Judy Reed Silver's style focuses on an eclectic collage of illustration, design, photography, vintage and modern. She has been inspired by nature, vintage fabrics and silk Japanese kimonos, how they can be applied to surface design from rugs, stationary, shoes, T-shirts, tableware, bags, product packaging, store displays, posters, wall décor and how art as design can apply to our everyday living environment.  Judy creates for such clients as Sherwin-Williams, Disney, U.S.P.S., Emory University, Publix and The Natural History Museum of Los Angeles. She has illustrated children's books and cookbooks for Chronicle Books and Simon & Schuster/Silver Burdett & Ginn. Her editorial clients range from Newsweek, Boston Globe, Bon Appetit, New England Journal of Medicine. She has exhibited in several one woman shows and national group shows of mono-types, giclee prints and illustrations, featured in Communication Arts Annual, The Society of Publication Designers Best Spot Illustrations & Brochures, Visions Magazine, How's Promotional Design Annual, Stir Magazine, and Taxi Design. She received her BFA from Art Center College of Design in Pasadena.

TO SEE THE COMPLETE IMAGES---HIT ERIC'S HOMEPAGE URL (above). That said, Eric Larsen has been a working, multiple-style illustrator since the year John Lennon was shot. That's a long time. He's worked for a lot of really good people for a really long time too. Clients include: DDB Chicago, CMD Agency, Daimler-Western Star Trucks, The Amelie Company, Colorado DOT, Three Communications Chicago, The Great Society, Cengage, Pearson Learning, This Old House, California Magazine, AAA Traveler Magazine, Westways Magazine, Scholastic, J.Walter Thompson, Hachette Books, Guideposts Magazine and many more. Please hit his website link to see more of his stuff. We really hope you don't hate it you've got so many choices. Keywords: automotive, truck, car, industry, industrial, retro,digital, pencil, airbrush, digital, vector, multiple_style,texture, engines, train, travel, tourism, feminine, masculine, machine, character development, cartoon, comic, medical, hospital, science, food, product, line _over_color, editorial, realism, stylized, style-match, food, beverage,tee_shirt, business, corporate, financial, graphic, postcard, scenic, hand_lettering

Illustrator, Rebecca Gibbon was born in Wales in 1968. The youngest of four children she was fed on a diet of picture books by Edward Ardizzone, Roger Duvoisin & Richard Scarry; she dreamed of being an illustrator. Her favorite book was "Frances Face-Maker" by Tome Ungerer.

Her ambition was realized after gaining a first class Honors degree from John Moors University and consequently a Masters at Royal College of Art, London. While at the RCA she was spotted at a children’s book expo in Paris by a French Agent. Since graduating she has worked all over the globe and is represented in New York by Riley Illustration

Rebecca paints in watercolor ink & cultured pencil, and bases her characters on the people she has met and seen over the years. She used to paint on newsprint until one day she looked back at some old work and it had all faded. Lesson learned she now works on acid free cartridge paper.

She lives with her husband and two boys in what was once the Old Village Stores surrounded by their eclectic collections of vintage children’s books, balloon pumps & 1950's ceramics. She loves junk shops, flea markets, drinking tea & of course drawing.

Clients include Citibank, Barnes & Noble, British Telecom, Whittards, Hank Fisher Properties, Kleenex, IBM, The Post Office, Rail Track, Chicago Zoo, The New Yorker, LA times, Washington Post, Vogue, RadioTimes, Wall Street Journal, Paperchase, Country Living, Scholastic, Galison Publishing N.Y, New Crane Publishing, Harper Collins, Hallmark, Bodley Head, Fourth Estate, Chronicle Books, Hallmark, Nickelodeon, Gaz de France.

In 1994, Alecia was accepted to New World School of the Arts High School, a fine art conservatory for visual art in Miami, FL. Upon graduating high school, she received a full scholarship to the Rhode Island School of Design (RISD), and majored in Fashion Design. Proceeding her first semester at RISD, she decided to transfer to the Atlanta College of Art in GA, majoring in Illustration. In 2002, Alecia graduated with a BFA, making the Dean’s list. Since graduation, Alecia has gained ample experience in Art/Design. Some clients include: Marvel Comics, Perry Ellis, Target, Coke, Disney/Pixar, DC Comics, etc.

