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George, Patrick

Peter Scott's (a.k.a PatrickGeorge) skills of illustration and design are largely concept-driven, clean, punchy and witty. He enjoys working on his own children's books (A drove of bullocks, A filth of starlings, Little Miss Muffet and other rhymes, and Opposites published by PatrickGeorge), but his style works equally well in a corporate and media context. PatrickGeorge’s previous clients include Toyota, GQ, Royal Mail, Houses of Parliament, Kent tourism and The Times. He has also produced a book of names which is a playful typographical treatment of 100 boys and 100 girls names (What's in a name?)

Luczak, Laurie

Conceptual illustration used for editorial, childrens book, advertsing, book covers, design and corporate media. Laurie offers two different styles working in painterly and digital media. Her work has appeared in Communication Arts, Society of Illustrators, American Illustration, Society of Ilustrators LA, & Print. Clients include The New York Times, The US Post Office, AMEX,The Wall St Journal, Continental, AARP, Seventeen and more.

Baker, Andrew

Andrew Baker is a successful practicing illustrator, with a strong reputation in editorial illustration and poster design. He won a Gold Award for Editorial illustrator from the Association of Illustrators in 2003, and his work has been featured in the Design, New Media and Editorial sections of the AOI Images Annual and in the D&AD annual. His work is seen in most serious newspapers and magazines, from The Guardian to New Scientist, and in on-line environments, shop windows and on posters and book covers. He is primarily concerned with using images for storytelling or conveying messages. Drawing, colour, a love for ephemera and an eye for retro design inform his work. Projects are started with drawing and completed using illustrator and Photoshop in a distinctive way. Much of his work is designed to be seen in sequential form, for example sequences of images for The Economist or the BBC web-site, but he remains passionate about the power of the single key image. Andrew Baker is a graduate of the Royal College of Art and teaches part-time on the illustration course at Middlesex University. He recently curated the SHED exhibition and contributed to Steady Gigs, The Charity Shop Compendium and Doodlearth. Recent clients include: BBH, The Guardian, The Times, Barclays Bank, The Economist, The Radio Times, Diageo, The Spinvox, Harvard Business Review, The Mail on Sunday magazine, Dorling Kindersley, Lloyds, Readers Digest books, The Telegraph, Esterson Associates, Kings College.

Roberts, Scott

Scott Roberts has been making pictures his whole life and has worked as a freelance illustrator for over 25 years. His bold, graphic illustrations communicate concepts with economical use of imagery and a lack of visual clutter. Awards include The Illustrators Club of Washington, Print's Regional Design Annual, Art Directors Club of Metropolitan Washington, Society of Publication Designers, Society of Illustrators of Los Angeles and Society of Illustrators in New York. Clients include: U.S. News & World Report, New York Times, Wall Street Journal, American Express, Hewlett Packard, IBM, CitiFinancial, Entrepreneur, Southwest Airlines, US Airways, Harvard Business Review, Verizon, Smart Money, Barron's, Forbes, Consumer Report, Washington Post, Johns Hopkins Medicine. Scott lives and works in Bel Air, Maryland.

Yang, James

Illustration for corporate, advertising, licensing, publishing and editorial use. James Yang is represented by the David Goldman Agency.

Dryden, Jim

Illustration for corporate, advertising, licensing, publishing and editorial use. Jim Dryden is represented by the David Goldman Agency.

Goudappel, Aad

He translates complex ideas and abstract themes into clear and powerful images. Aad creates illustrations that at first glance seem very simple. His distinctive style is characterized by the use of flat areas of color and the complete absence of lines. On closer look the mildly alienating images often contain multiple intellectual or emotional layers. This approach leads to works that are both timeless and contemporary.

Dykes, John S

John S. Dykes lives and works in the Boston area. John works in acrylic, pen and ink, mixed media, and digital. His clients range from editorial and corporate illustration to children's books as well as self-generated projects. He has earned recognition from the Society of Illustrators, the Society of Illustrators of Los Angeles, including gold and silver medals, Communication Arts, American Illustration, Print, 3x3 Annual, How Magazine, the AltPick Awards, and Step by Step Graphics.

