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Lund, Jon C.

Classic vintage poster style digital art Influenced by everything from travel posters to matchbooks and inspired by some of the great commercial artists of the first half of the last century. Specializing in posters, covers, logos, and lettering for advertising, sales promotion and licensing. Clients include: The NFL, Disney, PGA, Pepsi, Apple computer, Target, Hasbro, The USGA Yum Brands, Ghirardelli, ESPN, Parker Bros., Major League Baseball, Wall St. Journal, Wall Mart, TravelSmith, Bacardi, Wizards of the Coast, Starbucks. . Classic poster style illustration and typography

Pyle, Chuck

Chuck Pyle tells stories with a paintbrush, whether warmhearted Rockwellian scenes, or hardhearted Noir detective stories, he brings a cinematic sense to the scene and setting.

Carey, James

James Carey studied at the London College of Printing, graduating in 2002 with a degree in Graphic Media Design. James Carey's image making combines traditional draughtsmanship with a modern, graphic approach. James works first by hand, and then digitally finesses the separate layers of found imagery, sketched portraiture, and photographic elements, to build intricate narratives and instant visions. James Carey is commissioned for advertising, editorial and fashion work by numerous UK based and international clients including Adidas, Sony, VH1, The NME, GQ, Esquire magazine as well as The Independent, The Times and Intersection Magazine, and leading book imprints. When not undertaking commissioned illustration and graphic work, James paints canvases for exhibition in Los Angeles, Paris and Tokyo.

Salerno, Steven

Visit stevensalerno.com to view his illustrations for advertising, editorial, product packaging, kids' picture books, etc... click on NEW STUFF to see his latest images. Steven's illustrations have been recognized for excellence by PRINT magazine, Society of Illustrators, The Art Directors Club, and Communications Arts magazine. Since 2000 Steven has also illustrated 25 picture books for children. In 2012 his beautifully illustrated picture book, "Brothers at Bat" (written by Audrey Vernick/Clarion Books) was named a New York Times Book Review Notable Picture Book. Released in 2015: -the picture book, "Wild Child!" -written & illustrated by Steven Salerno/Abrams Books for Young Readers. All the jungle animals try their best to tame the wildest animal of them all. (Abrams Books for Young Readers) -also the picture book, "The Fantastic Ferris Wheel" -written by Betsy Harvey Kraft/Christy Ottaviano Books. With incredible period illustrations by Steven. It's the story of George Ferris and his amazing invention the Ferris Wheel built for the 1893 Chicago World's Fair. Released in 2016: -the picture book, "The Kid from Diamond Street" -written by Audrey Vernick & illustrated by Steven Salerno/ Clarion Books. The true story of Philadelphia girl Edith Houghton who became a professional baseball player in 1922 at age ten! -featuring striking illustrations by Steven. -also the picture book, "Puppy Princess" -written by Sue Fliess & illustrated by Steven Salerno/Little Golden Books (Penguin/Random House). A pampered pup lives a life of luxury. Steven's clients have included AT&T, The New Yorker, The Wall Street Journal, McDonalds, American Express, Royal Bank of Canada, IBM, and United Airlines to name a few. To date he has created thousands of illustrations for nearly 600 various clients in advertising, editorial, publishing, etc... Visit Steven's web site to view portfolios, read full client list, his illustration blog, etc... Steven is a graduate of Parsons School of Design, and lives and works in New York City. -studio: 212.477.5798 -web: stevensalerno.com -email: steven@stevensalerno.com

Price, Paul

Paul commenced his art career as a graffiti artist in Liverpool (including legal commissions), but soon found new ways to commercially express his love for art, type and design. Educated in both Liverpool and Buckinghamshire, he gained a degree in Graphic Design and Advertising.

Paul then spent 4 years at MacUser magazine, where he received awards for his Art Direction including Best Designed Business magazine in the Total Publishing Awards. Throughout this time he became well known for his design-led illustration working both for MacUser and other clients.

Paul has spent the last 16 years working as a freelance Creative Director and Illustrator (general art bod…). He has used his compositional skills and dynamic range of styles to work with clients on widely differing projects, from CDs, posters, book covers, brochures, packaging, branding, fine art as well as magazines and the inevitable family projects such as designs for weddings and funerals!

Paul has been featured in various design and art magazines. His work has also appeared in illustration books and he has given talks on his style, techniques and inspiration. Paul has worked with a number of stock libraries and released 5 stock art discs of his illustrations for Getty, which have been best sellers for many years, He has been on numerous judging panels, including, Digital Art Awards for The Association of Photographers and Amnesty International. His illustration work has also appeared in various exhibitions.

Clients include Agfa, Apple, BAE Systems, Barclays, BBC, BT, BP, Coke Cola, Computer Arts, Citroen, EMI Music, EON, Ford, Getty, General Electric, Glaxo, Guardian Newspaper, Hewlett Packard, Logica, Jaguar, Orange(EE), New Scientist, Peugeot, Shell, Vodafone, Virgin and Westfield.

