Trained in technical illustration then went on to become a creative in major ad agency. Technical ability and a creative impulse led me to develop strong cgi and retouching skills for creative concepts. Recent clients: BA, Bradford & Bingley, John West, Pilkington, Lowry Arts, Bloomberg Businessweek, Boston Magazine, John Lewis,

Illustration for corporate, advertising, licensing, publishing and editorial use. James Yang is represented by the David Goldman Agency.

Award winning illustrator Michael Glenwood brings a fresh graphic vision to illustration, merging drawing skills and conceptual ingenuity with an interest in classic printmaking techniques to create a bold visual style.

For several years I lead a double life. During the day I worked for a Design/Illustration studio producing work in a wide variety of styles for many different clients. Whilst in my spare time I was exploring more creative preoccupations though self-directed projects, often just enjoying a bit of creative freedom away from the pressures of the commercial world and being told what to do all the time.

Bringing together my love of drawing and geeking out on the computer, these quite often ended up as screen prints. Screen print is a process I’ve grown to love because of the restraints it imposes, I loved trying to create a sense of depth with just three or four layers. Often mistakes would be surprisingly pleasing.

After a while of incubation this work began attracting commercial clients (as I hoped it would) and eventually I made the leap to doing it full time.

My work naturally veers towards that blurry border point between science and nature. Recently I’ve become aware of how much I’m influenced by the countryside in which I live, and my tendency to fictionalise it through drawing.

My ambitions with my work are to keep making it better and continue to evolve as an artist. Presently my output mutated into a two pronged beast; I make these airbrushed sci-fi landscapes and then more hand drawn limited palette pieces – my aim is to carry on joining the dots in between these two styles somehow unifying them more.

My evolution in fast forward: Madagascar, Fargo, Tucson, Asheville, Manhattan... ultimately landed in Brooklyn. I work primarily on editorial and corporate / advertising illustration and animation / motion design. I am well versed in visual consulting and creative direction. One of my favorite aspects of visual communication is the conceptual process, be it selling a product or conveying the intricacies of a complex article.

A selected CLIENT LIST includes: WhiteOps, McKinsey, Siegel+Gale, Olympus, AVID, Sony Music, Vampire Weekend videos, MTV, IFC, Meat Beat Manifesto, Fast Company, Time, Newsweek, Wall St Journal, NY Times, Washington Post, Forbes, Bloomberg, Inc, Epson, AT&T, HP, AMEX, Deutcshe Bank, Verizon, Reebok, IBM, and Coca-Cola.

This Holiday season, I worked with The School of Visual Arts to design a poster for the “ART IS!” subway series. It’s been so fun to see these all around the city.

In late 2018, I had a great time animating Steve Brodner’s drawings for The Alec Baldwin Show. Tight deadlines and a great team of people!

Awards (partial): Communication Arts, Print, The Society of Illustrators (NY + LA), American Illustration, 3×3 annual, and numerous Telly Awards.

Renowned in the field of commercial art, Peter Bollinger is an award winning illustrator whose clients include Grey Advertising, Sony Entertainment, DreamWorks, Sega, Wizards of the Coast, Nintendo, Mars, Harper Collins, Scholastic and many other publishing, advertising, and entertainment organizations. Holding degrees in industrial and environmental design, Peter's expertise covers diverse fields, from the design of computer terminals and street furniture, to monorails and automobiles. He has won major design and illustration awards in the United States, Australia, Italy and Japan. He undertakes architectural and concept design for numerous clients locally and abroad such as Disney Imagineering, Discovery Communications, and numerous Japanese theme parks. Peter works in two separate styles, traditional airbrush and digital illustration, although the two have become more and more similar with each passing technical innovation. Once a die-hard New Yorker, Peter now lives in the relative tranquility of Silverado, CA with his wife, Cybele their son, Zak, and daughter Galatea.

Sam Falconer’s illustrations combining vibrant characters and intricate environments have been commissioned by clients ranging from leading national newspapers to renowned science magazines and universities.

Initially working purely by hand, Sam discovered a passion for digital collage in 2010 which later developed into his own unique brand of rich and detailed imagery. This method allows him to develop and turnover complex pieces with diverse character sets in timeframes that suit each client’s needs.

