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Cohen, Jim

Jim creates science-fiction illustrations, space art and fantasy landscapes.

Rathke, Kathryn

Looking at one of Kathryn Rathke’s line-based illustrations can be a bit like working out a puzzle – was it created using one fluid and continuous line, or many? According to the Seattle-based artist she owes her drawing skills to family connections. Her grandmother taught her to draw and supplied her with books by Arthur Rackham, Maurice Sendak, and William Steig, while her father was president of an advertising agency and used to bring home reams of paper for her to practice on.

She has lots of other creative interests too. She learned to make leather masks in Italy, enjoys German experimental theatre, and sometimes throws parties where her friends must act out vignettes found in a 1912 children’s book called Entertainments for All the Year.

Kathryn did an MFA in Set Design at the University of Wisconsin but was always drawing on the side, sometimes accepting commissions from newspapers and magazines. Eventually she flipped things around and made her illustration work a full-time profession and set design became her hobby.

Kathryn does everything digitally in Photoshop and Illustrator using a Cintiq screen by Wacom.

If she’s doing portraiture work, she draws her subject many times over from different angles. This way she learns about the most important features of their face and can draw it in a way that makes it instantly recognisable.

The line is core to Kathryn’s style and her work is very fluid. Expressive and calligraphic, there’s a unique sense of gesture in her illustrations. She also uses crosshatching to develop surfaces in her images, using layers of lines of varying thickness to build up a texture.

Koelsch, Mike

Michael Koelsch (b: 1967) is an illustrator who acknowledges the beliefs of some of the great illustrators of the 50's and 60's, the giants like Coby Whitmore and Austin Briggs, who thought that keeping up with the times and evolving your style is as important as your sense of design and color and the fundamentals of drawing and painting. Mike resides in Huntington Beach, California with his wife, two girls and their Greater Swiss Mountain dog. Living by the beach and having a family he lives in perpetual motion between surfing, club soccer with the girls and actually getting some work done. Somewhere in there there is time for sleep. If you've gotten this far in Mike's bio, you must really want to get to know him. So don't hesitate. Give Shannon Associates a ring and ask for him specifically. He'd love to talk with you about your next project or whether the "evening glass off" session will be worth going out for.

Moreno, Gabriel

Illustrator, engraver and painter based in Madrid, graduated in Fine Art from the University of Sevilla in 1998. Since then he has worked in different design studios and advertising agencies in Andalusia. In 2004 he moved to Madrid and in 2007 began showing his portfolio. He was named among the top 20 new illustrators by Computer Arts magazine in 2007. Previous clients include: TBWA, Y&R, BBDO, Leo Burnet, Orion Books, Jim Beam, Snickers, Marlboro, Universal Music, Time Out, Rolling Stone magazine, The Sunday Times and Esquire.

Wilson, Joe

Leicester-born Joe Wilson studied at Leeds Metropolitan University, Graduating with a bachelor of arts degree in Graphic Arts and Design in 2007. After a lifetime of drawing and doodling Joe Wilson became serious about being an artist at an early age and has left himself 'no other option'. Joe Wilson took an interest in printmaking at university and studied this heavily in his final year, with a great deal of his work taking the form of screen prints and etchings. This forms the foundation of Joe Wilson's work today, although since finishing university and leaving the print facilities, other ways of creating similar effects have had to be employed. Joe Wilson's work consists of painstakingly detailed, hand-drawn illustrations, usually in fine-line pen or pencil, that are then scanned and edited on the mac. Joe Wilson takes his influence from an array of sources including old engravings, 70s Vinyl covers and surrealist art. Joe Wilson is particularly interested in ideas of evolution, space, and complex constructions. Joe Wilson's unique drawing style attracts a mixture of different clients from editorial to fashion, he has produced work for clients such as: The Guardian, Adidas, 21st Amendment, Mojo magazine, Prospect Magazine, RKCR/Y&R, The Yards, Peter Werth, The Big Chill Festival, and Topshop. With aspirations to establish himself firmly as an illustrator, he hopes to work on many more commercial projects whilst continuing to produce his personal 'thought experiments' for his own pleasure.

The Red Dress

The Red Dress is a London based Illustration duo, Olivia Chancellor and Ollie Bland. This husband and wife team met while studying Graphic Design and Illustration at Central St. Martins in 1996. The Red Dress' love for all types of Vintage posters (especially B-Movies) and Pulp Fiction illustration has inspired Olivia and Ollie to join creative forces. Drawing upon over 10 years experience in Fashion, T.V/Film, the Art world, Illustration and Design, The Red Dress produce striking, often dark but humorous images by painting Contemporary Culture in a Retro style. This usually includes bold hand drawn typography. Using Oils and Acrylics as well as computer based painting they can work from sourced photographic images or freestyle.

