the print facilities, other ways of creating similar effects have had to be employed. Joe Wilson's work consists of painstakingly detailed, hand-drawn illustrations, usually in fine-line pen or pencil, that are then scanned and edited on the mac. Joe Wilson takes his influence from an array of sources including old engravings, 70s Vinyl covers and surrealist art. Joe Wilson is particularly interested in ideas of evolution, space, and complex constructions. Joe Wilson's unique drawing style attracts a mixture of different clients from editorial to fashion, he has produced work for clients such as: The Guardian, Adidas, 21st Amendment, Mojo magazine, Prospect Magazine, RKCR/Y&R, The Yards, Peter Werth, The Big Chill Festival, and Topshop. With aspirations to establish himself firmly as an illustrator, he hopes to work on many more commercial projects whilst continuing to produce his personal 'thought experiments' for his own pleasure.

Webb Creative

Webb Creative provides concise, graphic illustrations using an aesthetic of flat shape and color to build engaging imagery, from conceptual interpretations, to info graphics.

Dininno, Steve

Steve Dininno has been a top illustrator for more than 30 years. He majored in illustration and graduated with honors from the School of Visual Arts in New York City. A regular contributor for more than a decade to the Wall Street Journal, his work has appeared in literally thousands of publications worldwide for clients that include: Coca Cola, EMI Music Publishing, Bayer Pharmaceuticals, T. Rowe Price, Jaguar, Blue Cross/Blue Shield, Simon & Schuster, Panasonic, Prudential, AT&T, Citibank, TIME Inc., Dupont, and IBM. Dininno is also an award-winning painter and printmaker who is represented by numerous galleries. His fine art has been included in countless national juried exhibitions and is in a multitude of private and corporate collections.

Heiner, Joe & Kathy

In 1964 Kathryn (Kathy) Hughes sat next to me (Joe Heiner) in our sixth grade classroom at Ensign Elementary school in Salt Lake City, Utah. While quietly sitting at her desk, Kathy was struck by a ruler hurled at me (I ducked) by our teacher, Mr. Anderson. We became close friends. After the eighth grade, my family moved to Montreal, P.Q. Canada. It was a long time till I saw Kathy again. Kathy's family stayed in Salt Lake City where Kathy later attended East High School. Kathy married, moved to San Francisco and had one son, Michael. After returning to Salt Lake City, Kathy graduated Cum Laude from University of Utah with a BS degree in Social Sciences. She taught nursery school for two years, became a single parent and a secretary for Architects and Planners in Salt Lake City. I attended Beaconsfield High School near Montreal, studied art and photography at Brigham Young University, and Art Center College of Design, married and had two children. I assisted commercial photographers Ed Goldstien and Carl Furuta. I also assisted David Willardson, illustrator, shooting detailed 4X5 photo reference for his airbrush illustrations. Willardson taught me airbrush techniques and helped develop an airbrush / photographic illustration style. My first portfolio of ten photo / illustrations quickly generated assignments from movie studios, advertising agencies, magazines and recording companies. With the help of the same great reps who represented Willardson, assignments came from across the country. This afforded a move back to Utah. Work went well from Utah and I became a single parent. Fifteen years after sitting by Kathy in sixth grade, she married me. We now have five children (combined) and work together in our studio in Alpine, Utah. Our studio continues to create realistic photo / illustration for clients across the country. Kathy is studio manager and stylist. I am photographer / computer illustrator. Early works were a combination of airbrush and silk screen on photographic prints. Current work is digital, a merging of digital photography and computer illustration. We have received numerous awards including The One Show Gold Award and our work is represented in the permanent collection of the New York Museum of Modern Art. Clients include: Lucasfilm, Salisbury Communications, ABC records, Y&R, Foote Cone & Belding, Satchi & Satchi, Merck, McDonalds and Coca Cola. I hope you enjoy our work. Joe Heiner Joe and Kathy Heiner Studio