As a big science and technology fan, Sam has developed a strong presence in the field with clients including Nature, Nautilus, New Scientist, The Royal Society of Chemistry, Scientific American and Wired magazine. in 2015 Sam was commissioned by the acclaimed MIT Museum to rework their map designs for the general public.

Other clients include: British Airways, British GQ, Capital, Computer Arts, Deustch Inc, Emirates, The Guardian, The Independent, Intelligent Life, John Hopkins University, M & C Saatchi, Nokia, Reader's Digest, Scholastic, The Spectator, The Telegraph, The Times, The Washington Post.

In 2014 Sam was featured in IdN magazine’s New Faces of Inspiration issue as one of ten leading illustrators in the editorial field. His work was also exhibited in Taoyan city, Taiwan as part of Dpi magazine’s Space Odyssey exhibition.

Sam has a BA in Illustration and Animation from Kingston University and graduated in 2011.

Oliver's outstanding brand of high resolution visual imagery, coupled with his reputation for making experienced and finely judged inputs to briefs continues to attract leading clients seeking distinctive solutions from all over the world. Oliver enjoys working at the cutting edge of digital technology, employing the latest advances in 2d and 3d visualisation. Oliver has also worked extensively in the film and animation industry, directing videos for MTV, contemporary dance and television. Previous clients include: Penguin Books, Camel, Lowe, Saatchi and Saatchi, Egmont books, BBC Focus, BP, GQ magazine, Collins, Money Observer, The Times, Sony, Campaign, V&A, Ford, BBDO, Egmont Books, Wolf Olins, Sky At Night, The Royal Institute,Gyro Worldwide, The Banker, The Economist, Investors Chronicle, The Sunday Mail, Men's Health, Men's Fitness, Faber books, Findlay Publications, Sainsburys, Seimens, Quercus Books, JWT, Magazine, Dorlin Kindersley, Trident Communications, IPC media, Baber Smith, Caspian Publishing, The Independent, Bates USA, Condenast, Random House, Rainmaker, FT, Orion Books, McCann, BT.

Paul Garland was born in Somerset, England. Studied at Somerset College of Arts & Technology, Epsom School of Art and Plymouth University and currently works from his studio in the North of England.

The images begin life with confident pencil drawings. These are then combined with handmade textures, painting, and printmaking to complete, vibrant digital imagery which allows for the works to be commissioned from and to anywhere in the world. His works often use metaphors to convey the brief in as simple and effective a way as possible.

His work has been recognised by the Society of Illustrators, American Illustration, 3x3, Luerzers Archive, Society of Illustrators of LA, the Association of Illustrators and the World Illustration Awards amongst others.

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Max was born in rural Germany in 1989 and started out illustrating extensive album artworks for punk and metal bands after doing his homework. After graduating from the Graphic Design department at Hochschule Darmstadt in 2017, he began working as a freelancer with renowned clients like The New Yorker, The New York Times, Adidas and Google. He still enjoys creating artwork for bands.

Influenced by the classic surrealists as well as retro science-fiction book covers, he likes to look below the surface of one-to-one visual translations, adding meaning and room for inference by wrapping his illustrations in the dense atmosphere of a surreal and melancholic parallel universe. His urge is to translate and decipher what can only be felt, not directly seen, and to amplify this visually, particularly in his personal work.

Max has worked with clients such as: The New Yorker , The New York Times , Google, GLOBE Brand, Future Islands, Bloomberg Businessweek, Folio Society, Atreyu, GQ Magazine, WirtschaftsWoche, DIE ZEIT, Adidas, Bandcamp, Medium, Cicero, The Economist, Variety, Wall Street Journal, The Hollywood Reporter, and The Shrine.