Chivers, Sam

For several years I lead a double life. During the day I worked for a Design/Illustration studio producing work in a wide variety of styles for many different clients. Whilst in my spare time I was exploring more creative preoccupations though self-directed projects, often just enjoying a bit of creative freedom away from the pressures of the commercial world and being told what to do all the time.

Bringing together my love of drawing and geeking out on the computer, these quite often ended up as screen prints. Screen print is a process I’ve grown to love because of the restraints it imposes, I loved trying to create a sense of depth with just three or four layers. Often mistakes would be surprisingly pleasing.

After a while of incubation this work began attracting commercial clients (as I hoped it would) and eventually I made the leap to doing it full time.

My work naturally veers towards that blurry border point between science and nature. Recently I’ve become aware of how much I’m influenced by the countryside in which I live, and my tendency to fictionalise it through drawing.

My ambitions with my work are to keep making it better and continue to evolve as an artist. Presently my output mutated into a two pronged beast; I make these airbrushed sci-fi landscapes and then more hand drawn limited palette pieces – my aim is to carry on joining the dots in between these two styles somehow unifying them more.

Prades, Simon

Simon Prades, born in 1985 into a german/spanish family is living in Saarbrücken, Germany with his wife and son.Since finishing University with a diploma in Graphic Design, he has been working as a freelance illustrator for clients in Editorial, Publishing, Sports, Advertising and Film.

Simon works in analog techniques, such as ink, pencils or watercolor but also digitally, depending on the subject. His work is often a combination of detailed and complex drawings and narrative ideas. Depending on the subject his illustrations can also be rough, spontaneous and moody. He also creates slightly animated versions of his illustrations, which can be used in digital publishing and media.

Simon has worked for clients such as:The New York Times, The New Yorker, HarperCollins, Bloomberg, The Atlantic, Scientific American, Rolling Stone Magazine, Medium.com, The Guardian, New Statesman, VICE, The New Republic, Der Spiegel, Cicero Magazin, Esquire, Empire Magazine, Entertainment weekly, Nike, Ubisoft, BBDO, Ogilvy & Mather, Serviceplan and Y&R.

Kulihin, Vic

Images that inform...explaining the concept visually...transforming complexity into clarity. Illustrations used in how-to and home improvement books, for product advertising and packaging, in textbooks and training materials, in owners and users manuals, for litigation and trial support, and in assembly instructions.

Quon, Mike

Symbols, icons for design and marketing Mike Quon, prolific and eclectic illustrator who first popularized the brushstroke style, works in pen and ink and digitally to create vibrant and evocative images for print, editorial, advertising, brand identity, packaging and promotion. Appreciates the power of art, communication through art, art directors, art buyers and anyone else who loves art.

Garofoli, Viviana

Viviana Garofoli was born in Buenos Aires, Argentina, where she currently lives with her husband, Sergio and two daughters, April and Emma. As a child, her favorite pastime was playing with her watercolors and crayons on big sheets of paper; if asked what she'd want to be when she grows up, Viviana would immediately reply, "a painter". In 1995, she graduated from Escuela National de Bellas Artes Pridiliano Pueyrredon with a degree in fine arts. Initially, she devoted her full attention to fine arts and successfully exhibited at numerous galleries in Buenos Aires. Subsequently, Viviana started illustrating for the editorial and textbook market and also engaged in restoration of pictorial works. But, it was not until 1995 that she decided to dedicate all her time to illustrating children's books. Over the last 15 years, she has illustrated over 20 children's book and contributed many editorial and textbook illustrations in Argentina and Puerto Rico. In her spare time, Viviana enjoys working in her garden, tending to her orchids.

Reddyhoff, Nick

Nick is based in North Norfolk and shares his world with; his wife, Lucinda, his children, Tatiana, Zach, a golden labrador named Porridge and Milton the cat. His work is drawn freehand in illustrator, he has a passion for watches but never has the time. Recent clients include: Natwest, Cat Denim, MacUser, Digit magazine, Micheal Page.

Ben-Ami, Doron

Realistic Illustration done digitially, but with a warm, hand painted look, for animatics, storyboard, comps, book covers, advertising, publishing, and packaging. --Featuring a wide variety of subject matter, including people, children, family, product, sports, food, dining, eating, environment, relationship, nostalgia & retro themes, christmas, santa, home life, dogs, horses, baseball, pharmaceutical, geriatric, romance, love, relationship, landscape, nature, faces, & expressions. Work has been described as, warm, bold, colorful, and graphic. Has been commissioned by ad agencies, publishers, and design & packaging firms nationally. Represented by John Brewster Creative Services. email: creative.svcs@snet.net