Kachik, John

John Kachik is an alumnus and occasional adjunct faculty at the Maryland Institute College of Art where he studied illustration and sculpture. He has been working as a freelance illustrator and fine artist since graduating with honors in 1984. Some of his favorite jobs include work with Shiner Beers, Mini Cooper and Bloomingdale's. His clients include such magazines as Rolling Stone, Forbes, Sports Illustrated, The Wall Street Journal, Business Week and Texas Monthly as well as publishers like Random House, W.W. Norton & Company, and Simon & Schuster. John's work has been honored by Communication Arts, Graphis, Society of Publication Designers, Society of Illustrators, Print Annual, The Los Angeles Society of Illustrators, American Illustration and the One Show. He also has a permanent collection of ten portraits in exhibition at The Caring Foundation, a Smithsonian associated gallery in Washington DC. He has designed a tile mural installation as part of the Art, Architecture Enhancements and Exhibitions at the Baltimore/ Washington International Airport. His work has been twice featured in Step by Step Graphics and The Visual Quickstart Guide to Photoshop by Peachpit Press. When not working at his drawing table, John can be found coaching his daughters in numerous sports with an emphasis on high level competitive girls travel soccer. John makes his home in Sykesville Maryland with his wife Maria and daughters Emily and Isabel, and their dog Mia.

Sprouls, Kevin

Kevin Sprouls introduced the hallmark portrait style to the Wall Street Journal in 1979. Between 1979 and 1987, Kevin worked on staff for the paper, creating illustrations and training artists in the style. At the time of his departure from the daily activity of putting out the paper, he was Assistant Art Director in charge of the in-house artists, which numbered 4-5 staff artists, and 2-3 part-timers.

He has been quite active in the freelance illustration sphere since then, contributing to advertising, publishing, editorial and corporate projects. His style is notable for its high level of detail and traditional, engraving like effect.

Sprouls’ work has been featured in the Smithsonian magazine, a web exhibit of the National Portrait Gallery, and a major exhibit celebrating Columbus Day which was mounted in Grand Central Terminal, New York in 2005. He is currently the principal portrait artist for Worth Magazine. He was the portraitist for the popular Infiniti “Drivers” ad campaign, appearing weekly in the Wall Street Journal for the 2+ years.

Recent work has appeared in Fortune, Forbes, Runner’s World, GQ, Sportrs Illustrated, Time (International Edition), Euroman, and Esquire magazines. Recent book projects include the Encyclopedia of Guilty Pleasures and The Art of Demotivation.

His pen is housed in the Newseum in Washington, D.C. Kevin Sprouls is married with 2 children, and lives in the New Jersey Pine Barrens.

tsinganos, jim

Jim Tsinganos is a Sydney based Illustrator with over 20 years experience who has had 2 working stints in Amsterdam. He is the recipient of numerous awards, both locally and internationally and working primarily with watercolour and photoshop, he is interested in creating work with a strong conceptual basis that will resonate with the viewer. Clients include; nike, time australia, random house, anz bank, westpac bank, amnesty international, sydney opera company, commonwealth bank, houghton mifflin, qantas, konami gaming, sydney morning herald, la times, american express, yaffa publications, cadburies uk.

Rébora, Cecilia

Born in Guadalajara, Mexico, Cecilia Rebora belongs to a creative family of painters, a sculptor, and a wood carver. As long as she can remember, Cecilia could be found with a crayon in her hand. Shortly after beginning her studies in the arts, Cecilia discovered that what she enjoyed most in life was telling stories with pictures. She studied for three years at the Josep Serra I Abella School of Fine Arts in Barcelona. It was there that she truly fell in love with the profession. She has since published 18 children’s books and contributes to a popular children’s magazine called Tareas E Ilustraciones. She and her husband, Luis, have welcomed a new edition to their family named Mateo, a delightful boy who sleeps most of the time. When not illustrating, she enjoys sipping a hot cappuccino and taking in the sun on a chilly morning. Cecilia’s goals are to continue illustrating for a very long time and to always see the smile on her son’s face.