Erika LeBarre has always been exposed to art one way or another as she grew up. Her father worked as a car designer for the big three, and her mother was a ceramicist. Erika’s parents always encouraged her creative side. Drawing was her favorite thing to do. Erika graduated from the College for Creative studies with a BFA in illustration. Initially she worked at an art studio with other illustrators and designers for several years. Since then she has worked on her own for a wide variety of clients and projects such as product/packaging labels, posters, point of purchase, signage, direct mail, magazine ads, editorial, greeting cards, grade school textbooks, eBooks, websites, textiles, logos and even character development. Erika’s working techniques are both traditional and digital including pastels, acrylics, Photoshop, and vector-based illustrations using Illustrator. She creates illustrations using textures, smooth gradations, and rich color that can create a look that is anywhere from stylized, whimsical, editorial, conceptual and graphic line/flat color to somewhat realistic with a twist of fantasy.

Nishan Akgulian’s artwork is a product of his love of gestural drawing and the minimalist aesthetic. Combining expressive brush strokes with carefully designed abstract shapes he always strives to give a visual energy to every image he creates. Throughout his career Nishan has applied his unique artistic vision to a wide variety of visual outlets, including editorial illustration, advertising campaigns, greeting cards, product rendering and fashion illustration, as well as fine art and painting. His work has often been described as whimsical, stylized, expressive, gestural, simple, friendly, fun, and sophisticated.

Chris Lyons is an Illustrator, gardener, and pass-first point guard. And hopelessly addicted to all three things. He loves to do great work for great clients. In the last few months that’s been: Conde Nast Traveler, American Express, Target, Penguin Publishing, Chicago Magazine, Monocle Magazine (London), Scholastic, Chicago Tribune, McCann Erickson, LA Magazine, Cramer-Kressalt, AirTran, Smart Money, Utne Reader, The New York Times, Bicycling Magazine, Texas Monthly and AARP to name a few. His work has appeared with some regularity in the CA Illustration Annual, American Illustration, 3x3 and Creative Quarterly. He is also on the Adjunct Faculty of The School of Design at RIT.

My graphic and illustrative expertise extends from medical, anatomical, figurative,and mechanism of action to iconic art with concepts including finance, business and global economics. I welcome assignments from all industries, and will skillfully execute your great ideas and my original concepts in 2D, 3D, or line work.

Based in sunny Los Angeles, Sunny Gu is an artist who’s curious about culture. She loves to look for beauty in everything around her and then recreate it in her art. It certainly shows through in her work, which is full of colour, glamour, fashion and ornamentation.

Sunny was born in China but emigrated to the US when she was 13. She’s loved drawing for as long as she can remember. Her nickname is ‘Bee’ because she’s obsessed with flowers and if you look inside her wardrobe you’ll be overwhelmed by the colourful floral prints and patterns inside. She has plenty of accessories to go with the garments - again, they form important elements in her illustration work.

Her overall aim is to preserve the beauty she sees around her.

Sunny studied illustration at the Otis College of Art and Design in LA, and received a Bachelor of Fine Arts degree.

Each illustration begins with a series of rough sketches, which Sunny uses to develop the composition. Once she’s decided on the composition, she works on the details and then starts painting. Her favourite medium is watercolour – she loves their vibrant and unpredictable nature. Occasionally, she uses graphite or acrylic paints for some of the textures. Sunny will use a computer to create surface designs and textile patterns.

When she’s painting, Sunny says she’s bathed in happiness and she puts that across in bright colour and rich detail. The focus on beauty and feeling is clear in her work and she wants to bring joy to whoever looks at it.

Katie Vernon is an illustrator who has spent most of her life in the midwest but whose heart belongs in the mountains. Her inspiration comes from being a florist, working with alpacas, and living on a bus. Some of her favorite things include rearranging furniture, seltzer water, and two different species of animals becoming friends. Katie is also rather fond of her partner, daughter, and part-dingo dog. In 2015 Katie won the Special Studio Award in Lilla Rogers Global Talent Search competition. She is thrilled to be represented by the amazing team at Lilla Rogers Studio.

Daniel Johnson is a digital artist with a BFA in Illustration and a background in traditional media. Now a freelance illustrator and visual effects artist, he worked for years as an Art Director, Illustrator, and Animator at an ad agency in Sonoma County, CA. Dan is an Adobe Certified Expert and has taught computer graphics at various locations in California, including the Academy of Art University in San Francisco. As a digital artist, he is largely self-taught and enjoys sharing his experience gained through years of trial and error. He won the Guru award in Illustration at the 2007 PhotoshopWorld and was also the spotlighted designer in the May/June 2008 issue of Layers magazine.

