Webb Creative
Metz, Justin
Borge, Richard
A selected CLIENT LIST includes: WhiteOps, McKinsey, Siegel+Gale, Olympus, AVID, Sony Music, Vampire Weekend videos, MTV, IFC, Meat Beat Manifesto, Fast Company, Time, Newsweek, Wall St Journal, NY Times, Washington Post, Forbes, Bloomberg, Inc, Epson, AT&T, HP, AMEX, Deutcshe Bank, Verizon, Reebok, IBM, and Coca-Cola.
This Holiday season, I worked with The School of Visual Arts to design a poster for the “ART IS!” subway series. It’s been so fun to see these all around the city.
In late 2018, I had a great time animating Steve Brodner’s drawings for The Alec Baldwin Show. Tight deadlines and a great team of people!
Awards (partial): Communication Arts, Print, The Society of Illustrators (NY + LA), American Illustration, 3×3 annual, and numerous Telly Awards.
Bollinger, Peter
Burston, Oliver
Posti, Pietari
de Giorgi, Sergio
Wagenfeld, Bernd
Archer, Andrew
Clients include:
Nike, WIRED, Sony, ESPN, The Economist, FIA Formula E, MOJO, Red Bull, Playboy, Saatchi & Saatchi, BBC, Samsung, Bombay Sapphire, Random House, TBWA, BBDO, Q Magazine, Adidas, OUT, GQ Magazine, Washington Post, Spin, EMI Music, NY Observer, Fortune, New York Times, Audi EU, Vogue FR, Penguin Books, New Scientist, Elle, Men's Health magazine.
Chris Peterson Illustration
Minick, Samuel A.
Carruth, Linda
Watkinson, Mark
Aspinall, Neal
Park, Jun
McGowan, Shane
Price, Paul
Paul then spent 4 years at MacUser magazine, where he received awards for his Art Direction including Best Designed Business magazine in the Total Publishing Awards. Throughout this time he became well known for his design-led illustration working both for MacUser and other clients.
Paul has spent the last 16 years working as a freelance Creative Director and Illustrator (general art bod…). He has used his compositional skills and dynamic range of styles to work with clients on widely differing projects, from CDs, posters, book covers, brochures, packaging, branding, fine art as well as magazines and the inevitable family projects such as designs for weddings and funerals!
Paul has been featured in various design and art magazines. His work has also appeared in illustration books and he has given talks on his style, techniques and inspiration. Paul has worked with a number of stock libraries and released 5 stock art discs of his illustrations for Getty, which have been best sellers for many years, He has been on numerous judging panels, including, Digital Art Awards for The Association of Photographers and Amnesty International. His illustration work has also appeared in various exhibitions.
Clients include Agfa, Apple, BAE Systems, Barclays, BBC, BT, BP, Coke Cola, Computer Arts, Citroen, EMI Music, EON, Ford, Getty, General Electric, Glaxo, Guardian Newspaper, Hewlett Packard, Logica, Jaguar, Orange(EE), New Scientist, Peugeot, Shell, Vodafone, Virgin and Westfield.
Wilson, Oscar
Foster, Jeff
Francis, John
Sanders, Martin
Larsen, Eric
Mantha, John
His major commissions include the design of nine coins for the Royal Canadian Mint, one of which was chosen coin of the year. He has done commemorative pieces for The Ford Motor Company and the Toronto Transit Commission, as well as 34 paintings for The Church of Our lady Of Good Counsel.
Working for book publishers, advertising agencies, magazines, corporations, television and movies, his work has been seen throughout North America.
Thus far, John has illustrated twenty-four books, including the Kids book of Canada's Railway, which won The Children's Literature Roundtables of Canada 2001 Information Book Award, and was an official selection for the 2003 Red Cedar Book Awards. The Kids Book of Canadian Exploration was nominated for the 2006 Hackmatack Award for non-fiction.
He works in oils and oil-wash, and uses photoshop to enhance the finished piece. His style is realistic in nature with an emphasis on texture.
Garland, Paul
The images begin life with confident pencil drawings. These are then combined with handmade textures, painting, and printmaking to complete, vibrant digital imagery which allows for the works to be commissioned from and to anywhere in the world. His works often use metaphors to convey the brief in as simple and effective a way as possible.
His work has been recognised by the Society of Illustrators, American Illustration, 3x3, Luerzers Archive, Society of Illustrators of LA, the Association of Illustrators and the World Illustration Awards amongst others.
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Johnson, Daniel
Andre Junget Traditional Illustration
In 2004 Mr. Junget was invited to teach Perspective at the Institute for the Study of Classical Architecture. That year also found him closing the doors to his studio and beginning a career as Illustrator in Residence at the prestigious classical architecture firm of Ferguson and Shamamian.
In 2006, Mr. Junget moved to the firm of Hart Howerton Planners and Architects also as Illustrator in Residence.
In 2007, with the support and sponsorship of the venerable pen and ink illustrator Murray Tinkelman, Mr. Junget was elected to the Society of Illustrators, a life long dream.
March of 2009 saw Mr. Junget once again opening the doors of his freelance studio as Andre Junget Traditional Illustration.
McKenna, Josh
McKenna’s creative process involves sketching ideas on iPad and Pencil, chopping and changing compositions and then moving to a computer to create vector artwork, adding textures and applying a carefully considered colour palette.
Josh McKenna graduated Falmouth University in 2014 and now works in editorial, advertising, shop windows and emojis on phones.
Crush
Oliver, Mark
Even when he worked at Alliance International, Mark took the opportunity to illustrate his own ads. With over 20 years under his belt as a freelance illustrator, today he creates imagery for some of the biggest brands and top names in publishing. Now based in Worthing on the South Coast, he’s inspired by Raymond Loewy, Hergé and Eduardo Paolozzi. Mark has a degree in Graphic Design from Middlesex University.
APPROACH
Mark has used a wide range of media during his career, from physical painting and collage through to Illustrator and Photoshop. Most projects these days are tackled digitally, but he loves to draw and paint as well if it suits the commission.
STYLES
Mark works in a variety of styles that he adapts to suit the requirements of a job. His favorite at the moment involves an isometric perspective, geometric shapes and a distressed finish with a retro palette.
CLIENT LIST
Mark’s impressive client list includes Macmillan, Visa, Toyota, Volkswagen, The Times, Punch, Faber & Faber, Penguin Books, Macmillan, Bloomsbury, OUP and British Gas.