Petit-Roulet, Philippe

Minimalist, expressive, and brilliantly witty, Philippe takes economy of line to new heights. Whether working in animation or cartoons, his linear designs pack a conceptual punch. Combining philosophical genius and squeaky cuteness in a most unusual fashion. His current clients include The New Yorker, New York Times and Simon & Schuster.

Vasilakis, Anastasia

Anastasia Vasilakis is a multi diciplined artist who combines elements of photography with incredible drawing skill to create powerful conceptual illustrations.

Among the numerous prestigious awards Anastasia has been honored with are : The Society of Illustrators, Communication Arts and The Society of Publication Designers.

She has also been honored as a guest lecturer at The International Center of Photography, The New School and School of Visual Arts in New York, as well as The International School of Paris.

Her credentials don't end with the world of print however. She's also active as a graphic designer for Film and Television and has worked with such well known production designers as Laurence Bennett and Linda Burton.

A few of her clients inlude: The NY Times, The Wall Street Journal, LA Times, Time Magazine, Computerworld, CIO Magazine, Rolling Stone, Money Magazine, Showtime, HBO, ESPN, Sundance, SONY Records, Atlantic Records, Levi Strauss and Merck.

Anastasia's fine art paintings are collected internationally. Large scale commissions have been created for venues in Berlin, and City Winery's in Chicago, Nashville and New York City.

Gibbon, Rebecca

Illustrator, Rebecca Gibbon was born in Wales in 1968. The youngest of four children she was fed on a diet of picture books by Edward Ardizzone, Roger Duvoisin & Richard Scarry; she dreamed of being an illustrator. Her favorite book was "Frances Face-Maker" by Tome Ungerer.

Her ambition was realized after gaining a first class Honors degree from John Moors University and consequently a Masters at Royal College of Art, London. While at the RCA she was spotted at a children’s book expo in Paris by a French Agent. Since graduating she has worked all over the globe and is represented in New York by Riley Illustration

Rebecca paints in watercolor ink & cultured pencil, and bases her characters on the people she has met and seen over the years. She used to paint on newsprint until one day she looked back at some old work and it had all faded. Lesson learned she now works on acid free cartridge paper.

She lives with her husband and two boys in what was once the Old Village Stores surrounded by their eclectic collections of vintage children’s books, balloon pumps & 1950's ceramics. She loves junk shops, flea markets, drinking tea & of course drawing.

Clients include Citibank, Barnes & Noble, British Telecom, Whittards, Hank Fisher Properties, Kleenex, IBM, The Post Office, Rail Track, Chicago Zoo, The New Yorker, LA times, Washington Post, Vogue, RadioTimes, Wall Street Journal, Paperchase, Country Living, Scholastic, Galison Publishing N.Y, New Crane Publishing, Harper Collins, Hallmark, Bodley Head, Fourth Estate, Chronicle Books, Hallmark, Nickelodeon, Gaz de France.

Liz Sanders Agency

Since 1985, Liz Sanders Agency has represented an eclectic group of commercial illustrators, each highly specialized in a range of medium: digital, oil, acrylic, pastel and a variety of style: realistic, whimsical, editorial, juvenile. My commitment to personal service and positive relationships has proven well in seeking out the best of art buyers and freshest, most unique talent. My business philosophy is founded on reliability, honesty, practicality and persistence. These attributes combined with effective marketing & promotion has resulted in a thriving business whose client base includes design/advertising firms, magazine/book publishers, and corporations.

