Tracie Ching is an illustrator and graphic designer living and working in Washington, DC. A self-taught digital artist, Tracie specializes in portraiture featuring complex, graphic line work with a limited palette - a tendency-turned-style after years of working in the medium of silkscreen prints.

While commissioned for a wide range of projects including commercial athletic apparel, editorial illustration, and gallery work, Tracie Ching is best known for her alternative movie posters.

Previous clients include 20th Century Fox, Adidas, AMC, CBS, Fortune Magazine, Google, GQ, Marvel, MGM, Redbull, The Guardian, The London Times, TIME, Sony Pictures

Lettering and Typographic design from past, present and future to get your message seen, appreciated and remembered. And now, find a selection of Pelavin's original fonts at myfonts.com

Alejandro Okif lives in Buenos Aires with his creative family, his wife Monica (illustrator), son Sebastian (musician) and daughter, Simona (illustrator and tattoo artist). As a young boy, his father who worked in advertising introduced him to the arts. As a result, he was totally hooked and started drawing immediately. When he was at Facultad de Humanidades y Artes de Rosario, he was drawn to Egon Schiele, Rembrandt, Goya, and Lautrec. As he started working in publishing, he discovered the talented work of some amazing illustrators such as Andre Francois, Quentin Blake, Ronald Searle, and Tomi Ungerer. Alejandro works with different mediums, from acrylics, watercolors, inks, and Photoshop. When not illustrating, he enjoys watching movies, going to concerts, and playing bass guitar with his son Sebastian(though he claims that he is not a good musician).

Born in Tokyo and relocated to the States in 1972. Studied illustration at California State University in Long Beach. Along with her freelance career, she has was selected as a feature illustrator for the Orange County Register Newspaper from 1989 through 2008. Her stylized, decorative and often conceptual art has been recognized in shows of SI, SILA, Print and SND. Her digital illustrations have also been featured in advertising, design firm, and publishing projects, including clients Phizer, Livestrong, Major League Baseball, The Integer Group, Encyclopedia Brittanica, Ths San Diego Union , Clubhouse Jr., Consumer Resports, Houghton Mifflin and many more.

Peter Scott's (a.k.a PatrickGeorge) skills of illustration and design are largely concept-driven, clean, punchy and witty. He enjoys working on his own children's books (A drove of bullocks, A filth of starlings, Little Miss Muffet and other rhymes, and Opposites published by PatrickGeorge), but his style works equally well in a corporate and media context. PatrickGeorge’s previous clients include Toyota, GQ, Royal Mail, Houses of Parliament, Kent tourism and The Times. He has also produced a book of names which is a playful typographical treatment of 100 boys and 100 girls names (What's in a name?)

Webb Creative provides concise, graphic illustrations using an aesthetic of flat shape and color to build engaging imagery, from conceptual interpretations, to info graphics.

Chris Lyons is an Illustrator, gardener, and pass-first point guard. And hopelessly addicted to all three things. He loves to do great work for great clients. In the last few months that’s been: Conde Nast Traveler, American Express, Target, Penguin Publishing, Chicago Magazine, Monocle Magazine (London), Scholastic, Chicago Tribune, McCann Erickson, LA Magazine, Cramer-Kressalt, AirTran, Smart Money, Utne Reader, The New York Times, Bicycling Magazine, Texas Monthly and AARP to name a few. His work has appeared with some regularity in the CA Illustration Annual, American Illustration, 3x3 and Creative Quarterly. He is also on the Adjunct Faculty of The School of Design at RIT.

Paul commenced his art career as a graffiti artist in Liverpool (including legal commissions), but soon found new ways to commercially express his love for art, type and design. Educated in both Liverpool and Buckinghamshire, he gained a degree in Graphic Design and Advertising.

Paul then spent 4 years at MacUser magazine, where he received awards for his Art Direction including Best Designed Business magazine in the Total Publishing Awards. Throughout this time he became well known for his design-led illustration working both for MacUser and other clients.

Paul has spent the last 16 years working as a freelance Creative Director and Illustrator (general art bod…). He has used his compositional skills and dynamic range of styles to work with clients on widely differing projects, from CDs, posters, book covers, brochures, packaging, branding, fine art as well as magazines and the inevitable family projects such as designs for weddings and funerals!