Labrooy, Chris

After graduating from the RCA with an MA in design products, Chris Labrooy first began to use 3D as a simple tool to visualise ideas for furniture and products that he could not afford to produce. As 3D technology and hardware evolved, Chris LaBrooy saw an opportunity to explore CGI as a creative medium in itself with which he could subvert and twist familiar everyday things into new typographic and sculptural forms. Chris LaBrooy is interested in the intersection between typography, architecture, product design and visual art. Chris LaBrooy has exhibited at the design museum in London and has been featured in many publications covering design, products, typography and illustration. Clients include NY Department of transportation, Future publishing, Scientific American, Avid brakes, Taste festivals and Microsoft.

Phillips, Craig

Craig phillips has been providing illustrations to the publishing and advertising industries in the United States, Australia and Europe for over a decade. He has created book jackets and interior art for Random House, Penguin, Scholastic, Simon & Schuster, Hachette Book Group, TOR Books, Wizards Of The Coast, Oxford University Press and many more. He has created tour posters for Red Hot Chili Peppers, Queens of the Stone Age and Foo Fighters and provided editorial work to many publications including Rolling Stone Magazine. His work has been included in art annuals such as Spectrum 13, 14, 15, 16, 17 and 18, Society Of Illustrators 53, Luerzers 200 Best Illustrators Worldwide, The Art Of Modern Rock, A Fistful Of Rock, Creative Quarterly 16 and 23. Work has also been exhibited at the Society of Illustrators 53 Book Illustration exhibition in New York, the 2nd Spectrum exhibition at the Museum of American Illustration, a group exhibition at the Erskine gallery in Sydney and a solo exhibition at the University of Arkansas in Florida.

Metz, Justin

Trained in technical illustration then went on to become a creative in major ad agency. Technical ability and a creative impulse led me to develop strong cgi and retouching skills for creative concepts. Recent clients: BA, Bradford & Bingley, John West, Pilkington, Lowry Arts, Bloomberg Businessweek, Boston Magazine, John Lewis,

Herring, Matthew

Matt uses a montage of found & self-generated graphic material to create assured, vibrant images for the Publishing, Design & Advertising industries. These images are selected from recent projects. They range from book jackets, magazine covers, newspaper features, instore signage, billboard posters, through to direct mail, annual reports & advertising campaigns. The work falls into several stylistic categories. Firstly a traditional collage & photo montage approach used predominantly for editorial work. With other images he’s employed a more graphic approach, using flat colour, vector shapes & simple lines to create a more contemporary feel. Previous clients include: Adobe, Nike, MTV, British Airways, Vanity Fair, Natwest, HSBC, BBC Worldwide, Toyota, Sainsbury’s, BP, Honda, Esquire, Penguin, Corvette, The Times, The Royal Mail, Norwich Union, FT, Computer Arts, which? The Radio Times, Business Week, GQ, Waterstones, IBM, Loaded, Harvard Business Review, RAC, Mojo, Shell, Nasdaq, LloydsTSB, Timeout, 5live, US news, The Guardian, Jeep Chrysler, Harrods, Directline, The Economist.

Archer, Andrew

Andrew Archer has been an illustrator since 2006 and has worked with an enviable list of the worlds most recognizable brands and publications. Inspired by surrealism, wood block prints, edo period art, ideograms and his time spent in Asia, his work is a self asserting mix of hallucinogenic color and rhythmic line. Best suited to briefs that allow him to indulge his imagination and unique color palette, clients who offer some creative freedom are gifted with extraordinary and distinctive visuals that always gain attention. Google image search ‘Everything Everything Gone to Heaven” for a perfect example of the power of Archer’s imagery to become an internet sensation, it is no wonder he is a popular choice with music and sports brands wanting to captivate their audience.
Clients include:
Nike, WIRED, Sony, ESPN, The Economist, FIA Formula E, MOJO, Red Bull, Playboy, Saatchi & Saatchi, BBC, Samsung, Bombay Sapphire, Random House, TBWA, BBDO, Q Magazine, Adidas, OUT, GQ Magazine, Washington Post, Spin, EMI Music, NY Observer, Fortune, New York Times, Audi EU, Vogue FR, Penguin Books, New Scientist, Elle, Men's Health magazine.

