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Webb Creative

Webb Creative provides concise, graphic illustrations using an aesthetic of flat shape and color to build engaging imagery, from conceptual interpretations, to info graphics.

Prades, Simon

Simon Prades, born in 1985 into a german/spanish family is living in Saarbrücken, Germany with his wife and son.Since finishing University with a diploma in Graphic Design, he has been working as a freelance illustrator for clients in Editorial, Publishing, Sports, Advertising and Film.

Simon works in analog techniques, such as ink, pencils or watercolor but also digitally, depending on the subject. His work is often a combination of detailed and complex drawings and narrative ideas. Depending on the subject his illustrations can also be rough, spontaneous and moody. He also creates slightly animated versions of his illustrations, which can be used in digital publishing and media.

Simon has worked for clients such as:The New York Times, The New Yorker, HarperCollins, Bloomberg, The Atlantic, Scientific American, Rolling Stone Magazine, Medium.com, The Guardian, New Statesman, VICE, The New Republic, Der Spiegel, Cicero Magazin, Esquire, Empire Magazine, Entertainment weekly, Nike, Ubisoft, BBDO, Ogilvy & Mather, Serviceplan and Y&R.

Wilson, Joe

Leicester-born Joe Wilson studied at Leeds Metropolitan University, Graduating with a bachelor of arts degree in Graphic Arts and Design in 2007. After a lifetime of drawing and doodling Joe Wilson became serious about being an artist at an early age and has left himself 'no other option'. Joe Wilson took an interest in printmaking at university and studied this heavily in his final year, with a great deal of his work taking the form of screen prints and etchings. This forms the foundation of Joe Wilson's work today, although since finishing university and leaving the print facilities, other ways of creating similar effects have had to be employed. Joe Wilson's work consists of painstakingly detailed, hand-drawn illustrations, usually in fine-line pen or pencil, that are then scanned and edited on the mac. Joe Wilson takes his influence from an array of sources including old engravings, 70s Vinyl covers and surrealist art. Joe Wilson is particularly interested in ideas of evolution, space, and complex constructions. Joe Wilson's unique drawing style attracts a mixture of different clients from editorial to fashion, he has produced work for clients such as: The Guardian, Adidas, 21st Amendment, Mojo magazine, Prospect Magazine, RKCR/Y&R, The Yards, Peter Werth, The Big Chill Festival, and Topshop. With aspirations to establish himself firmly as an illustrator, he hopes to work on many more commercial projects whilst continuing to produce his personal 'thought experiments' for his own pleasure.

The Red Dress

The Red Dress is a London based Illustration duo, Olivia Chancellor and Ollie Bland. This husband and wife team met while studying Graphic Design and Illustration at Central St. Martins in 1996. The Red Dress' love for all types of Vintage posters (especially B-Movies) and Pulp Fiction illustration has inspired Olivia and Ollie to join creative forces. Drawing upon over 10 years experience in Fashion, T.V/Film, the Art world, Illustration and Design, The Red Dress produce striking, often dark but humorous images by painting Contemporary Culture in a Retro style. This usually includes bold hand drawn typography. Using Oils and Acrylics as well as computer based painting they can work from sourced photographic images or freestyle.

Phillips, Craig

Craig phillips has been providing illustrations to the publishing and advertising industries in the United States, Australia and Europe for over a decade. He has created book jackets and interior art for Random House, Penguin, Scholastic, Simon & Schuster, Hachette Book Group, TOR Books, Wizards Of The Coast, Oxford University Press and many more. He has created tour posters for Red Hot Chili Peppers, Queens of the Stone Age and Foo Fighters and provided editorial work to many publications including Rolling Stone Magazine. His work has been included in art annuals such as Spectrum 13, 14, 15, 16, 17 and 18, Society Of Illustrators 53, Luerzers 200 Best Illustrators Worldwide, The Art Of Modern Rock, A Fistful Of Rock, Creative Quarterly 16 and 23. Work has also been exhibited at the Society of Illustrators 53 Book Illustration exhibition in New York, the 2nd Spectrum exhibition at the Museum of American Illustration, a group exhibition at the Erskine gallery in Sydney and a solo exhibition at the University of Arkansas in Florida.

Roe, Monika

After graduating with a degree in graphic design, Monika Roe worked as an art director and creative director for ad agencies in Los Angeles and Indianapolis. Now a full-time illustrator, some of Monika's clients include: Microsoft, Toyota, Mattel, Diet Coke, Pantene, Coty, Conde Nast Publications, Penguin Group, Doubleday, Random House, Harper Collins, Simon & Schuster, Time Inc., The Wall Street Journal, and Hallmark. Her work has been featured in STEP inside design magazine and Adweek. Monika's studio is located in the beautiful wine country of California's central coast, where she lives with her two pugs, Ladybug and Bumblebee. She likes Danish modern furniture, browsing estate sales and drinks way too much coffee.