Paul has been featured in various design and art magazines. His work has also appeared in illustration books and he has given talks on his style, techniques and inspiration. Paul has worked with a number of stock libraries and released 5 stock art discs of his illustrations for Getty, which have been best sellers for many years, He has been on numerous judging panels, including, Digital Art Awards for The Association of Photographers and Amnesty International. His illustration work has also appeared in various exhibitions.

Clients include Agfa, Apple, BAE Systems, Barclays, BBC, BT, BP, Coke Cola, Computer Arts, Citroen, EMI Music, EON, Ford, Getty, General Electric, Glaxo, Guardian Newspaper, Hewlett Packard, Logica, Jaguar, Orange(EE), New Scientist, Peugeot, Shell, Vodafone, Virgin and Westfield.

Kim Johnson studied at the Corcoran School of Art before beginning a career as a graphic designer. After designing one corporate brochure too many, she thought it would be more fun to be an animator, which was indeed the case. She subsequently moved on to designing and directing animation for television commercials and program openings, such as "The Nanny" and "The Rosy O'Donnell Show". This was even more fun than animating had been, as she was now able to boss around numerous talented persons. She currently lives in suburban Connecticut, with her family, including two daughters who boss her around mercilessly. Poetic justice? Perhaps. Her illustrative style today reflects her roots in animation, and includes her own animated work..

Stephan Walter lives and works in Zurich where he was born in 1982. Stephan started work in the graphic design world at an advertising agency. During his time at the agency he made up his mind that the only way for him to express his passion in graphic design was for him to become self-employed! Stephan studied Graphic and Media Design at the F&F School for Art and Media Design. After graduating, Stephan pursued his dream. He worked for the F&F School, Freitag AG and for some local bands from Zurich. During this time Stephan was resolving his own style and approach. He quickly developed his own picture language by learning a lot of techniques related to handling alternative design softwares. A year after graduating, Stephan flew to New York to conduct research and development work with Stefan Sagmeister. Stephan has now practiced for six years as an independent illustrator and graphic designer trading under his own brand name of radionacional. Over the last six years Stephan has worked for many clients; many of them in the cultural arena. Stephan's client list includes: David Byrne, Brian Eno, Wired Magazine, Neue Zurcher Zeitung, Columbia University, Volkswagen, die Zeit, Levis, Sagmeister Inc, Elle and many more. Stephan also teaches and lectures at schools for design, mainly in his beloved discipline: Typography!

Check it out! 2-D, 3-D collage, digital illustration, stock, NEW work and Gift Gallery!

Alex Williamson was born in England in 1973 and now lives and works as an illustrator and Graphic Artist in London. Alex Williamson has a BA Graphic Design (printmaking) from Leeds Metropolitan University and an MA in Communication Design from the RCA. Alex creates original artwork using cut-out, collage and print techniques, combining found ephemera, drawing and photography. His work is concerned with experimental graphic process, fiction and narrative. Alex works on a wide range of commercial commissions and projects in the publishing, corporate, editorial and advertising sectors as well as producing and exhibiting personal experimental work. He also lectures in Design for Interaction and Moving Image on the Graphic Design BA at the London College of Communication. Previous clients include: Vodafone, Science Museum, Lastminute.com, Penguin, MTV, Washington Post, Levis, Havana Club Rum, Tiger Beer, The Guardian, Time Out, Orion, GQ, Macmillan, NatWest, Sony, BBC Radio One, Random House, The Economist, ICM Models, Gartner, McKinsey, Fortune Magazine, The Independent, The Face, Sunday Times, Getty Images, Financial Times, Portobello Books, The New Yorker, Department For Transport and Citigroup. Alex Williamson also works in Moving Image - previous clients have included: MTV, BBC, Channel 4, E4, Chrysalis, October Films, Big Life, Parlophone, Polydor, Rough Trade, Nickelodeon.

Ben Perini [creative artist] realistic illustration - 3D art, graphics, and typography. Digital image specialist for editorial, publishing, design, and advertising.
Clients include St. Martin's Press, Penguin Random House, Grand Central Publishing, Audible, HarperCollins, Simon & Schuster, Llewellyn Worldwide, Warner Books, Kensington Publishing, Dorechester Publishing, Books on Tape, Thorndike Press/Gale, BBC Audiobooks America, McCann Erickson, Young & Rubicam SF, Price McNabb, Foote, Cone, Belding. SF, Wall Street Journal, Cosmopolitan Magazine, Smithsonian Magazine, AAA Living, The Washington Monthly, Bicycling Magazine, Cahner’s Publishing. Ben’s work has been recognized by Communication Arts, The Society of Illustrators, and Print.
Have You Bought Your Art . . . Today?

