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Roe, Monika

After graduating with a degree in graphic design, Monika Roe worked as an art director and creative director for ad agencies in Los Angeles and Indianapolis. Now a full-time illustrator, some of Monika's clients include: Microsoft, Toyota, Mattel, Diet Coke, Pantene, Coty, Conde Nast Publications, Penguin Group, Doubleday, Random House, Harper Collins, Simon & Schuster, Time Inc., The Wall Street Journal, and Hallmark. Her work has been featured in STEP inside design magazine and Adweek. Monika's studio is located in the beautiful wine country of California's central coast, where she lives with her two pugs, Ladybug and Bumblebee. She likes Danish modern furniture, browsing estate sales and drinks way too much coffee.

Laura Ralli

Laura Ralli is an italian artist, a sculptor, a storyboard artist, a character designer, an illustrator of books for children and young. She combines traditional and digital techniques.

Lomax, Liz

Liz Lomax is an award-winning New York artist who incorporates sculpture, design, painting and photography into her work. She creates illustrations for advertising campaigns, magazines, newspapers, books and album covers. Her unique, hand-sculpted illustration style, which grew from a love of creating shoebox dioramas as a child, is a breath of fresh air in this age of computer generated imagery. She is widely recognized as one of the leading figures in her field and has been published in Communication Arts, American Illustration, Society of Illustrators, TASCHEN art books and many prestigious books on illustration. She has chaired and juried illustration competitions and taught at Parsons, Pratt and lectured worldwide. Her clients include Barneys NY, Black Entertainment Television, Bloomberg, DC Comics, Entertainment Weekly, Lucky Brand Jeans, Miramax, Newsweek, Rock ‘n’ Roll Fantasy Camp, Rolling Stone, Saatchi & Saatchi, Seventeen, and VH1 Classic (and many more)

Mallart, Bruno

Humorous, surealistic, Wacky, financial, computer, digital, conceptual, portrait, collage, absurd, music, machinery, mechanical , contraption, medical, fun, architecture, Imaginative illustration for corporate, advertising, licensing, publishing and editorial use. Bruno Mallart is represented by the David Goldman Agency.

Borge, Richard

My evolution in fast forward: Madagascar, Fargo, Tucson, Asheville, Manhattan... ultimately landed in Brooklyn. I work primarily on editorial and corporate / advertising illustration and animation / motion design. I am well versed in visual consulting and creative direction. One of my favorite aspects of visual communication is the conceptual process, be it selling a product or conveying the intricacies of a complex article.

A selected CLIENT LIST includes: WhiteOps, McKinsey, Siegel+Gale, Olympus, AVID, Sony Music, Vampire Weekend videos, MTV, IFC, Meat Beat Manifesto, Fast Company, Time, Newsweek, Wall St Journal, NY Times, Washington Post, Forbes, Bloomberg, Inc, Epson, AT&T, HP, AMEX, Deutcshe Bank, Verizon, Reebok, IBM, and Coca-Cola.

This Holiday season, I worked with The School of Visual Arts to design a poster for the “ART IS!” subway series. It’s been so fun to see these all around the city.

In late 2018, I had a great time animating Steve Brodner’s drawings for The Alec Baldwin Show. Tight deadlines and a great team of people!

Awards (partial): Communication Arts, Print, The Society of Illustrators (NY + LA), American Illustration, 3×3 annual, and numerous Telly Awards.

Scott, Vicky

Growing up in West London near Richmond and the Thames, Victoria Scott was always drawing and making things as a child, and knew from an early age that she wanted to be an illustrator.

Her influences come from the early 20th century, such as Art Deco and Art Nouveau, but she also enjoys a bit of 60s psychedelia.

Vicky went to the Wimbledon School of Art and Design for foundation, and then went to the University of Brighton to gain a BA in Illustration.

All of Vicky’s illustrations are created as handmade paper collages. By its very nature, Vicky’s work is highly figurative, and you’d describe it as quirky, colourful, bold, graphic and a little retro. She likes to bring a narrative element into her work as much as possible.

Client List Microsoft Volkswagen Radio Times Top Sante magazine Dobbies Garden Centre Paperchase The Elephant Parade Bayer Regents College Queen Mary's University

Armstrong, Gail

Gail Armstrong has been creating paper sculptures for over 20 years and her enthusiasm for the medium hasn’t waned one snip. She still wants every image she creates to be better than the last, and this approach has led to plenty of awards, including a Cannes Gold Lion for her Kleenex campaign. She finds inspiration in contemporary art and, not surprisingly, the huge Paperchase outlet on Tottenham Court Road in London.

Gail did her foundation course at Sheffield Polytechnic before gaining both a BA and Post Graduate Diploma in Graphic Design and Illustration at Glasgow School of Art.

Though finally rendered in pieces of paper that have been carefully cut and glued together, each image Gail creates begins as a series of drawings. As she explores the composition and various concepts, she focuses on creating something that has both style and substance to it. The result is usually a photograph of her artwork, which viewers love to see more than once, poring over the textures, colours and patterns in the final construction.

Awards
Shortlisted in AOI Illustration Award 2014 - Research and Knowledge category for “Life Cycle of a Butterfly”

Asiago International Award for Philatelic Art 2012 - winner for “Land” stamp in set of 3 for United Nations conference on sustainable development in Rio

Cannes Gold Lion 2010 – Billboards Cannes Bronze Lion 2010 – Illustration Cannes Bronze Lion 2010 - Press The Big Won 2010 – 1st in Press Campaigns Creative Circle Awards 2011 Silver in Illustration (Craft Print) Creative Circle Awards 2011 Bronze in Magazine Campaign (Press) Creative Match Flair Award for Illustration 2011 Daler Rowney Award for Outstanding Paper Sculpture 1997

Client List
SunSense, Kleenex, United Nations, Charles Darwin University, Nestlé, Sogo Hong, Kong, Sandoz, Macy's, MidFirst Bank, California Lottery, Delta TechOps, Safeguard Handwash and Jack-In-A-Box.

Barber, Isobel

Isobel is a paper engineer and illustrator, living and working in the beautiful county of Dorset. Isobel graduated from the Arts University Bournemouth in 2012 with a degree in Textile design, where she specialised in creating illustrative patterns and print designs using a cut paper technique. Isobel continues to use this method to create detailed work and miniature sets, using layers of card and cut paper. Isobel has worked with a number of clients in fields such as advertising, editorial, branding, live illustration events and most recently film. Clients include The National Trust, Tesco, Lands' End, Harveys Furniture, Benson for Beds & Wilderness Festival. When not wielding a pair of scissors or a scalpel, some of her other pastimes include baking, prising scraps of stray paper from the jaws of her miniature schnauzer Otto, running along the Dorset coast, flowers and photographing colourful things.

Fuentes, Edu

Born in Madrid and currently based in London, Edu Fuentes has been working as a freelance illustrator since 2003, combining a wide range of commercial projects with personal work and exhibitions.

With a combination of bold colours and geometry, his artwork orbits between the symbolic and the mechanical, playing with depth of field and multilayered objects. He is inspired by science, cinema and pop culture, and makes a sisyphean attempt to learn Japanese every once in a while.

His work has been featured in the books Understanding Illustration, Ghosts of Gone Birds and Three By Three Illustration Directory.

Previous clients include: Wired UK, Mayor of London, BMW, Zurich, More Than, Monocle, Times Higher Education, GT Nexus, Kaplan, WPP, Financial Management, Bulletin, STEP Journal, FM World, WeAreBold, Oxford University Press.