Mallart, Bruno

Humorous, surealistic, Wacky, financial, computer, digital, conceptual, portrait, collage, absurd, music, machinery, mechanical , contraption, medical, fun, architecture, Imaginative illustration for corporate, advertising, licensing, publishing and editorial use. Bruno Mallart is represented by the David Goldman Agency.

Scott, Si

Since its inception in 2006 by Si Scott, its original founder and Creative Director, Si Scott Studio Ltd. has established an internationally recognized reputation for providing unique creative concepts and imagery for a prestigious and ever-growing client list.
Si’s love of music inspires the flowing nature of his hand-drawn designs, beautifully and precisely executed. He resists limitations in his own work, constantly exploring new techniques. These explorations have led to his development as a paper-cut and tattoo artist, skills which complement his already established talents as a proficient draughtsman. Si’s multi-faceted approach has led him to work across a wide spectrum of projects, from advertising campaigns to branding, publishing to editorial, and interior design to album covers.
Outside of his creative practice Si exhibits his work frequently, offers both art direction and creative consultation to clients, and gives lectures on both his experience as an artist and his knowledge of the industry. His work has been regularly awarded and featured in numerous publications, including being listed in the Best 200 Design Moments Ever by Computer Arts Magazine, and honoured twice in Luerzer's Archive - The Best 200 Illustrators In The World.

Cutler, Dave

Simple eloquent illustrations that engage, inspire and entertain. Please email me at dave@davecutlerstudio.com Award-winning conceptual illustration

Borge, Richard

MUSIC VIDEOS at richardborge.com 3D, digital, conceptual, corporate, editorial, music packaging Also doing animation/motion graphics

Salerno, Steven

Visit stevensalerno.com to view his illustrations for advertising, editorial, product packaging, kids' picture books, etc... click on NEW STUFF to see his latest images. Steven's illustrations have been recognized for excellence by PRINT magazine, Society of Illustrators, The Art Directors Club, and Communications Arts magazine. Since 2000 Steven has also illustrated 25 popular picture books for children (5 of them as both author & illustrator) with 5 more new titles scheduled for release in 2018 & 2019. released in 2015: -the picture book, "Wild Child!" -written & illustrated by Steven Salerno (Abrams Books for Young Readers) All the jungle animals try their best to tame the wildest animal of them all. (Abrams Books for Young Readers) -also the picture book, "The Fantastic Ferris Wheel" -written by Betsy Harvey Kraft (Christy Ottaviano Books) With incredible period illustrations by Steven. It's the story of George Ferris and his amazing invention the Ferris Wheel built for the 1893 Chicago World's Fair. released in 2016: -the picture book, "The Kid from Diamond Street" -written by Audrey Vernick & illustrated by Steven Salerno (Clarion Books) The true story of Philadelphia girl Edith Houghton who became a professional baseball player in 1922 at age ten! -featuring striking illustrations by Steven. -also the picture book, "Puppy Princess" -written by Sue Fliess & illustrated by Steven Salerno (Little Golden Books - Penguin/Random House) A pampered pup lives a life of luxury. released in 2017: "Goldenlocks and the Three Pirates" -written by April Jones Prince & illustrated by Steven Salerno (Farrar Straus & Giroux) A pirate-themed spin on the Goldilocks classic. released in 2018: -the picture book, "Tim's Goodbye!" -written & illustrated by Steven Salerno (Farrar Straus Giroux) Children gather for an unknown purpose until a visual twist in one of the illustrations reveals that they have come together to celebrate the life of a beloved pet that has died. -also the picture book, "PRIDE -The Story of Harvey Milk and the Rainbow Flag" -written by Rob Sanders & illustrated by Steven Salerno (Random House) The true story of the life of gay rights activist Harvey Milk and the creation of the iconic rainbow flag in 1978, which became a symbol of hope and pride for millions of people around the world. -also the picture book, "Pass Go -Collect $200 The Real Story of How MONOPOLY was Invented" -written by Tanya Lee Stone & illustrated by Steven Salerno (Christy Ottaviano Books)The true story of who invented one of the most popular board games in history. Steven's clients have included AT&T, The New Yorker, The Wall Street Journal, McDonalds, American Express, Royal Bank of Canada, IBM, and United Airlines to name a few. To date he has created thousands of illustrations for nearly 600 various clients in advertising, editorial, publishing, etc... Visit Steven's web site to view portfolios, read full client list, his illustration blog, etc... Steven is a graduate of Parsons School of Design, and lives and works in New York City. -studio: 212.477.5798 -web: stevensalerno.com -email: steven@stevensalerno.com