Andrew Baker is a successful practicing illustrator, with a strong reputation in editorial illustration and poster design. He won a Gold Award for Editorial illustrator from the Association of Illustrators in 2003, and his work has been featured in the Design, New Media and Editorial sections of the AOI Images Annual and in the D&AD annual. His work is seen in most serious newspapers and magazines, from The Guardian to New Scientist, and in on-line environments, shop windows and on posters and book covers. He is primarily concerned with using images for storytelling or conveying messages. Drawing, colour, a love for ephemera and an eye for retro design inform his work. Projects are started with drawing and completed using illustrator and Photoshop in a distinctive way. Much of his work is designed to be seen in sequential form, for example sequences of images for The Economist or the BBC web-site, but he remains passionate about the power of the single key image. Andrew Baker is a graduate of the Royal College of Art and teaches part-time on the illustration course at Middlesex University. He recently curated the SHED exhibition and contributed to Steady Gigs, The Charity Shop Compendium and Doodlearth. Recent clients include: BBH, The Guardian, The Times, Barclays Bank, The Economist, The Radio Times, Diageo, The Spinvox, Harvard Business Review, The Mail on Sunday magazine, Dorling Kindersley, Lloyds, Readers Digest books, The Telegraph, Esterson Associates, Kings College.

Infomen is an information and graphic design firm jointly run by designers Aman Khanna and Carlos Coelho. Operating from their studios in New Delhi and London, Infomen has been providing a successful design service to a wide variety of international clients since January 2006. Their specialization and user centered approach to design enables them to take complex design problems and convert them to user-friendly and understandable creative solutions. Previous clients include The Times, The Daily Telegraph, BBC Olive Magazine, Red Bulletin, Time-Out Magazine, Which Magazine, Mens Health, El Mundo Newspaper, Greenpeace, Pearson Education, O Jogo, Esquire Magazine, and Maxim.

He translates complex ideas and abstract themes into clear and powerful images. Aad creates illustrations that at first glance seem very simple. His distinctive style is characterized by the use of flat areas of color and the complete absence of lines. On closer look the mildly alienating images often contain multiple intellectual or emotional layers. This approach leads to works that are both timeless and contemporary.

Scott Roberts has been making pictures his whole life and has worked as a freelance illustrator for over 25 years. His bold, graphic illustrations communicate concepts with economical use of imagery and a lack of visual clutter. Awards include The Illustrators Club of Washington, Print's Regional Design Annual, Art Directors Club of Metropolitan Washington, Society of Publication Designers, Society of Illustrators of Los Angeles and Society of Illustrators in New York. Clients include: U.S. News & World Report, New York Times, Wall Street Journal, American Express, Hewlett Packard, IBM, CitiFinancial, Entrepreneur, Southwest Airlines, US Airways, Harvard Business Review, Verizon, Smart Money, Barron's, Forbes, Consumer Report, Washington Post, Johns Hopkins Medicine. Scott lives and works in Bel Air, Maryland.

Children and kids marketing and design with emphasis on children's Illustrations for magazines, annual reports, children books, collateral, advertising and publishing, digital, various 3d, conceptual, dvd and game covers and packaging and character development. Give me a call or send me an email if you like what you see. Thanks for looking!

Whimsical style ideal for kids and grown ups. Portraits. caricature and Graphic Illustration from naive to sophisticated to retro for Editorial, Advertising , Children's Books. Clients include: Toyota, Up with Paper, EK Success, Virgin Mobile, Condé Nast Traveler, Modern Bride, Philadelphia Home, Maxon Furniture, Scholastic Books, ChickaDee, Purell, Lubraderm, Bell XpressVu, British Petroleum and the Grammy Awards. Work delivered Digitally by email, ftp or on disk. KEYWORDS: Portraits, Teenage Children Lifestyle Magazine Cute Kids Animals Nature Wildlife Funny Humorous Girls Boys Adult Whimsical Retro Modern Contemporary Newspaper Digital Computer Illustrator Photoshop Fashion Design T Shirt Poster Retail Calendar Merchandise Environment Green Vintage Financial Conceptual Concepts Symbolism Scrapbooking