George, Patrick

Peter Scott's (a.k.a PatrickGeorge) skills of illustration and design are largely concept-driven, clean, punchy and witty. He enjoys working on his own children's books (A drove of bullocks, A filth of starlings, Little Miss Muffet and other rhymes, and Opposites published by PatrickGeorge), but his style works equally well in a corporate and media context. PatrickGeorge’s previous clients include Toyota, GQ, Royal Mail, Houses of Parliament, Kent tourism and The Times. He has also produced a book of names which is a playful typographical treatment of 100 boys and 100 girls names (What's in a name?)

Webb, Neil

Neil lives and works in Brighton. Since completing a degree and post graduate studies at Middlesex University and Central St. Martins, he has illustrated for a wide range of clients, including; The BBC, Publicis, Caspian Publishing, The Economist, LaSalle Bank, The Financial Times, The Sunday Times, The Guardian, Corbett, New Scientist, Medicus, OUP, The Radio Times, The Telegaph, The Royal Bank of Scotland, Verizon, Virgin Atlantic, Sony, The Washington Post, Bloomsbury, Time Out, Hodder, Design Week, Interbrand, BT, Conran Design.

Acadia, Leo

Conceptual graphic illustrations by way of a bold, colorful, and fun approach.... Leo Acadia has created colorful graphic illustrations for a wide range of clients - such as The Wall Street Journal, New York Times, Boston Globe, Time, and Reader's Digest - as well as for book covers, advertising, and pharmaceutical clients. He has earned recognition from The Society of Illustrators, Communication Arts, American Illustration, 3x3 Illustration Annual, and The AltPick awards. More images can be seen at LeoAcadia.com - (link is above).

Infomen

Infomen is an information and graphic design firm jointly run by designers Aman Khanna and Carlos Coelho. Operating from their studios in New Delhi and London, Infomen has been providing a successful design service to a wide variety of international clients since January 2006. Their specialization and user centered approach to design enables them to take complex design problems and convert them to user-friendly and understandable creative solutions. Previous clients include The Times, The Daily Telegraph, BBC Olive Magazine, Red Bulletin, Time-Out Magazine, Which Magazine, Mens Health, El Mundo Newspaper, Greenpeace, Pearson Education, O Jogo, Esquire Magazine, and Maxim.

Baker, Andrew

Andrew Baker is a successful practicing illustrator, with a strong reputation in editorial illustration and poster design. He won a Gold Award for Editorial illustrator from the Association of Illustrators in 2003, and his work has been featured in the Design, New Media and Editorial sections of the AOI Images Annual and in the D&AD annual. His work is seen in most serious newspapers and magazines, from The Guardian to New Scientist, and in on-line environments, shop windows and on posters and book covers. He is primarily concerned with using images for storytelling or conveying messages. Drawing, colour, a love for ephemera and an eye for retro design inform his work. Projects are started with drawing and completed using illustrator and Photoshop in a distinctive way. Much of his work is designed to be seen in sequential form, for example sequences of images for The Economist or the BBC web-site, but he remains passionate about the power of the single key image. Andrew Baker is a graduate of the Royal College of Art and teaches part-time on the illustration course at Middlesex University. He recently curated the SHED exhibition and contributed to Steady Gigs, The Charity Shop Compendium and Doodlearth. Recent clients include: BBH, The Guardian, The Times, Barclays Bank, The Economist, The Radio Times, Diageo, The Spinvox, Harvard Business Review, The Mail on Sunday magazine, Dorling Kindersley, Lloyds, Readers Digest books, The Telegraph, Esterson Associates, Kings College.

Herring, Matthew

Matt uses a montage of found & self-generated graphic material to create assured, vibrant images for the Publishing, Design & Advertising industries. These images are selected from recent projects. They range from book jackets, magazine covers, newspaper features, instore signage, billboard posters, through to direct mail, annual reports & advertising campaigns. The work falls into several stylistic categories. Firstly a traditional collage & photo montage approach used predominantly for editorial work. With other images he’s employed a more graphic approach, using flat colour, vector shapes & simple lines to create a more contemporary feel. Previous clients include: Adobe, Nike, MTV, British Airways, Vanity Fair, Natwest, HSBC, BBC Worldwide, Toyota, Sainsbury’s, BP, Honda, Esquire, Penguin, Corvette, The Times, The Royal Mail, Norwich Union, FT, Computer Arts, which? The Radio Times, Business Week, GQ, Waterstones, IBM, Loaded, Harvard Business Review, RAC, Mojo, Shell, Nasdaq, LloydsTSB, Timeout, 5live, US news, The Guardian, Jeep Chrysler, Harrods, Directline, The Economist.

