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Ching, Tracie

Tracie Ching is an illustrator and graphic designer living and working in Washington, DC. A self-taught digital artist, Tracie specializes in portraiture featuring complex, graphic line work with a limited palette - a tendency-turned-style after years of working in the medium of silkscreen prints.

While commissioned for a wide range of projects including commercial athletic apparel, editorial illustration, and gallery work, Tracie Ching is best known for her alternative movie posters.

Previous clients include 20th Century Fox, Adidas, AMC, CBS, Fortune Magazine, Google, GQ, Marvel, MGM, Redbull, The Guardian, The London Times, TIME, Sony Pictures

Herring, Matthew

Matt uses a montage of found & self-generated graphic material to create assured, vibrant images for the Publishing, Design & Advertising industries. These images are selected from recent projects. They range from book jackets, magazine covers, newspaper features, instore signage, billboard posters, through to direct mail, annual reports & advertising campaigns. The work falls into several stylistic categories. Firstly a traditional collage & photo montage approach used predominantly for editorial work. With other images he’s employed a more graphic approach, using flat colour, vector shapes & simple lines to create a more contemporary feel. Previous clients include: Adobe, Nike, MTV, British Airways, Vanity Fair, Natwest, HSBC, BBC Worldwide, Toyota, Sainsbury’s, BP, Honda, Esquire, Penguin, Corvette, The Times, The Royal Mail, Norwich Union, FT, Computer Arts, which? The Radio Times, Business Week, GQ, Waterstones, IBM, Loaded, Harvard Business Review, RAC, Mojo, Shell, Nasdaq, LloydsTSB, Timeout, 5live, US news, The Guardian, Jeep Chrysler, Harrods, Directline, The Economist.

Nitta, Kazu

Kazushige Nitta graduated from Dokkyo University with a B.A. in economics in 1987 before coming to the United States and enrolling at the School of Visual Arts in New York City. In the same year, he won two prestigious awards presented by The New York Society of Illustrators Scholarship Competition, and The Smithsonian Air & Space Museum. In 1992 he was honored with both the New York Society of Illustrators International Competition Advertising Award and Book Award. Within months after graduating SVA, Kazu landed his first of several children's book assignments at Simon & Schuster. A short time later he was called upon to illustrate Dr. Theodore Geisel's first posthumous book at Random House called "My Many Colored Days". Along with his work on numerous children's and text books, Kazu also focused on developing conceptual imagery for clients including:Amdahl, Bank of America, Consumer Reports, Coopers & Lybrand, Crain's N.Y., EMI, Kempner, Newsweek, Northwest Airlines, PC World, IBM, Swiss Bank,The Wall St. Journal, Parsons School of Design, and Columbus Symphony Orchestra.

Wilson, Joe

Leicester-born Joe Wilson studied at Leeds Metropolitan University, Graduating with a bachelor of arts degree in Graphic Arts and Design in 2007. After a lifetime of drawing and doodling Joe Wilson became serious about being an artist at an early age and has left himself 'no other option'. Joe Wilson took an interest in printmaking at university and studied this heavily in his final year, with a great deal of his work taking the form of screen prints and etchings. This forms the foundation of Joe Wilson's work today, although since finishing university and leaving the print facilities, other ways of creating similar effects have had to be employed. Joe Wilson's work consists of painstakingly detailed, hand-drawn illustrations, usually in fine-line pen or pencil, that are then scanned and edited on the mac. Joe Wilson takes his influence from an array of sources including old engravings, 70s Vinyl covers and surrealist art. Joe Wilson is particularly interested in ideas of evolution, space, and complex constructions. Joe Wilson's unique drawing style attracts a mixture of different clients from editorial to fashion, he has produced work for clients such as: The Guardian, Adidas, 21st Amendment, Mojo magazine, Prospect Magazine, RKCR/Y&R, The Yards, Peter Werth, The Big Chill Festival, and Topshop. With aspirations to establish himself firmly as an illustrator, he hopes to work on many more commercial projects whilst continuing to produce his personal 'thought experiments' for his own pleasure.