Originally from Kansas City, Randy became the youngest illustrator Hallmark Cards had ever hired — while still a junior in high school. He attended Ringling School of Art and Art Center College of Design, supplementing his tuition by drawing five-minute portraits of people at both Disneyland and Walt Disney World ... a surprisingly valuable education in discipline and patience. Randy began freelancing as an illustrator in the mid-’80s, quickly establishing a strong reputation for highly detailed representational drawing and painting. Although adept at working in color, he gravitated toward and has always preferred a simple black and white palette. He is a master of the graphic technique known as “stipple” — the process of marking a surface with numerous small dots to create an image. It’s a style favored by print media, where paper quality can adversely affect the reproduction of an image, and by its very nature, it’s ideal for Web usage. Perhaps best known commercially as a portrait artist, Randy has an exceptional aptitude for capturing his subject’s character and essence with carefully nuanced precision. This, combined with his stippling expertise, made him a perfect match for the Wall Street Journal’s iconic portraits known as “hedcuts”; he’s created several hundred of them since 1998. Over the years, Randy has received recognition by The Society of Illustrators, American Illustration, Communication Arts, The Art Director’s Club, and Illustration West. Randy currently lives in Southern California. Black & White Illustration. Pen and Ink (line & Stipple), Watercolor, Pencil. Portraiture.

Vibrant, friendly and fun, line and dye illustrations, maps, food, animals, characters, nature, icons, interior overviews for advertising, packaging, corporate, children's book publishing, esl, editoral, games, infographics and more....

Kevin Sprouls introduced the hallmark portrait style to the Wall Street Journal in 1979. Between 1979 and 1987, Kevin worked on staff for the paper, creating illustrations and training artists in the style. At the time of his departure from the daily activity of putting out the paper, he was Assistant Art Director in charge of the in-house artists, which numbered 4-5 staff artists, and 2-3 part-timers.

He has been quite active in the freelance illustration sphere since then, contributing to advertising, publishing, editorial and corporate projects. His style is notable for its high level of detail and traditional, engraving like effect.

Sprouls’ work has been featured in the Smithsonian magazine, a web exhibit of the National Portrait Gallery, and a major exhibit celebrating Columbus Day which was mounted in Grand Central Terminal, New York in 2005. He is currently the principal portrait artist for Worth Magazine. He was the portraitist for the popular Infiniti “Drivers” ad campaign, appearing weekly in the Wall Street Journal for the 2+ years.

Recent work has appeared in Fortune, Forbes, Runner’s World, GQ, Sportrs Illustrated, Time (International Edition), Euroman, and Esquire magazines. Recent book projects include the Encyclopedia of Guilty Pleasures and The Art of Demotivation. His pen is housed in the Newseum in Washington, D.C. Kevin Sprouls is married with 2 children, and lives in Coastal North Carolina.

Classic paint, ink, pencil and airbrush techniques, and you get it with fast, drop-it-in digital delivery. Images can be created from scratch, with photography, or built with CGI. Experienced in medical and health, food, landscape and nature, industrial machinery and mechanical constructs, product concepting, technical, cutaways and phantoms, instructional, people (adults and children), animals, fantasy, architectural, toys, and seasonal, using painterly, realistic or retro styles. Illustrator of eight children's books to date. Clients include Mattel, Disney, Dole, Pillsbury, Hallmark, Zimmer, Nestle, Green Giant, Serta, Williams-Sonoma, Tyson, OshKosh B'Gosh and Volkswagen. From spots to spreads and posters to packaging, call or email for a fast quote.

Caroline Church is a scraperboard artist, and the perfect illustrator to approach if you’re after something with a vintage engraved look to it. Based in Twickenham, she grew up in Uganda, where she had pet chameleons and was encouraged to make greetings cards by her mother.

Caroline received a BA in Illustration at the Chelsea School of Art. She then learned wood engraving as a guest student at Royal Academy Schools.

Caroline’s style is reminiscent of 19th century engraving, so it tends to lend itself well to projects that aim to convey traditional and time-honoured values. Not surprisingly, her main influences include the engravers Thomas Bewick and Gustav Dore.