Williamson, Alex

Alex Williamson was born in England in 1973 and now lives and works as an illustrator and Graphic Artist in London. Alex Williamson has a BA Graphic Design (printmaking) from Leeds Metropolitan University and an MA in Communication Design from the RCA. Alex creates original artwork using cut-out, collage and print techniques, combining found ephemera, drawing and photography. His work is concerned with experimental graphic process, fiction and narrative. Alex works on a wide range of commercial commissions and projects in the publishing, corporate, editorial and advertising sectors as well as producing and exhibiting personal experimental work. He also lectures in Design for Interaction and Moving Image on the Graphic Design BA at the London College of Communication. Previous clients include: Vodafone, Science Museum, Lastminute.com, Penguin, MTV, Washington Post, Levis, Havana Club Rum, Tiger Beer, The Guardian, Time Out, Orion, GQ, Macmillan, NatWest, Sony, BBC Radio One, Random House, The Economist, ICM Models, Gartner, McKinsey, Fortune Magazine, The Independent, The Face, Sunday Times, Getty Images, Financial Times, Portobello Books, The New Yorker, Department For Transport and Citigroup. Alex Williamson also works in Moving Image - previous clients have included: MTV, BBC, Channel 4, E4, Chrysalis, October Films, Big Life, Parlophone, Polydor, Rough Trade, Nickelodeon.

Newman, Malane

As a life-long illustrator and cartoonist, Malane Newman now mainly focuses on cartoon illustration, freelance cartooning, character design, and licensed character artwork. Contracted licensed character work includes Mattel’s Barbie – A Fashion Fairy Tale and The Toon Studio of Beverly Hills - Fairy Tale High. Her portfolio includes digital illustrations for packaging, advertising, new character development, board games and toys, and children’s books. Malane Newman has worked quite extensively with clients designing original cartoon characters and illustrating their new products. Malane Newman’s work also appears in a number of periodicals that include greeting cards, children’s books, magazines, newspapers and many others. She has also designed and developed an animated cartooned website for a line of children’s clothing and animated children’s story for use on an educational website. A real professional joy to work with! More of Malane’s illustrations can be found at http://www.malanenewman.com. Thanks for looking!

Yang, James

Illustration for corporate, advertising, licensing, publishing and editorial use. James Yang is represented by the David Goldman Agency.

Hanson, Sarah

Sarah's work is combination of traditional handmade and digital collage. Inspired by her travels and an avid collector of random ephemera, she finds and stores interesting bits of old paper, maps, photographs and various objects, which have all become strong elements in her work. For every new project she has a unique sift through the random piles, sketchbooks and pads that have accumulated around her studio selecting suitable elements as she goes. Previous clients include GQ, The Times, British Airways, Penguin, BBC Worldwide Ltd, Publicis, More Magazine, Waitrose, Caspian Publishing, Radio Times, Age Concern, Harper Collins, Renault, Delicious Magazine and The AOI.

Dryden, Jim

Illustration for corporate, advertising, licensing, publishing and editorial use. Jim Dryden is represented by the David Goldman Agency.

Morgan, Patrick

Patrick started his career as a freelance designer after gaining a Degree in Graphics and Illustration with Commendations for Print Making at Kingston University (London) in 1998. Patrick has done high profile work for global clients including: Transport of London, Cingular, Starbucks, Bacardi, Smirnoff, Coca-Cola and Waitrose, which has resulted in him having to work in Japan, Spain, Italy and the USA as well as London, and having his work appear in many more countries across USA, Europe and Asia. This work and exposure has resulted in Patrick's work being has been short-listed for and receiving commendations for a number of awards, including the Marketing Week Design Award for Corporate Design and Illustration, and the Design and Art Direction Award for Corporate Design and Illustration. (Most notably as a result of his work on the Selfridges Annual Report 2003.) He is also regularly featured in Creative review and the UK design press. On top of all of this Patrick has for the last 2 years been a university tutor, passing his skills onto the next generation of up and coming illustration graduates at the Istituto Marangoni – the prestigious Milan founded Fashion University. Patrick's most recent assignments find him as a spokesman for Hewlett Packard Arts Council and consultant for HP on the development of the HP 130 Large Format.

Ward, Mark

Mark Ward is an artist based in London. His work is derived from his obsession with Americana. Raised on a diet of Saturday morning cartoons, BMX, skateboarding, and drawing, Mark has kept true to his roots soaking up every last candy wrapper and morphing them into his surreal and comical visions. Growing up in the South London suburbs in the late 80’s, Mark was reading every possible American skateboard magazine he could get his hands on. He realized his grey London environment didn’t reflect the sunny California he was being sold in the magazines. Rolling through puddles in South London just doesn’t match up to cruising along Long Beach. Mark’s work mixes the everyday mundane with surreal elements of the 80’s American bubble, encouraging the viewer to see things differently, and peel back the gloss on the pop imagery that he worshipped in his childhood. A graduate of Central St Martins, Mark has been recognized by the Art Directors Club and received a Young Gun Award for his outstanding illustration work. He has exhibited internationally throughout Europe and America, in both solo and group shows. His work was also included in the Pop Art Design show at the Barbican. Alongside his personal work, Mark creates bold imagery for a wide range of commercial opportunities including fashion, magazine covers, editorial and large scale installations. Projects include signature work for Stussy, Burton Snowboards, Nike and Columbia Records. Clients include: Adidas, Anomaly, Atlantic Records, Burton Snowboards, Cadburys, Columbia Records, Converse, Etnies, The Guardian, HarperCollins, Jordan Air, Medicom Toys, Microsoft, MTV, Nike, Puma, Pepsi, Red Bull, The Shortlist, Sony, Stussy, Studio Output, UsTwo