Pelavin, Daniel

Lettering and Typographic design from past, present and future to get your message seen, appreciated and remembered. And now, find a selection of Pelavin's original fonts at myfonts.com

Faust, Richard

Richard Faust is rarely without his sketchbook, which can be better described as a visual journal and confessional. Over the years, his bookshelf full of journals have become a source to be mined for interesting ideas and insights. He also draws inspiration from mid-century design, cubism, and folk art. He has been illustrating commercial products for over ten years. After completing his BFA at The Columbus College of Art & Design, he began his career illustrating for magazine and book publishers as well as for the greeting card market. His work was featured in the 2007 Society of Illustrators Annual. His paintings have been exhibited throughout the Cleveland area, including two sold-out solo shows.

Ning, Amy

Born in Tokyo and relocated to the States in 1972. Studied illustration at California State University in Long Beach. Along with her freelance career, she has was selected as a feature illustrator for the Orange County Register Newspaper from 1989 through 2008. Her stylized, decorative and often conceptual art has been recognized in shows of SI, SILA, Print and SND. Her digital illustrations have also been featured in advertising, design firm, and publishing projects, including clients Phizer, Livestrong, Major League Baseball, The Integer Group, Encyclopedia Brittanica, Ths San Diego Union , Clubhouse Jr., Consumer Resports, Houghton Mifflin and many more.

Lazareva, Anna

Anna Lazareva has wanted to be an illustrator since she was a little girl. She started to study drawing when she was 4. Anna graduated from the University in 2007 where she majored in journalism and the history of art. Her thesis project was about the relationship between editorial illustrations and the articles they are created for. She has attended summer courses at School of Visual Arts and Parsons New School for Design. Anna's source of inspirations are: fashion blogs, vintage photos and her travels around the world. Now she works at her little studio in Moscow, and she would love to work with you.

Yule, Susan Hunt

Watercolor-looking digital illustrations of places, maps, and cats.

George, Patrick

Peter Scott's (a.k.a PatrickGeorge) skills of illustration and design are largely concept-driven, clean, punchy and witty. He enjoys working on his own children's books (A drove of bullocks, A filth of starlings, Little Miss Muffet and other rhymes, and Opposites published by PatrickGeorge), but his style works equally well in a corporate and media context. PatrickGeorge’s previous clients include Toyota, GQ, Royal Mail, Houses of Parliament, Kent tourism and The Times. He has also produced a book of names which is a playful typographical treatment of 100 boys and 100 girls names (What's in a name?)

Webb Creative

Webb Creative provides concise, graphic illustrations using an aesthetic of flat shape and color to build engaging imagery, from conceptual interpretations, to info graphics.

Price, Paul

Paul commenced his art career as a graffiti artist in Liverpool (including legal commissions), but soon found new ways to commercially express his love for art, type and design. Educated in both Liverpool and Buckinghamshire, he gained a degree in Graphic Design and Advertising.

Paul then spent 4 years at MacUser magazine, where he received awards for his Art Direction including Best Designed Business magazine in the Total Publishing Awards. Throughout this time he became well known for his design-led illustration working both for MacUser and other clients.

Paul has spent the last 16 years working as a freelance Creative Director and Illustrator (general art bod…). He has used his compositional skills and dynamic range of styles to work with clients on widely differing projects, from CDs, posters, book covers, brochures, packaging, branding, fine art as well as magazines and the inevitable family projects such as designs for weddings and funerals!

Paul has been featured in various design and art magazines. His work has also appeared in illustration books and he has given talks on his style, techniques and inspiration. Paul has worked with a number of stock libraries and released 5 stock art discs of his illustrations for Getty, which have been best sellers for many years, He has been on numerous judging panels, including, Digital Art Awards for The Association of Photographers and Amnesty International. His illustration work has also appeared in various exhibitions.

Clients include Agfa, Apple, BAE Systems, Barclays, BBC, BT, BP, Coke Cola, Computer Arts, Citroen, EMI Music, EON, Ford, Getty, General Electric, Glaxo, Guardian Newspaper, Hewlett Packard, Logica, Jaguar, Orange(EE), New Scientist, Peugeot, Shell, Vodafone, Virgin and Westfield.