Client List
Charlotte’s clients include Domino's, DDB Helsinki, Atlantic Books, Virgin, McCann Erickson Dublin, Waitrose, Envision, Marks and Spencer, DDFG Vienna and Crispin Porter + Bogusky Colorado.

Being able to create a world for somebody using just lines and colours – that’s what fascinates Amber Day, an LA-based illustrator who’s done stunning work for a range of fashion, beauty and lifestyle brands. “There’s no better feeling to me than being able to tell a story through an image,” she says.

Travel and taste are two of her biggest passions. “I’ve literally eaten my way through Europe, Africa, and Asia, and I love paddle boarding on The Great Lakes,” she explains.

Alongside the travelling and eating, she’s always drawing - fashion, food and beauty. Her visit to Morocco inspired her to draw Moroccan rugs for weeks, and the Red Panda at Nashville Zoo led to an obsession with the species. So far, her favourite city is Prague and she returns there two or three times a year. At home, her best friend and work partner is Kale, a rescue poodle with three legs.

Amber studied for a degree in Visual Communications from the Fashion Institute of Design & Merchandising in Los Angeles.

Amber’s bold line work has a natural, sketched feel to it, while the addition of watercolour gives her illustrations an organic look and her restrained use of colour sets the mood. A few years ago, she made the decision to draw products how they’d look when laid out flat and it’s proven extremely popular with clients in fashion and beauty.

When she’s creating culinary sketches, she gives them a personal perspective and includes the nuances of real life rather than aiming for perfection. “I want the viewer to feel like they are experiencing the food as if they are there. The napkin might be placed a little off, French fries might be brown from being cooked too long, and the burger could be half-eaten,” she says.

Client List:
Amber has been commissioned by clients including Red Bull, Condé Nast, Heinz, Mattel, Maybelline, InStyle, Hawaiian Airlines, Jamie Magazine, Under Armor and more.

Zoe More O’Ferrall’s studio is situated in Notting Hill. It’s a prime position for an illustrator who loves markets. She’s right next to Golborne Road Antiques Market and minutes away from Portobello Road with its famous stalls selling old papers, postcards, vintage clothing, furniture, prints and more.

Further inspiration comes from a love of film and photography, like the colourful and imaginative work of Autumn de Wilde, Tim Walker, Wes Anderson and Juergen Teller. BBC Radio 4 is played constantly in her studio as she creates imagery for fashion and food brands, retailers, advertising agencies, publishers and more.

Zoe’s training began at Wimbledon School of Art, and she went on to do a BA at the London College of Communication as well as a postgraduate course at Central Saint Martins.

Zoe usually works in pen and ink – she has a broad collection of pens to choose from - and loves to draw by hand. She only uses a computer to plan compositions and to touch up the handmade images. Now and again she’ll experiment with collage and screen printing too.

Client List Absolut Vodka Amazon BBC Billboard Magazine British Vogue Cartier Charlotte Tilbury Costa Esprit Esquire ES Magazine The Guardian Harrods The Hollywood Reporter The Ivy Jo Malone J Crew JWT The Mayor of London Mr Porter More Than Mumford and Sons National Geographic New York Magazine Ogilvy Propercorn The Red Cross Renault Stella Artois Tesco Topshop The Times UGG Australia VCCP The Wall Street Journal The Washington Post YSL

After graduating, Tracy Turnbull worked in fashion design for several years and along the way began accepting illustration commissions for fashion books. Later editorial clients came knocking and it turned into a full-time thing. She combines her career in fashion illustration with teaching the subject at Northumbria University. At her home in Newcastle she has a husband, and a dog called Dave. She’s scared of fish, used to be a goth and has performed at Glastonbury.

Tracy graduated from Newcastle Polytechnic (now Northumbria University) with a BA Hons in Fashion Design.

Initial drawings are done either on paper, or on screen using her Wacom Cintiq. Tracy then colours her work digitally using Photoshop.

Just as fashion is always evolving and changing, Tracy likes to keep her work fresh and contemporary. Her style changes a lot, influenced by what’s current in illustration as well as what’s on the catwalk. When she gets bored with one style, she experiments and adapts. Lately, she’s been working in pencil and mixing it with strong colour.

She likes to draw strong characters with unusual features, and her training in fashion design certainly comes in handy when she renders garments. She understands clothing construction, proportions, and how draped fabrics look, which comes across in her work.