Goudappel, Aad

He translates complex ideas and abstract themes into clear and powerful images. Aad creates illustrations that at first glance seem very simple. His distinctive style is characterized by the use of flat areas of color and the complete absence of lines. On closer look the mildly alienating images often contain multiple intellectual or emotional layers. This approach leads to works that are both timeless and contemporary.

Chivers, Sam

For several years I lead a double life. During the day I worked for a Design/Illustration studio producing work in a wide variety of styles for many different clients. Whilst in my spare time I was exploring more creative preoccupations though self-directed projects, often just enjoying a bit of creative freedom away from the pressures of the commercial world and being told what to do all the time.

Bringing together my love of drawing and geeking out on the computer, these quite often ended up as screen prints. Screen print is a process I’ve grown to love because of the restraints it imposes, I loved trying to create a sense of depth with just three or four layers. Often mistakes would be surprisingly pleasing.

After a while of incubation this work began attracting commercial clients (as I hoped it would) and eventually I made the leap to doing it full time.

My work naturally veers towards that blurry border point between science and nature. Recently I’ve become aware of how much I’m influenced by the countryside in which I live, and my tendency to fictionalise it through drawing.

My ambitions with my work are to keep making it better and continue to evolve as an artist. Presently my output mutated into a two pronged beast; I make these airbrushed sci-fi landscapes and then more hand drawn limited palette pieces – my aim is to carry on joining the dots in between these two styles somehow unifying them more.

Berry Rhys, Alan

Alan Berry Rhys is a graphic artist and illustrator home based in Buenos Aires, Argentina. He has been a graphic design professor at Buenos Aires University for 8 years. As an artist, I have produced several solo shows at Buenos Aires (Argentina), Rosario (Argentina), San Francisco (CA, USA) and Santiago de Chile (Chile). In addition, Alan has participated in several combined shows, at Portland (Oregon, USA), Buenos Aires (Argentina), Tandil (Argentina) and Asunción (Paraguay). He has been invited to the last 3 editions of Puma Urban Art in Buenos Aires.
He's worked for a wide range of commercial and commissioned works for brands developing graphic universes and illustrations.
Vintage graphic advertising inspires his work. He loves the look of low-fi printing. It's errors and limitations that give his work a distinctive characteristic. Using screen-printing, risograph and painting, Alan has developed a style based on low quality printing methods of the early graphic advertising. He also has extended work on lettering and typography.
In the search of inspiration of a simpler life he explores craftsmanship lifestyles, such as fishermen, axmen, butchers, carpenters, etc. In addition, he also enjoys exploring popular street graphic.
Alan has worked for brands such as Jack Daniel's, Absolut Vodka, Nike, Puma, Sol Beer, Cinzano, Vans, Oreo, Good Year, Penguin, California Customs, Pilgrim London, BlackFin, Gravedad Zero.

Borge, Richard

My evolution in fast forward: Madagascar, Fargo, Tucson, Asheville, Manhattan... ultimately landed in Brooklyn. I work primarily on editorial and corporate / advertising illustration and animation / motion design. I am well versed in visual consulting and creative direction. One of my favorite aspects of visual communication is the conceptual process, be it selling a product or conveying the intricacies of a complex article.

A selected CLIENT LIST includes: WhiteOps, McKinsey, Siegel+Gale, Olympus, AVID, Sony Music, Vampire Weekend videos, MTV, IFC, Meat Beat Manifesto, Fast Company, Time, Newsweek, Wall St Journal, NY Times, Washington Post, Forbes, Bloomberg, Inc, Epson, AT&T, HP, AMEX, Deutcshe Bank, Verizon, Reebok, IBM, and Coca-Cola.

This Holiday season, I worked with The School of Visual Arts to design a poster for the “ART IS!” subway series. It’s been so fun to see these all around the city.

In late 2018, I had a great time animating Steve Brodner’s drawings for The Alec Baldwin Show. Tight deadlines and a great team of people!

Awards (partial): Communication Arts, Print, The Society of Illustrators (NY + LA), American Illustration, 3×3 annual, and numerous Telly Awards.

Vasilakis, Anastasia

Anastasia Vasilakis is a multi diciplined artist who combines elements of photography with incredible drawing skill to create powerful conceptual illustrations.

Among the numerous prestigious awards Anastasia has been honored with are : The Society of Illustrators, Communication Arts and The Society of Publication Designers.

She has also been honored as a guest lecturer at The International Center of Photography, The New School and School of Visual Arts in New York, as well as The International School of Paris.