Akgulian, Nishan

Nishan Akgulian’s artwork is a product of his love of gestural drawing and the minimalist aesthetic. Combining expressive brush strokes with carefully designed abstract shapes he always strives to give a visual energy to every image he creates. Throughout his career Nishan has applied his unique artistic vision to a wide variety of visual outlets, including editorial illustration, advertising campaigns, greeting cards, product rendering and fashion illustration, as well as fine art and painting. His work has often been described as whimsical, stylized, expressive, gestural, simple, friendly, fun, and sophisticated.

Strain, Peter

Peter Strain is an AOI (Association of Illustrators) Critics' Choice Award-winning illustrator based in Belfast.
He specializes in creating carefully composed, hand-rendered illustration and typography and always tries to experiment with texture and mark-making techniques to keep his work evolving.
His work is hugely influenced by film and music and aims to tackle social, political and cultural issues with a highly distinctive hand lettering style, bold imagery and humour.
Clients & Projects include: Land of Giants, Empire, Esquire, Queens Film Theatre, The Ulster Hall, Unilever, Work Style Magazine, Jameson and The University of Ulster.

Steininger, Otto

Conceptual/whimsical line drawings, sometimes with collage elements. For editorial, book publishing, corporate, and advertising. Also icons, wearables (Swatch) and animation for web and TV

Schimler-Safford, Amy

Whimsical, decorative, and painterly illustration and design style. Clients include Target, American Greetings, Hallmark, Unicef, Crate and Barrel, Land of Nod, Fruit of the Loom, Baby Gap, Simon and Schuster, Scholastic, Oxford University Press to name a few. I have sold and licensed artwork to the children's publishing and gift markets as well as for stationery, advertising, editorial, packaging and home products.

Brown, William L.

William L. Brown creates bold, colorful drawings highly suitable for digital or print media. His distinctive digital/scratchboard works resemble woodblock prints with a contemporary edge. He excels in conceptual illustration for editorial, advertising, product, and publication markets.

Susan Crawford / Plankton Art Co.

Digital, graphic, stylized forms, children's books, nature, children, retro, lettering, toys and games, humor, caricature, decorative, whimsical, style, design, logos, books, lifestyle, food. Clients include: American Museum of Natural History, Chronicle, Smithsonian National Zoo.

Adams, Kathryn

A mix of editorial, whimsical, humour and stylized linework.

Haight, Sandy

Stylized, calligraphic vector or brush & ink line art with vibrant watercolor tones for elegant, contemporary images on logos, icons, spots and concept illustrations seen on advertising, book jackets, magazines, product packaging and across the web.

See also http://sandyhaightfineart.com.

Laird, Campbell

Awards: American Illustration, Society of Publication Designers Annual, HOW International Design Annual

Rathke, Kathryn

Looking at one of Kathryn Rathke’s line-based illustrations can be a bit like working out a puzzle – was it created using one fluid and continuous line, or many? According to the Seattle-based artist she owes her drawing skills to family connections. Her grandmother taught her to draw and supplied her with books by Arthur Rackham, Maurice Sendak, and William Steig, while her father was president of an advertising agency and used to bring home reams of paper for her to practice on.

She has lots of other creative interests too. She learned to make leather masks in Italy, enjoys German experimental theatre, and sometimes throws parties where her friends must act out vignettes found in a 1912 children’s book called Entertainments for All the Year.

Kathryn did an MFA in Set Design at the University of Wisconsin but was always drawing on the side, sometimes accepting commissions from newspapers and magazines. Eventually she flipped things around and made her illustration work a full-time profession and set design became her hobby.

Kathryn does everything digitally in Photoshop and Illustrator using a Cintiq screen by Wacom.

If she’s doing portraiture work, she draws her subject many times over from different angles. This way she learns about the most important features of their face and can draw it in a way that makes it instantly recognisable.