Gevry, Claudine

childrens books, greeting cards, pastel, soft pastel, oil pastel, packaging, illustration, posters

Walter, Stephan

Stephan Walter lives and works in Zurich where he was born in 1982. Stephan started work in the graphic design world at an advertising agency. During his time at the agency he made up his mind that the only way for him to express his passion in graphic design was for him to become self-employed! Stephan studied Graphic and Media Design at the F&F School for Art and Media Design. After graduating, Stephan pursued his dream. He worked for the F&F School, Freitag AG and for some local bands from Zurich. During this time Stephan was resolving his own style and approach. He quickly developed his own picture language by learning a lot of techniques related to handling alternative design softwares. A year after graduating, Stephan flew to New York to conduct research and development work with Stefan Sagmeister. Stephan has now practiced for six years as an independent illustrator and graphic designer trading under his own brand name of radionacional. Over the last six years Stephan has worked for many clients; many of them in the cultural arena. Stephan's client list includes: David Byrne, Brian Eno, Wired Magazine, Neue Zurcher Zeitung, Columbia University, Volkswagen, die Zeit, Levis, Sagmeister Inc, Elle and many more. Stephan also teaches and lectures at schools for design, mainly in his beloved discipline: Typography!

Williamson, Alex

Alex Williamson was born in England in 1973 and now lives and works as an illustrator and Graphic Artist in London. Alex Williamson has a BA Graphic Design (printmaking) from Leeds Metropolitan University and an MA in Communication Design from the RCA. Alex creates original artwork using cut-out, collage and print techniques, combining found ephemera, drawing and photography. His work is concerned with experimental graphic process, fiction and narrative. Alex works on a wide range of commercial commissions and projects in the publishing, corporate, editorial and advertising sectors as well as producing and exhibiting personal experimental work. He also lectures in Design for Interaction and Moving Image on the Graphic Design BA at the London College of Communication. Previous clients include: Vodafone, Science Museum, Lastminute.com, Penguin, MTV, Washington Post, Levis, Havana Club Rum, Tiger Beer, The Guardian, Time Out, Orion, GQ, Macmillan, NatWest, Sony, BBC Radio One, Random House, The Economist, ICM Models, Gartner, McKinsey, Fortune Magazine, The Independent, The Face, Sunday Times, Getty Images, Financial Times, Portobello Books, The New Yorker, Department For Transport and Citigroup. Alex Williamson also works in Moving Image - previous clients have included: MTV, BBC, Channel 4, E4, Chrysalis, October Films, Big Life, Parlophone, Polydor, Rough Trade, Nickelodeon.

Baker, Andrew

Andrew Baker is a successful practicing illustrator, with a strong reputation in editorial illustration and poster design. He won a Gold Award for Editorial illustrator from the Association of Illustrators in 2003, and his work has been featured in the Design, New Media and Editorial sections of the AOI Images Annual and in the D&AD annual. His work is seen in most serious newspapers and magazines, from The Guardian to New Scientist, and in on-line environments, shop windows and on posters and book covers. He is primarily concerned with using images for storytelling or conveying messages. Drawing, colour, a love for ephemera and an eye for retro design inform his work. Projects are started with drawing and completed using illustrator and Photoshop in a distinctive way. Much of his work is designed to be seen in sequential form, for example sequences of images for The Economist or the BBC web-site, but he remains passionate about the power of the single key image. Andrew Baker is a graduate of the Royal College of Art and teaches part-time on the illustration course at Middlesex University. He recently curated the SHED exhibition and contributed to Steady Gigs, The Charity Shop Compendium and Doodlearth. Recent clients include: BBH, The Guardian, The Times, Barclays Bank, The Economist, The Radio Times, Diageo, The Spinvox, Harvard Business Review, The Mail on Sunday magazine, Dorling Kindersley, Lloyds, Readers Digest books, The Telegraph, Esterson Associates, Kings College.

Girasole, Alessia

Alessia was born in Milan, Italy where she currently resides. She has been drawing since early childhood and realized early on that she would turn her hobby into a rewarding career as an illustrator. After graduating at the European Institute of Design in Milan, with a major in Illustration and Multimedia Animation, she decided to focus on illustrating for children. During her studies, Alessia was introduced to Corel Painter software and was immediately shocked, amazed, and captured by its unique capabilities. As a result, she decided to give up her palette and paint-brush to completely dedicate herself to the study and exploration of digital art. Nowadays, she spends most of her time with her two favorite and very close mates... her MAC and Neve, a faithful Labrador retriever.