Salerno, Steven

Visit stevensalerno.com to view his illustrations for advertising, editorial, product packaging, kids' picture books, etc... click on NEW STUFF to see his latest images. Steven's illustrations have been recognized for excellence by PRINT magazine, Society of Illustrators, The Art Directors Club, and Communications Arts magazine. Since 2000 Steven has also illustrated 25 picture books for children. In 2012 his beautifully illustrated picture book, "Brothers at Bat" (written by Audrey Vernick/Clarion Books) was named a New York Times Book Review Notable Picture Book. Released in 2015: -the picture book, "Wild Child!" -written & illustrated by Steven Salerno/Abrams Books for Young Readers. All the jungle animals try their best to tame the wildest animal of them all. (Abrams Books for Young Readers) -also the picture book, "The Fantastic Ferris Wheel" -written by Betsy Harvey Kraft/Christy Ottaviano Books. With incredible period illustrations by Steven. It's the story of George Ferris and his amazing invention the Ferris Wheel built for the 1893 Chicago World's Fair. Released in 2016: -the picture book, "The Kid from Diamond Street" -written by Audrey Vernick & illustrated by Steven Salerno/ Clarion Books. The true story of Philadelphia girl Edith Houghton who became a professional baseball player in 1922 at age ten! -featuring striking illustrations by Steven. -also the picture book, "Puppy Princess" -written by Sue Fliess & illustrated by Steven Salerno/Little Golden Books (Penguin/Random House). A pampered pup lives a life of luxury. Steven's clients have included AT&T, The New Yorker, The Wall Street Journal, McDonalds, American Express, Royal Bank of Canada, IBM, and United Airlines to name a few. To date he has created thousands of illustrations for nearly 600 various clients in advertising, editorial, publishing, etc... Visit Steven's web site to view portfolios, read full client list, his illustration blog, etc... Steven is a graduate of Parsons School of Design, and lives and works in New York City. -studio: 212.477.5798 -web: stevensalerno.com -email: steven@stevensalerno.com

Wilson, Oscar

Oscar Wilson started working in London in 1996. Specialising in image creation, illustration and hand crafted typography, Oscar Wilson produces work for a wide variety of clients, with commissions from the advertising world, fashion, publishing, film and TV. Previous clients include: Crisis, Fabric, Guinness, Honda, Levi's, MTV, Nike, NME, Orange, Penguin, Sky TV, Stüssy, Transport For London, The Observer, Time Out, Twentieth Century Fox, Virgin Atlantic, Visit London, Volkswagen. Agencies: AMV BBDO, Arnold Worldwide, M&C Saatchi, Mother, RKCR Y&R, Start Creative, WCRS, WWAV Rapp Collins. Oscar Wilson also works collaboratively with (brother) Ben Wilson on 3D and interior projects, under the ‘Wilson Brothers’ banner. Clients for the Wilson Brothers include: Brooks, Honda, Nike, Stüssy Japan.

Donnelly, Peter

Peter is an award winning illustrator working in advertising and picture books. In the past he has art directed pre-school television series and ads as well as designing for award winning animated films both in Europe and the US. His work has a mid-century appeal with an emphasis on stylised design resulting in a funky and humorous style that makes people smile ... and of course buy things. Peter's work has been featured on Drawn, IllustrationAge and The Little Chimp Society as well as being awarded by American Illustration, The Creative Quarterly Journal and 3X3 Pro-Illustration and Childrens Books showcase.

Downard, Barry

Having worked in the advertising, marketing, photography, and allied creative design industries since 1984, Barry Downard's business is based on providing creative visual solutions and concepts (photography, illustrator, artwork and design) to advertising & design agencies, and publishers. Trained as an interior designer, Barry designed houses, shop interiors, exhibition stands and fashion shows, played drums and worked as an art director before drifting into fashion and advertising photography. In 1993, Barry became inspired by the story-telling possibilities of digitally manipulating his photographs, and developed a style of photo-illustration. Barry's technique consists of taking lots of photographs (shot by himself, supplied by client, or stock images), throwing them into a photo-snaffling machine, stirring it up with a healthy dose of fun, and sticking it all together with computer glue.