Burgoyne, John

John is a member of The Society of Illustrators. He has received over 150 awards in the United States and Europe. Animals, food, technical, maps, medical.

Hall, Mike

Crowded urban scenes, architecture and maps – the things you see today in Mike Hall’s artwork go back to his creative beginnings. As a child he used to love drawing images full of people, and maps of imaginary towns and even entire countries. He says this might be because he grew up in the new town of Harlow in Essex – the modern, pre-planned, post-war setting gave him an interest in architecture, topography and mapping from an early age.

Of course, he liked comics and picture books too, and today he’s also inspired by William Hogarth, Gustave Doré and Wenceslaus Hollar, as well as MacDonald Gill, an artist who embellished his map illustrations with all kinds of colourful motifs. He loves everything Hispanic, which is why he recently relocated to Spain.

Mike spent two years studying graphic design before switching to an illustration course. He completed an Illustration degree at the University of Westminster.

Often Mike’s hand-drawn imagery is embellished using a computer. He combines print designs he’s drawn using pen on paper with digital elements to build up an image. The colouring is done digitally. Sometimes, he’ll also draw his map designs using vector graphics.

Architecture usually plays a large role in Mike’s work – either as the primary focus of the illustration, or as something in the background that gives it structure. He’s very interested in topographical views, geography and conveying a sense of place. Nonetheless, his characters come through just as strongly with crowded, colourful people scenes giving you plenty to look at.

Hanson, Sarah

Sarah's work is combination of traditional handmade and digital collage. Inspired by her travels and an avid collector of random ephemera, she finds and stores interesting bits of old paper, maps, photographs and various objects, which have all become strong elements in her work. For every new project she has a unique sift through the random piles, sketchbooks and pads that have accumulated around her studio selecting suitable elements as she goes. Previous clients include GQ, The Times, British Airways, Penguin, BBC Worldwide Ltd, Publicis, More Magazine, Waitrose, Caspian Publishing, Radio Times, Age Concern, Harper Collins, Renault, Delicious Magazine and The AOI.

Stutzman, Mark

Best known for his record breaking 1993 Elvis Stamp, Mark has gone on to produce volumes of illustration for countless uses with his heaviest concentration of personalities in the entertainment industry for Broadway, film, music and performance arts.

Dartford, Matt/FlipCGI

With over 16 years experience in the fields of illustration & design, Matt Dartford / Flip CG specialise in the creation of high quality, high resolution artwork for the advertising & entertainment industries. Previous clients include: Sony, Cadbury, American Express, MTV, Virgin, Tesco, Avon, UK Government, Royal Bank of Ireland, The BBC, Financial Times, Nestle, Ministry of Sound, Popular Science, Carlsberg, New Scientist, Esquire,George Wimpy Homes, Cream Recordings, IDG Publishing, Advantage Travel Agents, New State Music, Future Publishing and London Fog Soft Furnishings.

WowHouse, Toby Welles

High End 3D, Varied Styles, Fluids Advertising, Imagery, Product Design Rendering, Editorial, Technical Illustration, Abstract Themes, Fractals.

Elmer, Richard

Richard Elmer is from New Jersey. He studied graphic design briefly in South Florida. He returned north to study design and illustration, receiving his BFA from School of Visual Arts in NYC where he currently lives and works. Continued studies include Parsons School of Design and the New School in New York. Early professional years were spent in publishing, quickly moving on as a freelance artist creating illustrations for many advertising, publishing and design companies such as New York Times and Strathmore with work reproduced in Germany and Spain. Working professionally first in pastels, medium went on to include oils and traditional acrylic as well as digital. A strong visual vocabulary helped define his conceptual style across publishing, advertising, design and editorial markets. Richard Elmer teaches illustration at FIT, School of Art & Design in NYC.

Carey, James

James Carey studied at the London College of Printing, graduating in 2002 with a degree in Graphic Media Design. James Carey's image making combines traditional draughtsmanship with a modern, graphic approach. James works first by hand, and then digitally finesses the separate layers of found imagery, sketched portraiture, and photographic elements, to build intricate narratives and instant visions. James Carey is commissioned for advertising, editorial and fashion work by numerous UK based and international clients including Adidas, Sony, VH1, The NME, GQ, Esquire magazine as well as The Independent, The Times and Intersection Magazine, and leading book imprints. When not undertaking commissioned illustration and graphic work, James paints canvases for exhibition in Los Angeles, Paris and Tokyo.