Her credentials don't end with the world of print however. She's also active as a graphic designer for Film and Television and has worked with such well known production designers as Laurence Bennett and Linda Burton.

A few of her clients inlude: The NY Times, The Wall Street Journal, LA Times, Time Magazine, Computerworld, CIO Magazine, Rolling Stone, Money Magazine, Showtime, HBO, ESPN, Sundance, SONY Records, Atlantic Records, Levi Strauss and Merck.

Anastasia's fine art paintings are collected internationally. Large scale commissions have been created for venues in Berlin, and City Winery's in Chicago, Nashville and New York City.

Falconer, Sam

Sam Falconer’s illustrations combining vibrant characters and intricate environments have been commissioned by clients ranging from leading national newspapers to renowned science magazines and universities.

Initially working purely by hand, Sam discovered a passion for digital collage in 2010 which later developed into his own unique brand of rich and detailed imagery. This method allows him to develop and turnover complex pieces with diverse character sets in timeframes that suit each client’s needs.

As a big science and technology fan, Sam has developed a strong presence in the field with clients including Nature, Nautilus, New Scientist, The Royal Society of Chemistry, Scientific American and Wired magazine. in 2015 Sam was commissioned by the acclaimed MIT Museum to rework their map designs for the general public.

Other clients include: British Airways, British GQ, Capital, Computer Arts, Deustch Inc, Emirates, The Guardian, The Independent, Intelligent Life, John Hopkins University, M & C Saatchi, Nokia, Reader's Digest, Scholastic, The Spectator, The Telegraph, The Times, The Washington Post.

In 2014 Sam was featured in IdN magazine’s New Faces of Inspiration issue as one of ten leading illustrators in the editorial field. His work was also exhibited in Taoyan city, Taiwan as part of Dpi magazine’s Space Odyssey exhibition.

Sam has a BA in Illustration and Animation from Kingston University and graduated in 2011.

Strain, Peter

Peter Strain is an AOI (Association of Illustrators) Critics' Choice Award-winning illustrator based in Belfast.
He specializes in creating carefully composed, hand-rendered illustration and typography and always tries to experiment with texture and mark-making techniques to keep his work evolving.
His work is hugely influenced by film and music and aims to tackle social, political and cultural issues with a highly distinctive hand lettering style, bold imagery and humour.
Clients & Projects include: Land of Giants, Empire, Esquire, Queens Film Theatre, The Ulster Hall, Unilever, Work Style Magazine, Jameson and The University of Ulster.

Garland, Paul

Paul Garland was born in Somerset, England. Studied at Somerset College of Arts & Technology, Epsom School of Art and Plymouth University and currently works from his studio in the North of England.

The images begin life with confident pencil drawings. These are then combined with handmade textures, painting, and printmaking to complete, vibrant digital imagery which allows for the works to be commissioned from and to anywhere in the world. His works often use metaphors to convey the brief in as simple and effective a way as possible.

His work has been recognised by the Society of Illustrators, American Illustration, 3x3, Luerzers Archive, Society of Illustrators of LA, the Association of Illustrators and the World Illustration Awards amongst others.

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Steininger, Otto

Conceptual/whimsical line drawings, sometimes with collage elements. For editorial, book publishing, corporate, and advertising. Also icons, wearables (Swatch) and animation for web and TV

Posti, Pietari

Based in Barcelona, Spain, Pietari Posti creates contemporary scenes with unique personalities for magazines, advertising, product, publishing, posters and newspapers. Pietari's work has been featured in the 3x3 Professional Illustration Annual, PRINT Magazine European Design Annual and American Illustration 27. - Previous clients include: The New York Times, New York Magazine, National Geographic Adventure, The Washington Post, The Los Angeles Times, The Guardian, Time Out, Nokia, American Airlines, British Airways, Runner´s World, Best Life, Wired, Dwell, Portobello Books, Business Week, Bloomberg Market and Paste Magazine.

Lovell, Andy

Andy’s work as an illustrator and printmaker is informed by making drawings and paintings from life which are then revisited through the medium of print. The original drawings are not an end in themselves but rather aim to catch the essence of a place in a form that can be translated to print back in the studio. He is drawn to the immediacy that the screen-print and monotype processes both allow and encourage and which result in a gestural and often graphic interpretation of these initial sketches and paintings done on location that capture a real sense of mood and place.

Andy’s printmaking is represented through galleries across the UK whist, as an illustrator he has worked on a wide range of commercial commissions, across the publishing, editorial, advertising and design sectors.

Clients include American Express, ABTA, Natwest bank, Singapore Airlines, Guardian Media Group, Bowmore Whisky, Hoopers, British Gas, Waitrose, Sainsbury’s, Morrisons, Saturday Times, The Sunday Times, The Times, The Guardian, Conde Naste, Time Inc., You Magazine, The Evening Standard, Time Out Magazine, IPC Media, National Magazines, Random House, Harper Collins, Faber & Faber, Friends of the Earth, Decca, EMI Sinead O’Connor & Shane McGowan - ‘Haunted’ Video Backdrop.