Dryden, Jim

Illustration for corporate, advertising, licensing, publishing and editorial use. Jim Dryden is represented by the David Goldman Agency.

Spurll, Barbara

Barbara Spurll’s family immigrated to Winnipeg, Canada from London, England, when she was three-and-a half. She always loved to draw, so her mom signed her up for Saturday morning art classes in grade one. Her interest never waned and at sixteen, she signed herself up for life drawing classes where she learned contour line drawing. A few years later, she moved east to Toronto to study fine art at the Artist’s Workshop and the New School of Art. She went on to study design and illustration at George Brown College, where she would later teach illustration part time. Barbara’s professional career began as a freelance illustrator with Jim Harrison, art director at the Toronto Star which led to regular assignments with a variety of newspapers and magazines. It was children’s publisher and designer Kathryn Cole who saw her work and approached her about illustrating “Rhinos for Lunch and Elephants for Supper!”, a re-telling of an African folk tale about a group of animals intimidated by a posturing cave monster. Barbara's most recent work consists of portraits in watercolor.

UNA

UNA studio launched to unite creative thinkers and doers, clients, and audiences together in a way that was remiss from the agency landscape. Working with only the best creatives they produce bold colourful work across a variety of outputs, with all final product being full of expression, personality and movement. The UNA folio has been described as hallucinogenic and refreshingly unique, and they never fail to impress with their imaginations. The UNA folio is varied with particular interests in lifestyle, sport and fashion. Clients include Nike, Bloomberg Pursuits, Covergirl Cosmetics, Audi, ESPN, Red Bull, WIRED, Penguin Books, Random House, French Vogue, BBC, Escada Paris, Maybelline NYC, Nintendo, The London Sunday Times, M.A.C Cosmetics, Bombay Sapphire, Nintendo, With over 20 years cumulative experience UNA understand exactly what their clients need and want, and generate ideas and recruit the right creatives to achieve these. Finally, UNA focuses on the thing at the heart of creativity, The Great Idea (and the execution of it), which is why we’re all here, right?

Calver, Dave

Dave Calver’s successful career in illustration started as soon as he graduated from RI School of Design in 1976. He recently won the Silver medal at Society of Illustrators for his work with NYC MTA, was chosen by Taschen as one of their favorite illustrators in the world for their double volume book “100 Illustrators”, and in the Huffington Post’s review of the book listed as their number 1 artist to check out. Over the years his clients have included American Express, AT&T, Bacardi, Bausch and Lomb, Chicago Tribune, Esquire, Fortune, Los Angeles Times, Microsoft, Mobil, Money, Newsweek, New York Times, New York Magazine, Playboy, Random House, Rolling Stone, Sports Illustrated, Time, Inc., TWA, United Airlines, USA Today, Vanity Fair, Warner Brothers, and The Washington Post, just to name a few. He is at work on his first graphic novel at his Palm Springs CA studio and is represented by Riley Illustration.

Ning, Amy

Born in Tokyo and relocated to the States in 1972. Studied illustration at California State University in Long Beach. Along with her freelance career, she has was selected as a feature illustrator for the Orange County Register Newspaper from 1989 through 2008. Her stylized, decorative and often conceptual art has been recognized in shows of SI, SILA, Print and SND. Her digital illustrations have also been featured in advertising, design firm, and publishing projects, including clients Phizer, Livestrong, Major League Baseball, The Integer Group, Encyclopedia Brittanica, Ths San Diego Union , Clubhouse Jr., Consumer Resports, Houghton Mifflin and many more.