Glenwood, Michael

Award winning illustrator Michael Glenwood brings a fresh graphic vision to illustration, merging drawing skills and conceptual ingenuity with an interest in classic printmaking techniques to create a bold visual style.

Mahoney, David

David Mahoney is a British freelance illustrator based in Edinburgh, Scotland. Since 2010 David has worked with a wide range of Fortune 500 companies and now works under the alias 'Headless Horse'.

His latest client list includes: The Guardian, 20th Century Fox, OPI, Kiehl’s, GQ, Fortune, Maxim, Easyjet, Tesco, Men’s Health, The Economist, NBA, MLB, Institutional Investor, Disney Pixar and Adobe.

David believes keeping tradition alive is important in an increasingly digital age. He specialises in the merging of traditional mediums and digital applications resulted in his signature style coined "tradigital". This method of creating his illustration allows his work to be animated, a style often used in digital editorial magazines.

In 2014, David opened his first solo exhibition at the Coningsby Gallery, London titled ‘Black + White’: a series of animated portraits of twenty leading individuals created in squid ink and watercolour.

In 2013, David was awarded the 99U Scholarship by the Samsung Accelerator and 99U for his illustrative work. David has had his work displayed in numerous publications and has spoken at events in both the USA and UK. David is a Community Professional for Adobe.

At the present, the artist is currently exhibiting his work in LA and New York with the Hero Complex Gallery for his client 20th Century Fox, celebrating the latest American Horror Story and Disney Pixar’s Toy Story.

Hom, John

Children and kids marketing and design with emphasis on children's Illustrations for magazines, annual reports, children books, collateral, advertising and publishing, digital, various 3d, conceptual, dvd and game covers and packaging and character development. Give me a call or send me an email if you like what you see. Thanks for looking!

Borge, Richard

My evolution in fast forward: Madagascar, Fargo, Tucson, Asheville, Manhattan... ultimately landed in Brooklyn. I work primarily on editorial and corporate / advertising illustration and animation / motion design. I am well versed in visual consulting and creative direction. One of my favorite aspects of visual communication is the conceptual process, be it selling a product or conveying the intricacies of a complex article.

A selected CLIENT LIST includes: WhiteOps, McKinsey, Siegel+Gale, Olympus, AVID, Sony Music, Vampire Weekend videos, MTV, IFC, Meat Beat Manifesto, Fast Company, Time, Newsweek, Wall St Journal, NY Times, Washington Post, Forbes, Bloomberg, Inc, Epson, AT&T, HP, AMEX, Deutcshe Bank, Verizon, Reebok, IBM, and Coca-Cola.

This Holiday season, I worked with The School of Visual Arts to design a poster for the “ART IS!” subway series. It’s been so fun to see these all around the city.

In late 2018, I had a great time animating Steve Brodner’s drawings for The Alec Baldwin Show. Tight deadlines and a great team of people!

Awards (partial): Communication Arts, Print, The Society of Illustrators (NY + LA), American Illustration, 3×3 annual, and numerous Telly Awards.

Bollinger, Peter

Renowned in the field of commercial art, Peter Bollinger is an award winning illustrator whose clients include Grey Advertising, Sony Entertainment, DreamWorks, Sega, Wizards of the Coast, Nintendo, Mars, Harper Collins, Scholastic and many other publishing, advertising, and entertainment organizations. Holding degrees in industrial and environmental design, Peter's expertise covers diverse fields, from the design of computer terminals and street furniture, to monorails and automobiles. He has won major design and illustration awards in the United States, Australia, Italy and Japan. He undertakes architectural and concept design for numerous clients locally and abroad such as Disney Imagineering, Discovery Communications, and numerous Japanese theme parks. Peter works in two separate styles, traditional airbrush and digital illustration, although the two have become more and more similar with each passing technical innovation. Once a die-hard New Yorker, Peter now lives in the relative tranquility of Silverado, CA with his wife, Cybele their son, Zak, and daughter Galatea.