Born in New Orleans, Rodriguez has lived in California since 1965. He graduated from Chouinard Art Institute in 1969, and began freelancing as an illustrator. Over the years his style has evolved through many phases. He currently illustrates as himself and as the primary artist in his studio 24/7. Some of the projects he’s especially enjoyed working on include the poster for SuperBowl XXVI, The NFL for 2002 Christmas card , movie posters for The Two Jakes, The Jewel of the Nile, and City Slicker’s II, the dvd cover for The Adventures of Robin Hood, the NBA All-Star Game poster, basketball trading cards, six Ringling Bros. Circus posters, posters for the National Hispanic Scholarship fund, calendars and posters for the National Federation of Labor, many covers for Der Spiegel Magazine, theater posters for the Hartford Stage and the Mark Taper Forum. Rodriguez illustrated the Cesar Chavez postage stamp for the United States Postal Service and Designer Carl Herrman. Mr. Herrman has also commissioned Rodriguez for the Cinco De Mayo Stamp and the Celebrate the Century “1980’s” series of stamps. The Cinco De Mayo stamp was the first postage stamp ever jointly.commissioned by the United States and another country {Mexico} He has won five gold medals and four silver medals, as well as two Patrick Nagel Awards from SILA, the Hollywood Reporter Key Arts Award, many regional awards from across the country, the Airbrush Action Achievement Award, and the great teacher award from Art Center.

Peter Crowther graduated in 1987 from the London College of Printing with a First Class Honors in Graphic Design. Then went onto the Royal College of Art in 1987-1989 graduating with an MA(DES RCA) in Graphic Design. He then worked for six months in one of the first truly multimedia design companies, Decode Design. During this time he beta tested the first version of Photoshop and went onto leave and set up as a freelance illustrator/animator. The journey from working with photomontage, through to photo-retouching and later with realistic 3D has led to many interesting and varied jobs and has been incredibly rewarding. From stamps for the Royal mail up to 96 sheet posters for P&O and the odd title sequence. Today we continue to use the cutting edge 3D software often speaking directly with the chief programmers to request and test new features. As the technology evolves we strive to create the highest level of work with an eye for the details. Peter Crowther lives in London with his wife Suzanna and two children, Roberta and Jack.

Jackdaw is a graphic artist and commercial illustrator who originally trained at the Maidstone College of Art in the UK, graduating with a First Class Honours Degree in Graphic Communication. Originally working from a studio in the East end of London and then Oxford, he has created a body of work for a diverse range of clients globally, in both the advertising and editorial worlds. Creating vibrant images that interweave expressionistic painting and mixed media techniques with hand-drawn elements and photography, the energetic and captivating results are often complex, beautiful and edgy reflections of contemporary culture. Previous clients include: Vodafone, Asahi Beer, Saatchi Advertising USA, Philip Morris Inc, Pfizer Pharmaceutical Inc. USA, The Irish Times, The Guardian, Scholastic Publishing USA, Penguin Books, Carphone Warehouse, Cream, and the Welsh Assembly.

Sam Falconer’s illustrations combining vibrant characters and intricate environments have been commissioned by clients ranging from leading national newspapers to renowned science magazines and universities.

Initially working purely by hand, Sam discovered a passion for digital collage in 2010 which later developed into his own unique brand of rich and detailed imagery. This method allows him to develop and turnover complex pieces with diverse character sets in timeframes that suit each client’s needs.

As a big science and technology fan, Sam has developed a strong presence in the field with clients including Nature, Nautilus, New Scientist, The Royal Society of Chemistry, Scientific American and Wired magazine. in 2015 Sam was commissioned by the acclaimed MIT Museum to rework their map designs for the general public.

Other clients include: British Airways, British GQ, Capital, Computer Arts, Deustch Inc, Emirates, The Guardian, The Independent, Intelligent Life, John Hopkins University, M & C Saatchi, Nokia, Reader's Digest, Scholastic, The Spectator, The Telegraph, The Times, The Washington Post.

In 2014 Sam was featured in IdN magazine’s New Faces of Inspiration issue as one of ten leading illustrators in the editorial field. His work was also exhibited in Taoyan city, Taiwan as part of Dpi magazine’s Space Odyssey exhibition.

Sam has a BA in Illustration and Animation from Kingston University and graduated in 2011.

Kilian Eng creates illustrations rich in color and often with a lot of environmental elements. Kilian creates alternative worlds inspired by interest in both classic and futuristic architecture, surrealism, science fiction, and theatre scenography.