Paraskevas, Michael

Michael Paraskevas, a well known illustrator among magazine art directors, has had his work featured in such prestigious publications as Sports Illustrated, Time, Town & Country and Esquire and has earned numerous awards from industry professionals. Michael has exhibited at Giraffics Gallery in East Hampton (6 one-man shows) and recently showed at the prestigious Southampton Gallery owned by Peter Marcelle. Along with his mother Betty, he published many children’s books over the past 12 years. Their work includes the much loved Tangerine Bear, which was produced as a Christmas Special for ABC in 2000. Other popular works by the pair include Junior Kroll, A Very Kroll Christmas, Shamlanders, The Ferocious Beast, Cecil Bunions, and Chocolate at the Four Seasons. The mother-and-son team’s most well-known project, called Maggie and the Ferocious Beast, was developed for Nick Jr. and is still running on Noggin. It won the prized Gemini Award for best animated show of 2001 in Canada. Paraskevas was educated at School of Visual Arts in New York where he also received his Master’s Degree in Visual Journalism. He divides his time between his home in SouthHampton and LA.

Akgulian, Nishan

Nishan Akgulian’s artwork is a product of his love of gestural drawing and the minimalist aesthetic. Combining expressive brush strokes with carefully designed abstract shapes he always strives to give a visual energy to every image he creates. Throughout his career Nishan has applied his unique artistic vision to a wide variety of visual outlets, including editorial illustration, advertising campaigns, greeting cards, product rendering and fashion illustration, as well as fine art and painting. His work has often been described as whimsical, stylized, expressive, gestural, simple, friendly, fun, and sophisticated.

Eng, Kilian

Kilian Eng creates illustrations rich in color and often with a lot of environmental elements. Kilian creates alternative worlds inspired by interest in both classic and futuristic architecture, surrealism, science fiction, and theatre scenography.

Yang, James

Illustration for corporate, advertising, licensing, publishing and editorial use. James Yang is represented by the David Goldman Agency.

Williams, Dan

I am a graduate of the Royal College of Art and am currently living in London renovating a large old Victorian house and building a magnificent studio. My time is divided between illustration, painting on location and lecturing. For me all 3 disciplines feed each other, keeping me on my toes and keen to explore new uses for my work. Travel is a very important ingredient in all of this and a strong element within much of my work. The last few years I have been traveling in South Eastern Asia, Northern Africa and Europe. I love the insight, excitement and energy of geography and people

Holcroft, John

John studied Graphic Design at Sheffield, England. It was in the mid 90s that he succumbed to the lure of illustration. He started out painting in acrylic on canvas and was influenced by David Cutter and Edward Hopper. Always trying to keep his work fresh, John has reinvented his style half a dozen times since. His latest incarnation is a screen print effect created digitally and inspired from old adverts and packaging from the 50s. John likes to experiment with different markets. The versatile nature of his style allows him to explore more avenues. Mainly working in editorial, John’s past clients include: BBC, Reader’s Digest, Financial Times and The Guardian.

Chivers, Sam

For several years I lead a double life. During the day I worked for a Design/Illustration studio producing work in a wide variety of styles for many different clients. Whilst in my spare time I was exploring more creative preoccupations though self-directed projects, often just enjoying a bit of creative freedom away from the pressures of the commercial world and being told what to do all the time.

Bringing together my love of drawing and geeking out on the computer, these quite often ended up as screen prints. Screen print is a process I’ve grown to love because of the restraints it imposes, I loved trying to create a sense of depth with just three or four layers. Often mistakes would be surprisingly pleasing.

After a while of incubation this work began attracting commercial clients (as I hoped it would) and eventually I made the leap to doing it full time.

My work naturally veers towards that blurry border point between science and nature. Recently I’ve become aware of how much I’m influenced by the countryside in which I live, and my tendency to fictionalise it through drawing.

My ambitions with my work are to keep making it better and continue to evolve as an artist. Presently my output mutated into a two pronged beast; I make these airbrushed sci-fi landscapes and then more hand drawn limited palette pieces – my aim is to carry on joining the dots in between these two styles somehow unifying them more.