Awards: 2019: 3x3 AWARD SHOW Merit 2019: WORLD ILLUSTRATION AWARDS 2x Shortlist 2019: AMERICAN ILLUSTRATION 38 Winner 2019: SOCIETY OF ILLUSTRATORS “Illustrators 61” Exhibit & book 2018: JOSEPH BINDER AWARD Distinction 2018: GERMAN DESIGN AWARD Newcomer Nominee 2018: FOLIO SOCIETY BOOK COMPETITION Winner 2017: 3x3 STUDENT SHOW Gold 2016: JOSEPH BINDER AWARD Distinction 2016: ADC GERMANY Silver

Books: Lürzer’s 200 Best Illustrators 2018/2019 Freistil

Lisa Sheehan lives and works as an illustrator in Bedfordshire. During her BA Illustration at Kingston University (many moons ago) she decided she wanted to become a 3D artist/model maker. Back then that meant literally making the model shooting it and all the faff that went with it, which as a young graduate seemed all a bit too much so Lisa fell into the world of graphic design becoming an Art Director for the Financial Times and spent the next 15 years commissioning CGI artists. The drive to create never left and the desire to produce her own work became so strong that she decided to create the illustrations herself. By working night and day, to grasp the technology of the CGI wizardry, her dreams of ‘model making’ were now back on track albeit within the digital world.

Lisa is a 2D/3D ‘image maker’ producing imaginative CGI illustrations that are often typographical with a pop of colour. Lisa loves to create fun pieces with detailed delicate forms as well as mixing 2D and 3D to create illustrations for advertising and editorial work. The idea that you can, with CGI technology, create almost anything your creative mind can conjure up continues to inspire Lisa every day.

Lisa works part time for the Financial Times as an art director and in-house illustrator, she has extensive magazine cover art-direction experience, having art directed several Financial Times magazines. Lisa is also a published Children’s book illustrator/Author, with an MA in Children’s book illustration from Cambridge school of art.

Previous clients include: Business Life Magazine from British Airways, Tesco, Women’s Health UK, Cosmopolitan UK, Fabulous Magazine (The Sun on Sunday), The New Statesman, The Financial Times, FT Weekend, Accounting Monthly Magazine, The Banker Magazine, Investors Chronicle, FDI Magazine, Money Management, Nikkei.

Shortlisted for the AOI World Illustration Awards 2018.

With 27 years experience as a designer, photographer and illustrator, David Julian creates Fresh,conceptually strong, well designed digital illustration using Photoshop to produce his own mix of imaginative photo-realism. His work incorporates painterly texture, iconic elements and dramatic realistic dimensional lighting. Prompt client communicatons, flexibility and efficiency are assured. Topics in his work include technology, psychology and mystery book covers, movie and event posters, education & schools, health care, science, medicine, industrial, investing, history, fashion, children, editorial, architectural, computers, corporate, environmental, pharmaceutical advertising, entertainment and music, environmental, travel, politics, portraits, and social culture. CLIENTS INCLUDE: HBO, Discovery Channel, Cisco, IBM, CBS, Sony Entertainment, Microsoft, LA, CHI & NY Times, Oracle, TimeWarner, George Lucas, Penguin, Harvard Press, Pearson, ZiffDavis, and countless periodicals CDs and books. Awards in PRINT, One Show, Creativity and SND annuals.

Beth Croce is an illustrator of medical and biological subjects. Examples of fine art, equine, and biomedical illustration and animation are available here.

Featuring science illustration from Nicolle Rager Fuller, Sayo-Art specializes in bold artwork that pulls you in to visually communicate complex ideas and topics. At Sayo-Art you'll find a visual storyteller to showcase your scientific and technical discoveries, from DNA to the stars, infographics to editorials. With a graduate degree in science illustration you can be confident of accuracy. Whether you're a scientist, an editor, or a nature lover, you'll discover creative ways of looking at subjects new and old. Subject matter includes: biology, biochemistry, geology, cellular, botany, zoology, animals, medicine, health, textbook, education, astronomy, chemistry, physics, nano, nanotech, green energy, solar

Graphic Illustration for Corporate, Editorial, Advertising and Children's Books. Clients include: The Grammy Awards, Playboy Jazz Festival, Wall Street Journal Asia, The Washington Post, Expenience Life Magazine, M.A.D.D., Manpower Inc., OmniPod, Syngenta, Ketchum Canada Inc., World Wildlife Fund, Ontario Parks, Clarks Shoes UK, Up with Paper, Scholastic Books, Penguin Putnam, Skinner House Books, Cambridge University Press UK, Chirp Magazine, Two Peas in a Bucket,, and Kids' CBC. Digital files can be supplied as vector. KEYWORDS: Animals Green Eco Nature Wildlife Fun Whimsical Retro Digital Computer Illustrator Photoshop Fashion Design T Shirt Poster Retail Merchandise Environment Vintage Scrapbooking, food, beverage, drink, posters, packaging, travel, coffee, wine, business, financial, conceptual, suit, briefcase, retro, madmen, cool, Children Cute Kids

Freelance digital and traditional illustration with specialist knowledge in all areas of botany, zoology, paleontology and biology. London, England.