Work held in Collections 2009 PALACE OF WESTMINSTER COLLECTION, London

Work in Open Submission shows 2015 RWA Open Exhibition Bristol 2013 RWA Open Exhibition Bristol 2009 Royal Society of Marine Artists Mall Galleries London 2009 ORIGINALS 09 Mall Galleries London 2008 NEAC SHOW Mall Galleries London 2008 RBSA Print Prize exhibition 2008 Summer Exhibition Royal Academy London

One Man Shows 2013 One man show, Stroud 2009 One man show Castor & Pollux, Brighton 2009 One man show, Jersey Arts Centre 2007 ‘Andy Lovell Prints’ 1 man print show London 2005 ‘Shifting Views’1 man print show London

Group Shows and Exhibitions 2015 ‘As I walked out one Summer’ -Laurie Lee Centenary show Sub Rooms Stroud 2013 Organiser of & participant in IMPRESS’13 National Printmaking Exhibition Stroud 2013 Printmaking show, Assembly House,Norwich 2013 Joint show, The Gallery, Cromer, Norfolk 2009 Lichfield Arts Festival. Joint show with Angie Lewin and Alistair Tucker 2009 Organiser of & participant in IMPRESS’09 National Printmaking Exhibition Stroud

Gralingen, Christian

Christian Gralingen was born in Essen (Germany) and now lives and works as an Art Director and Illustrator in Berlin. He has a diploma in Communication Design from the University Duisburg-Essen (Folkwang). His client list includes design agencies, publishing houses, magazines, academic institutions and foundations.
His aesthetics have many influences but are particularly inspired by the imagery of scientific publications, construction plans and technical drawings.
References and previous clients include: Anna B. Design, Büchergilde Gutenberg, Burg Giebichenstein University of Art and Design Halle, Condé Nast, Die Andere Bibliothek, Gruner + Jahr, GQ Magazine, Hertie School of Governance, Hertie Stiftung, Lamborghini Magazine, Literaturhaus Stuttgart, Lufthansa Magazine, Ministry of Finance (Germany), Ogilvy, Rotes Kreuz, Slanted Magazine, The New Yorker, Territory, TÜV-Süd Magazine
Christian’s work has been recognised by 3x3, The Art Directors Club Germany, American Illustration, Freistil, Joseph Binder Award, The Society of Illustrators and The Type Directors Club. He was one of the judges of the 3x3 Illustration Annual 2015.
Christian is part of the creative collective "The Hof" located in the centre of Berlin. "The Hof" is an art space and also an association of designers, illustrators, photographers and copywriters.

McKenna, Josh

Born in a provincial British seaside town Josh McKenna is now based in London. Josh’s work is minimally designed but full of voluptuously, curved characters, his work focuses less on the details and more on asymmetric shapes in pleasing compositions using a soft west coast inspired palette. Tan lines and bodacious booties are rife in his portfolio but this fun, cheeky approach gives Josh’s stylised worlds personality.

McKenna’s creative process involves sketching ideas on iPad and Pencil, chopping and changing compositions and then moving to a computer to create vector artwork, adding textures and applying a carefully considered colour palette.

Josh McKenna graduated Falmouth University in 2014 and now works in editorial, advertising, shop windows and emojis on phones.

Fuentes, Edu

Born in Madrid and currently based in London, Edu Fuentes has been working as a freelance illustrator since 2003, combining a wide range of commercial projects with personal work and exhibitions.

With a combination of bold colours and geometry, his artwork orbits between the symbolic and the mechanical, playing with depth of field and multilayered objects. He is inspired by science, cinema and pop culture, and makes a sisyphean attempt to learn Japanese every once in a while.

His work has been featured in the books Understanding Illustration, Ghosts of Gone Birds and Three By Three Illustration Directory.

Previous clients include: Wired UK, Mayor of London, BMW, Zurich, More Than, Monocle, Times Higher Education, GT Nexus, Kaplan, WPP, Financial Management, Bulletin, STEP Journal, FM World, WeAreBold, Oxford University Press.

Loeffler, Max

Max was born in rural Germany in 1989 and started out illustrating extensive album artworks for punk and metal bands after doing his homework. After graduating from the Graphic Design department at Hochschule Darmstadt in 2017, he began working as a freelancer with renowned clients like The New Yorker, The New York Times, Adidas and Google. He still enjoys creating artwork for bands.

Influenced by the classic surrealists as well as retro science-fiction book covers, he likes to look below the surface of one-to-one visual translations, adding meaning and room for inference by wrapping his illustrations in the dense atmosphere of a surreal and melancholic parallel universe. His urge is to translate and decipher what can only be felt, not directly seen, and to amplify this visually, particularly in his personal work.

