Lisa Sheehan lives and works as an illustrator in Bedfordshire. During her BA Illustration at Kingston University (many moons ago) she decided she wanted to become a 3D artist/model maker. Back then that meant literally making the model shooting it and all the faff that went with it, which as a young graduate seemed all a bit too much so Lisa fell into the world of graphic design becoming an Art Director for the Financial Times and spent the next 15 years commissioning CGI artists. The drive to create never left and the desire to produce her own work became so strong that she decided to create the illustrations herself. By working night and day, to grasp the technology of the CGI wizardry, her dreams of ‘model making’ were now back on track albeit within the digital world.

Lisa is a 2D/3D ‘image maker’ producing imaginative CGI illustrations that are often typographical with a pop of colour. Lisa loves to create fun pieces with detailed delicate forms as well as mixing 2D and 3D to create illustrations for advertising and editorial work. The idea that you can, with CGI technology, create almost anything your creative mind can conjure up continues to inspire Lisa every day.

Lisa works part time for the Financial Times as an art director and in-house illustrator, she has extensive magazine cover art-direction experience, having art directed several Financial Times magazines. Lisa is also a published Children’s book illustrator/Author, with an MA in Children’s book illustration from Cambridge school of art.

Previous clients include: Business Life Magazine from British Airways, Tesco, Women’s Health UK, Cosmopolitan UK, Fabulous Magazine (The Sun on Sunday), The New Statesman, The Financial Times, FT Weekend, Accounting Monthly Magazine, The Banker Magazine, Investors Chronicle, FDI Magazine, Money Management, Nikkei.

Shortlisted for the AOI World Illustration Awards 2018.

Michael Koelsch is an illustrator, designer and digital artist who acknowledges the beliefs of some of the great illustrators of retro era 50's and 60's - the giants like Coby Whitmore and Austin Briggs, who thought that keeping up with the times and evolving your style is as important as your sense of design and color... along with the fundamentals of drawing and painting.

He has worked with every major publishing house, countless advertising agencies, and a large number of design agencies and magazines. Best known for his retro style and horror film posters, Michael Koelsch continues to evolve and adjust his styles for each client.

Chris Long’s studio overlooks the leafy green expanse that is Clapham Common. From there he watches as the world goes by: polished young professionals hurrying for the Tube, children dawdling to school, postmen, joggers, shoppers, tramps and would-be Jeeves. Boy racers, limos, bikes and bikers, hybrids, mom trucks, double decker buses and the occasional horse drawn hearse.

In time, he’ll manage to capture them all in his charming, vibrant paintings that have over the years graced the pages and packaging of many: Mattel’s My Scene, QVC, Glamour, Penguin Books, BBC Worldwide, Vogue, Perrier, Pearson and The New York Times.

Growing up beside the sea, Chris absorbed all the brash colours, bold shapes and surreal incongruity of his hometown and channeled them into his paintings. His distinctive artwork quickly earned him a place in art school and packed off to Rome with a degree in Fine Art, Chris first drew fumetti for the notorious Italian magazine Frigidaire. A long spell at the New Musical Express gave him the chance to decorate their pages with his droll and pertinent characters of the time. Chris joined CWC in the 1990’s and immediately worked with Parco, Hanako, and Shiseido. His eye for detail and flair for characterization repeatedly attracts commissions from delighted clients in the US, Europe and Asia.

Doug’s drawings focus on architecture and detail featuring colourful, highly detailed compositions of surreal and fantastical architecture. His architectural drawing has been published and exhibited internationally including at The Royal Academy, The Slade and Roca Gallery’s. His illustration work has been commissioned by publications such as The New York Times, Wired and Empire Magazine. Alongside editorial work Doug has worked for companies such as Netflix on concept design for films, often directly with the film makers themselves, helping bring their architectural visions to life.

Doug completed his bachelor’s and Masters degrees in Architecture at UCL where his project ‘The San Francisco Columbarium’ won him the SOM Fellowship, Bartlett and Donaldson Medals. Doug now teaches part time running architecture and landscape design studios at the Bartlett School of Architecture, UCL.