Geras Healthcare Productions specializes in the dramatic and insightful interpretation of science and medicine in digital illustration, 3D modeling and computer animation.

My specialty is Natural Science Illustration and includes wildlife. I also specialize in people and have illustrated books. I work in acrylic, airbrush and computer.

With over 20 years experience as an Illustrator, Jim has a wide range of styles & skills seen at http://www.jimstarr.com. Jim received his BFA from Carnegie Mellon University in 1982. Today, Jim primarily illustrates electronically, but also continues to work in traditional techniques. My goal in every assignment is to work closely with the designer/art director to come up with a conceptually strong and well designed illustration." Jim has worked for a wide range of clients needs including logos, icons, package design, editorial, corporate, portraits, event posters, and web graphics. Jim works in many different styles including graphic, scratch board, airbrush, woodcut, pastel, paintings, watercolor, pencil, and pen and ink. His work has been accepted into Print magazine, the Society of Illustrators Annual, and the Washington DC. Illustrators Club Annual Exhibit. Fresh,conceptually strong, well designed digital illustration, specializing in archictectural, comic, comic conceptual, comic humorous, conceptual, digital, multiple styles, pen and ink, realism, science, wacky, whimsical, logos , graphic , scratchboard, pastels, paintings, airbrush, speckled, textured, posters, icons, web, art, editorial, corporate, travel, books, children, education, entertainment, games, gaming, gameboards, comic, humorous, design, industrial, industry, manufacturing, labor, infographics, maps, lifestyle, architectural, impressionistic, line with color, line and color, montage, nature, animals, stipple, silhouette, sports, technology, computers, transportation, vacation, wildlife, historical, retro, traditional, wacky, whimsical, scratch board, digital, llustrator, photoshop, painter, collage, black and white, black & white, watercolor, vector, pencil, oil, acrylic, realistic, realism, photo realism, painterly, packaging, package, financial, money, investments, investing, characters, identity, government, political, cartoon, charts, diagrams, business, food, dining, landscapes, medical, magazine, arts, music, childrens books, display, point of purchase, pop, holidays, partys, identity

Tamara currently lives in beautiful Hampshire, England where she continues to freelance for a range of clients and produce images of local wildlife. She is also expanding her work through her involvement with the Winchester Cathedral Scribes, the Prince’s School of Traditional Arts and various local creative groups. She hopes each project she pursues will bring art and science together in ways that educate, inspire and communicate concepts which might otherwise remain hidden.

Tom's work is both classical and contemporary and juxtaposes symbolism, concepts and realistic form to tell a story. His work is a hybrid of illustration, design and photography. The distinctiveness of each is combined to create a contemporary visual solution. Clients range from major international corporations, agencies, design firms and publishers to smaller new businesses, boutique agencies and firms. Specialty areas include business, healthcare, technology, concepts, finance, editorial, etc.

Scott Roberts has been making pictures his whole life and has worked as a freelance illustrator for over 25 years. His bold, graphic illustrations communicate concepts with economical use of imagery and a lack of visual clutter. Awards include The Illustrators Club of Washington, Print's Regional Design Annual, Art Directors Club of Metropolitan Washington, Society of Publication Designers, Society of Illustrators of Los Angeles and Society of Illustrators in New York. Clients include: U.S. News & World Report, New York Times, Wall Street Journal, American Express, Hewlett Packard, IBM, CitiFinancial, Entrepreneur, Southwest Airlines, US Airways, Harvard Business Review, Verizon, Smart Money, Barron's, Forbes, Consumer Report, Washington Post, Johns Hopkins Medicine. Scott lives and works in Bel Air, Maryland.