Max has worked with clients such as: The New Yorker , The New York Times , Google, GLOBE Brand, Future Islands, Bloomberg Businessweek, Folio Society, Atreyu, GQ Magazine, WirtschaftsWoche, DIE ZEIT, Adidas, Bandcamp, Medium, Cicero, The Economist, Variety, Wall Street Journal, The Hollywood Reporter, and The Shrine.

Awards: 2019: 3x3 AWARD SHOW Merit 2019: WORLD ILLUSTRATION AWARDS 2x Shortlist 2019: AMERICAN ILLUSTRATION 38 Winner 2019: SOCIETY OF ILLUSTRATORS “Illustrators 61” Exhibit & book 2018: JOSEPH BINDER AWARD Distinction 2018: GERMAN DESIGN AWARD Newcomer Nominee 2018: FOLIO SOCIETY BOOK COMPETITION Winner 2017: 3x3 STUDENT SHOW Gold 2016: JOSEPH BINDER AWARD Distinction 2016: ADC GERMANY Silver

Books: Lürzer’s 200 Best Illustrators 2018/2019 Freistil

Wolski, Marcin

Marcin Wolski is an illustrator and graphic designer with several years of experience in advertising, and editorial illustration. He began his artistic journey with traditional media, slowly moving to digital art. He lives and works in Sopot, Poland.

In his illustrations, Marcin tries to capture specific mood using simple shapes, colour and light to distill the essence of the story that he tries to tell in each illustration. His inspirations come from retro games and Polish socialist-era posters as well as modern illustration.

BloodBros.

BloodBros. is the studio of New Zealand-born illustrator and graphic artist Emile Holmewood, who currently lives in Tokyo.

Originally a graphic designer, he was once told by a studio creative director to remember he is a "graphic designer who illustrates, and not the other way around", Emile has since worked tirelessly to prove otherwise, bringing his artistic flair to everything he does.

Nevertheless, Emile’s unique style is underpinned by graphic design principles, and contradiction is central to his work: he constructs his illustrations in cold-hearted vectors, then warms them up with playful colours, a heavy dose of humour and sometimes; animation.

Emile's inspiration comes from a vast array of eclectic sources including LEGO, life in Japan, fish, baroque paintings, bubblegum and The Simpsons – to name but a few.

Some previous clients include:

The Sunday Times, Bank of America, Apple, IBM, The Verge, 99 percent invisible (podcast), La Quinta Hotels, IEEE, Radio New Zealand, Seamless, Exxon Mobil, Toshiba, Marketing Week and Bank West

Awards

2015 Best Awards Finalist 2013 Best Awards Silver, Bronze, Finalist, Finalist 2012 Best Awards Finalist 2011 Graphis Platinum 2009 Best Awards Finalist 2008 Best Awards Silver

Sheehan, Lisa

Lisa Sheehan lives and works as an illustrator in Bedfordshire. During her BA Illustration at Kingston University (many moons ago) she decided she wanted to become a 3D artist/model maker. Back then that meant literally making the model shooting it and all the faff that went with it, which as a young graduate seemed all a bit too much so Lisa fell into the world of graphic design becoming an Art Director for the Financial Times and spent the next 15 years commissioning CGI artists. The drive to create never left and the desire to produce her own work became so strong that she decided to create the illustrations herself. By working night and day, to grasp the technology of the CGI wizardry, her dreams of ‘model making’ were now back on track albeit within the digital world.

Lisa is a 2D/3D ‘image maker’ producing imaginative CGI illustrations that are often typographical with a pop of colour. Lisa loves to create fun pieces with detailed delicate forms as well as mixing 2D and 3D to create illustrations for advertising and editorial work. The idea that you can, with CGI technology, create almost anything your creative mind can conjure up continues to inspire Lisa every day.

Lisa works part time for the Financial Times as an art director and in-house illustrator, she has extensive magazine cover art-direction experience, having art directed several Financial Times magazines. Lisa is also a published Children’s book illustrator/Author, with an MA in Children’s book illustration from Cambridge school of art.

Previous clients include: Business Life Magazine from British Airways, Tesco, Women’s Health UK, Cosmopolitan UK, Fabulous Magazine (The Sun on Sunday), The New Statesman, The Financial Times, FT Weekend, Accounting Monthly Magazine, The Banker Magazine, Investors Chronicle, FDI Magazine, Money Management, Nikkei.

Shortlisted for the AOI World Illustration Awards 2018.

Fulvimari, Jeffrey

Jeffrey Fulvimari began his illustration career in 1993, and soon he was working on prestigious jobs, including commissions for Barney’s New York and regular contributions to Interview magazine. Over the years, he has gone on to work in nearly all aspects of printed media, including advertising, sales promotion and editorial layouts. His illustrations have also been animated and broadcast on Nickelodeon, MTV and VH-1, The Food Network and numerous television commercials in Japan. Jeffrey is most recently known to a wide audience for his collaboration with Madonna, illustrating her wildly successful 13 volume set of children’s books entitled The English Roses.