Client List Nylon Magazine Benefit Cosmetics Pro Hair and Beauty Magazine L'Oreal Professional Perseus Books MGA Entertainment Readers Digest US Sportsgirl Australia Portas Agency Tigi Bedhead Quarto Books D'Addario Quarto Publishing Barbour

Gail Armstrong has been creating paper sculptures for over 20 years and her enthusiasm for the medium hasn’t waned one snip. She still wants every image she creates to be better than the last, and this approach has led to plenty of awards, including a Cannes Gold Lion for her Kleenex campaign. She finds inspiration in contemporary art and, not surprisingly, the huge Paperchase outlet on Tottenham Court Road in London.

Gail did her foundation course at Sheffield Polytechnic before gaining both a BA and Post Graduate Diploma in Graphic Design and Illustration at Glasgow School of Art.

Though finally rendered in pieces of paper that have been carefully cut and glued together, each image Gail creates begins as a series of drawings. As she explores the composition and various concepts, she focuses on creating something that has both style and substance to it. The result is usually a photograph of her artwork, which viewers love to see more than once, poring over the textures, colours and patterns in the final construction.

Awards
Shortlisted in AOI Illustration Award 2014 - Research and Knowledge category for “Life Cycle of a Butterfly”

Asiago International Award for Philatelic Art 2012 - winner for “Land” stamp in set of 3 for United Nations conference on sustainable development in Rio

Cannes Gold Lion 2010 – Billboards Cannes Bronze Lion 2010 – Illustration Cannes Bronze Lion 2010 - Press The Big Won 2010 – 1st in Press Campaigns Creative Circle Awards 2011 Silver in Illustration (Craft Print) Creative Circle Awards 2011 Bronze in Magazine Campaign (Press) Creative Match Flair Award for Illustration 2011 Daler Rowney Award for Outstanding Paper Sculpture 1997

Client List
SunSense, Kleenex, United Nations, Charles Darwin University, Nestlé, Sogo Hong, Kong, Sandoz, Macy's, MidFirst Bank, California Lottery, Delta TechOps, Safeguard Handwash and Jack-In-A-Box.

Kate combines an artist’s eye for colour with a witty imagination. Using her background in fashion and talent for design, Kate creates amazing, innovative crocheted pictures – each one an original. Kate’s philosophy is that anything can be created from yarn as long as it is made with love, and over the past few years Kate’s career has seen her create a knitted greasy spoon cafe, a crocheted supermarket, an American Diner and entire fish counter! She continues to work on commissions for public and private collections worldwide.

Soft and skilfully painted, Dena Cooper’s fashion illustrations also offer moments of striking contrast and intensity. Her lifelike models look as they could walk right off the page and join in with your conversation.

With a background in fashion design, Dena is now a leading New York illustrator with a growing list of industry clients. Transplanted into Brooklyn from Fredricksburg, Virginia, she loves New York and Fashion Week in particular. “I’m very influenced by street style that I see around the city, specifically the effortless chic that so many New Yorkers exude walking down the street.”

Further inspiration comes from designers like Marchesa, Dior, Delpozo, and Viktor & Rolf, but Dena also loves reading, running, a good cup of coffee or a glass of wine.

Dearwater Illustration has built a national reputation for creating clean and thought-provoking images for some of the world's most notable design firms and agencies. This work has been featured in Communication Arts, American Institute of Graphic Arts Annual, The New York Art Directors Club and The New York Society of Illustrators.

Peter has a degree in world art history and anthropology, specializing in Japanese culture, and taught for three years at state schools in the mountains of rural Japan. His intricate hand-made work focuses on the human figure, and particularly the face. His work is tender, playful and at times surreal. A fascination with the interplay of figurative imagery and abstraction has excited a recent interest in combining stylized subject matter with surface pattern.

Isobel is a paper engineer and illustrator, living and working in the beautiful county of Dorset. Isobel graduated from the Arts University Bournemouth in 2012 with a degree in Textile design, where she specialised in creating illustrative patterns and print designs using a cut paper technique. Isobel continues to use this method to create detailed work and miniature sets, using layers of card and cut paper. Isobel has worked with a number of clients in fields such as advertising, editorial, branding, live illustration events and most recently film. Clients include The National Trust, Tesco, Lands' End, Harveys Furniture, Benson for Beds & Wilderness Festival. When not wielding a pair of scissors or a scalpel, some of her other pastimes include baking, prising scraps of stray paper from the jaws of her miniature schnauzer Otto, running along the Dorset coast, flowers and photographing colourful things.