Andrew Archer has been an illustrator since 2006 and has worked with an enviable list of the worlds most recognizable brands and publications. Inspired by surrealism, wood block prints, edo period art, ideograms and his time spent in Asia, his work is a self asserting mix of hallucinogenic color and rhythmic line. Best suited to briefs that allow him to indulge his imagination and unique color palette, clients who offer some creative freedom are gifted with extraordinary and distinctive visuals that always gain attention. Google image search ‘Everything Everything Gone to Heaven” for a perfect example of the power of Archer’s imagery to become an internet sensation, it is no wonder he is a popular choice with music and sports brands wanting to captivate their audience.
Clients include:
Nike, WIRED, Sony, ESPN, The Economist, FIA Formula E, MOJO, Red Bull, Playboy, Saatchi & Saatchi, BBC, Samsung, Bombay Sapphire, Random House, TBWA, BBDO, Q Magazine, Adidas, OUT, GQ Magazine, Washington Post, Spin, EMI Music, NY Observer, Fortune, New York Times, Audi EU, Vogue FR, Penguin Books, New Scientist, Elle, Men's Health magazine.

A complete web site dedicated to forensic art.

Minick uses bold pen-like lines, thoughtful composition and a saturated palette. Sam has sixteen years of experience as a freelance illustrator and eight years as a graphic journalist. He has created work for Volkswagen, Kelloggs, Field & Stream, Smithsonian Magazine, Ringling Museum and Adobe. His tenure in the newsroom makes him a reliable resource for dynamic, accurate and integral visuals on tight deadlines.

Linda Carruth creates strikingly realistic digital illustration, technical drawings, and conceptual photo collage, with the utmost attention paid to detail, for the industrial and business communities.

My name is Tim Gunther. I am a freelance scientific illustrator from Solana Beach, California. I studied marine biology at the University of California Santa Barbara, and received a Masters Certificate in scientific illustration at the University of California Santa Cruz. My clients include the Marine Biological Laboratory Woods Hole Oceanographic Institution, the National Oceanic and Atmospheric Administration, several international universities, environmental consulting firms, various aquariums, natural history museums, scientific journals, and magazines. I utilize a wide variety of media, and my specialties include natural science, botany, paleontology, entomology, and aquatic science.

Rendermedia is a Digital Illustration and Animation company with a track record for producing High end imagery & Animation for Broadcast, Interactive and the Design Industries

Intelligent illustration and flash animation for editorial, corporate, advertising and design firms. Keyword search over 1000 stock illustrations available online, direct from artist. Recent clients include: Computer Associates, eQuest, Fujitsu, Hewlett Packard, IBM, Ingram Micro, Ladies' Home Journal, Microsoft, Novell, Oracle, Scholastic, SHRM, Sprint, U.S. News and World Report and many more...

Serge Seidlitz, an English/German hybrid born in Kenya, grew up traveling between the U.K. and Asia, and a steady diet of MTV and Mad Magazine fueled his desire to become an illustrator. He combines elements from popular culture with diverse influences to create work that forms an iconic and graphic language, and explores original ideas through maps, infographics, character design, and other media. Following his studies in graphic design at Camberwell College of Arts, he worked as an in-house designer at Cartoon Network before leaving to focus on illustration. Seidlitz has an ever-evolving list of clients, including The New York Times, The Guardian, NME Magazine, MTV, VH1, Lush Cosmetics, British Airways, Sony Playstation, Vodafone, Orange, Coca-Cola, and Honda. He won an AOI Gold Award in 2006 and his first solo show was mounted in London in 2011.