Roberts, Scott

Scott Roberts has been making pictures his whole life and has worked as a freelance illustrator for over 25 years. His bold, graphic illustrations communicate concepts with economical use of imagery and a lack of visual clutter. Awards include The Illustrators Club of Washington, Print's Regional Design Annual, Art Directors Club of Metropolitan Washington, Society of Publication Designers, Society of Illustrators of Los Angeles and Society of Illustrators in New York. Clients include: U.S. News & World Report, New York Times, Wall Street Journal, American Express, Hewlett Packard, IBM, CitiFinancial, Entrepreneur, Southwest Airlines, US Airways, Harvard Business Review, Verizon, Smart Money, Barron's, Forbes, Consumer Report, Washington Post, Johns Hopkins Medicine. Scott lives and works in Bel Air, Maryland.

Tom White / 9 Surf Studios

Tom's work is both classical and contemporary and juxtaposes symbolism, concepts and realistic form to tell a story. His work is a hybrid of illustration, design and photography. The distinctiveness of each is combined to create a contemporary visual solution. Clients range from major international corporations, agencies, design firms and publishers to smaller new businesses, boutique agencies and firms. Specialty areas include business, healthcare, technology, concepts, finance, editorial, etc.

9 Surf Studios / Tom White

9 Surf Studios specializes in typographics and lettering for all media

Jackdaw

Jackdaw is a graphic artist and commercial illustrator who originally trained at the Maidstone College of Art in the UK, graduating with a First Class Honours Degree in Graphic Communication. Originally working from a studio in the East end of London and then Oxford, he has created a body of work for a diverse range of clients globally, in both the advertising and editorial worlds. Creating vibrant images that interweave expressionistic painting and mixed media techniques with hand-drawn elements and photography, the energetic and captivating results are often complex, beautiful and edgy reflections of contemporary culture. Previous clients include: Vodafone, Asahi Beer, Saatchi Advertising USA, Philip Morris Inc, Pfizer Pharmaceutical Inc. USA, The Irish Times, The Guardian, Scholastic Publishing USA, Penguin Books, Carphone Warehouse, Cream, and the Welsh Assembly.

Falconer, Sam

Sam Falconer’s illustrations combining vibrant characters and intricate environments have been commissioned by clients ranging from leading national newspapers to renowned science magazines and universities.

Initially working purely by hand, Sam discovered a passion for digital collage in 2010 which later developed into his own unique brand of rich and detailed imagery. This method allows him to develop and turnover complex pieces with diverse character sets in timeframes that suit each client’s needs.

As a big science and technology fan, Sam has developed a strong presence in the field with clients including Nature, Nautilus, New Scientist, The Royal Society of Chemistry, Scientific American and Wired magazine. in 2015 Sam was commissioned by the acclaimed MIT Museum to rework their map designs for the general public.

Other clients include: British Airways, British GQ, Capital, Computer Arts, Deustch Inc, Emirates, The Guardian, The Independent, Intelligent Life, John Hopkins University, M & C Saatchi, Nokia, Reader's Digest, Scholastic, The Spectator, The Telegraph, The Times, The Washington Post.

In 2014 Sam was featured in IdN magazine’s New Faces of Inspiration issue as one of ten leading illustrators in the editorial field. His work was also exhibited in Taoyan city, Taiwan as part of Dpi magazine’s Space Odyssey exhibition.

Sam has a BA in Illustration and Animation from Kingston University and graduated in 2011.

Eng, Kilian

Kilian Eng creates illustrations rich in color and often with a lot of environmental elements. Kilian creates alternative worlds inspired by interest in both classic and futuristic architecture, surrealism, science fiction, and theatre scenography.

Spurll, Barbara

Barbara Spurll’s family immigrated to Winnipeg, Canada from London, England, when she was three-and-a half. She always loved to draw, so her mom signed her up for Saturday morning art classes in grade one. Her interest never waned and at sixteen, she signed herself up for life drawing classes where she learned contour line drawing. A few years later, she moved east to Toronto to study fine art at the Artist’s Workshop and the New School of Art. She went on to study design and illustration at George Brown College, where she would later teach illustration part time. Barbara’s professional career began as a freelance illustrator with Jim Harrison, art director at the Toronto Star which led to regular assignments with a variety of newspapers and magazines. It was children’s publisher and designer Kathryn Cole who saw her work and approached her about illustrating “Rhinos for Lunch and Elephants for Supper!”, a re-telling of an African folk tale about a group of animals intimidated by a posturing cave monster. Barbara's most recent work consists of portraits in watercolor.