Rosenbaum, Jonathan & Georgina

Jonathan and Georgina Rosenbaum have been two of the premier food and beverage illustrators since the early 90s working with clients as diverse as Pepsi, Seagram’s, Nestle, Kraft, Gillette, Pfizer and Orville Redenbacher. During the days of conventional airbrush they worked as a team creating different aspects of an illustration. Making the transition to digital in the mid- 90s enabled the Rosenbaums to improve both consistency and timing over a product line. This made them a sort of super illustrator, perhaps a major movie deal is in the wings? Multiple piece projects are a specialty, such as a recent 600+ illustration packaging assignment for a national supermarket brand, 75 illustrations for a national pharmacy chain and 30 illustrations for a private label group. Subjects included fruit, vegetables, candy, chocolate, desserts, drinks, juice, water, splashes, and pours.This is in addition to a number of smaller, but no less important, projects for loyal clients who will only accept the Rosenbaum's style and quality, a Herculean effort and one that would not have been possible had they not been a team.

Zuckerman, Craig

My graphic and illustrative expertise extends from medical, anatomical, figurative,and mechanism of action to iconic art with concepts including finance, business and global economics. I welcome assignments from all industries, and will skillfully execute your great ideas and my original concepts in 2D, 3D, or line work.

Jensen, Andrea

2019 Indigo Honorable Mention Winner For Professional Illustration

2018 Indigo Gold Award Winner For Professional Illustration


Working primarily in graphite, I strive to capture the nature of fabrics as well as the mood of my subject. A spark in the eye, a burst of motion, or quiet reflection taking the subject beyond a photograph, rich in texture and feeling. From portraiture to fashion, my work tells a story. The viewer should be curious, hopefully drawn in, to complete it on their own.

I have attended Minneapolis College of Art & Design, classes in digital graphics, University of Minnesota, drawing & painting and have earned an Associate Arts Degree in commercial art from Minneapolis Technical College. My interest in fashion and clothing construction has led to employment as a costumer for Guthrie Theater, Minnesota Dance Theatre, Minnesota Opera and Children’s Theatre Company.

Exhibits of my work have been held in Minneapolis at Geometrie Gallery and The Loring Cafe & Bar and in Venice, California at Sponto Gallery.

I have been represented by Ann Koeffler Artist Representation for the past 15 years. Since she has recently retired I am seeking new representation.

Burston, Oliver

Oliver's outstanding brand of high resolution visual imagery, coupled with his reputation for making experienced and finely judged inputs to briefs continues to attract leading clients seeking distinctive solutions from all over the world. Oliver enjoys working at the cutting edge of digital technology, employing the latest advances in 2d and 3d visualisation. Oliver has also worked extensively in the film and animation industry, directing videos for MTV, contemporary dance and television. Previous clients include: Penguin Books, Camel, Lowe, Saatchi and Saatchi, Egmont books, BBC Focus, BP, GQ magazine, Collins, Money Observer, The Times, Sony, Campaign, V&A, Ford, BBDO, Egmont Books, Wolf Olins, Sky At Night, The Royal Institute,Gyro Worldwide, The Banker, The Economist, Investors Chronicle, The Sunday Mail, Men's Health, Men's Fitness, Faber books, Findlay Publications, Sainsburys, Seimens, Quercus Books, JWT, Magazine, Dorlin Kindersley, Trident Communications, IPC media, Baber Smith, Caspian Publishing, The Independent, Bates USA, Condenast, Random House, Rainmaker, FT, Orion Books, McCann, BT.

Strain, Peter

Peter Strain is an AOI (Association of Illustrators) Critics' Choice Award-winning illustrator based in Belfast.
He specializes in creating carefully composed, hand-rendered illustration and typography and always tries to experiment with texture and mark-making techniques to keep his work evolving.
His work is hugely influenced by film and music and aims to tackle social, political and cultural issues with a highly distinctive hand lettering style, bold imagery and humour.
Clients & Projects include: Land of Giants, Empire, Esquire, Queens Film Theatre, The Ulster Hall, Unilever, Work Style Magazine, Jameson and The University of Ulster.

Noble, Steven

Steven Noble's acclaimed award winning illustrations embody a large volume of work in the scratchboard medium, from pen & ink precision detailed line art to intricately carved engravings and woodcut illustrations with over 20 years of experience. Stock Illustrations Go to: http://www.scratchboardstock.net/