The line is core to Kathryn’s style and her work is very fluid. Expressive and calligraphic, there’s a unique sense of gesture in her illustrations. She also uses crosshatching to develop surfaces in her images, using layers of lines of varying thickness to build up a texture.

Wilson, Ty

Contemporary, figurative and conceptual illustrator using pen/ink and mixed media to create unique people, places and things

Represented by Watson & Spierman Productions
ofc (212) 431-4480 cell (917) 930-6611

Neil Donoghue

Infographics Illustration for instructions, manuals, health & safety applications.

Hitch, David

A new online portfolio of illustration for a variety of international clients.

Fortin, Pierre

Born in Montreal, Pierre Fortin now creates multiple award winning conceptional art from his home studio in Ontario, Canada. Heavily influenced by The Vienna School of Fantastic Realism, Art Deco, pop-culture and film noir, Pierre's sometimes whimsical work is immersed in a world of mystique and psychology, incorporating elements of visionary, fantasy and sci-fi. He's constantly seeking to refine his message delivery with experiments in visual concepts of both traditional and digital means. The results are self evident in illustrations that combine imagination and intrigue with visual power. Pierre's career spans more than 20 years, and includes designing and creating for a wide range of internationally known corporations, magazines and publishers, as well as award winning work in the video game and theme park industries. His work has been featured in American Illustration, Catipult and Communication Arts, as well as being seen in Time, Forbes, Sports Illustrated, The Atlantic Monthly, and Business Week. He has also created a mural for Universal Studios and won awards for his designs for the Beijing Cube Water Park and the new Dollywood Mystery Mine.

Panton, Doug

Whimsical Digital Illustration with a business commerce, corporate and information technology slant. Stock illustration available.

Beauregard, Christiane

Christiane Beauregard seems to possess limitless capacity to bring virtual images to life. From delicate emotions to complex technological data.. Christiane is always striving to express her passions through her digital art. Her beginnings in the design department of the Canadian Broadcasting Corporation were important in her artistic evolution. At the outset of the 90's she discovered computers and a certain affinity with vectors. Seduced by these voluptuous curves she adopted this as her principal mode of expression. She also took an interest in animation which let her explore the intersection of traditional and new technology. When she is not drawing she participates in exhibitions or she pursues workshops in theater and dance which are for her a real source of inspiration and creative motivation. www.christianebeauregard.com

SPOOKYPOP

A character driven clash of dark twisted images from urban pop culture, classic children's stories and a neo-Victorian industrial neverland. Digital and traditional mediums. Character illustration and character designs with a cool but spooky vibe. For something hip but with a darker twist. Especially suitable for games , cards, children's books, packaging, music promos and CD covers. Specialising also in Urban Vinyl art-toy design and construction. For anyplace you require added quirk. Let Doktor A. illuminate your shadows.

Jane Sanders

Online illustrator's portfolio.

Ning, Amy

Born in Tokyo and relocated to the States in 1972. Studied illustration at California State University in Long Beach. Along with her freelance career, she has was selected as a feature illustrator for the Orange County Register Newspaper from 1989 through 2008. Her stylized, decorative and often conceptual art has been recognized in shows of SI, SILA, Print and SND. Her digital illustrations have also been featured in advertising, design firm, and publishing projects, including clients Phizer, Livestrong, Major League Baseball, The Integer Group, Encyclopedia Brittanica, Ths San Diego Union , Clubhouse Jr., Consumer Resports, Houghton Mifflin and many more.

Flaming, Jon

Jon Flaming Design is a design and illustration studio based in Dallas, Texas that creates award winning images for big and small companies across the US. Clients include American Airlines, Dell, FedEx, Frito-Lay, HP, Hanes, The John Wayne Cancer Foundation, Kellogg's, Neiman Marcus, Pepsi, Sony, US Airways & the YMCA. Jon's work has appeared in many publications including Communications Arts, Graphis, Print magazine, and The Society of Illustrator's annual.

Quon, Mike

Symbols, icons for design and marketing Mike Quon, prolific and eclectic illustrator who first popularized the brushstroke style, works in pen and ink and digitally to create vibrant and evocative images for print, editorial, advertising, brand identity, packaging and promotion. Appreciates the power of art, communication through art, art directors, art buyers and anyone else who loves art.