Wilson, Oscar

Oscar Wilson started working in London in 1996. Specialising in image creation, illustration and hand crafted typography, Oscar Wilson produces work for a wide variety of clients, with commissions from the advertising world, fashion, publishing, film and TV. Previous clients include: Crisis, Fabric, Guinness, Honda, Levi's, MTV, Nike, NME, Orange, Penguin, Sky TV, Stüssy, Transport For London, The Observer, Time Out, Twentieth Century Fox, Virgin Atlantic, Visit London, Volkswagen. Agencies: AMV BBDO, Arnold Worldwide, M&C Saatchi, Mother, RKCR Y&R, Start Creative, WCRS, WWAV Rapp Collins. Oscar Wilson also works collaboratively with (brother) Ben Wilson on 3D and interior projects, under the ‘Wilson Brothers’ banner. Clients for the Wilson Brothers include: Brooks, Honda, Nike, Stüssy Japan.

The Red Dress

The Red Dress is a London based Illustration duo, Olivia Chancellor and Ollie Bland. This husband and wife team met while studying Graphic Design and Illustration at Central St. Martins in 1996. The Red Dress' love for all types of Vintage posters (especially B-Movies) and Pulp Fiction illustration has inspired Olivia and Ollie to join creative forces. Drawing upon over 10 years experience in Fashion, T.V/Film, the Art world, Illustration and Design, The Red Dress produce striking, often dark but humorous images by painting Contemporary Culture in a Retro style. This usually includes bold hand drawn typography. Using Oils and Acrylics as well as computer based painting they can work from sourced photographic images or freestyle.

Phillips, Craig

Craig phillips has been providing illustrations to the publishing and advertising industries in the United States, Australia and Europe for over a decade. He has created book jackets and interior art for Random House, Penguin, Scholastic, Simon & Schuster, Hachette Book Group, TOR Books, Wizards Of The Coast, Oxford University Press and many more. He has created tour posters for Red Hot Chili Peppers, Queens of the Stone Age and Foo Fighters and provided editorial work to many publications including Rolling Stone Magazine. His work has been included in art annuals such as Spectrum 13, 14, 15, 16, 17 and 18, Society Of Illustrators 53, Luerzers 200 Best Illustrators Worldwide, The Art Of Modern Rock, A Fistful Of Rock, Creative Quarterly 16 and 23. Work has also been exhibited at the Society of Illustrators 53 Book Illustration exhibition in New York, the 2nd Spectrum exhibition at the Museum of American Illustration, a group exhibition at the Erskine gallery in Sydney and a solo exhibition at the University of Arkansas in Florida.

Friel, Helen

Since graduating in 2009 from Central Saint Martins, with a first class degree in Graphic Design, Helen Friel has been working as a freelance Paper Engineer. Helen both hand cuts and uses technology to produce her pieces. Bridging the gap between two and three dimensions is central to her design practice as well as producing pieces that involve and evoke emotion in the audience. Many of her pieces are stage sets in miniature, creating worlds with layers of card and paper. They are often influenced by an off-beat sense of humour that captions the delicate cut-outs. Her work has been featured in books Papercraft and Papercraft 2. Working from her studio in South London, Helen has produced work for clients including: Vogue UK, Vanity Fair UK, Time, Tatler UK, Tatler Asia, Harrods Magazine, MOO and Men’s Health.

Talbot, Myles

Myles's illustrations have been used for advertising campaigns, food packaging, editorial, digital media, billboards and murals. He is very adaptable, and produces different types of work from simple info-graphics to highly accurate technical and full color realism. Every commission is delivered on time and to budget.