Lazareva, Anna

Anna Lazareva has wanted to be an illustrator since she was a little girl. She started to study drawing when she was 4. Anna graduated from the University in 2007 where she majored in journalism and the history of art. Her thesis project was about the relationship between editorial illustrations and the articles they are created for. She has attended summer courses at School of Visual Arts and Parsons New School for Design. Anna's source of inspirations are: fashion blogs, vintage photos and her travels around the world. Now she works at her little studio in Moscow, and she would love to work with you.

Saunders, Robert

Editorial, conceptual, and corporate done in brush line, blending sophisticated elegance with a hint of retro and a dash of wit.

Wilkins, Sarah

Sarah Wilkins is a New Zealand born illustrator.

She spends her time creating illustrations with a unique combination of sharp-eyed visual wit, sophisticated color and graceful hand-lettering.

Working with acrylic, gouache, pen & ink and computer, Sarah's whimsical and elegant style has a refreshingly painterly feel. Her illustrations have been featured around the world in magazines and advertising campaigns, airports, museums, bookstores, on buses, murals, in the metro, as well as on bags, cups, books, toys.........the list goes on.

Sarah's clients include Barnes & Noble, United Airlines, American Express, Pfizer, UNESCO, NYU, Smithsonian, Time Magazine, Yoga Journal, Madame Figaro, The Los Angeles Times, The Boston Globe, Town & Country and The New York Times.

If you'd like to know more about Sarah, her work or interests, please feel free to ask. She enjoys thinking outside the square!

Romani, Paula

I'm an illustrator and designer. My illustrations have a joie de vivre, feminine, modern and fun vibe. My illustrations have appeared in magazines, ads, graphic design materials and products all over the world.

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Tom White / 9 Surf Studios

Tom's work is both classical and contemporary and juxtaposes symbolism, concepts and realistic form to tell a story. His work is a hybrid of illustration, design and photography. The distinctiveness of each is combined to create a contemporary visual solution. Clients range from major international corporations, agencies, design firms and publishers to smaller new businesses, boutique agencies and firms. Specialty areas include business, healthcare, technology, concepts, finance, editorial, etc.

Luczak, Laurie

Conceptual illustration used for editorial, childrens book, advertsing, book covers, design and corporate media. Laurie offers two different styles working in painterly and digital media. Her work has appeared in Communication Arts, Society of Illustrators, American Illustration, Society of Ilustrators LA, & Print. Clients include The New York Times, The US Post Office, AMEX,The Wall St Journal, Continental, AARP, Seventeen and more.

Jackdaw

Jackdaw is a graphic artist and commercial illustrator who originally trained at the Maidstone College of Art in the UK, graduating with a First Class Honours Degree in Graphic Communication. Originally working from a studio in the East end of London and then Oxford, he has created a body of work for a diverse range of clients globally, in both the advertising and editorial worlds. Creating vibrant images that interweave expressionistic painting and mixed media techniques with hand-drawn elements and photography, the energetic and captivating results are often complex, beautiful and edgy reflections of contemporary culture. Previous clients include: Vodafone, Asahi Beer, Saatchi Advertising USA, Philip Morris Inc, Pfizer Pharmaceutical Inc. USA, The Irish Times, The Guardian, Scholastic Publishing USA, Penguin Books, Carphone Warehouse, Cream, and the Welsh Assembly.

The Red Dress

The Red Dress is a London based Illustration duo, Olivia Chancellor and Ollie Bland. This husband and wife team met while studying Graphic Design and Illustration at Central St. Martins in 1996. The Red Dress' love for all types of Vintage posters (especially B-Movies) and Pulp Fiction illustration has inspired Olivia and Ollie to join creative forces. Drawing upon over 10 years experience in Fashion, T.V/Film, the Art world, Illustration and Design, The Red Dress produce striking, often dark but humorous images by painting Contemporary Culture in a Retro style. This usually includes bold hand drawn typography. Using Oils and Acrylics as well as computer based painting they can work from sourced photographic images or freestyle.
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