Infographics®: SPECIALISTS IN TECHNICAL DESIGN, PUBLISHING, ILLUSTRATION and ANIMATION Infographics® - specializes in communicating product, technical and instructional information through visual tools specifically designed for the end-user. We address technical communications challenges for a wide range of clients including AquaGlass, Bosch, diy Network, GE Healthcare, Hon, Husqvarna, InSinkErator, Jacuzzi, Lowe's, Oxo, Rubbermaid, Sanford, and Viking Range Corporation. For more than 15 years, infographics® has specialized in producing easy-to-use instructions. Infographics simplifies complex and abstract information in collateral and training materials with graphics, illustrations, and animations. Infograhics Specialties: Technical illustration, information graphics, infographics, instruction, illustration, animation, technical communications, motion graphics, data visualization, concept visualization, sequencing

Mark Von Ulrich earned his BA in design and Illustration from Columbus college of art and design in Columbus, Ohio. He works in the editorial, advertising and publishing fields. Selected clients include Harvard Business, Electronic Business, Playboy and Barnes & Noble. Riley Illustration is his representative.

Paul commenced his art career as a graffiti artist in Liverpool (including legal commissions), but soon found new ways to commercially express his love for art, type and design. Educated in both Liverpool and Buckinghamshire, he gained a degree in Graphic Design and Advertising.

Paul then spent 4 years at MacUser magazine, where he received awards for his Art Direction including Best Designed Business magazine in the Total Publishing Awards. Throughout this time he became well known for his design-led illustration working both for MacUser and other clients.

Paul has spent the last 16 years working as a freelance Creative Director and Illustrator (general art bod…). He has used his compositional skills and dynamic range of styles to work with clients on widely differing projects, from CDs, posters, book covers, brochures, packaging, branding, fine art as well as magazines and the inevitable family projects such as designs for weddings and funerals!

Paul has been featured in various design and art magazines. His work has also appeared in illustration books and he has given talks on his style, techniques and inspiration. Paul has worked with a number of stock libraries and released 5 stock art discs of his illustrations for Getty, which have been best sellers for many years, He has been on numerous judging panels, including, Digital Art Awards for The Association of Photographers and Amnesty International. His illustration work has also appeared in various exhibitions.

Clients include Agfa, Apple, BAE Systems, Barclays, BBC, BT, BP, Coke Cola, Computer Arts, Citroen, EMI Music, EON, Ford, Getty, General Electric, Glaxo, Guardian Newspaper, Hewlett Packard, Logica, Jaguar, Orange(EE), New Scientist, Peugeot, Shell, Vodafone, Virgin and Westfield.

Science art in a searchable database. Scientific, medical and nature Illustration. Contact artists directly. Specialities: Animal, Botanical, Geology, Amphibians, Anthropology, Archeology, Astronomy/Space, Birds, Cartography, Dinosaurs, Embryology, Entomology, Fishes, Histology, Invertebrates, Mammals, Marine Life, Paleontology, Physics, Reptiles, Vertebrates, Anatomical, Dental, Human, Microbial, Microscopic, Molecular, Pharmaceutical, Products, Surgical, and more...

Conceptual, iconographic, metaphorical, textured, layered and colorful

Judy Reed Silver's style focuses on an eclectic collage of illustration, design, photography, vintage and modern. She has been inspired by nature, vintage fabrics and silk Japanese kimonos, how they can be applied to surface design from rugs, stationary, shoes, T-shirts, tableware, bags, product packaging, store displays, posters, wall décor and how art as design can apply to our everyday living environment.  Judy creates for such clients as Sherwin-Williams, Disney, U.S.P.S., Emory University, Publix and The Natural History Museum of Los Angeles. She has illustrated children's books and cookbooks for Chronicle Books and Simon & Schuster/Silver Burdett & Ginn. Her editorial clients range from Newsweek, Boston Globe, Bon Appetit, New England Journal of Medicine. She has exhibited in several one woman shows and national group shows of mono-types, giclee prints and illustrations, featured in Communication Arts Annual, The Society of Publication Designers Best Spot Illustrations & Brochures, Visions Magazine, How's Promotional Design Annual, Stir Magazine, and Taxi Design. She received her BFA from Art Center College of Design in Pasadena.