Based in beautiful Bristol, Chris Malbon, AKA Melb is an active member of the area’s thriving art and design scene, regularly giving talks at local colleges and universities. He classes himself as a creative all-rounder, comfortable designing and illustrating from the side of matchboxes to large murals, be it in pencil, pen, paint or pixel, he’s happy using them all.

Incredibly experienced and versatile, Chris is able to adapt his style and creative process to fit the demands of the job in hand, this ability makes Chris a winner for any campaign large or small. The end result is always of the highest quality both artistically and commercially. He is constantly figuring out innovative new concepts and ideas to push his art.

A hardworking and prolific contributor, Chris has created work for an array of clients and agencies over the past 15 years. He has worked on campaigns for Coca-Cola, Sony, London 2012, Unilever, Carhartt, Nestle, Nike and MTV and has plenty more impressive credits under his belt, so he is no stranger to the pressure that comes from working on high-profile campaigns.

His career has taken him on a journey through some renowned studios including Attik, Zip Design, Version, Sun House and McFaul Studio.

Client List: Nike, Lucas Films, Coke Olympics 2012, Bristol City College, BBC, Discovery Channel, Hero Complex Gallery, Gallery1988, Aardman, Mondays MoCo, Lounger Productions, Clutter Magazine, Digicel, Computer Arts Magazine, AnyForty, EA Games, Hugo Boss x Martin Kaymer, Henrik Stenson, Nesspresso, David Guetta, Orange / EE, Clearasil, Design Council, Shortlist Magazine, Vintage TV, Mauger Modern, Luma, KIA, DJ Magazine, The Economic Review

Berlin based Art Director and Designer working within branding, illustration, editorial design, packaging design and contemporary art. Dividing his time between personal projects and working with a variety of international clients like Sony Music, Penguin Classics, Swatch, The Guardian, Brew Dog, Jura Whisky, The Economist, Columbia Records, JP Morgan & Chase, Skoda, Jägermeister and many more.

Florian performs his own recognizable style, while also being able to adapt to his customers’ preferences. Growing up in the skate & punk scene of the 90s, he later attended art college in Düsseldorf while constantly touring the world with a variety of bands. After winning several Design awards like ADC, German Design Awards, Illustrative Nominee and Red Dot Award he became an official member of Germany’s Art Directors Club.

Loud, lively, frenetic and expressive, Ben Tallon’s artwork captures the many moods of modern life thanks to his instinctive drawing style and ample splashes of ink, brush marks and scribbles. His ability to organize chaotic creativity and turn it into a captivating image is exactly what his clients want.

Growing up in Keighley, West Yorkshire, Ben loved Leeds United, wrestling and video games as a child. They still give him inspiration today, and sometimes feature in his work, alongside pop icons and TV stars. Now located in London, Ben is passionate about creativity and is the author of Champagne and Wax Crayons, as well as the host of the podcast Arrest All Mimics. He has a BTEC in Graphic Design from Keighley College, and a BA in Illustration from the University of Central Lancashire.

APPROACH
Pens, inks, brushes, found materials and textures, acrylics, spray paint, pastels, wax and colored pencils – Ben is very much a mixed media creative. He’ll use worn out old brushes that have a little more depth and character than new ones, and favors the unexpected or happy accident. Photoshop is used to layer everything together and finalize the composition.

STYLE
Ben’s style is loose and organic, full of marks and gaps because he likes to engage viewers by leaving something to the imagination.

AWARDS
2015 – Dot London Small Business Awards – Creative Agency of the Year

CLIENT LIST
Ben has been commissioned by clients including The Guardian, EasyJet, Adidas, World Wrestling Entertainment, Comic Relief, Channel 4, The Wall Street Journal, UNICEF and more.

Bob Venables is the go-to illustrator for any project that requires illustrations executed in a classic style. Matisse, Hogarth, Wyeth, Rackham, Lowbrow… whatever look you’re after, Bob will deliver. He’s a pastiche illustrator par excellence.

Bob has worked on many high profile advertising campaigns, including the Profit Hunter ads for Artemis, which have run for over a decade. His versatility, eye for detail, and ability to evoke the past while conveying contemporary themes to contemporary audiences are what keep clients coming back again and again. Originally from Birmingham, Bob worked in London and established himself on the advertising scene before moving to the Isle of Wight, where life is a little more relaxed. He studied Graphic Design at Central Saint Martins gaining a BA, and did archaeological illustration for a year before becoming a freelancer.