Starr, Jim

With over 20 years experience as an Illustrator, Jim has a wide range of styles & skills seen at http://www.jimstarr.com. Jim received his BFA from Carnegie Mellon University in 1982. Today, Jim primarily illustrates electronically, but also continues to work in traditional techniques. My goal in every assignment is to work closely with the designer/art director to come up with a conceptually strong and well designed illustration." Jim has worked for a wide range of clients needs including logos, icons, package design, editorial, corporate, portraits, event posters, and web graphics. Jim works in many different styles including graphic, scratch board, airbrush, woodcut, pastel, paintings, watercolor, pencil, and pen and ink. His work has been accepted into Print magazine, the Society of Illustrators Annual, and the Washington DC. Illustrators Club Annual Exhibit. Fresh,conceptually strong, well designed digital illustration, specializing in archictectural, comic, comic conceptual, comic humorous, conceptual, digital, multiple styles, pen and ink, realism, science, wacky, whimsical, logos , graphic , scratchboard, pastels, paintings, airbrush, speckled, textured, posters, icons, web, art, editorial, corporate, travel, books, children, education, entertainment, games, gaming, gameboards, comic, humorous, design, industrial, industry, manufacturing, labor, infographics, maps, lifestyle, architectural, impressionistic, line with color, line and color, montage, nature, animals, stipple, silhouette, sports, technology, computers, transportation, vacation, wildlife, historical, retro, traditional, wacky, whimsical, scratch board, digital, llustrator, photoshop, painter, collage, black and white, black & white, watercolor, vector, pencil, oil, acrylic, realistic, realism, photo realism, painterly, packaging, package, financial, money, investments, investing, characters, identity, government, political, cartoon, charts, diagrams, business, food, dining, landscapes, medical, magazine, arts, music, childrens books, display, point of purchase, pop, holidays, partys, identity

Reis, Thomas

Tom began work as senior art director for JP Morgan Chase in New York City, shortly after receiving his MFA from the San Francisco Art Institute in 1993. Two years later, he was illustrating for nationally-known publications, including Time magazine, Rolling Stone, the Wall Street Journal, Entertainment Weekly, Sports Illustrated, Business Week, TV Guide, Barron's, Forbes and Smart Money. Corporate clients have included MGM, Dupont and Colgate. Throughout his career, Reis has also worked as a fine artist, producing work with all the refinement that one would expect from a classically trained painter. His paintings are represented in numerous permanent and private collections throughout the United States. Tom currently resides in Atlanta, Georgia. (Text provided courtesy the Museum of Arts and Sciences.)

MacPherson, Bruce

Bruce MacPherson can capture humor in any situation. His expressive and stylized characters are his trademark. His anthropomorphic animals show a range of expressions most humans don't exhibit. Bruce's work lends itself well to editorial, advertising and publishing. Working with him will make you laugh.

Laksman, Martin

Martin Laksman is an illustrator based in Buenos Aires, Argentina. Graduated from the University of Buenos Aires as graphic designer, where he now teachs illustration. For over a decade, he's been working as both illustrator and graphic designer for the local market and abroad for a wide range of clients, that includes Popular Mechanics, Wired, Car & Driver, Fast Co., Fox, Disney, ESPN, Shado, Gawker Media, etc. Influenced in popular culture: music, movies, art and series fuels his every day work with a strong passion for simplicity.

Scott Medlock

Specializing in Life Style, Sports, Entertainment, Celebrity Portraits

Rogers, Paul

Born in Los Angeles, Paul Rogers studied at Art Center College in Pasadena, where he now teaches. An ardent admirer of the great poster artists of the 20th Century, Paul connects with this historical heritage and uses the attributes in a way that is meaningful with current communication trends. His belief that "style is concept" governs his approach and means that he will change the look or feeling of a piece in order to use a language that will communicate in the most effective way. Paul's work spans the disciplines of logo design, portraiture, murals, sports and music themes.

O'Kif, Alejandro

Alejandro Okif lives in Buenos Aires with his creative family, his wife Monica (illustrator), son Sebastian (musician) and daughter, Simona (illustrator and tattoo artist). As a young boy, his father who worked in advertising introduced him to the arts. As a result, he was totally hooked and started drawing immediately. When he was at Facultad de Humanidades y Artes de Rosario, he was drawn to Egon Schiele, Rembrandt, Goya, and Lautrec. As he started working in publishing, he discovered the talented work of some amazing illustrators such as Andre Francois, Quentin Blake, Ronald Searle, and Tomi Ungerer. Alejandro works with different mediums, from acrylics, watercolors, inks, and Photoshop. When not illustrating, he enjoys watching movies, going to concerts, and playing bass guitar with his son Sebastian(though he claims that he is not a good musician).

Park, Jun

For more than 20 years, he has united his design experience and artistic skills to produce creative visual solutions for a host of international clients. Jun's retro illustration style with muted color palettes and simpler-is-better approaches that transports viewers back to the thirties and forties. Jun's retro style work has received multiple honors from such industry leaders as Communication Arts Annual (4 awards), the Society of Illustrators of L.A. (3 awards) and Graphis Poster Annual 2010 gold award.

Cojo

Illustrator portfolio, oriented to hip-hop, Gen-X, ravers style.