Wiemann, Roy

Roy creates dynamic digital images out of his NYC studio that meld a love of color with concept for clients such as Saatchi & Saatchi, TIME, Inc, Grey Advertising, HBO, New York Times, CHASE, GigaPan, Springer-Verlag, TIAA-CREF, The New Yorker, IBM, Smithsonian, NYU, Procter & Gamble, AT&T, McGraw-Hill, MSNBC among others. His art has appeared in American Illustration, Communication Arts and HOW magazine. Keywords: architecture, business, charts, conceptual, corporate, design, digital_3D, editorial, infographics, maps, photo collage, publishing, realism, science, stylized realism, technology, text, trade

Morgan, Patrick

Patrick started his career as a freelance designer after gaining a Degree in Graphics and Illustration with Commendations for Print Making at Kingston University (London) in 1998. Patrick has done high profile work for global clients including: Transport of London, Cingular, Starbucks, Bacardi, Smirnoff, Coca-Cola and Waitrose, which has resulted in him having to work in Japan, Spain, Italy and the USA as well as London, and having his work appear in many more countries across USA, Europe and Asia. This work and exposure has resulted in Patrick's work being has been short-listed for and receiving commendations for a number of awards, including the Marketing Week Design Award for Corporate Design and Illustration, and the Design and Art Direction Award for Corporate Design and Illustration. (Most notably as a result of his work on the Selfridges Annual Report 2003.) He is also regularly featured in Creative review and the UK design press. On top of all of this Patrick has for the last 2 years been a university tutor, passing his skills onto the next generation of up and coming illustration graduates at the Istituto Marangoni – the prestigious Milan founded Fashion University. Patrick's most recent assignments find him as a spokesman for Hewlett Packard Arts Council and consultant for HP on the development of the HP 130 Large Format.

Lund, Jon C.

Classic vintage poster style digital art Influenced by everything from travel posters to matchbooks and inspired by some of the great commercial artists of the first half of the last century. Specializing in posters, covers, logos, and lettering for advertising, sales promotion and licensing. Clients include: The NFL, Disney, PGA, Pepsi, Apple computer, Target, Hasbro, The USGA Yum Brands, Ghirardelli, ESPN, Parker Bros., Major League Baseball, Wall St. Journal, Wall Mart, TravelSmith, Bacardi, Wizards of the Coast, Starbucks. . Classic poster style illustration and typography

Beauregard, Christiane

Christiane Beauregard seems to possess limitless capacity to bring virtual images to life. From delicate emotions to complex technological data.. Christiane is always striving to express her passions through her digital art. Her beginnings in the design department of the Canadian Broadcasting Corporation were important in her artistic evolution. At the outset of the 90's she discovered computers and a certain affinity with vectors. Seduced by these voluptuous curves she adopted this as her principal mode of expression. She also took an interest in animation which let her explore the intersection of traditional and new technology. When she is not drawing she participates in exhibitions or she pursues workshops in theater and dance which are for her a real source of inspiration and creative motivation. www.christianebeauregard.com

Petit-Roulet, Philippe

Minimalist, expressive, and brilliantly witty, Philippe takes economy of line to new heights. Whether working in animation or cartoons, his linear designs pack a conceptual punch. Combining philosophical genius and squeaky cuteness in a most unusual fashion. His current clients include The New Yorker, New York Times and Simon & Schuster.

Yang, James

Illustration for corporate, advertising, licensing, publishing and editorial use. James Yang is represented by the David Goldman Agency.

Holcroft, John

John studied Graphic Design at Sheffield, England. It was in the mid 90s that he succumbed to the lure of illustration. He started out painting in acrylic on canvas and was influenced by David Cutter and Edward Hopper. Always trying to keep his work fresh, John has reinvented his style half a dozen times since. His latest incarnation is a screen print effect created digitally and inspired from old adverts and packaging from the 50s. John likes to experiment with different markets. The versatile nature of his style allows him to explore more avenues. Mainly working in editorial, John’s past clients include: BBC, Reader’s Digest, Financial Times and The Guardian.

Crawford, Allen

Allen and his wife Susan founded the design and illustration studio Plankton Art Co. in 1996. Their studio’s most notable project to date is the collection of 400 species identification illustrations that are on permanent display at the American Museum of Natural History’s Milstein Hall of Ocean Life in New York. Allen’s award-winning book, Whitman Illuminated: Song of Myself (Tin House Books [US], Jonathan Cape [UK]) is an illustrated, hand-lettered, 256-page edition of Walt Whitman’s epic poem. The book won Best of Show in 3×3 Magazine‘s International Illustration Show 2015, and a Gold Medal in Society of Illustrators 58.

Christoph, Jamey

A "Sunshine State" native, Jamey Christoph studied illustration at the Ringling School of Art and Design in Sarasota, Florida. His stylish illustrations appear regularly in major newspapers,and magazines and have received multiple recognitions from the Society of Illustrators and Communication Arts. After many years in Cleveland's historic Ohio City neighborhood, he and his partner Brad moved to Annapolis MD. Their dogs, Spencer and Owen are always ready for a walk.