APPROACH
Bob works in a whole range of media, depending on what’s required by the commission. On the traditional side he uses oil, acrylic, alkyd, watercolor, and pen and ink, but he’s also happy working digitally on his Wacom Cintiq.

STYLES
Primarily a pastiche illustrator, Bob is adept at recreating just about any look – from 1930s propaganda-style posters to old maps, and from neoclassical still lifes to jolly 19th century book illustrations.

CLIENT LIST
Bob works for a range of top-flight clients including Guinness, British Airways, Artemis Asset Management, the BBC, Adidas, Sony, Heinz, Tesco, Waitrose, John Smiths, FIFA, VW, BMW and the Folio Society.

Lisa Sheehan lives and works as an illustrator in Bedfordshire. During her BA Illustration at Kingston University (many moons ago) she decided she wanted to become a 3D artist/model maker. Back then that meant literally making the model shooting it and all the faff that went with it, which as a young graduate seemed all a bit too much so Lisa fell into the world of graphic design becoming an Art Director for the Financial Times and spent the next 15 years commissioning CGI artists. The drive to create never left and the desire to produce her own work became so strong that she decided to create the illustrations herself. By working night and day, to grasp the technology of the CGI wizardry, her dreams of ‘model making’ were now back on track albeit within the digital world.

Lisa is a 2D/3D ‘image maker’ producing imaginative CGI illustrations that are often typographical with a pop of colour. Lisa loves to create fun pieces with detailed delicate forms as well as mixing 2D and 3D to create illustrations for advertising and editorial work. The idea that you can, with CGI technology, create almost anything your creative mind can conjure up continues to inspire Lisa every day.

Lisa works part time for the Financial Times as an art director and in-house illustrator, she has extensive magazine cover art-direction experience, having art directed several Financial Times magazines. Lisa is also a published Children’s book illustrator/Author, with an MA in Children’s book illustration from Cambridge school of art.

Previous clients include: Business Life Magazine from British Airways, Tesco, Women’s Health UK, Cosmopolitan UK, Fabulous Magazine (The Sun on Sunday), The New Statesman, The Financial Times, FT Weekend, Accounting Monthly Magazine, The Banker Magazine, Investors Chronicle, FDI Magazine, Money Management, Nikkei.

Shortlisted for the AOI World Illustration Awards 2018.

Chico Hayasaki has been working on a wide range of projects for advertising agencies, magazines and cosmetic brands around the world. Recent clients include Godiva, Afternoon Tea and LOTTE.

She has been a regular contributor to various charity works around the world including My Little Pony Project(USA), Snoopy 's 60th Anniversary(China), PRODUCT (Red) T-shirt by GAP(Global), as well as “366 ART HEART COCORO,” hosted by LOVE FOR NIPPON in support for the victims of earthquake in Japan.

A resident of Yokohama, Japan, holds BFA from Lewis & Clark College in Portland.

Jeffrey Fulvimari began his illustration career in 1993, and soon he was working on prestigious jobs, including commissions for Barney’s New York and regular contributions to Interview magazine. Over the years, he has gone on to work in nearly all aspects of printed media, including advertising, sales promotion and editorial layouts. His illustrations have also been animated and broadcast on Nickelodeon, MTV and VH-1, The Food Network and numerous television commercials in Japan. Jeffrey is most recently known to a wide audience for his collaboration with Madonna, illustrating her wildly successful 13 volume set of children’s books entitled The English Roses.

In 1998 Jeffrey was invited to exhibit his work at the Parco Gallery in Tokyo, which in turn launched his Japanese career. He has published two monographs in Japan: It’s OK and Everything’s Gonna Be Alright (1998) and Jeffrey Fulvimari’s Greatest Hits (2003), an eclectic collection of drawings, photos, songs and poems. He has since exhibited extensively with solo shows of his paintings and drawings throughout Japan and Asia.

Beginning in 1999, Jeffrey has produced a broad range of licensed goods in Japan and has also launched popular product lines in the US, the UK, France, Italy, Mexico and other territories. These products – covering the gamut of apparel, stationery, handbags, leather goods, bath products, household items and footwear – are sold in quality outlets including Barnes and Noble, Kohl’s, Mark’s and Spencer, Top Shop and others.