Oscar Wilson started working in London in 1996. Specialising in image creation, illustration and hand crafted typography, Oscar Wilson produces work for a wide variety of clients, with commissions from the advertising world, fashion, publishing, film and TV. Previous clients include: Crisis, Fabric, Guinness, Honda, Levi's, MTV, Nike, NME, Orange, Penguin, Sky TV, Stüssy, Transport For London, The Observer, Time Out, Twentieth Century Fox, Virgin Atlantic, Visit London, Volkswagen. Agencies: AMV BBDO, Arnold Worldwide, M&C Saatchi, Mother, RKCR Y&R, Start Creative, WCRS, WWAV Rapp Collins. Oscar Wilson also works collaboratively with (brother) Ben Wilson on 3D and interior projects, under the ‘Wilson Brothers’ banner. Clients for the Wilson Brothers include: Brooks, Honda, Nike, Stüssy Japan.

Craig phillips has been providing illustrations to the publishing and advertising industries in the United States, Australia and Europe for over a decade. He has created book jackets and interior art for Random House, Penguin, Scholastic, Simon & Schuster, Hachette Book Group, TOR Books, Wizards Of The Coast, Oxford University Press and many more. He has created tour posters for Red Hot Chili Peppers, Queens of the Stone Age and Foo Fighters and provided editorial work to many publications including Rolling Stone Magazine. His work has been included in art annuals such as Spectrum 13, 14, 15, 16, 17 and 18, Society Of Illustrators 53, Luerzers 200 Best Illustrators Worldwide, The Art Of Modern Rock, A Fistful Of Rock, Creative Quarterly 16 and 23. Work has also been exhibited at the Society of Illustrators 53 Book Illustration exhibition in New York, the 2nd Spectrum exhibition at the Museum of American Illustration, a group exhibition at the Erskine gallery in Sydney and a solo exhibition at the University of Arkansas in Florida.

Myles's illustrations have been used for advertising campaigns, food packaging, editorial, digital media, billboards and murals. He is very adaptable, and produces different types of work from simple info-graphics to highly accurate technical and full color realism. Every commission is delivered on time and to budget.

Conceptual/whimsical line drawings, sometimes with collage elements. For editorial, book publishing, corporate, and advertising. Also icons, wearables (Swatch) and animation for web and TV

Roy creates dynamic digital images out of his NYC studio that meld a love of color with concept for clients such as Saatchi & Saatchi, TIME, Inc, Grey Advertising, HBO, New York Times, CHASE, GigaPan, Springer-Verlag, TIAA-CREF, The New Yorker, IBM, Smithsonian, NYU, Procter & Gamble, AT&T, McGraw-Hill, MSNBC among others. His art has appeared in American Illustration, Communication Arts and HOW magazine. Keywords: architecture, business, charts, conceptual, corporate, design, digital_3D, editorial, infographics, maps, photo collage, publishing, realism, science, stylized realism, technology, text, trade

Laura Ralli is an italian artist, a sculptor, a storyboard artist, a character designer, an illustrator of books for children and young. She combines traditional and digital techniques.

Daniel Griffo was born on March 8th, 1973 in La Plata, Argentina, where he currently resides with his wife Elba, his baby boy Benjamin and his two pets Indiana and Jones. As a young child, he was always drawn towards creating and drawing images. At 10, he took his first steps into the world of illustration with the guidance of his drawing and painting instructor who taught him the basic foundations of the craft. In his teens, he became a self-taught comic illustrator and worked for both Argentinean and Italian publishers. Shortly afterwards, he worked for various studios creating licensed art, where he sharpened his skills and amassed a great deal of experience. As a freelance illustrator, Daniel has worked for many large companies including Image Comics, Warner, DC, and Disney. In his portfolio, you will find traditional and digital images, layout color, story boards, comic book art, inks, lettering, children and adult illustration, character development, and 3D models – Daniel is truly a jack-of-all-trades.