Rogers, Jeff

Jeff Rogers is a multidisciplinary designer and illustrator specializing in custom lettering of all shapes and sizes. Stocking his Brooklyn studio with paint brushes, pens, markers, and a couple of humongous computers, he creates unique and joyful work for a wide range of smart clients.

Minick, Samuel A.

Minick uses bold pen-like lines, thoughtful composition and a saturated palette. Sam has sixteen years of experience as a freelance illustrator and eight years as a graphic journalist. He has created work for Volkswagen, Kelloggs, Field & Stream, Smithsonian Magazine, Ringling Museum and Adobe. His tenure in the newsroom makes him a reliable resource for dynamic, accurate and integral visuals on tight deadlines.

Strain, Peter

Peter Strain is an AOI (Association of Illustrators) Critics' Choice Award-winning illustrator based in Belfast.
He specializes in creating carefully composed, hand-rendered illustration and typography and always tries to experiment with texture and mark-making techniques to keep his work evolving.
His work is hugely influenced by film and music and aims to tackle social, political and cultural issues with a highly distinctive hand lettering style, bold imagery and humour.
Clients & Projects include: Land of Giants, Empire, Esquire, Queens Film Theatre, The Ulster Hall, Unilever, Work Style Magazine, Jameson and The University of Ulster.

Crawford, Susan

After giving marine biology a try in college, Susan decided to fall back on a more stable and lucrative profession: illustration. With her artist/writer husband Allen Crawford, she formed Plankton Art Company in 1999. Susan's stylized, graceful forms are largely inspired by nature and mid-century modernism. She has worked for Target, Warner Bros., Chronicle Books, Knopf, Ride Snowboards, Hasbro, National Geographic Kids Magazine, Discovery Channel and The Smithsonian National Zoo. The most ambitious project she's ever worked on was a series of 400 hand-rendered identification key illustrations of fish, plants and other undersea creatures for The American Museum of Natural History's Milstein Hall of Ocean Life, where her drawings are on permanent display. Susan's paintings and drawings have been exhibited at numerous galleries, most notably Jonathan LeVine Gallery in Chelsea. She lives in a historic Quaker town in Central New Jersey, where she often goes on kayak trips in the Pine Barrens to look for tree frogs and orchids.

Zivoin, Jennifer

Jennifer Zivoin is a children's book illustrator living in Carmel, Indiana. Although she has been trained in media ranging from figure drawing to virtual reality, her passion is bringing stories to life through her paintings. Jennifer earned her Bachelor of Arts degree with highest distinction from the honors division of Indiana University. She then began her professional career as a graphic designer, and later became a creative director at a multimedia design company. Today, she enjoys living out her dream of creating art for children's books. In addition to illustrating, Jennifer's hobbies include reading, baking, biking and ballroom dancing, especially tango!

Baviera, Rocco

Graphic Illustration for Corporate, Editorial, Advertising and Children's Books. Clients include: The Grammy Awards, Playboy Jazz Festival, Wall Street Journal Asia, The Washington Post, Expenience Life Magazine, M.A.D.D., Manpower Inc., OmniPod, Syngenta, Ketchum Canada Inc., World Wildlife Fund, Ontario Parks, Clarks Shoes UK, Up with Paper, Scholastic Books, Penguin Putnam, Skinner House Books, Cambridge University Press UK, Chirp Magazine, Two Peas in a Bucket,, and Kids' CBC. Digital files can be supplied as vector. KEYWORDS: Animals Green Eco Nature Wildlife Fun Whimsical Retro Digital Computer Illustrator Photoshop Fashion Design T Shirt Poster Retail Merchandise Environment Vintage Scrapbooking, food, beverage, drink, posters, packaging, travel, coffee, wine, business, financial, conceptual, suit, briefcase, retro, madmen, cool, Children Cute Kids

Robertson, Michael

Born and raised in northern Ohio, Michael graduated from Bowling Green State University with a degree in painting. He spent ten years as a toy designer and character developer, before trying his hand at illustration. His work has appeared on many children's products, greeting cards and magazines, and has been recognized by the Society of Illustrators. An avid collector of mid-century art and design since the 80's, Michael's vast array of influences include many modern masters such as Calder and Miro, as well as illustrators like Jim Flora, Alice and Martin Provensen, and Mary Bair. Michael lives in a spacious industrial warehouse loft in downtown Cleveland, where he enjoys painting, cooking and listening to the extensive collection of vintage soul, jazz, and Brazilian music he has acquired over the years.