In 1998 Jeffrey was invited to exhibit his work at the Parco Gallery in Tokyo, which in turn launched his Japanese career. He has published two monographs in Japan: It’s OK and Everything’s Gonna Be Alright (1998) and Jeffrey Fulvimari’s Greatest Hits (2003), an eclectic collection of drawings, photos, songs and poems. He has since exhibited extensively with solo shows of his paintings and drawings throughout Japan and Asia.

Beginning in 1999, Jeffrey has produced a broad range of licensed goods in Japan and has also launched popular product lines in the US, the UK, France, Italy, Mexico and other territories. These products – covering the gamut of apparel, stationery, handbags, leather goods, bath products, household items and footwear – are sold in quality outlets including Barnes and Noble, Kohl’s, Mark’s and Spencer, Top Shop and others.

Tarunadjaja, Eveline

Indonesian born and raised, Eveline Tarunadjaja is an illustrator and designer based in Melbourne, Australia. Her artwork grew from everyday obsessions to an infatuation with patterns, textures and intricate line work.

Having completed a degree in Multimedia Design, worked at a fashion label and exhibited artwork in a solo show in 2006, Eveline decided to take on illustration full-time. Since then, she has been exhibiting her artworks in Australia, the US and Japan, as well as curating a number of group shows locally. Featured in various publications such as Hair ‘em Scare ‘em (Germany), Frankie Magazine (Australia), and Stella Magazine (UK), Eveline’s work and reputation have landed her a diverse list of clients, from fashion labels Sportsgirl, Hurley, Gorman and Anna Sui to Shock Records, Penguin Books and Seventeen Magazine.

With an endless curiosity for finding intricate details in nature, a fascination with storytelling through evocative images and a desire to explore different mediums and materials, Eveline’s delicate style is forever evolving and will surely make her slightly cross-eyed one day.

Adams, Kathryn

Illustration stock collection from Kathryn Adams showing a mix of editorial, whimsical, humour and stylized linework.

Smith, Tyson

Award-winning artist specializing in creative, humorous, and snazzy computer illustration is ready to fulfill your graphical needs. No timeframe is too short! In fact, I'm already done! Give me a call and see!

Alberg, Kari

AWARDS LIST:
American Illustration 15, 16, 18, 19, 20, 21
Communication Arts Illustration Annual 38, 39
Luzer's International Archive Vol. 6-1996
Single Image (backcover) 19
Society of Illustrators 40
Step-by-Step Graphics Volume 13 No.1e

Kondo, Yuko

Yuko Kondo is an illustrator, art director and animator based in London, UK. Yuko Kondo graduated from the Royal College of Art with an MA(hons) in Communication Art and Design. For his vibrant and intelligent work, Yuko Kondo is in demand with major brands and creatives world wide. Yuko has built up an impressive client base as listed below. Yuko Kondo’s aim is to entertain the viewer through his work, making bold use of colour, pattern and a distinct repertoire of surreal and often darkly humorous characters. His first book ‘Too Fat Can’t Fly’ was published though Pocko/Gingko. Yuko Kondo participated in many exhibitions across Europe, USA and Japan, with his first solo show taking place in London in 2009. Yuko Kondo’s latest project is ‘Y to R’, an art direction / design / branding unit he set up with experienced art director Ryuhei Nakadai who learned his trade at Hakuhodo (Japan’s biggest advertising agency). Previous clients include: Microsoft Windows 7, Playstation Portable, Playstation, PS3 (Little Big Planet), Nike, Coca Cola, LEE Jeans, Converse, Levis, Virgin Mobile USA, Orange, Doritos, Covent Garden, European Union, NYC GO, Don't Panic, Eurostar, TGV, Rail Europe, International Feel Recordings, Glasgow Underground Recording, Virgin Records, Merrydown, Uniqlo, Vans, Puma, Paul Smith, Random House, John Brown Publishing, Red Bulletin, Dazed and Confused, Time Out, Observer, Wallpaper*, Art Review, Complex Magazine & Milk Magazine.

nerosunero

Mario Sughi is a freelance illustrator/artist currently based in Dublin, Ireland. He studied at and received a B.A. from La Sapienza University in Rome, Italy. Soon after, he moved to Dublin where he had the opportunity to complete a PhD in the department of Medieval History, TCD. Afterwards he became an illustrator and graphic for MGL, a company of archaeolgist, and he has been working in this capacity for over 7 years. His client list includes notxt, fadweb, blanket, revolutionart. His work has been recognized by the Guild of Illustrators of Ireland.

Danz, David

Handcrafted scratchboard, woodcut, and linocut illustration, traditionally or digitally colored. On time, on budget, and online.

Jeremy Tankard Illustration

Fun, sometimes cute but with an edge. Editorial, advertising, comics, children's books, counter-culture, pop culture, album covers, etc. The drawings have a broad appeal.

Schmidt, Heidi

Food, landscapes, figures, animals and products for advertising and publications.
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