Classic vintage poster style digital art Influenced by everything from travel posters to matchbooks and inspired by some of the great commercial artists of the first half of the last century. Specializing in posters, covers, logos, and lettering for advertising, sales promotion and licensing. Clients include: The NFL, Disney, PGA, Pepsi, Apple computer, Target, Hasbro, The USGA Yum Brands, Ghirardelli, ESPN, Parker Bros., Major League Baseball, Wall St. Journal, Wall Mart, TravelSmith, Bacardi, Wizards of the Coast, Starbucks. . Classic poster style illustration and typography

Christiane Beauregard seems to possess limitless capacity to bring virtual images to life. From delicate emotions to complex technological data.. Christiane is always striving to express her passions through her digital art. Her beginnings in the design department of the Canadian Broadcasting Corporation were important in her artistic evolution. At the outset of the 90's she discovered computers and a certain affinity with vectors. Seduced by these voluptuous curves she adopted this as her principal mode of expression. She also took an interest in animation which let her explore the intersection of traditional and new technology. When she is not drawing she participates in exhibitions or she pursues workshops in theater and dance which are for her a real source of inspiration and creative motivation. www.christianebeauregard.com

Oliver's outstanding brand of high resolution visual imagery, coupled with his reputation for making experienced and finely judged inputs to briefs continues to attract leading clients seeking distinctive solutions from all over the world. Oliver enjoys working at the cutting edge of digital technology, employing the latest advances in 2d and 3d visualisation. Oliver has also worked extensively in the film and animation industry, directing videos for MTV, contemporary dance and television. Previous clients include: Penguin Books, Camel, Lowe, Saatchi and Saatchi, Egmont books, BBC Focus, BP, GQ magazine, Collins, Money Observer, The Times, Sony, Campaign, V&A, Ford, BBDO, Egmont Books, Wolf Olins, Sky At Night, The Royal Institute,Gyro Worldwide, The Banker, The Economist, Investors Chronicle, The Sunday Mail, Men's Health, Men's Fitness, Faber books, Findlay Publications, Sainsburys, Seimens, Quercus Books, JWT, Magazine, Dorlin Kindersley, Trident Communications, IPC media, Baber Smith, Caspian Publishing, The Independent, Bates USA, Condenast, Random House, Rainmaker, FT, Orion Books, McCann, BT.

Yehrin Tong graduated from Central Saint Martins with a BA Hons in Graphic Design. Yehrin Tong has designed artwork for independent music labels; working with artists she met while regularly haunting the underground club scene of London. Yehrin Tong's main interests lie in creating illusory, eye-boggling yet mathematical pattern and typographic illustration. Yehrin Tongs work has encompassed ad campaigns on billboards and taxi cabs, elaborate repeat pattern and embroidery prints for fashion, as well as typographic cover and editorial illustration. Yehrin Tong’s work is complex and intricate. The words minimal and simple rarely come into Yehrin TongS vocabulary. Previous clients include: M&C Saatchi, Bombay Sapphire, Dell Computers, Billboard Magazine, Royal Bank Of Scotland, GQ Russia, Russian Tatler, VICE, Maharishi, The Future Laboratory, Viewpoint, Non-Format, K7! Records, Grafik, The Red Bulletin, Notion and Disorder.

Valentina was born in Cuneo, a small town near Turin, Italy. As a young child, she was always drawing and painting. She spent most of her time creating that she often missed her school bus because she did not want to leave her poor crayons and pencils at home. Growing up, she wanted to be a veterinarian, an archeologist or even an astronaut. However, she spent most of her free time drawing and taking painting classes. As a result, she finally decided to make her great passion into a career. Valentina attended 3 years at IED ( European Institute of Design) in Turin and studied juvenile illustration. Nowadays, she spends her days with her IMAC (a constant love and hate relationship) and her cute but fat cats.

Illustration for corporate, advertising, licensing, publishing and editorial use. James Yang is represented by the David Goldman Agency.

John studied Graphic Design at Sheffield, England. It was in the mid 90s that he succumbed to the lure of illustration. He started out painting in acrylic on canvas and was influenced by David Cutter and Edward Hopper. Always trying to keep his work fresh, John has reinvented his style half a dozen times since. His latest incarnation is a screen print effect created digitally and inspired from old adverts and packaging from the 50s. John likes to experiment with different markets. The versatile nature of his style allows him to explore more avenues. Mainly working in editorial, John’s past clients include: BBC, Reader’s Digest, Financial Times and The Guardian.