Roy creates dynamic digital images out of his NYC studio that meld a love of color with concept for clients such as Saatchi & Saatchi, TIME, Inc, Grey Advertising, HBO, New York Times, CHASE, GigaPan, Springer-Verlag, TIAA-CREF, The New Yorker, IBM, Smithsonian, NYU, Procter & Gamble, AT&T, McGraw-Hill, MSNBC among others. His art has appeared in American Illustration, Communication Arts and HOW magazine. Keywords: architecture, business, charts, conceptual, corporate, design, digital_3D, editorial, infographics, maps, photo collage, publishing, realism, science, stylized realism, technology, text, trade

I’m passionate about communicating the value and beauty of genomic science. I study current scientific literature, attend science conferences, and work with scientists to understand the person and their research. Then I write, design, and illustrate to explain what they do and why we should care. The outcome could be an art exhibit, animated video or interactive eBook. When a project is published, I give talks to scientists and the general public about the collaboration and creative process.

Kenneth Batelman is an award winning freelance illustrator with over twenty years experience in commercial art. Using Adobe Illustrator as a medium, Kenneth creates vector illustrations and graphics for print and on-line media. Kenneth received a bachelor's degree in graphic design from School of Visual Arts in New York. In addition, Kenneth serves as an adjunct instructor of art and design at various colleges and is the author of "Adobe Illustrator Paths and Curves", published by J. Wiley & Sons, Inc.

Illustration for Publishing, Advertising, Editorial and Institutional clients

DNA Illustrations is a biomedical visualization company specializing in custom concept illustrations for editorial and advertising use. Our award winning illustrators each have twenty years of experience working with images for surgery, anatomy, disease process, mechanism of action, patient education and immunology.

> Dynamic, compelling, and persuasive custom animations & illustrations developed to promote your product, increase product trial and utilization.> 14 years of track record for delivering exceptional quality, experience, and service.> Unique combination of artistry and in-depth knowledge in medical science and technology behind clients' products.> Creative process that centers around frequent communication with the client so we get it right the first time!

Viktor Koen was born in 1967 in Thessaloniki, Greece. He holds a BFA from the Bezalel Academy of Arts & Design in Jerusalem and an MFA with honors from the School of Visual Arts in New York City. Mr. Koen serves on the faculty of Parsons School of Design and the MFA program of the School of Visual Arts. His images are regularly published in the NYTimes Book Review, Time, Newsweek, Esquire, Money and Forbes.
Previous clients include: Atlantic Records, Delta Airlines, IBM, Penguin Putnam, Random House, Doubleday, Simon & Schuster, Harper Collins, National Geographic, Rolling Stone, Reader’s Digest, New York, Man’s Journal, Bloomberg Personal, Fortune, Smart Money, Business Week, Wall Street Journal, The Boston Globe, Chicago Tribune and the Los Angeles Times.

Daniel Johnson is a digital artist with a BFA in Illustration and a background in traditional media. Now a freelance illustrator and visual effects artist, he worked for years as an Art Director, Illustrator, and Animator at an ad agency in Sonoma County, CA. Dan is an Adobe Certified Expert and has taught computer graphics at various locations in California, including the Academy of Art University in San Francisco. As a digital artist, he is largely self-taught and enjoys sharing his experience gained through years of trial and error. He won the Guru award in Illustration at the 2007 PhotoshopWorld and was also the spotlighted designer in the May/June 2008 issue of Layers magazine.

Whether you're looking for information on my work, pictures of dinosaurs or information on how to paint digitally, I hope I have provided the information you need.

Illustrations of plants, animals, frogs, fish, birds and more.

Herpetological, biological, and scientific illustration. Pen and Ink and digital technical rendering for research articles, reviews, text books, and projects. We can accommodate any level of detail and any budget.

Sally Bensusen combined her science and art backgrounds to become a full-time scientific illustrator in 1981. She operated her own studio for over 21 years. She has been commissioned regularly by the National Geographic Society, Smithsonian Magazine, Scientific American, Horticulture, Ranger Rick,The Nature Conservancy, Garden Design, and various other publications worldwide. For years, her work appeared on every cover of the National Science Foundation's signature magazine, Mosaic.

With over 20 years of experience, Marc Tobin produces a wide variety of Creative Imagery ranging from Magazine, Children's Book and Poster Illustrations to Logo Design and Web Graphics.

Dearwater Illustration has built a national reputation for creating clean and thought-provoking images for some of the world's most notable design firms and agencies. This work has been featured in Communication Arts, American Institute of Graphic Arts Annual, The New York Art Directors Club and The New York Society of Illustrators.