Glass, Randy

Originally from Kansas City, Randy became the youngest illustrator Hallmark Cards had ever hired — while still a junior in high school. He attended Ringling School of Art and Art Center College of Design, supplementing his tuition by drawing five-minute portraits of people at both Disneyland and Walt Disney World ... a surprisingly valuable education in discipline and patience. Randy began freelancing as an illustrator in the mid-’80s, quickly establishing a strong reputation for highly detailed representational drawing and painting. Although adept at working in color, he gravitated toward and has always preferred a simple black and white palette. He is a master of the graphic technique known as “stipple” — the process of marking a surface with numerous small dots to create an image. It’s a style favored by print media, where paper quality can adversely affect the reproduction of an image, and by its very nature, it’s ideal for Web usage. Perhaps best known commercially as a portrait artist, Randy has an exceptional aptitude for capturing his subject’s character and essence with carefully nuanced precision. This, combined with his stippling expertise, made him a perfect match for the Wall Street Journal’s iconic portraits known as “hedcuts”; he’s created several hundred of them since 1998. Over the years, Randy has received recognition by The Society of Illustrators, American Illustration, Communication Arts, The Art Director’s Club, and Illustration West. Randy currently lives in Southern California. Black & White Illustration. Pen and Ink (line & Stipple), Watercolor, Pencil. Portraiture.

Crowther, Peter

Peter Crowther graduated in 1987 from the London College of Printing with a First Class Honors in Graphic Design. Then went onto the Royal College of Art in 1987-1989 graduating with an MA(DES RCA) in Graphic Design. He then worked for six months in one of the first truly multimedia design companies, Decode Design. During this time he beta tested the first version of Photoshop and went onto leave and set up as a freelance illustrator/animator. The journey from working with photomontage, through to photo-retouching and later with realistic 3D has led to many interesting and varied jobs and has been incredibly rewarding. From stamps for the Royal mail up to 96 sheet posters for P&O and the odd title sequence. Today we continue to use the cutting edge 3D software often speaking directly with the chief programmers to request and test new features. As the technology evolves we strive to create the highest level of work with an eye for the details. Peter Crowther lives in London with his wife Suzanna and two children, Roberta and Jack.

Nielsen, Cliff

Cliff Nielsen studied traditional and digital illustration and graduated as valedictorian from Art Center College of Design in 1994. His illustrations have been recognized for their excellence by the Society of Illustrators, Print, and Spectrum. Feature articles focusing on his work appear in design publications and fanzine magazines alike. Cliff has been an international speaker on digital art and has served as a judge for the Society of Illustrators and a variety of professional illustration award programs. His clients include every major publisher, countless advertising agencies, magazines, and studios. He lives and dreams in Los Angeles, California.

Armstrong, Gail

Gail Armstrong has been creating paper sculptures for over 20 years and her enthusiasm for the medium hasn’t waned one snip. She still wants every image she creates to be better than the last, and this approach has led to plenty of awards, including a Cannes Gold Lion for her Kleenex campaign. She finds inspiration in contemporary art and, not surprisingly, the huge Paperchase outlet on Tottenham Court Road in London.

Gail did her foundation course at Sheffield Polytechnic before gaining both a BA and Post Graduate Diploma in Graphic Design and Illustration at Glasgow School of Art.

Though finally rendered in pieces of paper that have been carefully cut and glued together, each image Gail creates begins as a series of drawings. As she explores the composition and various concepts, she focuses on creating something that has both style and substance to it. The result is usually a photograph of her artwork, which viewers love to see more than once, poring over the textures, colours and patterns in the final construction.

Awards

Shortlisted in AOI Illustration Award 2014 - Research and Knowledge category for “Life Cycle of a Butterfly”

Asiago International Award for Philatelic Art 2012 - winner for “Land” stamp in set of 3 for United Nations conference on sustainable development in Rio

Cannes Gold Lion 2010 – Billboards Cannes Bronze Lion 2010 – Illustration Cannes Bronze Lion 2010 - Press The Big Won 2010 – 1st in Press Campaigns Creative Circle Awards 2011 Silver in Illustration (Craft Print) Creative Circle Awards 2011 Bronze in Magazine Campaign (Press) Creative Match Flair Award for Illustration 2011 Daler Rowney Award for Outstanding Paper Sculpture 1997

Client List Kleenex United Nations stamp Nestle Sogo, Hong Kong Wells Fargo Bank Macy's IRS Guersey stamps MidFirst Bank Illinois Lottery Dole SouthWest Airlines CITGO Which? Minivelle PALL Microsoft Virgin Travel Anchor Rotary

Malan, David

Like all kids, David found he loved to draw at a young age. He stuck with it through his whole life and has developed a frank, accurate approach to portraying the emotions of the subject. His influences have long included many classical artists of the 19th century and Golden Age illustrators. David studied Illustration at Brigham Young University and worked for over a decade as a Disney artist while refining his illustrative style. He can handle a range from light and stylized to realistic and accurate and has worked with clients from editorial, publishing, advertising, video game design, even coin design for the U.S. Mint. David lives with his artistic wife and four muse children in Salt Lake City, Utah.