UNA

UNA studio launched to unite creative thinkers and doers, clients, and audiences together in a way that was remiss from the agency landscape. Working with only the best creatives they produce bold colourful work across a variety of outputs, with all final product being full of expression, personality and movement. The UNA folio has been described as hallucinogenic and refreshingly unique, and they never fail to impress with their imaginations. The UNA folio is varied with particular interests in lifestyle, sport and fashion. Clients include Nike, Bloomberg Pursuits, Covergirl Cosmetics, Audi, ESPN, Red Bull, WIRED, Penguin Books, Random House, French Vogue, BBC, Escada Paris, Maybelline NYC, Nintendo, The London Sunday Times, M.A.C Cosmetics, Bombay Sapphire, Nintendo, With over 20 years cumulative experience UNA understand exactly what their clients need and want, and generate ideas and recruit the right creatives to achieve these. Finally, UNA focuses on the thing at the heart of creativity, The Great Idea (and the execution of it), which is why we’re all here, right?

Vasilakis, Anastasia

Anastasia Vasilakis is a multi diciplined artist who combines elements of photography with incredible drawing skill to create powerful conceptual illustrations.

Among the numerous prestigious awards Anastasia has been honored with are : The Society of Illustrators, Communication Arts and The Society of Publication Designers.

She has also been honored as a guest lecturer at The International Center of Photography, The New School and School of Visual Arts in New York, as well as The International School of Paris.

Her credentials don't end with the world of print however. She's also active as a graphic designer for Film and Television and has worked with such well known production designers as Laurence Bennett and Linda Burton.

A few of her clients inlude: The NY Times, The Wall Street Journal, LA Times, Time Magazine, Computerworld, CIO Magazine, Rolling Stone, Money Magazine, Showtime, HBO, ESPN, Sundance, SONY Records, Atlantic Records, Levi Strauss and Merck.

Anastasia's fine art paintings are collected internationally. Large scale commissions have been created for venues in Berlin, and City Winery's in Chicago, Nashville and New York City.

Gibbon, Rebecca

Illustrator, Rebecca Gibbon was born in Wales in 1968. The youngest of four children she was fed on a diet of picture books by Edward Ardizzone, Roger Duvoisin & Richard Scarry; she dreamed of being an illustrator. Her favorite book was "Frances Face-Maker" by Tome Ungerer.

Her ambition was realized after gaining a first class Honors degree from John Moors University and consequently a Masters at Royal College of Art, London. While at the RCA she was spotted at a children’s book expo in Paris by a French Agent. Since graduating she has worked all over the globe and is represented in New York by Riley Illustration

Rebecca paints in watercolor ink & cultured pencil, and bases her characters on the people she has met and seen over the years. She used to paint on newsprint until one day she looked back at some old work and it had all faded. Lesson learned she now works on acid free cartridge paper.

She lives with her husband and two boys in what was once the Old Village Stores surrounded by their eclectic collections of vintage children’s books, balloon pumps & 1950's ceramics. She loves junk shops, flea markets, drinking tea & of course drawing.

Clients include Citibank, Barnes & Noble, British Telecom, Whittards, Hank Fisher Properties, Kleenex, IBM, The Post Office, Rail Track, Chicago Zoo, The New Yorker, LA times, Washington Post, Vogue, RadioTimes, Wall Street Journal, Paperchase, Country Living, Scholastic, Galison Publishing N.Y, New Crane Publishing, Harper Collins, Hallmark, Bodley Head, Fourth Estate, Chronicle Books, Hallmark, Nickelodeon, Gaz de France.

Taylor, James

Born in 1977 to an Italian mother and English father James Taylors relationship with pencil and paper started at an early age. James Taylors work is eclectic, with a range of influences from Keiichi Tanaami to Tony Hart. “Eclectic” but always considered. From collage to pure drawing, James Taylors approach and thinking have won him varying clients in the United States and the United Kingdom.
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