Webb, Tim

Conceptual digital illustrations for advertising, annual reports, childrens books, corporate, editorial, infographics, logos, maps, stylized forms and 450+ stock images available. Kansas native with a cutting-edge style has earned him publication with clients such as Adidas, Adobe, Bank of America, Bell Atlantic, CocaCola, General Motors and Novartis Pharmaceuticals just to name a few. Tim takes a high-tech approach to his conceptual art using Adobe Illustrator while drawing on the "not-so-high-tech" suggestions of his three sons. He keeps his fingers on the pulse of the big cities via the internet and proves by his innovative work that for a small-town boy, "there's no place like home".

Boyd, Sheree

Partial Client List: American Baby, Anthology Inc., Best Forms Co., Bridal Guide Magazine, Cadmus Publishing, Chicago Review Press, Childcraft Education Corp., Children's Playmate, Cottage Row Press, Emmbook i-phone app, Fablevision, Fit Magazine, Foresman Publishing, Girl's Life Magazine, Hallmark, Highlights for Children, Humpty Dumpty Magazine, Interactive Weekly, Lippencott Raven Publishing, McGraw Hill Publishing, Our Sunday Visitor, Parent and Child Magazine, Picture Window Books, Rebus Pub., Sandviks, Scholastic, Scott Foresman Pub., Steve Curtis Design, The New York Times, The Washington Times, Turtle Magazine, Weight Watchers Weekly, Women's Wear Daily

Wertzateria

Our studio produces award-winning pictures in a variety of styles. Our images start with the pencil, always, and finish with digital collage, monoprints, and screen prints. Our clients include the De Young Museum, the New Yorker, the San Francisco International Film Festival, and Farrar Strauss Giroux.

Parker, Curtis

ORIGINAL ART WORKS.

Slabbers, Ronald

Visually clever, humorous and conceptual illustration, including infographics.

From serious business to serious fun.

Feel free to contact me with any questions or to discuss your project.

For USA, Canada and outside Europe you can also contact my US representative:
Sharon Kurlansky at www.laughing-stock.com - Telephone: 508-460-6058 - sharon@laughing-stock.com
I live and work in Amsterdam, the Netherlands.

Fishauf, Louis

Louis Fishauf is one of Canada's most respected graphic artists and visual communicators.

He has designed magazines, posters, corporate logos, murals, ad campaigns, product packaging, apparel graphics, postage stamps and websites for a wide variety of large and small clients. His innovative graphic style has garnered awards and industry recognition in Canada and abroad.

Fishauf Design provides consultation, graphic design and creative services to clients in publishing, technology, entertainment, retail and consumables.

Maravillas, Jennifer

With Filipino and European roots, and with freckles from head to toe, Jennifer Maravillas feels as if she’s on a detective-like quest to understand as many different perspectives as possible. Her roots as an artist, meanwhile, go back to her training in ballet as a child. She sees her art as a kind of ballet performed on paper using a marker.

She rarely restricts herself to just a marker, though. Watercolour, spray paint and various other media are used in her illustrations. As a side project, she has made a map of Brooklyn out of garbage, and in future plans to try and map as much of the world as she can. On top of painting, her passions are anthropology and sociology.

Jennifer did an undergraduate degree is in Graphic Design at the University of Louisville and a graduate degree is in Mass Communication at Virginia Commonwealth University.

The techniques Jennifer uses are constantly changing, and her style often comes as a result of the medium she’s exploring at a given time. By and large she’s a mixed media artist, always trying new materials and combinations of them – typically they include watercolour markers, ink, spray paint, pencil, cut out paper, block printing, and Photoshop. Sometimes she allows a composition to evolve without knowing what the end result might be like, other times she has a clear idea in her head of what she wants.

Jennifer is fascinated by the digital process. She scans in every doodle and texture she draws or paints, keeping them for reference or for use as layers in new pieces.

Jennifer uses vibrant colour combinations as she builds up maps, cityscapes and scenery from hundreds of smaller handmade elements. Some of her influences include Werner Herzog, Mary Blair, Guy Debord, and Buckminster Fuller.
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