In 1964 Kathryn (Kathy) Hughes sat next to me (Joe Heiner) in our sixth grade classroom at Ensign Elementary school in Salt Lake City, Utah. While quietly sitting at her desk, Kathy was struck by a ruler hurled at me (I ducked) by our teacher, Mr. Anderson. We became close friends. After the eighth grade, my family moved to Montreal, P.Q. Canada. It was a long time till I saw Kathy again. Kathy's family stayed in Salt Lake City where Kathy later attended East High School. Kathy married, moved to San Francisco and had one son, Michael. After returning to Salt Lake City, Kathy graduated Cum Laude from University of Utah with a BS degree in Social Sciences. She taught nursery school for two years, became a single parent and a secretary for Architects and Planners in Salt Lake City. I attended Beaconsfield High School near Montreal, studied art and photography at Brigham Young University, and Art Center College of Design, married and had two children. I assisted commercial photographers Ed Goldstien and Carl Furuta. I also assisted David Willardson, illustrator, shooting detailed 4X5 photo reference for his airbrush illustrations. Willardson taught me airbrush techniques and helped develop an airbrush / photographic illustration style. My first portfolio of ten photo / illustrations quickly generated assignments from movie studios, advertising agencies, magazines and recording companies. With the help of the same great reps who represented Willardson, assignments came from across the country. This afforded a move back to Utah. Work went well from Utah and I became a single parent. Fifteen years after sitting by Kathy in sixth grade, she married me. We now have five children (combined) and work together in our studio in Alpine, Utah. Our studio continues to create realistic photo / illustration for clients across the country. Kathy is studio manager and stylist. I am photographer / computer illustrator. Early works were a combination of airbrush and silk screen on photographic prints. Current work is digital, a merging of digital photography and computer illustration. We have received numerous awards including The One Show Gold Award and our work is represented in the permanent collection of the New York Museum of Modern Art. Clients include: Lucasfilm, Salisbury Communications, ABC records, Y&R, Foote Cone & Belding, Satchi & Satchi, Merck, McDonalds and Coca Cola. I hope you enjoy our work. Joe Heiner Joe and Kathy Heiner Studio

Visit stevensalerno.com to view his illustrations for advertising, editorial, product packaging, kids' picture books, etc... click on NEW STUFF to see his latest images. Steven's illustrations have been recognized for excellence by PRINT magazine, Society of Illustrators, The Art Directors Club, and Communications Arts magazine. Since 2000 Steven has also illustrated 25 picture books for children, 5 as both author & illustrator. In 2012 his beautifully illustrated picture book, "Brothers at Bat" (written by Audrey Vernick/Clarion Books) was named a New York Times Book Review Notable Picture Book. Released in 2015: -the picture book, "Wild Child!" -written & illustrated by Steven Salerno (Abrams Books for Young Readers) All the jungle animals try their best to tame the wildest animal of them all. (Abrams Books for Young Readers) -also the picture book, "The Fantastic Ferris Wheel" -written by Betsy Harvey Kraft (Christy Ottaviano Books) With incredible period illustrations by Steven. It's the story of George Ferris and his amazing invention the Ferris Wheel built for the 1893 Chicago World's Fair. Released in 2016: -the picture book, "The Kid from Diamond Street" -written by Audrey Vernick & illustrated by Steven Salerno (Clarion Books) The true story of Philadelphia girl Edith Houghton who became a professional baseball player in 1922 at age ten! -featuring striking illustrations by Steven. -also the picture book, "Puppy Princess" -written by Sue Fliess & illustrated by Steven Salerno (Little Golden Books - Penguin/Random House) A pampered pup lives a life of luxury. To be released in 2017: "Goldenlocks and the Three Pirates" -written by April Jones Prince & illustrated by Steven Salerno (Farrar Straus & Giroux) A pirate-themed spin on the Goldilocks classic. Steven's clients have included AT&T, The New Yorker, The Wall Street Journal, McDonalds, American Express, Royal Bank of Canada, IBM, and United Airlines to name a few. To date he has created thousands of illustrations for nearly 600 various clients in advertising, editorial, publishing, etc... Visit Steven's web site to view portfolios, read full client list, his illustration blog, etc... Steven is a graduate of Parsons School of Design, and lives and works in New York City. -studio: 212.477.5798 -web: stevensalerno.com -email: steven@stevensalerno.com

Born in Hong Kong and raised in Philadelphia, Jannie moved to New York to study illustration at Parsons School of Design. After working as a graphic designer and an art director at many fun places such as Nickelodeon, Scholastic, and TIME Magazine for Kids, she decided that illustration was her true calling. Jannie (also known as Chicken Girl) now specializes in illustrating for the children’s market, with her work appearing in both trade and educational books, magazines, toys, crafts and digital media. She currently works and plays in Boston, MA with her husband and daughter.