Harris, Philip

Philip became inspired by art as a child studying his grandfather's old sketchbooks around his home. During university he inherited his grandfather's vast collection of dip pens and began experimenting with dip pen and ink. Becoming fascinated by the style, he still uses the same nibs today as well as devolving to use other mediums such as rotring pens and Photoshop to create his images.

Garnier, Virginie

Virginie Garnier is a french illustrator who graduated from L’ école des Beaux Arts in France and studied Photography, and then Fashion at the Royal Academy of Antwerpen, Belgium. Through the years, she has created a signature style with her pencil drawings creating an unusual and erotic universe, filled with a surprising mixed bag of elements; hot chicks, celebrities, animals and unexpected scenes always represented with a delicate hand and a hyper realistic technique. She is currently living and working in Berlin.

Zafra, Marta

Born in Jaén, Spain, Marta studied Fine Art in Granada, Andalusia and studied an MA in illustration, now her work wins recognition worldwide. Whether it be botanical illustrations or the portrayal of animals and people, her illustrations exhibit a careful solid base in draughtsmanship combined acutely with a subtle intuition for colour, mixed both by hand and digitally.

Hutchinson, Andrew

Feathers, scales or fur – they all come out perfectly when painted by British nature artist Andrew Hutchinson. Living on the North York Moors, Andrew is so passionate about nature that he’s a part-time ranger with the Forestry Commission and monitors the activity of adders and certain bird species in his area to help conserve them.

Being out and about, experiencing nature, is a crucial source of inspiration him in his work, and Andrew loves the area where he lives. The way nature, as the ultimate recycler, reclaims and transforms objects with decay is endlessly fascinating to him. He also enjoys looking at Jurassic fossils and Oriental antiques.

Viltovskaia, Elena

Elena Viltovskaia is a fashion and beauty illustrator based in Toronto.

Since graduating from the Ontario College of Art Design Illustration program Elena has been perusing a combination of passions including illustration, on set styling and art direction. Her diverse body of work incorporates a variety of media, from watercolor and ink to 3dimentional objects. She often develops concepts for editorial as well as commercial clients and occasionally teams up with a photographer.

Elena's lucid, dreamy and textural approach to illustration received multiple recognitions from industry peers including American Illustration, Creative Quarterly, CURVY magazine.

Her work has appeared in North American and European publications.

Dearwater, Andy

Dearwater Illustration has built a national reputation for creating clean and thought-provoking images for some of the world's most notable design firms and agencies. This work has been featured in Communication Arts, American Institute of Graphic Arts Annual, The New York Art Directors Club and The New York Society of Illustrators.

Kerr, Sam

Sam Kerr approaches his work with an equal amount of thought placed on the drawing style and concept. “For me, the two are inseparable and as important as each other. To get the best out of an idea, you have to match it to the right medium.”

Although most ventures into different ways of working have come about through a basic need for variety, some were born out of necessity. In 2011, Sam Kerr spent six months bedridden as a result of back problems, so in order to keep up his drawing, learnt to work entirely on his iPhone.

As of December 2011, Sam Kerr returned to his studio with a new back and continues to work on his collaborative projects with illustration collective Lie-ins and Tigers, and new joint venture Interrobang with friend Russell Weekes.

His clients include… Channel 4, Coca-Cola, Waitrose, Phones 4U, Gillette, Paul Smith, Planet Of The Grapes, Marwood ties, TIME Magazine, GQ, FHM, Red Bulletin, Popshot, LE GUN, The Guardian, and The Independent.

Brickley, Corey

Corey has been announced Merit Winner of the 3x3 Professional Show, reproduced in the 3x3 Illustration Annual No.13.

Corey Brickley was born in the U.S. In 1987 and now lives and works as an illustrator and designer in Philadelphia.

Corey Brickley is a graduate of the University of the Arts' Illustration program in Philadelphia, PA. Corey creates concept-driven illustrations for editorial, publishing, music and advertising. He is a digital artist who uses a healthy mix of 3D, texture, and Wacom-based painting. His work is concerned with surreal and graphic juxtapositions.

Corey primarily works in editorial and specializes in motion graphics and animation. Corey is a winner of the American Illustration 35th annual competition for his motion illustration work with The Huffington Post.

Previous clients include: The New Yorker, The New York Times, The Huffington Post, Pacific Standard Magazine, Vice Magazine, Penn Gazette, Texas Monthly, Magnet Magazine, Grid Magazine.