Roy Scott illustration is a hybrid of digital, photo Illustration and traditional media. He creates compelling conceptual illustrations for editorial, annual reports, corporate, advertising, medical, portraits, financial, environmental and publishing clients around the world. His award winning work communicates innovative visual solutions with bold color, rich textures and intricate compositions. Roy's work is a perfect fit for art buyers looking to add originality to the mix.

Peter Strain is an AOI (Association of Illustrators) Critics' Choice Award-winning illustrator based in Belfast.
He specializes in creating carefully composed, hand-rendered illustration and typography and always tries to experiment with texture and mark-making techniques to keep his work evolving.
His work is hugely influenced by film and music and aims to tackle social, political and cultural issues with a highly distinctive hand lettering style, bold imagery and humour.
Clients & Projects include: Land of Giants, Empire, Esquire, Queens Film Theatre, The Ulster Hall, Unilever, Work Style Magazine, Jameson and The University of Ulster.

Graphic Illustration for Corporate, Editorial, Advertising and Children's Books. Clients include: The Grammy Awards, Playboy Jazz Festival, Wall Street Journal Asia, The Washington Post, Expenience Life Magazine, M.A.D.D., Manpower Inc., OmniPod, Syngenta, Ketchum Canada Inc., World Wildlife Fund, Ontario Parks, Clarks Shoes UK, Up with Paper, Scholastic Books, Penguin Putnam, Skinner House Books, Cambridge University Press UK, Chirp Magazine, Two Peas in a Bucket,, and Kids' CBC. Digital files can be supplied as vector. KEYWORDS: Animals Green Eco Nature Wildlife Fun Whimsical Retro Digital Computer Illustrator Photoshop Fashion Design T Shirt Poster Retail Merchandise Environment Vintage Scrapbooking, food, beverage, drink, posters, packaging, travel, coffee, wine, business, financial, conceptual, suit, briefcase, retro, madmen, cool, Children Cute Kids

Jim creates science-fiction illustrations, space art and fantasy landscapes.

Educated as an illustrator, trained as a designer, this native New Yorker living in New England delivers a fresh, modern and classic style to global licensed product. Mixing the glam of the city with the prep of Connecticut, shaking on some happy and stirring in a bright, bold palette...the design of Robin Zingone captures a demographic of young to old. From her roots in advertising on Madison Avenue, travel near and far and passion for color and combining patterns...Zingone has crafted a sense of style that is defining her brand. Fresh modern classic.

Dan Funderburgh is a Brooklyn-based illustrator, artist, and wallpaper designer whose creations are rooted in the world of decorative arts. Dan was born in Seattle and reared in the Midwest, receiving a BFA from the University of Kansas with a focus in illustration. After moving to New York in 2001, Dan established a partnership with the now Brooklyn-based wallpaper studio Flavorpaper, where his designs are hand-screen printed. The wallpapers have been featured at the International Contemporary Furniture Fair and at Pulse Miami, and are a part of the Cooper-Hewitt's permanent collection. Occasional collaborations with companies like Brooks, Furni, and Gravis have allowed the work to live on bicycle seats, furniture, and luggage. Dan's personal and gallery work includes letterpress and screen prints, sculptures and installations that play off of historical ornamentation. Revealing an acute appreciation for both the baroque and utilitarian, Dan's work often combines the language of ornament with objects that surround us. Clients include: Soho House, Brooks England, Gravis, Nixon, Target, Chivas Regal, The New York Times, The Paris Review, Condé Nast, Scion, Nike, Microsoft, HP, Burton, Penguin Group, Hodder, Grey, Ogilvy, Dwell, Surface, JDK, Hachette Book Group, TED Talks

Peter is an award winning illustrator working in advertising and picture books. In the past he has art directed pre-school television series and ads as well as designing for award winning animated films both in Europe and the US. His work has a mid-century appeal with an emphasis on stylised design resulting in a funky and humorous style that makes people smile ... and of course buy things. Peter's work has been featured on Drawn, IllustrationAge and The Little Chimp Society as well as being awarded by American Illustration, The Creative Quarterly Journal and 3X3 Pro-Illustration and Childrens Books showcase.

Working in oils, Jim Salvati's paintings are textural and layered. He has created paintings for various industries including feature film, the surf industry, advertising and publishing. With a strong interest in portraiture, Jim particularly enjoys painting for the theater. Jim lives, paints and surfs in California and is an instructor at the Art Center College of Design in Pasadena.