Dream clients: Mother Jones, Popular Mechanics, GQ, Rolling Stone, Penguin, Little Brown, Tor, Converse, Vans, MTV, SmuttyNose Brewing Co

Schommer, Florian

Berlin based Art Director and Designer working within branding, illustration, editorial design, packaging design and contemporary art. Dividing his time between personal projects and working with a variety of international clients like Sony Music, Penguin Classics, Swatch, The Guardian, Brew Dog, Jura Whisky, The Economist, Columbia Records, JP Morgan & Chase, Skoda, Jägermeister and many more.

Florian performs his own recognizable style, while also being able to adapt to his customers’ preferences. Growing up in the skate & punk scene of the 90s, he later attended art college in Düsseldorf while constantly touring the world with a variety of bands. After winning several Design awards like ADC, German Design Awards, Illustrative Nominee and Red Dot Award he became an official member of Germany’s Art Directors Club.

Horvath, Peter

Peter Horvath, born of Hungarian descent into a lineage of photographers, began taking pictures at age 6. After spending his formative years inhaling darkroom fumes, he worked as a stills photographer until he discovered computers in 1995 when a friend gave him a Macintosh Plus. Shortly thereafter, he happened across the work of Dadaists John Heartfield and Hannah Hoch, whose work exposed him to the world of photo-montage. He has since produced digital collage works exploring narrative, abstraction, and the hypnagogic, and continues to push the boundaries of convention, displacing the familiar and nostalgic with unique, surreal touches. Peter’s ability to master bold compositions that convey complex concepts is what makes his work stand out. His impactful images make him a natural choice for the nuances of editorial work, and the call-to-action needs of advertising. His work is featured in the newly published book from Die Gestalten, "Illusive - Contemporary Illustration", as well as an upcoming book on collage.

Previous commercial clients include The Economist's Intelligent Life Magazine, AMEX, The Washington Post, The Smithsonian Magazine, Billboard Magazine, The Atlantic Monthly, Wired Magazine, Entertainment Weekly, The Wall Street Journal, Forbes Magazine, The Village Voice, Variety, Scientific American Mind Magazine, New York Times, The L.A. Times and L.A Weekly among others.

Peter has been awarded numerous grants from The Canada Council for the Arts for his new media work, and is the recipient of commissions from Rhizome.org at The New Museum, NYC (2005) and Turbulence.org New Radio and Performing Arts, Boston (2004). He has exhibited in museums and galleries across the globe including the Whitney Museum Of American Art‘s Artport (NYC), Museo Tamayo Arte Contemporaneo (Mexico City), the Musee national des beaux-arts du Quebec (Quebec City, Canada) and FILE Electronic Language International Festival (Sao Paulo, Brazil).

Wolski, Marcin

Marcin Wolski is an illustrator and graphic designer with several years of experience in advertising, and editorial illustration. He began his artistic journey with traditional media, slowly moving to digital art. He lives and works in Sopot, Poland.

In his illustrations, Marcin tries to capture specific mood using simple shapes, colour and light to distill the essence of the story that he tries to tell in each illustration. His inspirations come from retro games and Polish socialist-era posters as well as modern illustration.

Rosenberg,Ken

Realism, stylized realism, licensed characters, painted digitally in Photoshop for advertising and editorial usage. Specialties are; food, Fruit, product, people, packaging, nature, landscapes, and book covers.

Perini, Ben

Ben Perini [creative artist] realistic illustration - 3D art, graphics, and typography. Digital image specialist for editorial, publishing, design, and advertising.
Clients include St. Martin's Press, Penguin Random House, Grand Central Publishing, Audible, HarperCollins, Simon & Schuster, Llewellyn Worldwide, Warner Books, Kensington Publishing, Dorechester Publishing, Books on Tape, Thorndike Press/Gale, BBC Audiobooks America, McCann Erickson, Young & Rubicam SF, Price McNabb, Foote, Cone, Belding. SF, Wall Street Journal, Cosmopolitan Magazine, Smithsonian Magazine, AAA Living, The Washington Monthly, Bicycling Magazine, Cahner’s Publishing. Ben’s work has been recognized by Communication Arts, The Society of Illustrators, and Print.
Have You Bought Your Art . . . Today?

Wray, Wendy

Wendy Wray Illustrator. Realistic graphite and pastel pictures of men and women. Also specializes in how to or step by step imagery.
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